ifitbeyourwill Podcast – Détails, épisodes et analyse

Dream pop isn’t about turning everything down — it’s about tuning everything in. That’s the pulse of our talk with Mirrorball, the Los Angeles duo behind those lush, cinematic songs that somehow still feel like they’re whispering right to you. From the first late-night demo to a surprise label release, their story drifts through noisy beginnings, an obsession with sound, and the quiet confidence that comes with learning when not to play.

We get into how they write: Scott starts with grooves, guitars, and synths in Logic. Alex listens, and melodies spill out — sometimes all at once, sometimes over time. Some songs bloom in a day; others sit for months, waiting for the right mood to arrive. Recording, for them, is a kind of home — layering overdubs until the room disappears and only the song remains. Playing live, though, demands something different: less control, more trust. The goal isn’t to be louder, it’s to make people feel. Small choices, big emotion.

There’s honesty, too, about what it means to be an indie band now. Without a label, they’ve handled everything themselves — the videos, the press, the endless scroll — keeping things moving with a steady run of singles. Now they’re building toward a full LP, something that captures the whole arc of who they’ve become. With producer Chris Coady’s touch — tiny shifts in timing, arrangements that breathe — the songs pulse and shimmer instead of shout. At home, Alex tracks vocals dry, chasing raw takes; Scott trims the noise, staying closer to what feels real.

If you’re drawn to guitars that glow, vocals that drift just out of reach, and rhythms that dance a little behind the beat, this one’s for you. Press play, sink into Red Hot Dust, and stay awhile. If it hits, tell a friend — the dream gets brighter when more people are in it.

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A clarinet in fourth grade doesn’t usually lead to fuzz pedals, pedal steel, and a packed tour van, but that’s the path Brendan Wright of Tiberius traces on Troubadour. We start with the spark—how a quiet kid found a home in melody—and follow the trail to the moment those bedroom songs finally stepped into stage lights. Through it all runs one through-line: honesty. The kind that feels safe when you’re singing alone, and the kind that feels a little dangerous when a room goes silent to hear it.

Brendan talks about walking that line between catharsis and the reality of sharing their work. They used to write like they were passing secret notes to themself. Now the notes have to breathe among strangers. They open up about shifting from super-specific diary lines to lyrics built around wider feelings—anxiety, persistence, the weird fog of transition—so more people can slip inside the songs. It doesn’t dull anything; it actually sharpens it. You can hear it in a line like “Why do I try to keep on trying?” and in the way the band lets silence hang before a chorus hits.

We dig into the making of Troubadour, from the piece-by-piece construction of Fish in a Pond to focused sessions at The Record Co. in Boston. Drummer Ben Curell, bassist Kelven “KP” Polite , and guitarist Christian Pace helped pull the songs into their live shape, with Nate Scaringi behind the board helping the drums land just right. The result is a sound Brendan jokingly calls “farm emo”—folk bones, a little country dust, and an emo heart—wrapped in those loud-quiet-loud dynamics that feel as much Neil Young as they do modern indie. It’s tender one moment, towering the next, built for small rooms that don’t stay small for long.

We close on motion. The northeast run—Burlington, Portland, Boston, Albany, Philly, New York—feels like both a celebration and a goodbye to a set they’ve lived inside for two years. New songs are forming. Brendan’s headspace is shifting again. That’s the promise here: a record that captures exactly where Tiberius is right now, and an artist already leaning toward whatever comes next.

If this one hits you, tap follow, share it with a friend who needs a cathartic chorus, and leave a quick review—it helps more listeners discover Tiberius and stories like this.

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What if the truest parts of a record live beneath the surface, shaping what you hear without ever announcing themselves? We sit down with Carson McHone to trace the layers behind Pentimento—from Austin’s all-ages venues to a late-summer desert in West Texas and a snow-dusted session by the Bay of Fundy, tracked to 8-track tape. Along the way, Carson shares the moment she said goodbye to restaurant shifts from the White Horse stage, the journal her mother kept during her first year of life, and how words, melody, and memory braid into songs that feel at once intimate and wide open.

