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Hayao Miyazaki's 'Kiki's Delivery Service' (1989)02 Sep 202501:20:50

In this episode, I talk about Hayao Miyazaki’s 1989 film, 'Kiki’s Delivery Service.' It’s about a 13-year-old witch who must spend a year away from home, learning to live independently and share her gifts. As Kiki opens a delivery service and begins to grow weary and uncertain, she meets women who offer her refuge, wisdom, and friendship. I talk about how this film explores what it means to lose your magic and to slowly find it again. I recorded this at a time when I’m learning to believe in myself again after great loss.

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You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.

Hayao Miyazaki's 'My Neighbor Totoro' (1988)05 Aug 202501:10:05

In this episode, I talk about Hayao Miyazaki’s 1988 film, "My Neighbor Totoro." It’s about two young girls who discover magical forest spirits after moving to a rural home with their father to be closer to their hospitalized mother. I recorded this episode in the wake of my own mother’s death, and I speak about how grief has shaped my experience of the film. I talk about watching the entire Studio Ghibli catalog and reflect on childhood, absence, and how nature and cinema offer solace when nothing else can.

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You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.


 

Ingmar Bergman's 'Cries and Whispers' (1972)01 Jul 202501:29:36

In this episode, I talk about Ingmar Bergman’s 1972 film, "Cries and Whispers," a haunting and intimate portrait of a woman dying and the people around her. I begin by sharing about my own mother’s death, how I was with her to the very end, and how this film has taken on a deeper resonance for me now.

Though the episode was recorded before her cancer diagnosis and passing, I was already in the role of caregiver. I reflect on how "Cries and Whispers" captures the loneliness of illness, the coldness we sometimes encounter in the world, and the deep human need for tenderness, love, and presence, especially in the face of pain, death, and the deterioration of the body.

Sources:

You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.

Life Update: My Mom's Cancer Diagnosis18 May 202500:38:15

Note: My mother passed away on June 14th, 2025. Thank you to those who sent her a card or reached out to me. I have removed the Google document that is mentioned in this episode.

This isn’t a film episode. It’s a personal update. My mom has been diagnosed with terminal cancer, and I’m using this space to speak honestly about what that means for me, and what I’m carrying right now. We've been told that she has six to nine months left. This is a devastating and heartbreaking time for me. Thank you for listening.

Future updates will be provided either through upcoming episodes or on my website blog where I am writing an ongoing diary about being by my mother’s side during this time.

You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.

Frédéric Back's 'The Man Who Planted Trees' (1987)20 Sep 202401:07:32

In this episode, I talk about Frédéric Back's 1987 Academy Award-winning animated short film, "The Man Who Planted Trees." Adapted from a book by Jean Giono, it tells the story of a French shepherd who plants trees for decades and revitalizes an entire region. It's a film about how to live, how to care for the earth, and how to make the world a better place through small but meaningful acts. 

This has become one of my favorite films of all time because of the way it inspires me to think about what I want to contribute and the kind of person I want to be. I can honestly say that this film changed something inside me. This episode is an attempt to describe how this one little film has made such a profound impact on my life.

You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.

Delbert Mann's 'Marty' (1955)17 Aug 202401:11:02

In this episode, I talk about Delbert Mann's precious 1955 film, "Marty." It tells the story of Marty, a 34-year-old butcher who has struggled all his life to find love. One night, he meets Clara, a woman who can relate to his loneliness. This is a film about the pain of invisibility and the power of connection. It's about what it means to finally feel seen after a lifetime of rejection.

This is a deeply personal episode for me, but it's one that I hope reaches anyone who might need to hear it and to be reminded that they are not alone.

The audio quality is the best I could provide right now. Apologies if it is not up-to-par for some. I did my best.

Note: I am not doing regular or consistent episodes, but I will release an episode when I feel I have something of value to say about a film.

You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.

Franco Piavoli's 'Voices Through Time' (1996)02 Aug 202400:56:40

In this episode, I talk about Franco Piavoli's luminous 1996 documentary, "Voices Through Time." It captures the daily life of the inhabitants of a small Italian village. From children playing in the woods to lovers kissing in the grass to couples rapturously dancing, Piavoli shows us the human condition in all its richness and beauty. 

