Hit Parade | Music History and Music Trivia – Détails, épisodes et analyse

The Slate Music Club returns, in this special year-end edition of Hit Parade’s The Bridge! Host Chris Molanphy joins New York Times pop music critic Lindsay Zoladz, and Julianne Escobedo Shepherd of Hearing Things in a critics’ roundtable led by Slate’s own Carl Wilson. They discuss their favorite albums and singles, as well as the trends that shaped music in 2025.

Among this year’s big musical questions: Have we reached peak Bad Bunny yet? Did those animated Demon Hunters reinvent K-pop? Are Geese the saviors of rock, or just muppets with guitars? Is hip-hop ready to move on from Kendrick and Drake? Plus: Rosalia, Water for Your Eyes, Gaga, Wednesday—and of course, Taylor Swift.

Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen.

Podcast production by Kevin Bendis.

Don’t miss the rest of this year’s Slate Music Club episode! Become a Slate Plus member! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

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If you need confirmation of Hollywood’s vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year’s KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema.

Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel’s groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.”

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Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis, and mothers-in-law. From the dawn of rock ‘n’ roll through the 1970s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. 

In the second part of this encore episode of Hit Parade, Chris Molanphy explores the history of novelty hits on the charts.

Podcast production by Justin D. Wright and Kevin Bendis.

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Today on Hit Parade, we trace the multifarious history of the remix: a musical term with a universe of meanings. Rethinks. Reboots. Reinventions. Re-recordings. Even instances where the so-called remix came before the supposed original. (How is that even possible?) In a way, the most pivotal “remix” in chart history was the one so transformative, it compelled a change in our understanding of what a remix even is. In part 1, we explore the experimental origins of the remix and its slow but steady infiltration of the pop charts.

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Podcast production by Benjamin Frisch

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In part two of our deep dive into Daryl Hall & John Oates' genre-defying streak on the pop charts, Chris Molanphy argues they were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the ’70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early ’80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in.

Join Chris Molanphy for a dissection of the Philly duo who invented “rock ’n soul” and made their dreams come true.

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Podcast production by Asha Saluja.

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Daryl Hall and John Oates: Their songs were earworms, their videos cheap and goofy. John Oates’s mustache and Daryl Hall’s mullet are relics of their time. And…for about five years, their crazy streak on the pop charts was comparable to Elvis, the Beatles and the Bee Gees.

They were also more cutting-edge than you may realize, essentially inventing their own form of cross-racial new wave after spending the ’70s trying everything: rock, R&B, folk, funk, even disco. At their Imperial peak in the early ’80s, Hall and Oates commanded the pop, soul and dance charts while still getting played on rock stations. And decades later, when the Rock & Roll Hall of Fame ignored them, it was Black artists—rappers and soul fans—who pushed them in.

Join Chris Molanphy for a dissection of the Philly duo who invented “rock ’n soul” and made their dreams come true.

Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.   

Podcast production by Asha Saluja.

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Hey Hit Parade fans! Here's an episode from another show we think you’ll like. 

Slate's history podcast One Year introduces you to people and ideas that changed American history, one year at a time. The new season of One Year covers 1995, a year when homegrown terrorists attacked Oklahoma City and America went online. This episode is about “Macarena”—yes, that “Macarena,” the song and the dance that became the defining left-field pop happening of the mid-’90s. This bilingual song by a pair of Spaniards, and a couple of Miami DJs they’d never met, brought joy to millions, and it topped the charts for months, winding up Billboard’s No. 1 hit of 1996—over smashes by Mariah Carey, Boyz II Men and Celine Dion. And then, just as quickly, “Macarena” became a cultural pariah.

If you like this episode, follow One Year wherever you get podcasts.

One Year is produced by Josh Levin, Evan Chung, and Madeline Ducharme. Additional production help from Cheyna Roth. Mixing by Merritt Jacob.

Slate Plus members get to hear more about the making of One Year. Get access to extra episodes, listen to the show without any ads, and support One Year by signing up for Slate Plus for just $1 right now.

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In part 2 of this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data of some your favorite holiday hitmakers to compare their long legacies to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A ’60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin’. How did the legendary “Little Miss Dynamite” become Santa’s little helper? And will she ever pass Mariah and go back to No. 1?

Podcast production by Asha Saluja.

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Bing. Nat. Dean. John and Paul. Darlene. Mariah. Ariana. Musicians so famous, with so many classic hits, you don’t even need their last names. Now here are a few more, with fewer hits: Vince Guaraldi. José Feliciano. Donny Hathaway. The Waitresses. What do all of these acts have in common? Years from now, each of them may be known primarily for a single holiday chestnut. In fact, in the streaming era, some of them already are consumed largely in December.

In this holiday episode of Hit Parade, Chris Molanphy dives deep into radio, streaming and Billboard chart data to compare these acts’ long hitmaking histories to the majority-merry ways they are consumed today. And none has been more condensed by Christmas than another artist who was once famous enough to go by her first name: Brenda. A ’60s chart dominator and double–Hall of Famer, Brenda Lee is now mostly known for that tune about Christmas tree rockin’. How did the legendary “Little Miss Dynamite” become Santa’s little helper? And will she ever pass Mariah and go back to No. 1?

Podcast production by Asha Saluja.

Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.  

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In Part 2 of this episode, Chris Molanphy continues his analysis of how Cyndi Lauper, Aimee Mann, and The Bangles, three contemporary female acts with rock foundations and pop sensibilities, progressed out of their distinctive rock scenes and into the spotlight. They found critical and commercial acclaim and remain influential decades later, in a variety of media, from Hollywood to Broadway. What forces were they up against, and how did they fight to define themselves? 

Podcast production by Asha Saluja.

Sign up for Slate Plus now to get episodes in one installment as soon as they're out. You'll also get The Bridge, our trivia show and bonus deep dive. Click here for more info.  

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