In the Season Finale of Season 10: Dealer's Choice, Kyle relinquishes hosting control to his better half Katy Baldwin so he can share one of his favorite films, the quirky and surreal immersion into the feelings of finding romance, being crippled by anxiety, and being defined by self-doubt that defines Paul Thomas Anderson's subversion of the romantic comedy in Punch-Drunk Love (2002).

In the forty-ninth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with fellow podcaster Ben Thelen to discuss the anarchic creativity of the street art movement, the commodification of expression, and the elusiveness of cinematic truth that defines one of the true artistic mosaics of the documentary form in Banksy's Exit Through the Gift Shop (2010). 

In the fortieth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with podcaster and screenwriter Spro to discuss the stylistic and raw vengeance parable that surveys the power of human connection and the meaning of redemption in Tony Scott's Man on Fire (2004).

In the season finale of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and editor Kristi Shimek to discuss Wes Anderson's fable of adolescence and how it reflects on the fear of entering the constant cycles of perpetual coming-of-age that defines adulthood in the semi-autobiographical Rushmore (1998).

In the forty-ninth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and fellow podcaster Zax Protzmann to discuss the seminal coming-of-age film about high school archetypes caught in a purgatorial confrontation with their insecurities, vulnerabilities, and connections that defines John Hughes' radical human portrait of teenage angst in The Breakfast Club (1985).

In the forty-eighth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor/writer Katy Baldwin and novelist Samuel Cullado to discuss the traumatic and damaging avenues of nurturing when it comes to coming-of-age in Yorgos Lanthimos's brutalist invocation of the oppressive family unit and the faulty positive assumptions it imbeds in society in the haunting yet darkly humorous Dogtooth (2009).

In the forty-seventh episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, cinematographer Josh Carter, writer/editor Katy Baldwin, and novelist Samuel Cullado, to discuss the blend of genre nightmare and beautiful romance that makes up Tomas Alfredson's horror fable between two outsiders and their need to survive in the subversive coming-of-age adaptation of John Ajvide Lindqvist's novel Let the Right One In (2008).

In the forty-sixth episode of Season 8 (Coming-of-Ages) Kyle is joined by filmmakers Mario Ruiz and Jordan Berry to discuss the dense and detailed immersion into the memory of a nostalgic yet indifferent Taiwan of the past as it weaves in commentary on masculinity, identity, and fractured politics into a tragic coming-of-age downward spiral that defines Edward Yang's beautiful yet daunting A Brighter Summer Day (1991).

In the forty-fifth episode of Season 8 (Coming-of-Ages) Kyle is joined by filmmaker Daniel Lopez and sound designer/musician Jake Dilley to discuss the revolutionary bent in both form and theme that defines Lindsay Anderson's full frontal assault on British imperial traditionalism and the imbedded ritualistic brutality in the scholastic institutions in the counter cultural film If.... (1968).

In the forty-fourth episode of Season 8 (Coming-of-Ages) Kyle is joined by novelist Samuel Cullado and film critic Tyler Harlow to discuss the unflinching tonal discomfort of Todd Solondz's immersion into the onslaught of degradation and shame in Junior High School which captures the true painful liminality between adolescence and adulthood in Welcome to the Dollhouse (1995).

In the forty-third episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and filmmaker Jordan Berry to discuss the nature vs. nurture influence on coming-of-age set against the mythological landscape of America through its tragic past and its uncertain future embodied in the Biblical symbology of the Trask family in Elia Kazan's adaptation of John Steinbeck's epic East of Eden (1955).

In the forty-second episode of Season 8 (Coming-of-Ages) Kyle is joined by script supervisor Katy Baldwin and screenwriter David Gutierrez to discuss the lyrical and poetic true crime inversion that tackles a generation of detachment, the dangers of personal mythology, and the adolescent divide between impulse and reason that defines the stunning debut of Terrence Malick, Badlands (1973).