My episode is a tribute to this life-affirming work of art, and it is a manifesto on what it means to be fully alive and how art saves us and even heals us.

This is my first episode in 3 years. I do not know if I will create more, but I was so deeply moved by this film that I felt compelled to share my thoughts about it. I appreciate all who listen.

The audio quality is the best I could provide right now. Apologies if it is not up-to-par for some. I did my best.

You can follow me on Instagram, Letterboxd, and Tumblr. My email is herheadinfilms@gmail.com.

Robert Eggers's 'The Witch' (2015)12 Oct 202101:42:14

In this episode, I talk about Robert Eggers's 2015 film, "The Witch." It looks at a New England Puritan family in the 1600s that is exiled from their community. They go to live in a remote area, and terrifying things begin to happen. The eldest daughter is blamed for these events and accused of being a witch. I talk about witch hunts, the feminist aspects of the film, my very personal reaction to the ending, and much more. There are spoilers in this episode. 

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Original logo by Dhiyanah Hassan

All My Sources

 

Jean Negulesco's 'Humoresque' (1946)29 Sep 202101:45:48
Michael Curtiz's 'Mildred Pierce' (1945)14 Sep 202101:43:01

In this episode, I talk about Michael Curtiz's 1945 film "Mildred Pierce." Joan Crawford won an Oscar for her performance as the title character, a mother who, in the wake of the end of her marriage, starts her own restaurant business and tries to give a better life to her two daughters--Veda and Kay. But her eldest daughter Veda has an insatiable and destructive desire for material possessions and Mildred will stop at nothing to give Veda all that she wants. This is a magnificent film about motherhood and class mobility. I talk about Joan Crawford's life, why she fascinates me as an actress, and I also delve into "Mommie Dearest." As always, there are spoilers in this episode. 

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Mike Newell's 'Enchanted April' (1991)31 Aug 202101:06:52
Audrey Wells's 'Under the Tuscan Sun' (2003)19 Aug 202101:08:36

In this episode, I talk about Audrey Wells's 2003 film, "Under the Tuscan Sun." I've loved this film since I was a teenager. It stars Diane Lane as a woman who goes through a devastating divorce and goes to Italy and renovates a house. In the process of this home renovation, she reconnects with life and experiences emotional renewal. For me, this film is really about a woman who survives heartbreak and creates a new life for herself. This episode contains spoilers. 

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Michael Haneke's 'Funny Games' (1997)30 Jul 202101:32:09

In this episode, I talk about Michael Haneke's controversial and thought-provoking 1997 film, "Funny Games." It's a thriller that breaks all the rules and raises questions about the representation of violence in mass media. A family is terrorized in their vacation home by two young men who take enjoyment in brutality and degradation. Haneke uses surprising and unexpected techniques to confront the audience of his film and to make us think deeper and more critically about the violence and suffering we see in movies and television. This episode contains spoilers. 

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Michael Haneke's 'Amour' (2012)13 Jul 202101:27:54

In this episode, I talk about Michael Haneke's 2012 film, "Amour." It's about Georges and Anne, an elderly Parisian couple who have their lives turned upside down after Anne suffers a stroke. This is a deeply devastating film that resonated with me. For over a year now, my mom has been struggling with her health and I've become a caregiver for her. I talk about the difficult experience of caring for someone and watching them suffer. I hope that, by sharing my experience, I can help others or just make them feel less alone.  This episode contains major spoilers. 

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Jane Campion's 'Bright Star' (2009)29 Jun 202101:12:12

In this episode, I'm talking about Jane Campion's 2009 film, "Bright Star." It's about the brief but beautiful love story between the poet John Keats and a young woman named Fanny Brawne. John Keats is considered one of the greatest poets who ever lived but he died young, before he and Fanny could create a life together. Their romance was marked by distance and the ever-present shadow of death but his passionate letters to her--which are featured throughout the film--reveal how deeply he was in love with Fanny and how much she meant to him. I talk about the relationship between Keats and Fanny, how the film shows the precarious life of a writer and explores the importance of poetry in our lives, and much more.

