Join Jack Falahee and Matt McGorry (or Connor and Asher to you superfans) for a deep dive into the iconic TV series How to Get Away with Murder like you’ve never seen (or heard) before. And, plot twist…, Jack has never watched an episode! So get ready for some fresh perspectives on the trail-blazing show that had us on the edge of our seats every Thursday night.

How We Got Away with Murder premieres January 22, 2026.

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Here we go, HTGAWM fans! Episode 1 of How We Got Away with Murder kicks off by going all the way back to the beginning — before the twists, before the chaos, before anyone knew what the show would become. Jack and Matt set the stage with early casting stories, first impressions of meeting each other, and what it was really like arriving in Philly to shoot the pilot. Along the way, they tease show secrets, explore the characters' moral gray areas, and unpack the emotional stakes that made this show so unforgettable — all while celebrating what made fans fall in love in the first place. Whether you’re revisiting HTGAWM or stepping into the classroom for the first time, consider this your spoiler-free invitation back into a world where nothing is as simple as it seems — and everyone has something to hide.

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Key Art Photo Credit:

Jack: MK Sadler

Matt: Nick Onken

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Jack and Matt dive into the HTGAWM pilot — the episode that started it all. From first impressions and early character dynamics to casting surprises and those unforgettable flash-forwards, the guys break down what immediately hooked audiences (and what still holds up a decade later). Jack reacts to the pilot with fresh eyes, while Matt fills in behind-the-scenes context, including what it felt like stepping onto set for the very first time. Along the way, they unpack Annalise Keating’s commanding introduction, the formation of the Keating Five, and how the pilot set the tone for six seasons of secrets, lies, and legal chaos.

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In Episode 3, “Smile, or Go to Jail,” Matt and Jack dive into one of Season One’s first truly wild twists. What starts as a routine misdemeanor defense quickly explodes when their new client is revealed to be a long-wanted domestic terrorist tied to a deadly 1994 bombing. Meanwhile, tensions within the Keating Five escalate: Connor’s past collides with Michaela’s fiancé, Wes goes rogue trying to protect Rebecca, and the infamous Night X bonfire alibi begins to take shape.

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In Episode 2 — “It’s All Her Fault” — Matt and Jack revisit the moment when How to Get Away with Murder officially got picked up, reflecting on the move from freezing Philadelphia to sunny Los Angeles and the nerve-wracking limbo between filming the pilot and waiting for the series green light. As they jump into the episode, the guys unpack Annalise’s toxic entanglement with Nate, the deepening suspicion around Sam, and the uneasy dynamics of the Keating Five as their likeability starts to fray. The conversation lands on the episode’s final twist — Wes finding Rebecca at the motel — leaving questions swirling, and keep us guessing for what comes next.

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Jack and Matt sit down with How to Get Away with Murder creator Pete Nowalk for a deep-dive chat into how the iconic pilot came together. Pete revisits the whirlwind of developing the story, figuring out the show’s signature flash-forward structure, and the early uncertainty over whether audiences would connect with such a morally complicated world. He shares behind-the-scenes stories about shaping Annalise Keating, navigating network notes, and the nerve-racking process of casting a lead who could command the series’ emotional and intellectual intensity. Packed with anecdotes about collaboration, creative risk, and trusting bold instincts, the episode offers fans a rare look at the making of a television pilot that changed the landscape of network drama forever.

We want to hear from you! Send us your show and episode questions for the chance to be read on the air during an episode: howwegotawaywithmurder@gmail.com

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It’s part two of our conversation with Alfie—and spoilers ahead! We cover everything from the show’s legacy and the social experiment that is fame to the curious fate of his prop bicycle. Alfie reflects on his character’s evolution, audience reactions, and the emotional toll of living in high-stakes drama for years. Plus, behind the scenes stories on questionable traffic tickets, People Magazine sexiest man lists, and roller-skating dive bars.