In the forty-first episode of Season 8 (Coming-of-Ages) Kyle is joined by cinematographer Josh Carter and filmmaker Daniel Lopez to break down the perpetual boredom and haunting apathy of the new pre-grunge youth in Tim Hunter's exquisite sociological horror of curdled morality in River's Edge (1986).

In the thirty-ninth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with actor, teacher, and entertainer Adam Tunney to discuss a foundational 1930's proto-noir of friendship and doomed circumstances in the gangster and delinquency rumination from Michael Curtiz in Angels with Dirty Faces (1938).

In the fortieth episode of Season 8 (Coming-of-Ages) Kyle is joined by stunt actor Danny Hernandez and filmmaker Daniel Lopez to discuss the children lost to a societal failure in the 1970s trash infested tenements of Glasgow in Lynne Ramsay's poetic, lyrical, and devastating coming-of-age tale Ratcatcher (1999).

In the thirty-ninth episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriters David Gutierrez and Gio Maldonado to discuss the melancholic ode to the lost small town of America, the inevitability of change, and how some people get left behind in Peter Bogdanovich's deeply moving and thoroughly honest portrait of aging beyond our history, legacy, and myth in The Last Picture Show (1971).

In the thirty-eighth episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter David Gutierrez and actor Benjamin McGinley to discuss Barry Levinson's loving ode to the "lost generation," their masculine insecurity, and their sanctuary of perpetual irresponsibility in the drastically underseen and greatly underappreciated influential gem Diner (1982).

In the thirty-seventh episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter David Gutierrez for a one-on-one discussion of André Téchiné's semi-autobiographical tale of sexual discovery and political conflict amongst teens set against the backdrop of the ending turmoil of the French-Algerian war in the beautifully rendered and extremely tender coming-of-age film Wild Reeds (1994).

In the thirty-sixth episode of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and script supervisor/editor Katy Baldwin to discuss the coming-of-age process as seen through the lens of informed militarism, oppressive parenthood, domineering expectation, and lasting trauma imposed through the sheer force of one man's will in Lewis John Carlino's adapation of Pat Conroy's semi-autobiographical novel The Great Santini (1979).

In the thirty-fifth episode of Season 8 (Coming-of-Ages) Kyle is joined for one-on-one conversation with script supervisor/editor Katy Baldwin to discuss the effortlessly charming coming-of-age sports drama about class conflict, the generational gap, and the forging of individual identity that defines Peter Yates' honest and joyous celebration of the societal underdog in Breaking Away (1979). 

In the thirty-fourth episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter David Gutierrez and script supervisor Katy Baldwin to discuss the British Kitchen Sink genre of anger, frustration, and dissatisfaction with the unfairness of systems and the inequitable choices of direction in Tony Richardson's rebellious film The Loneliness of the Long Distance Runner (1962).

In the thirty-third episode of Season 8 (Coming-of-Ages) Kyle is joined by musician Ben Childs and screenwriter August Gummere to discuss the quiet beauty and casual brutality of quotidian tenant farming life at the turn of the century on the cusp of religious, political, and societal upheaval in Ermanno Olmi's exceptionally realized authentic docu-recreation The Tree of Wooden Clogs (1978).

In the thirty-second episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter Gio Maldonado and filmmaker Mario Ruiz to discuss the bleak assessment of failed systems and the oppression of hierarchical administration in both school and employment that is the undercurrent of Ken Loach's unconventional coming-of-age friendship between a boy and his falcon in Kes (1969).

In the thirty-first episode of Season 8 (Coming-of-Ages) Kyle is joined by journalist Kerry Harwin and filmmaker Mario Ruiz to discuss the elusive concept of truth as it pertains to the hazy reconstruction of memory and the heightened sensory experience of nostalgia in Taiwanese New Wave filmmaker Hou Hsaio-Hsien's coming-of-age masterwork of quotidian detail and political nuance, The Time to Live, and the Time to Die (1985).

