Explorez tous les épisodes du podcast I Know Movies and You Don't w/ Kyle Bruehl

In the sixteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with filmmaker Daniel Lopez to discuss the experimental road movie about female autonomy and the burdens of societal expectation in Francis Ford Coppola's semi-autobiographical The Rain People (1969).

In the fifteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss the layers of marital discontent of an embittered couple traveling through the repetition of memory in Stanley Donen's fluid and complex portrait of a pragmatic marriage in Two for the Road (1967).

In the fourteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with fellow cinephile and raconteur Ben Thelen to discuss the pop-art rabbit hole of political indictments, cultural critique, and the demolition of a personal manifesto and relationship that defined the new cinematic movement forward for Jean-Luc Godard in the absurdist road movie Pierrot Le Fou (1965).

In the thirteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the bloated and sensationalized satire of American materialism, avarice, and selfishness defined by its signature stunt casting, exaggerated production, and indulgent runtime in Stanley Kramer's "comedy to end all comedies" It's a Mad, Mad, Mad, Mad World (1962).

In the twelfth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the highly symbolic satire that pits two mismatched protagonists in a concentrated mosaic of Italian masculinity, materialism, and emerging post-war culture that is Dino Risi's Il Sorpasso (1962)

In the eleventh episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the abstract and personal depiction of the road movie traversing the subconscious in Ingmar Bergman's meditative and probing deconstruction of legacy, love, and meaning in Wild Strawberries (1957).

In the tenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the modernizing film language of Roberto Rossellini as he excavates his own deteriorating marriage through the lens of societal privilege, historical devastation, and personal isolation in the psychological road film Viaggio in Italia (1954).

In the ninth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with fellow podcaster Spro Frosty to discuss the neo-realist and fantasy blended time capsule of post-War Italy in Federico Fellini's masterful dissection of damaged masculinity and the enduring human spirit in La Strada (1954).

In the eighth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with filmmaker Mario Ruiz to discuss the existentialist brooding and colonialist critique that is Henri-Georges Clouzot's adaptation of Georges Arnaud's personally inspired assessment of the human condition in one of the greatest film thrillers of all time, The Wages of Fear (1953).

In the seventh episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with fellow podcaster Zax Protzmann to discuss one of the many Bonnie and Clyde riffs about two lovers on the lam in the psychosexual and pulsating B-movie noir about repressed desire and anti-conformity that is Joseph H. Lewis' Gun Crazy (1950).

In the sixth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the collision of reality and mythology in Michael Powell and Emeric Pressburger's fable about a determined and self-absorbed heroine being humbled by nature, culture, and ultimately love in the beautiful romance film I Know Where I'm Going! (1945).

In the fifth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss the anarchic blend of comedy and social commentary that defined the call for needed escapism in times of hardship in Preston Sturges' Hollywood satire Sullivan's Travels (1941).

In the fourth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with filmmaker Mario Ruiz to discuss the lyrical and poetic adaptation of John Steinbeck's bleak novel detailing the odyssey of the Joad family as the microcosm of the Dust Bowl experience of economic displacement and the commitment to family in John Ford's The Grapes of Wrath (1940). 

In the third episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter and fellow podcaster Spro Frosty to discuss the democratic appeal and endearing charm of Frank Capra's ode to the survivalism, community, and love juxtaposed with the hardship and division of wealth that defined the Great Depression in the classic road movie It Happened One Night (1934).

In the second episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with fellow podcaster Sara Shea from Shea Cinema to discuss one of William A. Wellman's message pictures about the urgency of the growing population of juvenile delinquents trying to be productive and survive during the Great Depression in Wild Boys of the Road (1933).

In the premiere of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss the heroic stoicism and occasionally problematic historical revisionism of Buster Keaton's silent spectacle epic The General (1926), which translated Southern apologia into a character driven search for validated identity.

In the season finale of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcasters Spro & Lee from Spro & Lee Take on the Academy to discuss the divisive and controversial film about toxic masculinity, corporate drone fealty, and the turn to violence as a form of rabid self-denial in David Fincher's assaultive adaptation of Chuck Palahniuk's satirically incisive novel, Fight Club (1999).

In the forty-ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and director Michael Willer to discuss the wide cult acclaim of Frank Darabont's earnest and soulful adaptation of a Stephen King short story that reflects on being imprisoned by fear and the road to emancipation through a parable of hope in one of the most beloved films of all time, The Shawshank Redemption (1994).