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Jane Campion's 'In the Cut' (2003)15 Jun 202101:29:06

In this episode, I talk about Jane Campion's 2003 film, "In the Cut." Meg Ryan plays, Frannie, an English teacher who becomes embroiled in a murder investigation after parts of a woman's body are found in her garden. She may have even seen the murder victim shortly before the crime. After the lead detective on the case interviews her, the two of them become involved in a dark, torturous relationship. "In the Cut" is a deeply erotic and feminist film that centers female sexuality and female pleasure. It also explores the dark side of desire and the complicated relationships between men and women. There are spoilers in this episode. I also talk explicitly and openly about sex. 

 

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Wim Wenders's 'Wings of Desire' (1988)25 May 202101:20:25
Joachim Trier's 'Oslo August 31st' (2011)11 May 202101:23:09

In this episode, I talk about Joachim Trier's 2011 film "Oslo August 31st." It follows Anders, a young man just out of rehab for heroin addiction, as he walks around the city of Oslo, meeting old friends and trying to decide if life is worth living. I think this is a powerful and unforgettable film that reminds us of the beauty of being alive. It's one of my favorite films from the 2010s, and I urge you to watch it if you haven't seen it yet. There are major spoilers in this episode. I also talk about suicide and mental illness.

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RaMell Ross's 'Hale County This Morning, This Evening' (2018)20 Nov 202001:44:03

(Note: This episode was originally released in 2020. I unpublished it and then republished it in 2024.) In this episode, I talk about RaMell Ross's 2018 documentary, "Hale County This Morning, This Evening." In 2009, RaMell Ross moved to Hale County in Alabama to teach photography and coach basketball. While living there, he started to film the people around him. He recorded over 1300 hours of footage. From that material, he culled and mined images that are startling, poetic, and beautiful--images that bear witness to the complexities and struggles of black life in the rural South. Through the documentary, we are introduced to two men: Quincy Bryant and Daniel Collins. As the film unfolds, we come to know their dreams, their hardships, and the world they live in--a world of basketball, catfish plants, friends, sunsets, storm clouds, rain, and all the details that make up their ordinary lives. This is a contemplative, lyrical, and unforgettable documentary. There are spoilers in this episode. 

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Julie Dash's 'Daughters of the Dust' (1991)17 Nov 202002:02:36

In this episode, I'm talking about Julie Dash's 1991 film Daughters of the Dust. This is a dreamlike film that focuses on the Peazant family who live on the sea islands off the coast of the Carolinas. They gather together for one last time on the eve of their departure from the island. It's a stunning cinematic achievement that looks at the bonds of family, the ghosts of history, and the rich lives of African American women. Dash has the distinction of being the first black woman to direct a feature film that was distributed in movie theaters. I talk all about this gorgeous film, including the grueling process of getting it made and I use an interview between Dash and feminist scholar, bell hooks, as a roadmap through the different themes and subjects that the film explores.  There are spoilers in this episode.

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George Sluizer's 'The Vanishing' (aka Spoorloos) (1988)27 Oct 202002:10:05
Lynne Littman's 'Testament' (1983)13 Oct 202002:16:13

In this episode, I talk about Lynne Littman's 1983 film, "Testament." It's about how a mother and her children in a California town survive the aftermath of a nuclear bombing. We don't know who dropped the bombs, what has happened in the rest of the country, and we're not provided any political details. The film is solely about this family and how they confront the gradual and horrifying deterioration of their bodies due to radiation poisoning and the breakdown of society. Without a doubt, this is the most terrifying film I have ever seen. I talk about grief and loss, what makes the film so emotionally powerful, and the difference between watching it before and during the Covid-19 pandemic. There are spoilers in this episode.

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Olivier Assayas's 'Clouds of Sils Maria' (2014)29 Sep 202001:57:51

In this episode, I talk about Olivier Assayas's 2014 film "Clouds of Sils Maria." It's a complex film starring Juliette Binoche as Maria Enders, an actress who shot to stardom in her youth when she acted in a play about an older woman who is seduced by a younger woman. 20 years ago, she played the younger woman but now, in a revival of the play, she is set to play the older woman. This role brings up her fears about aging. Kristen Stewart stars alongside Binoche as an assistant to Maria Enders. To me, the heart of the film is the complicated relationship between these two women and the different ways they see life and the world. I also think this is a fascinating film about the process that an actress goes through to get into character. I talk about all that and much more. There are spoilers in this episode.