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The one, the only, Alfred Enoch joins Matt and Jack on the pod this week to revisit the early days of How to Get Away with Murder, including stepping into the role of Wes Gibbins and the pressure of anchoring a character at the center of so much mystery. From audition stories to the whirlwind of the show’s breakout success, Alfred shares what it felt like navigating Wes’s moral compass in a world built on secrets. This is part one of a two-part episode.

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Matt and Jack revisit and break down Episode 4, “Let’s Get to Scooping,” sharing more behind-the-scenes memories from those early days of production as the cast starts to find their rhythm with each other. This episode also includes one of the most iconic scenes in the early days of the show, where we see Viola Davis at the top of her game. 

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Frank Delfino aka Charlie Weber (Or is it the other way around?) joins Jack and Matt for his very first podcast appearance, calling in from a sunny 72-degree Santa Monica to talk about the winding road that brought him to one of TV's most unforgettable characters. From playing ball at Mizzou to getting inspired by Pulp Fiction, surviving a modeling scam (his looks were so convincing the scammers went legit), and landing some iconic Abercrombie spre ads, Charlie's path to Hollywood was anything but direct. An overnight success, they say! And it only took 14 years. 

Charlie opens up about the real anxieties of being a working actor, the massive character swing he took with Frank, and why he compares his relationship to the role the way Stallone talks about Rocky. He also shares a major breakthrough: you don't have to torture yourself to be good. Plus: airport bar alter egos, a laughing fit that takes everyone down, and styling his own hair for four seasons. Charlie also has a new film on the way, Highest Stakes, so stay tuned! 

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Episode 7 picks up as Annalise and her team double down on defending Rebecca while the case gets messier and more public by the minute, with shifting alliances, personal stakes, and new details emerging about the night of Sam’s death.

On the podcast, Matt and Jack break down what it’s actually like to act drunk (and the different tactics behind pulling it off), the real story behind the “emotional support pillow” that wasn’t actually supporting emotions, and tease an upcoming episode that might reveal which actor is most different from their character, all while continuing to piece together the chaos of the case and the mystery of what really happened on Night X.

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Episode 6 is one for the ages. Not only do we get a major turning point for Asher, as his worldview is challenged in ways we haven’t seen before, culminating in a tense confrontation with his father, but we also get an Annalise courtroom monologue that leaves us breathless and in awe of the power of Viola Davis’s performance. Meanwhile, behind-the-scenes goodies include Matt’s memory of his epic “lip sync battle” and how Jack almost became the voice of MTV. Don’t miss this one!

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Get ready, HTGAWM fans — Katie Findlay joins Matt and Jack to revisit their time playing Rebecca Sutter, from the early days of casting to discovering Rebecca’s trademark style and look once the show was rolling. Katie shares how they navigated the uncertainty of not knowing Rebecca’s full arc, and how that shaped their performance as new details were constantly revealed. Also, did we mention Katie loves soup? Now you know. Tune in for a revealing and fun look back at one of Season 1’s most intriguing characters.

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In Episode 5, “We’re Not Friends,” we start to see the early evolution of Connor and Asher’s dynamic and how that unexpected friendship started to take shape both on-screen and off. Matt and Jack share memories of building that chemistry in real time, alongside a deep dive into the show’s famously fast-paced dialogue. From memorizing dense legal jargon to finding a rhythm that made it feel natural under pressure, the guys look at how those early character beats and actor choices helped define the series.

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Episode 8, directed by Debbie Allen, began filming the day after the pilot dropped... and 14 million viewers tuned in live to watch the night before! In this episode, Rebecca and Lila's friendship gets a cocaine-on-a-rooftop introduction, Lila's pregnancy sends shockwaves through the group, and the case of the week follows a mom accused of murder while sleepwalking, with a twist neither host sees coming. 

On the podcast, Matt and Jack dive into the parallels between the case and Annalise and Bonnie’s confrontation, how Jack emailed Pete to fact-check a Connor storyline, the almost-slap that didn’t feel quite right, and the sweaters... both actors hated the sweaters.

