Welcome to the second episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.

On this episode of Fascism On Film, the Holmes Brothers head back to Italy during the time of the Second World War to discuss the Franco Zeffirelli's 1999 film Tea With Mussolini. It stars Cher, Maggie Smith, Judi Dench, Lily Tomlin and Joan Plowright. The film is a semi-autobiographical tale about a young orphaned boy left to be raised by old English and American lady expats living in Italy. The film shows the events of Italy before and during the war through the eyes of the boy Luca (played by Baird Wallace as a teenager and Charlie Lucas as a boy) who is brought up by these ladies.

We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.

Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.

Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.

Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Check out our blog and read Anders's recent reviews on Mission Impossible: A Final Reckoning and Ryan Coogler's Sinners.

Also check us out on Letterboxd too!

Anders

Adam

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Welcome to a new podcast series from the Holmes Movies Podcast titled: Fascism On Film! Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.

On the first Fascism On Film episode Anders & Adam Holmes head back to a galaxy, far, far away to discuss Rogue One: A Star Wars Story and its Disney + prequel series Andor. Rogue One was released in 2016 and was a prequel to a New Hope. It showed how the Rebel Alliance stole the plans for the Death Star, which leads into the events of Star Wars: A New Hope. It stars an all star cast including Diego Luna who plays Cassian Andor. He would get his own series in the form of Andor which is set five years before the events of Rogue One. It looks at the origin story of Cassian and it shows what makes him the man we see in Rogue One. Andor also looks at the machinations and inner workings of the Galactic Empire and the beginnings and formation of the Rebel Alliance. It also has an all star cast which includes Stellan Skarsgård. Tony Gilroy who co-wrote Rogue One and oversaw reshoots on that film was the head writer and showrunner on Andor. A very grounded and realistic Star Wars show that tackles some very heavy themes.

We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.

Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.

Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.

Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Check out our blog and read Anders's recent reviews on Mission Impossible: A Final Reckoning and Ryan Coogler's Sinners.

Also check us out on Letterboxd too!

Anders

Adam

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"Never apologize. It's a sign of weakness."

We know we're quite a ways into 2025, but Happy New Year everyone. Anders & Adam Holmes are back with a new trilogies episode! On this episode, the Holmes Brothers hop on their horses and ride out west to Monument Valley. They again discuss and analyse three favourite westerns from their childhood, two of which they saw a lot on VHS (remember those?). The movie trilogy they are looking at on this episode is: John Ford's The Cavalry Trilogy. It includes Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).

All three films star John Wayne and feature regular members of Ford's acting troupe like Henry Fonda, John Agar, Harry Carey Jr, Ben Johnson, George O'Brien and Victor McLaglen. John Ford was very much in his mythical period when making these westerns.

We hope you like this episode and do check out the films, if you have or haven't seen it.

Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.

Also check out Anders's reviews on Robert Eggers's Nosferatu, Die Hard 4.0 and The Crow (2024).

Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Also check us out on Letterboxd too!

Anders

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"Now I have a machine gun. Ho ho ho."

Yippee-ki-yay, motherf-ers, welcome to the party pals and Merry Christmas to one and all! The Holmes Movies Podcast crew are here with another Trilogies episode. A Yuletide themed episode just in time for the holidays. On this episode, Anders & Adam Holmes discuss the first three original films in the Die Hard franchise. The film that started it all Die Hard, then its 1990 sequel Die Hard 2: Die Harder and finally the 1995 threequel starring Samuel L. Jackson Die Hard: With A Vengeance.

The first Die Hard is one of the best action films of all time that helped define the action genre of the 1980s. An influential and well crafted film from director John McTiernan, it not only was a huge box office success but it propelled Bruce Willis from TV actor to movie star. And it also introduced the world to Alan Rickman who got his big break playing the brilliant villain Hans Gruber. Bruce Willis played John McClane, a wise cracking New York police officer who is the textbook definition of the wrong guy, in the wrong place at the wrong time and who is caught in a real towering inferno of explosions, gunfights and surviving death defying stunts. From sunny California, to snowy windy Washington DC and to the hustle and bustle of New York City, there is nothing he can't handle.