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John Cassavetes's 'Opening Night' (1977)15 Sep 202001:55:35

In this episode, I talk about John Cassavetes's 1977 film, "Opening Night." It's about an actress named Myrtle Gordon (played by the magnificent Gena Rowlands) who witnesses the death of one of her fans and begins to spiral into a breakdown as she struggles to do a play that forces her to confront her feelings about aging. I talk all about why I love this film and Gena's performance but I also talk about some complicated and overwhelming feelings I've had since turning 30 last year and how women can feel anxiety about getting older in a world that worships youth. There are spoilers in this episode.

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Charles Laughton's 'The Night of the Hunter' (1955)25 Aug 202001:55:08

In this episode, I talk about Charles Laughton's 1955 film "The Night of the Hunter." It's about two young children--John and Pearl--who are pursued by a dangerous man on the hunt for the money their father stole and gave to them. This is a classic film and a masterpiece and one of the most terrifying films I've ever seen. I provide some information about the making of the film and explore how it looks at evil, male violence, religion, and much more. There are spoilers in this episode. 

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Theo Angelopoulos's 'Landscape in the Mist' (1988)11 Aug 202001:48:55

In this episode, I talk about Theo Angelopoulos's 1988 film, "Landscape in the Mist." This film follows a brother and sister--Alexandros and Voula--who leave their home in Greece and go on a journey to find their father in Germany. They've never met him and they long to have a connection with him. Over the course of their journey, they will see both the best and the worst that humanity has to offer. I talk about Angelopoulos and his cinema and provide an in-depth analysis of the film, exploring subjects like loss of innocence and loneliness. For listeners in the United States, this film is probably hard to find.  It's not readily available right now but I hope one day that it is. There are spoilers in this episode. In the film, there is also a rape scene and a scene of an animal dying. I know those subjects might be upsetting for some people.  Even if you have not seen this film, I urge you to at least listen to my section on Angelopoulos and how I discovered this film.

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Jean-Pierre Melville's 'Le silence de la mer' (1949)28 Jul 202001:36:04

In this episode, I talk about Jean-Pierre Melville's 1949 film "Le silence de la mer." It's set in France in 1941 at the time of the Second World War. The Germans are occupying France, and a German soldier stays with a niece and her uncle who use their silence as a form of resistance against him. Every night, he comes to them and talks about his life, his interests, his love of France, and many other subjects, but they refuse to acknowledge him or speak to him. Over the course of the film, their feelings for him start to get more complicated. He is an occupier in their country and in their house but the intimacy of their meetings also humanizes him. This is not Melville's most famous film but it's one that I think is profoundly important because of the way it asks us to expand our ideas about what constitutes resistance and how we interact with those who we're supposed to see as monstrous or as the enemy. I talk about Melville's life, the making of the film, and much more. There are spoilers in this episode.

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Jean Vigo's 'L'atalante' (1934)14 Jul 202001:30:09

In this episode, I talk about Jean Vigo's wondrous and magical 1934 film, "L'atalante". On the surface, it's the simple story of Jean and Juliette,  newlyweds who begin their life together on the boat where Jean lives and works. When things get boring and monotonous, Juliette begins dreaming of Paris and, when the boat stops near it, she wanders off to explore the city by herself, leaving Jean behind. This separation of the two lovers will test their new and fragile marriage. Jean Vigo is an iconic director who died at the age of 29 and left behind few films but his output continues to influence filmmakers today.  L'atalante is his only feature film and it's not to be missed. In this episode, I talk about Vigo, the making of the film, and how the film explores romance, marriage, and much more. There are spoilers in this episode. 

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Terrence Malick's 'The Tree of Life' (2011)30 Jun 202002:10:08

In this episode, I talk about Terrence Malick's 2011 film "The Tree of Life". This is a monumental and important film in my life. It's hard to describe what it's about because it's really about everything--the cosmos, childhood, death, life, nature,  and loss. The film is anchored by its focus on one family in 1950s Texas that is later rocked by unimaginable loss but added to this story is a collage of images that capture something as massive as the birth of the world and something as small as a child taking his first steps. Malick takes us all the way back to the time of the dinosaurs and transports us to what eternity or heaven might look like. I consider this  to be the greatest film of the 21st century so far. I make my case, provide information on the making of the film, and go deeply into everything about this film, sharing my own raw emotions and what the film makes me remember and what it makes me think and feel. This film is part of my soul. That's the only way I can put it. There are spoilers in this episode.