We explore creativity as both posture and practice: the ear training of Suzuki lessons, the freedom of a gifted mandolin, and the patience to catch a song’s thread whether it arrives as a fully formed line or a slow, methodical build. The title Pentimento—borrowed from visual art—becomes a map for the album’s design: the underpainting that persists through time, the overlapping faces of influence, the way a project can hold multiple truths at once. Carson talks about recording to tape, embracing texture over tidy edges, and respecting albums as one living piece rather than a handful of singles. Listeners have responded by pressing play again the moment the last track ends, sensing a narrative that’s felt more than spelled out.

If you’re drawn to songwriting craft, analog recording, Austin music history, or the elemental pull of place—desert heat and ocean tide—you’ll find a lot to love here. We hold space for the practical and the poetic: paying the bills, protecting the creative spark, and building work that would be worth making even if no one heard it. Hit play, share it with a friend who still listens front to back, and leave a review to tell us what layer you heard first.

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Jad Fair's music is characterized by its raw, unfiltered energy and unconventional song structures. His distinctive vocal style, marked by childlike wonder and spontaneity, adds a unique charm to his compositions. With his band, Half Japanese, Fair has been a pioneering figure in the indie and lo-fi music scene, inspiring generations of musicians with his fearless approach to creativity. Jad just released two epic records, 100 Songs (A Master Class In Songwriting) and  Film Music clocking in with 250 new glimpses into the music of a legend. Enjoy 🎙️ 

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Kilgour's ability to craft grungegaze landscapes and evoke deep emotions makes them a band to watch in the indie music scene. With their latest record "How To Put Your Hat On” set to drop, they are poised to further solidify their place in the shoegaze layered with a grungy edge, offering listeners an unforgettable musical journey.  Fionn Crossan joined me from Edinburgh to chat about his musical journey, the launch show and the making “How To Put Your Hat On” Enjoy 🎙️ 

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The music of American Analog Set is a captivating blend of indie rock, dream pop, and synth undertones. With their latest record, "For Forever," they continue to mesmerize listeners with their lush soundscapes and hypnotic melodies. The album effortlessly transports listeners to a dreamy sonic landscape, filled with shimmering guitars, ethereal synths, and intricate rhythms. Each track is a sonic journey, inviting listeners to get lost in the band's signature atmospheric sound. Lead singer and guitars, Andrew Kenny joined me from his Texas home to share his incredible musical timeline, and be sure to catch the first track of For Forever at the end of our chat. Enjoy 🎙️ 

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Danish singer songwriter Jacob Faurholt's music captures the essence of slowcore with indie folk and dream pop intension, weaving introspective lyrics with atmospheric melodies. With haunting vocals and intricate guitar work, his compositions evoke a sense of introspection and emotional depth. Faurholt's discography reflects a journey through themes of love, loss, and existential exploration, resonating with listeners seeking heartfelt and evocative sonic experiences. Jacob’s latest release Burn, Burn Here "you get the feeling of eavesdropping on an artist, sitting alone in his eight square meters basement studio writing and recording.” Enjoy 🎙️ 

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bedbug weaves a captivating musical tapestry that blends elements of indie rock, folk, and dream pop into a mesmerizing sonic experience. With lush instrumentation and ethereal vocals, their music transports listeners to a realm of introspection and emotional depth. Drawing from a diverse range of influences, bedbug crafts songs that are both intimate and expansive, inviting audiences into their richly textured soundscapes. Hope you enjoy our chat as much as we did having it! 🎙️ 

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Enter the magical world of Mary Lattimore's music, where harp strings dance with the wind and melodies flutter like delicate butterflies. Her compositions weave a tapestry of sound that transports listeners to ethereal realms, inviting them to lose themselves in the magic of her sonic landscapes. With each pluck of her harp, Lattimore conjures a spellbinding journey that resonates with both serenity and wonder. Enjoy 🎙️ 

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Our most recent podcast invites listeners to step into the whimsical world of Montrealer singer songwriter Alex Nicol's music, where melodies dance like playful sprites through enchanted forests of sound. His tunes are like secret pathways that lead you to hidden realms of imagination, where every note tells a story and every rhythm invites you to join the dance of musical magic. So, grab your headphones and zone in as Alex shares his musical wonderland journey! The featured track “Working on my Tan” plays at the end of our conversation. Enjoy 🎙️ 

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