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The show is back from hiatus and so is the chaos. Episode 10 picks up with the investigation into Sam's disappearance, the Keating 4 barely holding it together, and Annalise sitting down with detectives to answer questions about Night X... armor fully on, tell fully intact. Matt has done the analysis: she has a giveaway when she's lying, and there's a really big word for it. Meanwhile the Keating 4 are discussing the crime basically in front of law enforcement, Wes produces Sam's ring from the body, Rebecca goes goth again (and then non-goth), and Frank finds out Laurel committed a murder and genuinely could not care less. 

On the podcast, Matt and Jack dig into the bad police work, the visual juxtapositions running through the episode, and the first real glimpse of Connor being supportive of Michaela. Jack correctly guessed Connor said the title line... anxiety memory from not being able to pronounce it at the table read. Plus, Annalise giving the Keating 4 an exam scenario that mirrors exactly what they did, and Marcia Gay Harden closing things out with a full mic drop. 

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Karla Souza joins Matt and Jack fresh off Jack's chance encounter with Viola Davis on the streets of New York; a good omen if there ever was one. Karla catches them up on everything she's been up to since HTGAWM: Home Economics, her new Amazon show 56 Days, a newly released comic book, and her ongoing advocacy work. But first: the audition story. She originally read for Michaela, got redirected to Laurel, had never heard the word "booked" used that way, and thought Shonda Rhimes was Busta Rhymes. The rest is history. 

On the podcast, Karla opens up about constantly auditioning out of the back of her car, leaving behind a successful career in Mexico to take a risk on the American market, and how her acting career has led to becoming a producer and hopeful future director. She gets into her background as a trained gymnast, her TED Talk on muscle tears and growth, the adrenaline addiction that links athletics to acting, and how she gravitates toward projects that, often unknowingly. reflect her own unhealed wounds. They also getinto how faith and listening shape her approach to acting, what Death of a Salesman rehearsals have dredged up for Jack (therapist search officially underway), and Matt's quiet evolution from self-described atheist on the HTGAWM set to something more spiritual now. 

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Episode 9 is the midseason finale, the moment the flashforward finally collides with the present. Everything that happened on Night X is revealed: Rebecca breaks into the house to prove Sam killed Lila (subtlety be damned), Sam is confirmed as a literal strangler, and Michaela sends him over the railing… which is how he dies. Until he doesn’t. Connor gets fully backhanded across the room, fake blood is everywhere, and by the end, we finally learn what the trophy is actually for. We think. 

Matt and Jack break down how sets pull off fake blood and forced perspective, how Jack had to throw up as Connor (and the one time it actually happened as himself on set), and how these kids never got the memo that you don’t return to a crime scene. Plus, a few Lord of the Rings detours, Frank finally breaks up with his girlfriend, and the episode closes on the reveal that Wes and Annalise have been in cahoots. Still slaps.

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Katie Findlay is back for Part 2 of the Season 1 finale, where the conversation moves beyond Rebecca's shocking exit and into what it was actually like filming those final episodes. Katie reflects on rewatching her performance years later, seeing a young actor processing the loss of a character and creative family in real time, while Jack and Matt share their own memories of the uncertainty, anxiety, and emotional highs and lows that came with making network television. Along the way, they revisit fan theories, debate what they can (and definitely can't) remember about Season 2, and uncover how much of Rebecca's story was influenced by what was happening behind the scenes. 

After saying goodbye to Katie, Jack and Matt take a moment to reflect on the journey of revisiting Season 1 together for the podcast. They share what it was like for Jack to watch the show for the first time, how their memories resurfaced through the process, and why the experience gave them a newfound appreciation for the cast, the fans, and the cultural moment that How to Get Away With Murder created.  

That's officially a wrap on Season 1 of the How We Got Away With Murder podcast! THANK YOU to everyone who joined in on this journey through Season 1 of How to Get Away With Murder. We’re incredibly grateful for all of your questions, theories, memories, and support along the way.