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Terrence Malick's 'Days of Heaven' (1978)16 Jun 202001:42:02

In this episode, I talk about Terrence Malick's 1978 film "Days of Heaven." Set in 1916, it follows a man named Bill, his sister Linda and his girlfriend Abby. All three are poor and go to the Texas panhandle to harvest wheat on the farm of a rich and mysterious man who, it turns out, is dying. Bill encourages Abby to start a romantic relationship with the man in hopes of getting some of his wealth but the scheme will have disastrous consequences for all of them. I talk in-depth about the making of the film and why it's haunted me for years. There are spoilers in this episode. 

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Michael Curtiz's 'Casablanca' (1942)26 May 202002:24:59

In this episode, I talk about the 1942 classic, "Casablanca," directed by Michael Curtiz. Often cited as one of the greatest films ever made, Casablanca is set in 1941 during the Second World War and centers around three people: Rick Blaine, Ilsa Lund, and Victor Laszlo. Ilsa is married to Victor but had an affair with Rick after she believed Victor had been killed in a Nazi concentration camp for his resistance activities. All three are now in the Moroccan city of Casablanca, a temporary place where refugees from Europe go, desperately trying to obtain visas to get to the Americas.  Will Ilsa and Victor get out of Casablanca? Will Rick help them? I talk about the making of the film and how it looks at things like nostalgia, personal sacrifice, and the plight of refugees. This episode is not just about the movie. It's also about an important film appreciation class that I took when I was in high school in 2004, a class that changed my life forever. There are spoilers in this episode. 

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Gene Kelly and Stanley Donen's 'Singin' in the Rain' (1952)12 May 202002:00:08

In this episode, I talk about Gene Kelly and Stanley Donen's 1952 musical, "Singin' in the Rain." Often voted the greatest musical ever made, this effervescent and hilarious film looks at Hollywood's difficult transition from silent pictures to the talkies. Central to this episode is my focus on a film appreciation class I took in high school in 2004. It changed my life forever. One of the films I watched in that class was "Singin' in the Rain." I talk about why I fell in love with it and why I think it's such a wonderful film. 

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Ang Lee's 'Brokeback Mountain' (2005)01 Apr 202002:02:28

In this episode, I talk about Ang Lee's 2005 film, "Brokeback Mountain." It's a grand love story about two cowboys--Ennis and Jack--who fall in love in 1960s Wyoming. Their romance spans decades but, because of homophobia, they're never able to fully be together. I consider this a modern classic and one of the greatest love stories of all time. I talk about how the film was made, why it moves me so deeply, and much more.

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Catherine Corsini's 'Summertime' (aka 'La Belle Saison') (2015)01 Apr 202001:48:15
Bong Joon-ho's 'Memories of Murder' (2003)08 Oct 201901:13:03

In this episode, I talk about Bong Joon-ho's 2003 film "Memories of Murder." It's based on the real-life Hwaseong serial murders that happened in a rural area of South Korea in the 1980s and early 1990s. At the time the film was released, the case was unsolved. However, shortly before recording my episode, major news broke that a suspect had been identified through DNA. I go into this new development and provide information on the original murders. Since the film is based on a true crime story, I discuss my own interest in true crime and focus on the way the film looks at abuses of power and violence against women. Finally, I talk in-depth about the ending. This episode contains spoilers. It also includes discussion of rape, violence, and dark subject matter.

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Roberto Rossellini's 'Journey To Italy' (1954)27 Aug 201901:25:40

In this episode, I talk about Roberto Rossellini's groundbreaking 1954 film, "Journey To Italy." It stars Ingrid Bergman and George Sanders as Katherine and Alex Joyce, a couple whose relationship starts disintegrating during a vacation in Italy. Katherine is haunted by a man she knew before her marriage to Alex and who was stationed in Italy during World War II. As the distance grows between her and Alex, she visits museums that the man wrote about in his poetry. In her wanderings, she confronts death and the enormity of ancient history. "Journey To Italy" has haunted me for years. In this episode, I articulate why it's so compelling to me and discuss themes like time, history, mortality, death, and much more.