In the thirty-eighth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with journalist Kerry Harwin to discuss the sublime, the boredom, and everything in between of the bourgeois hedonism of a particular Italian class set in Paulo Sorrentino's odyssey of mid-life crisis actualization that is The Great Beauty (2013).

In the thirtieth episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, fellow podcaster Ben Thelen, journalist Kerry Harwin, and screenwriter Gio Maldonado, to discuss a friendship defined by harmful masculinity, divided class, and covert sexuality in a shifting political Mexico in Alfonso Cuarón's riveting road film of discovery and social commentary Y Tu Mamá También (2001). 

In the twenty-ninth episode of Season 8 (Coming-of-Ages) Kyle is joined by cinematographer Josh Carter and writer/actor Reagan Osborne to discuss the problematic and endearing aspects of Luc Besson's blend of European pragmatism and Hollywood idealism in the thoughtful, tender, and impactful assassin mentor/protege film Leon: The Professional (1994).

In the twenty-eighth episode of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and journalist Kerry Harwin to discuss the nostalgic look at the Cold War paranoia of the 1960s and how it fueled a coming-of-age of uncertainty for personal identity, creative entertainment, and a stilted culture in Joe Dante's ode to the power of movies, Matinee (1993).

In the twenty-seventh episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, screenwriter Gio Maldonado, writer Reagan Osborne, and filmmaker Jeffrey Keller, to discuss John Singleton's assessment of gentrification, societal neglect, and finding a communal and individual voice in the seminal and groundbreaking black coming-of-age tale of friendship, mortality, and violence that is Boyz N the Hood (1991).

In the twenty-sixth episode of Season 8 (Coming-of-Ages) Kyle is joined by filmmakers Mario Ruiz and Alejandro Etcheagaray to discuss the blend of social realism and inventive surrealism as it pertains to the cycle of brutal survivalism for youth lost in progress in Luis Bunuel's devastating critique of poverty and social inequity that is Los Olvidados (1950).

In the twenty-fifth episode of Season 8 (Coming-of-Ages), the halfway mark, Kyle is joined by actor Ben McGinley and musician Ben Childs to discuss the abstract avant-garde experimentation of Francis Ford Coppola as he mines the ideas of mortality, temporality, and nostalgia adapting S.E. Hinton's lesser known teenage melodrama Rumble Fish (1983). 

In the twenty-fourth episode of Season 8 (Coming-of-Ages) Kyle is joined by a female panel of guests, script supervisor Katy Baldwin, editor Kristi Shimek, and actress Thurlene Williams, to discuss the monstrosity of female puberty, sexuality, and expectation as depicted through the metaphor of lycanthropy in John Fawcett's horror as coming-of-age film Ginger Snaps (2000).

In the twenty-third episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter David Gutierrez and musician Ben Childs to discuss the incisive outsider perspective of Jerzy Skolimowski's reflection on the decaying final breath of swinging 60s counter culture and its byproduct of psychosexual power politics and societal exploitation in the surrealistic film Deep End (1970). 

In the twenty-second episode of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and novelist Samuel Cullado to discuss Milos Forman's early Czech New Wave masterwork about the self-discovery of the individual juxtaposed against the absurd socialist central planning of the collective in the wonderfully elusive tragicomedy coming-of-age film Loves of a Blonde (1965).

In the twenty-first episode of Season 8 (Coming-of-Ages) Kyle is joined by actress Thurlene Williams and novelist Reagan Osborne to discuss the enigmatic and inarticulable qualities of perception, imagination, and experience trapped in the structured barriers of American suburbia that define Sofia Coppola's incisive and empathetic look at the mundanity of the adolescent experience and the hollow promise of adulthood in The Virgin Suicides (1999). 

In the thirty-seventh episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the operatic tragedy about a family fractured by the forceful nature of displacement and modernization within the economic disruption of Italy in Luchino Visconti's excellent melodrama Rocco and His Brothers (1960). 