We'll be taking a short break, but don't worry... We'll be back soon to dive into Season 2. See you then! 

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Katie Findlay is back, jet lagged from Italy and still saying ciao like they never left, to help recap the Season 1 finale, and it's a banger. Loyalties get tested, paranoia peaks, and the truth behind Lila's murder is finally revealed (at least to the audience). Annalise puts Rebecca on trial and then comforts Wes with a creepy chant, and through it all, we still have no idea what “Eggs 911” could possibly mean. The Lila flashbacks appear in full force: Lila dangling her feet off a roof, Griffin's confusing relationship to celibacy, and the moment the killer decides Lila is going to die.  

Katie reflects on rewatching a Rebecca they barely recognize anymore, crying through their final scene with Alfie knowing it was the last one they'd film, and the "white queer reckoning" moment that came with watching the show back. We get to see Asher and Bonnie in bed with incredible lighting, Michaela holding her own in a tense scene with Aiden's mom, and find out why both Katie and Rebecca ride for Bonnie Winterbottom. The episode ends with a gut punch that had Matt in tears. Plus, Jack's panic after texting the wrong Billy about the show, why his League of Legends gamer tag was "Kill Connor," a Reddit theory about three versions of Lila's death getting debunked, a full look back at Season 1, and the question everyone keeps asking...could the show ever come back? 

This is part one of a two-part finale; go listen to part two to hear our final thoughts on Season 1 of How To Get Away with Murder!

We want to hear from you! Let us know what you thought of Season 1 at howwegotawaywithmurder@gmail.com.

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Nine Tony nominations for Death of a Salesman, Matt caught Purity Ring in Florida, and the season one finale is officially only one episode away! Episode 14 is, by their own assessment... tense: a priest who won't break the sacrament of confession to save himself, Rebecca duct taped to a chair, and Nate getting jumped in his cell. A lot. 

Wes and Laurel visit Rudi at the psych ward and the Rudi/Rebecca plotline starts clicking into place with a ton of heavy lifting from Alfie that pays off beautifully. The flashbacks fill in the gaps on Lila, Rebecca, and the frat house, including some PCP which is totally normal. Meanwhile Annalise tells the priest no god should forgive her and she won't confess to her sins, and Connor gets his HIV results back with Asher waiting in the wings for the fist bump. Matt and Jack get into Jack's semi-controversial take that Annalise is not actually a good lawyer, the Reddit HTGAWM x Scooby Doo crossover (Asher was Scooby, obviously), the church murder scene that looks like a video game, and whether Annalise would even care about Bon Bon and Douche Face getting their flirt on. Plus, Matt might have an Irish dance coming up on the show. Stay tuned for that.

We want to hear from you! Send us your show and episode questions with the chance to be read on the air during an episode: howwegotawaywithmurder@gmail.com

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Jack is on a day off from Death of a Salesman, Matt is out of New York, and the mystery of how Tom Verica fell down those stairs in the midseason finale remains officially unsolved... harness theory is on the table, stunt man theory is also on the table, Tom himself doesn't remember. We'll never know. What we do know: the finale is close, and Episode 13 just raised the stakes considerably. 

Nate gets arrested, Annalise takes to her bed, and Cicely Tyson arrives as Ophelia in full mama bear mode, announcing herself with one of the most epic lines of the season. Bonnie steps up to run a high-stakes assault case involving a nurse accused of raping her patient, makes a slip in court that could tank everything, and still pulls it off. Meanwhile, Annalise gets some real backstory, there's a devastating monologue fr om Ophelia about childhood sexual abuse and a house fire that in part earned Cicely five Emmy nominations for guest starring, sugar glass gets thrown, and Rebecca is tracking Wes. Matt and Jack get into the bumps, Asher's running commentary being highly inappropriate as always, Conrad showing up for roughly 48 hours to film all of Oliver's scenes, both hosts losing their fake IDs in their youth, and the Nate and Annalise relationship needing couples therapy immediately. Next episode: The Night Lila Died. Who said it? 