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Vittorio De Sica's 'Umberto D.' (1952)13 Aug 201901:57:47

In this episode, I talk about Vittorio De Sica's classic 1952 Italian Neorealist film, "Umberto D." It's about an elderly man trying to evade eviction against the backdrop of post-World War II Italy. As his life becomes more precarious and desperate, he clings to his only companion, his dog Flike, and struggles to survive. I talk about Italian Neorealism, why this film moves me so much, and more. At the beginning of the episode, I also reflect on this being my 100th episode! I'm thankful for all my listeners.

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Kelly Reichardt's 'Wendy and Lucy' (2008)30 Jul 201901:37:59

In this episode, I talk about Kelly Reichardt's 2008 film, "Wendy and Lucy." It stars Michelle Williams as Wendy Carroll, a young woman stopping in Oregon on her way to Alaska when her car dies and she ends up losing her dog, Lucy. Much of the film revolves around her desperate search for Lucy and her interactions with various people who either show a bit of kindness or cruelty. Released at the beginning of the Great Recession, the film resonates more than a decade later in the way it looks at financial instability, the struggles of the working class, and the precarious nature of our lives. One bit of bad luck--her car breaking down--sends Wendy's life into a kind of tailspin that she tries to get out of with very few resources. I talk about many things in this episode, including the bonds we form with pets, our responsibility to other people, the making of the film, and much more! There are spoilers.

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Dardenne brothers' 'Two Days, One Night' (2014)16 Jul 201901:53:55

In this episode, I explore the Dardenne brothers' 2014 film, "Two Days, One Night." Marion Cotillard stars as Sandra, a factory worker who tries to return to her job after a bout of depression only to find that her coworkers have voted to receive a bonus and eliminate her position. Over the course of a weekend, she visits each coworker and tries to convince them to support her in a second vote. I talk about my own experiences of working at a factory, struggling with depression, and living as a working class person. I also provide behind-the-scenes information about the making of the film and Marion Cotillard's preparation for her performance.

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Krzysztof Kieslowski's 'Three Colors: Blue' (1993)25 Jun 201902:15:47

In this episode, I explore Krzysztof Kieslowski's 1993 film, "Three Colors: Blue." Juliette Binoche plays a woman who loses her husband and daughter in a tragic car accident. Overwhelmed by grief, she tries to cut herself off from human connection and sever ties with the past and her memories. I provide behind-the-scenes information about the making-of the film and discuss key scenes and why they emotionally resonate with me. I also talk about the devastating loss of my father when I was just a teenager and detail my own struggle with grief. This episode contains spoilers.

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Pablo Larrain's 'Jackie' (2016)11 Jun 201901:44:46

In this episode, I talk about Pablo Larrain's 2016 film, "Jackie." It looks at Jackie Kennedy's grief in the days after the assassination of her husband, President John F. Kennedy, in 1963. I explore how the film represents grief and trauma, delve into the real struggles Jackie faced after losing her husband, give information about the making of the film and Natalie Portman's performance, explain why the film is comforting to me as someone who has known a great deal of loss, and more. As I recorded this episode, the 13th anniversary of my father's death passed. I channel my heartbreak into the episode and go in-depth about losing him and how devastating his death has been for me. There are spoilers in this episode.

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Agnès Varda's 'The Gleaners and I' (2000)28 May 201901:33:10

On this episode, I talk about Agnès Varda's 2000 documentary, "The Gleaners and I." It looks at people who glean in modern society, whether in the fields, at orchards, or after the markets have closed in Paris. With her camera, Varda inserts herself into the film, reflecting on ageing and how she gleans images. I talk about Varda's presence in the film, how she critiques the wastefulness in society, and why the film remains deeply relevant. I also include a discussion of the follow-up documentary she made in 2002, called "The Gleaners and I: Two Years Later" and how it's a powerful look at the afterlife that a film can have.

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Nicolas Philibert's 'To Be and To Have' (2002)14 May 201901:33:19

In this episode, I talk about Nicolas Philibert's 2002 documentary, "To Be and To Have." It focuses on a small school in rural France where the kind and patient teacher, Georges Lopez, instills a sense of worth in all of his students and connects with them one-on-one. The film shows the dynamics between the students who range in age, from kindergartners to teenagers and also looks at some of their struggles. I talk about childhood, separation, nostalgia, the importance of school in my own life, and the impact that various teachers had on me.