In the forty-eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined by actors Ben McGinley and Nick Earl to discuss the high-fantasy blend of genre, from the American western to the Shaw Brothers kung-fu epics, in John Carpenter's unapologetically wild immersion into action hero tropes, the power of community, and a commentary on the fear of the unknown in the cult sensation Big Trouble in Little China (1986).

In the forty-seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter August Gummere and editor Kristi Shimek to break down the deconstructionist comedy about Arthurian legend, extreme class division, and the false notion of god granted nobility in the exquisitely crafted and thoroughly surrealist masterpiece from the Beatles of comedy in Monty Python and the Holy Grail (1975).

In the forty-sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss the B-movie concoction of soldiers with guns, practical monsters, and horror gore that defined the DIY spirit and ingenuity of Neil Marshall in his directorial debut Dog Soldiers (2002).

In the forty-fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin for a one-on-one conversation to discuss Kevin Reynolds' claustrophobic and thrilling tank drama in the mire of the Soviet invasion of Afghanistan that is the cult war film The Beast (1988).

In the forty-fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter August Gummere to discuss the blend of time travel, religious symbolism, post-Cold War hysteria, and Generation X detachment in Richard Kelly's ambitious and allegorical debut in the moody teen high concept sci-fi, Donnie Darko (2001).

In the forty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined by cinematographer Josh Carter and musician Ben Childs to discuss the gritty midnight cult film that depicted the grim falsity of the American Dream in the anti-Bonnie & Clyde true crime film from Leonard Kastle, The Honeymoon Killers (1970).

In the forty-second episode of Season 11: The Son of Cult Flicks, Kyle is joined by actors Ben McGinley and Danny Hernandez to discuss the bitter lens of coming-of-age nostalgia that defines Philip Kaufman's melancholic look at a generation defined by shifting history and lost naivete in the raw and gripping adaptation of Richard Price's novel The Wanderers (1979).

In the forty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with actor Ben McGinley to discuss the maximalist style and absurdly earnest tropes of Kathryn Bigelow's dedicated and slick embodiment of the American actioner with its weirdly existential clashing between authoritarian stability and reckless freedom in Point Break (1991).

In the fortieth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the circular irrationality and chaos of an uprising going nowhere in Werner Herzog's bleak yet ironic assessment of rebellion within a closed and corrupt system in Even Dwarfs Started Small (1970).

In the thirty-ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and editor Kristi Shimek to discuss the original cult sensation that centers around the quotidian normalcy and fulfilling community of circus performers that is interrupted by self-doubt, exploitation, and betrayal resulting in a swift and demented form of justice in Tod Browning's sensational horror melodrama Freaks (1932).

In the thirty-eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter August Gummere to discuss one of the most provocative mosaics of youthful despair and apathy in Larry Clarke's gritty and authentic assessment of a pre-Giuliani New York skating subgroup as they navigate poverty, societal neglect, the AIDs epidemic, and their own worst impulses in Kids (1995).

In the thirty-seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with cinematographer Ezra Balcha to discuss the surrealist satire on the falsity of the American Dream, the soullessness of corporate cubicle life, and the deconstruction of language in Steven Soderbergh's anarchic and creatively revitalizing Schizopolis (1996).

In the thity-sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmakers Daniel Lopez and Mario Ruiz to discuss the madcap ambition and delirious purgatory of William Friedkin's technically stunning and thematically dense adaptation of Georges Arnaud's The Wages of Fear that becomes a bleak assessment of fate, world politics, and desperate circumstances in Sorcerer (1977).

In the thirty-fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and film critic Tyler Harlow to discuss the clinical scalpel of David Cronenberg's personalized adaptation of J.G. Ballard's novel depicting a new flesh of metal, wire, and collision that was trying to assess our natural dehumanization in conjunction with technological advancement in Crash (1996).

In the thirty-fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and actor Dan Bauer to discuss the joyous satire of lo-fi science-fiction fandom and the actors who have taken the gift of a show's community and philosophy for granted in Dean Parisot's wonderful ode to how pop culture can be more than simply a commercialized product in the hilarious Galaxy Quest (1999).

In the thirty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and musician Ben Childs to discuss the fractured and enigmatic construction of Nicolas Roeg's Christ-like allegory for modernity's denial of true progress and enlightenment in the experimentally bold adaptation of Walter Tevis' novel The Man Who Fell to Earth (1976).

In the thirty-second episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and cinematographer Ezra Balcha to discuss John Sayles' low-budget science-fiction parable about the alienation of the immigrant experience, the complexities of assimilation, and the preservation of community in the warm, tender, and often times silly The Brother from Another Planet (1984).

