Explorez tous les épisodes du podcast Hunny Bunny Ear Training
| Titre | Date | Durée | |
|---|---|---|---|
| Interval Training - Minor 7ths | 15 Mar 2026 | 00:34:12 | |
Minor 7ths are important because they help define the sound and function of some of the most common chords in music. The interval appears in both minor 7 chords and dominant 7 chords, making it a key sound in styles like jazz, blues, R&B, funk, and pop. In dominant 7 chords, the minor 7th creates tension that pushes the harmony toward resolution, (usually) back to the tonic. In minor 7 chords, it adds a smooth, relaxed color that’s often used to set up harmonic movement, especially in progressions like ii–V–I. Learning to recognize the sound of a minor 7th helps you quickly identify chord quality and better understand how chords create tension and release in real music. Some listening examples: “Somewhere” - Leonard Bernstein “Wonderwall” - Oasis “Can’t Stop” - Red Hot Chili Peppers “An American in Paris” - George Gershwin “The Winner Takes It All” - ABBA Please feel free to contact me with anything my email is HunnyBunnyRecords@gmail.com or on instagram @joshuapfortmillermusic | |||
| Interval Training - Major 7ths | 10 Mar 2026 | 00:31:21 | |
Major 7ths are important because they define the sound of major 7 chords, which are used constantly in jazz, R&B, film music, and modern pop. As you listen, pay attention to how the interval sounds very close to an octave, creating a smooth but noticeable tension that gives the music a rich, emotional quality. Once your ear locks into that “almost an octave” sound, you’ll start hearing major 7ths in melodies, chords, and progressions all over the place. Some listening examples: “Just the Two of Us” - Bill Withers “Human Nature” - Michael Jackson “Sunday Morning” - Maroon 5 “Somewhere Over the Rainbow” - Judy Garland “Superman Theme” - John Williams Please feel free to contact me with anything my email is HunnyBunnyRecords@gmail.com or on instagram @joshuapfortmillermusic | |||
| Interval Training - Perfect Fifths | 07 Feb 2026 | 00:24:17 | |
One of the most important sounds you can train your ear to recognize. Perfect fifths are important because they’re stable, open, and show up constantly in real music, which makes them a reliable reference point for hearing harmony and melody. As you listen, pay attention to how clean and grounded the interval feels, there’s no tension, just strength and space. You’ll hear perfect fifths in bass lines, melodies, power chords, and even in how instruments are tuned, so once your ear locks into this sound, you’ll start noticing it everywhere. May the force be with you, always. Some listening examples: “Star Wars Main Theme” - John Williams “Can’t Help Falling In Love” - Elvis Presley “Rolling in the Deep” - Adele “Don’t You (Forget About Me)” - Simple Minds “Man In The Mirror” - Michael Jackson Please feel free to contact me with anything my email is HunnyBunnyRecords@gmail.com or on instagram @joshuapfortmillermusic | |||
| Chord Quality Training - Dominant 7ths Pt II (ii-V7-I) | 02 Feb 2026 | 00:32:27 | |
In part II of dominant 7ths, we’re focusing on dominant 7th chords within a ii-V7-I progression, one of the most important progressions to recognize by ear. The dominant 7th is what creates the strongest tension in the progression, pulling the harmony forward and clearly pointing back to the home chord. As you listen, pay attention to that unstable, “almost there” feeling in the V7 and how satisfying it is when it finally resolves to the I chord. You’ll hear this sound constantly in jazz, R&B, gospel, pop, and classical music, and once you can hear it, identifying keys and chord movement becomes much easier. Some listening examples: “Your Song” - Elton John “Sunday Morning” - Maroon 5 “Take the “A” Train” - Duke Ellington “Don’t Know Why” - Norah Jones Please feel free to contact me with anything my email is HunnyBunnyRecords@gmail.com or on instagram @joshuapfortmillermusic | |||
| Chord Quality Training - Dominant 7th Chords | 17 Jan 2026 | 00:26:48 | |
The dominant 7th creates strong tension that pulls the harmony away from home and then back again, making the resolution to the I chord feel especially clear and satisfying. As you listen, pay attention to how the V7 feels unstable and how obvious the return to the tonic sounds when it resolves. You’ll hear this cadence all over music, in endings, cadences, and key-defining moments, being able to recognize it will make identifying tonal centers much easier. Some listening examples: “Something” - The Beatles “Purple Haze” - Jimi Hendrix “People Are Strange” - The Doors “Sir Duke” - Stevie Wonder “The Thrill is Gone” - B.B. King Please feel free to contact me with anything my email is HunnyBunnyRecords@gmail.com or on instagram @joshuapfortmillermusic | |||