Happy holidays and Merry Christmas to all who celebrate it. Be safe out there.

Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.

Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Also check us out on Letterboxd too!

Anders

Adam

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Welcome to the fifth episode of The Movies And Me, a podcast project of ours where in each of these episodes we sit down with a filmmaker, writer, someone who works in the film industry or just someone who is a big cinephile who just lives for movies. We talk about their creative projects and also discuss their four favourite films that have inspired them to go out and have a career in film. Or four films that have least inspired them to seek out the career they have today.

On this episode, we are delighted to chat with a friend of Adam's, Kate Senecal. Kate works as a writing coach, developmental editor, teacher and a writing group facilitator. She resides and is based in Western Massachusetts. Kate works with all kinds writers ranging from short story writers, novelists, screenwriters and playwrights. What she does and coaches in, for example, is helping writers maintain a consistent writing habit, helping others find a community of writers, becoming better self-editors and developing craft technique for writers to take their stories further. She provides one on one coaching sessions in person or on Zoom and there is an opportunity to workshops ideas with other groups of writers. There is also something she offers to writers which is called Book Buddies which you can read about here.

You can find all you need to know about Kate and the work she does here on her website.

We really enjoyed having Kate on the episode and talking to her about four unique and different films (and one honourable mention) that she picked. All of them are adapted from books and/or short stories.

Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.

Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Also check us out on Letterboxd too!

Anders

Adam

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Welcome to our second Noirvember Special, the last time we did an episode where we discussed Film Noir as a whole was back in 2020. The episode can be listened to here on Apple Podcasts.

On this smoky and hardboiled episode, Anders & Adam Holmes are joined by the great and legendary Richard Bruno to discuss the roots of Film Noir, it's literary and filmic influences, the films that define film noir plus its actors, filmmakers and also try to answer the burning question surrounding Noir: Is Noir a filmmaking style? Or is Noir a film genre itself? Friend of the podcast Richard Bruno returns for a second time as a guest, having already been a guest on our Movies And Me episode that features him.

A lot of films on this episode are mentioned by all three of us, all are Film Noir classics and we all recommend them. So do keep your ears peeled and list them as we go. In case you haven't seen any of the films before.

In keeping with the Noir theme, feel free to also check out Anders & Adam's previous episode on the Un-Official Philip Marlowe Trilogy.

Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.

Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic.

Also check us out on Letterboxd too!

Anders

Adam

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What d'ya hear? What d'ya say?

Welcome to our 9th Trilogies episode, Film Noir edition. We hope you enjoyed our last episode where we looked at The Dark Knight Trilogy from Christopher Nolan. We are getting the podcast back on track after a few weeks/months away.

As it is November aka Noirvember, we thought we would have a Film Noir themed episode. This trilogies episode is a little different from the rest. We of course will be looking at three films, but we're making our own trilogy. The films we will discuss are not connected per se as in Film 1, 2 and 3. No, they stand alone films though they are connected by a single character. That character is Detective Philip Marlowe, a private investigator created by author Raymond Chandler. Along with Dashiell Hammett and James M. Cain, Chandler was one of the great writers of pulp hard-boiled detective crime fiction.

The films we will be discussing are some of our favourites. Murder My Sweet (1944) directed by Edward Dmytryk, The Big Sleep (1946) directed by Howard Hawks and The Long Goodbye (1973) directed by Robert Altman. Each film depicts Los Angeles in a different style, tone and, in Altman's case, time period. More importantly, they interpret Marlowe in their own unique way and as well as the source material. Dick Powell, Humphrey Bogart and Elliott Gould all bring something different and new for their performances as Philip Marlowe.

We hope you continue to enjoy this new Trilogies Series we're doing and we also hope you enjoy this episode.

Stay Tuned for more!

Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.

Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Also check us out on Letterboxd too!

Anders

Adam

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