We want to hear from you! Send us your show and episode questions with the chance to be read on the air during an episode: howwegotawaywithmurder@gmail.com

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One host is sneezing through allergy season, the other just wrapped a family visit, and Sam's remains have been found in a landfill, so let's get into it. Annalise is clinging to her mob case for dear life, Hannah is on a mission, and Asher finally gets brought into the fold. Also, Matt is just now finding out that Bonnie is a lawyer. Just now. 

On the podcast, Matt and Jack dig into the classroom becoming a masterclass in 5th amendment rights for the Keating 4, the great Connor and Asher energy this episode, the bumps (foliage in winter, murder discussed openly, Laurel using a burner phone out in the wild), and the behind the scenes of how the courtroom set works. Plus spit buckets and how eating scenes actually get filmed. They try to work out the case of the week IRL (lawyers, please chime in the comments), marvel at the Annalise incest line, and get into Viola cracking everyone up trying to say a character's last name on set. Until next week! 

We want to hear from you! Send us your show and episode questions with the chance to be read on the air during an episode: howwegotawaywithmurder@gmail.com

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This podcast is brought to you by Podcast Nation.

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Matt and Jack welcome Liza Weil, known for West Wing, Gilmore Girls, Westworld, a million other things, and quite possibly the most Shondaland actor of all time, but best known to this audience as the one and only Bonnie Winterbottom.

Liza opens up about coming to HTGAWM with a three-year-old at home and a serious case of imposter syndrome; she had no expectations about how well the show would do, didn't test for the role, and had to get on a plane within days of booking it. She talks about her long history with Shondaland and why she was afraid a lot of the time on HTGAWM, but okay once the cameras rolled.

She also gets into how she originally auditioned for Rory on Gilmore Girls, the devastation of losing community when projects end, moving to NY and LA with no formal training and no backup plan, and how she's finally learning to get out of her own way. Plus, how something feeling bad and the end product being good are two entirely different things, and what Lunar Sway cracked open for her personally. One for the books!

We want to hear from you! Send us your show and episode questions with the chance to be read on the air during an episode: howwegotawaywithmurder@gmail.com

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Thank you to our sponsors:

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This podcast is brought to you by Podcast Nation.

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Matt turned 40 this week and Jack's Broadway show is officially open, and somehow they still showed up to recap Episode 11. Priorities. 

After the holiday break, Annalise resurfaces from a hotel drinking spiral and throws herself into a very intense case to avoid dealing with the Sam situation. The Keating 5 are getting grilled by police, Hannah is sniffing around and suspicious, and Annalise says the name of the show out loud in front of a classroom for the second time. A lot happening. 

On the podcast, Matt and Jack get into the Scranton Strangler parallels, Katie Findlay's sweet smile and humor shining through, Connor's Christmas flashback and the emotional manipulation disguised as a cute boyfriend scene, the casually terrifying moment where Frank offers to kill Hannah like it's nothing, and the soap suds. You can’t forget the soap suds. Plus, Asher takes a moral stand, Aiden and Michaela's engagement implodes, and the episode ends on Rebecca watching the news as Sam's remains are found. Real gamechanger.  

We want to hear from you! Send us your show and episode questions with the chance to be read on the air during an episode: howwegotawaywithmurder@gmail.com

Find Matt & Jack

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X @RestingPlatypus 

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IG @mattmcgorry 

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X @MattMcGorry 

Facebook: @ActorMattMcGorry

Thank you to our sponsors:

Hero Bread: This year, hit your goals without giving up your favorite bready dishes. Hero Bread is offering 10% off your order. Go to hero.co and use code JACKANDMATT at checkout.

Omaha Steaks: Go to OmahaSteaks.com and use promo code JACKANDMATT at checkout for $35 off. Minimum purchase may apply.

This podcast is brought to you by Podcast Nation.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.