In the twentieth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and screenwriter David Gutierrez to discuss the radically experimental Czech New Wave filmmaker Věra Chytilová and her anarchic political confrontation against Soviet censorship, scarcity, and oppression in the unconventional feminist hang out film Daisies (1966).

In the nineteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Katy Baldwin and screenwriter August Gummere to discuss Elia Kazan's first foray into filmmaking and assessing the complexities of the American project by adapting Betty Smith's coming-of-age novel of individual dreams, a developing city, and country in fluctuation that is A Tree Grows in Brooklyn (1945).

In the eighteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and actor Benjamin McGinley to discuss the peripheral melancholy that pervades the wistful nostalgia of George Lucas' hazy memory of Modesto and America in 1962 right before the world changed in the foundational hangout film American Graffiti (1973).

In the seventeenth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and actor Dan Bauer to discuss the thin line between adolescence and adulthood where youthful fantasy and invulnerability clash against the impending responsibilities and realizations of growing up in Amy Heckerling's tender and humorous mosaic of the high school experience Fast Times at Ridgemont High (1982).

In the sixteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Zax Protzmann and filmmaker Jeff Keller to discuss Michael Schultz's high school dramedy about the promise of youth and the melancholic exposure to reality that gave voice and representation to the black coming-of-age experience in all its honesty, dynamism, and humanism entitled Cooley High (1975).

In the fifteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by duel hosts of Spro & Lee Take on the Academy to tackle the melancholic nostalgia of memory, trauma, and experience as it pertains to the vibrant yet fading foundational friendships of youth in Rob Reiner's delicate and nuanced adaptation of Stephen King in the seminal coming-of-age film Stand by Me (1986).

In the fourteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by stunt actor Danny Hernandez and filmmaker Daniel Lopez to discuss the black tragicomic adaptation of Patrick McCabe's novel about childhood neglect, parental malfeasance, and societal hypocrisy in Neil Jordan's confrontational and surrealist The Butcher Boy (1997).

In the thirteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and screenwriter David Gutierrez to discuss societal inequality and the brutality of survival that defines David Lean's stripped down and lyrically imagined adaptation of the seminal coming-of-age Dickensian novel Oliver Twist (1948). 

In the twelfth episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, actor Ben McGinley, cinematographer Josh Carter, and novelist Samuel Cullado, to discuss the endearing lens of memory and nostalgia as it tells a touching tale of mentorship, home, and identity wrapped in an ode to the power of cinema in  Giuseppe Tornatore's foreign film sensation Cinema Paradiso (1988).

In the eleventh episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter Gio Maldonado and fellow podcaster Lee (of Spro and Lee Take on the Academy) to discuss the animated beauty and brutality of Marjane Satrapi's own graphic novel adaptation of the auto-biographical coming-of-age complications of gender, politics, and identity in post-revolutionary Iran in Persepolis (2007).

In the thirty-sixth episode of Season 10: Dealer's Choice, Kyle is joined by screenwriter and post-supervisor Kelcie Gruenberg to discuss the existentialist purgatory that is the wasteland of suicide in Goran Dukić's adaptation of Etgar Keret's thought experiment of the afterlife as a metaphor for relationship grief in Wristcutters: A Love Story (2006).

In the tenth episode of Season 8 (Coming-of-Ages) Kyle is joined by musician Ben Childs and filmmaker Jordan Berry to discuss the fragmentation of time, culture, and gender that defines the multi-faceted coming-of-age survival tale set against the brutality of the outback and the impact of colonialism in Nicolas Roeg's experimentally crafted Walkabout (1971).

In the ninth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and screenwriter Steve Bolia to discuss the horror landscape of high school and how it acts as a permutation and microcosm of societal expectation, judgment, and humiliation in Brian De Palma's adaptation of Stephen King's mean-spirited novel on the retaliation of power that is Carrie (1976).

In the eighth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and journalist Kerry Harwin to discuss the intimate bonds of friendship and the imaginary yet fully felt worlds they create in Peter Jackson's true crime deconstruction Heavenly Creatures (1994).