In the thirty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and cinephile Alejandro Etcheagaray to discuss the mixture of avant-garde formalism, black nationalist attitude, and revolutionary politics that created the explosive and rebellious statement of black power, autonomy, and survival in Melvin Van Peebles' radical Sweet Sweetback's Baadasssss Song (1971).

In the thirtieth episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and cinematographer Ezra Balcha to discuss the ethereal and experimental black vampire film from artist Bill Gunn that utilizes rich metaphor, hallucinatory ambiance, and raw sexuality to make a commentary on the assumptions of black culture and what might be the monstrous realities behind those assumptions in Ganja & Hess (1973).

In the twenty-ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter August Gummere to discuss the full 80s camp of soundtrack, aesthetic, and attitude in Joel Schumacher's flamboyant subversion of the vampire genre that reflects on found family, Generation X anxiety, and the seduction of immortality with no responsibility in the cult classic The Lost Boys (1987).

In the twenty-eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and cinematographer Josh Carter to discuss the purgatorial hellscape of a gentrifying city for one sexually repressed word processor in his looped surrealist Odyssey of confronting his insecurities and trying to find home in Martin Scorsese's maddening and hilarious After Hours (1985).

In the twenty-seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcaster Ben Thelen and activist Kerry Harwin to discuss the tenuous line between genius and madness in Darren Aronofsky's exquisite dissection of order and chaos in the universe and the numerology, mysticism, and materialism that people attempt to use to bridge the two together in the true independent masterpiece Pi (1998).

In the twenty-sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcaster Michael Willer and graphic designer Nell Bailey to discuss Stephan Elliott's vibrant and complex portrait of the gay, trans, and drag queen experience of Australia that pushed representation and tolerance forward with its reflections on male identity, performative truth, and healing bigotry with humanity in the road film The Adventures of Priscilla, Queen of the Desert (1994).

In the twenty-fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcast Ben Thelen for a one-on-one conversation about Jennie Livingston's anthropological document about the gay and drag queen subculture of the New York ball scene and how the lifestyle embodied challenges to societal definition, fluid gender representation, and a house culture that created a new found idea of family in the stunning and groundbreaking documentary Paris is Burning (1990).

In the twenty-fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter David Gutierrez and filmmaker Mario Ruiz to discuss the experimental, phantasmagoric, and surrealist dive into the underground gay subculture of Japan in the 60s where a loose adaptation of Oedipus Rex guides us through shifting genres, changing identities, and a contorted script of experience in Toshio Matsumoto's barrier smashing Funeral Parade of Roses (1969).

In the twenty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with fellow podcaster Lee from Spro & Lee Take on the Academy as they discuss the irreverent nature and knowing stupidity of SCTV favorites Bob & Doug McKenzie as they become the Rosencrantz & Guildenstern of an unsuspecting Hamlet tragedy in the sketch turned film adaptation known as Strange Brew (1983).

In the twenty-second episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and musician Ben Childs to discuss the eerily prescient dystopian lens of Norman Jewison's assessment of media violence, corporatization, and the sacrifice of individuality for the sake of comfort in the highly efficient and incredibly technical Rollerball (1975).

In the twenty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined by stunt actor Danny Hernandez and filmmaker Daniel Lopez to discuss the prescient dissection of media violence, personality politicians, and the co-mingling of religion and corporation that makes up the Roger Corman produced and Paul Bartel directed exploitation satire Death Race 2000 (1975).

In the twentieth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with filmmaker Daniel Lopez to discuss David Cronenberg's mutation of adaptation and biography of William S. Burroughs famously unadaptable beat generation novel as he weaves a surreal impression about the writing process as madness, the id conjuring psychic horrors, and sexual repression breeding ambivalence in the delirious and non-sensical Naked Lunch (1991).

In the nineteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow cinephile Derek Paranay and dork of all trades Daniel Lopez to discuss the witty yet melancholic tale of youthful idealism, transient friendship, and pragmatic betrayal in Bruce Robinson's semi-autobiographical reflection of the hangover that followed the swinging sixties in Withnail & I (1987).

In the eighteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss Franc Roddam's ode to the faded Mod subculture and how its disappearance relates to the transience of youth, identity, and history in the gritty kitchen sink adaptation of The Who's second rock opera Quadrophenia (1979).

In the seventeenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and musician Ben Childs to discuss the bitter death of a pop culture Frankenstein's monster known as The Monkees in Bob Rafelson's counter cultural dissection of fame, identity, and the emerging schizophrenic digestion of television that is the band film Head (1968)