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Todd Haynes's 'Far From Heaven' (2002)30 Apr 201901:38:00

In this episode, I explore Todd Haynes's 2002 film, "Far From Heaven." It's an homage to 1950s melodramas and stars Julianne Moore as Cathy Whitaker, a Connecticut housewife who develops a deep connection to her African American gardener (Dennis Haysbert) while her marriage starts to crumble when her husband (Dennis Quaid) starts struggling with his repressed homosexuality. I talk about melodrama, woman's films, Douglas Sirk, Rainer Werner Fassbinder, how the film looks at race, sexuality, and gender, and much more! Spoilers are in this episode.

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Todd Haynes's 'Safe' (1995)16 Apr 201901:51:06

In this episode, I talk about Todd Haynes's 1995 film, "Safe." It stars Julianne Moore in her first collaboration with Haynes. Moore plays Carol White, a California housewife who comes down with a mysterious illness that could be a result of the chemicals and toxins in the environment. When her doctor and mainstream medicine offer her no help, she seeks relief and answers at a New Age treatment center called Wrenwood that espouses individualist self-help ideas. I talk about my own struggle with chronic health issues, how women are often not believed by doctors, why the film remains so relevant to the modern world we live in, and I also critique self-help messages.

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Jane Campion's 'The Piano' (1993)29 Mar 201901:31:52

In this episode, I talk about the mysterious power and beauty of Jane Campion's 1993 film, "The Piano." It stars Holly Hunter as Ada McGrath, a Scottish woman who goes to New Zealand with her daughter, Flora, for an arranged marriage to Alisdair Stewart. Their marriage is troubled from the start, and Ada ends up falling for George Baines. I share my memories of watching the film for the first time and talk about themes of muteness, violence against women, and the complicated relationship between Ada and Baines.

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Maïwenn's 'My King' (2015)12 Mar 201901:38:09

In this episode, I talk about Maïwenn's "My King," a raw and intense film that stars Emmanuelle Bercot as a woman struggling to heal her body and mind in the wake of a toxic and destructive relationship. I discuss how the film looks at emotional abuse, shows a woman reconstructing herself, and questions culturally-held beliefs about love. At the beginning of the episode, I also talk about how Andrei Tarkovsky's 1979 film, "Stalker," recently helped me through a difficult time.

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Peter Webber's 'Girl With a Pearl Earring' (2003)26 Feb 201901:36:45

In this episode, I talk about Peter Webber's 2003 film "Girl with a Pearl Earring." It's an adaptation of the 1999 Tracy Chevalier novel by the same name, which imagines how Johannes Vermeer's 17th century painting, "Girl with a Pearl Earring" came to be. It's 1665 in Delft, Holland and a young girl named Griet goes to work at the home of the Vermeers to provide for her family after her father is injured at work. She enters a home rocked by domestic and financial instability. When Vermeer starts to paint Griet to appease his lecherous patron, more drama ensues as Vermeer's wife becomes jealous and the attraction between Vermeer and Griet intensifies. I discuss the profound impact that both the book and the film had on my life because it sparked my deeper engagement with art. For this episode, I talk about Johannes Vermeer's life and art, and I explain why I think the film is so powerful in the way that it centers the life of a teenage girl who is a maid, explores the difficulties of women's lives in the 17th century, and shows the power of art to expand and enrich our minds.

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Pete Travis's 'The Go-Between' (2015)12 Feb 201902:06:32

In this episode, I talk about Pete Travis's dreamy 2015 film, "The Go-Between," produced by the BBC, based on the classic L.P. Hartley novel of the same name, and starring Jim Broadbent, Vanessa Redgrave, and Lesley Manville. It focuses on a 12-year-old boy named Leo Colston who, in the summer of 1900 in England, goes to stay at the opulent estate of his friend, Marcus Maudsley. During his time there, Leo becomes the messenger, or go-between, for Marcus's sister, Marian, and her secret lover, Ted Burgess. After the summer, none of their lives will ever be the same and Leo will be forever haunted by what he experienced. I talk about class, nostalgia, loss of innocence, and the devastating wounds of childhood. At the beginning of the episode, I also discuss how cinema has helped me cope with trauma. This episode contains spoilers.

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Patricia Cardoso's 'Real Women Have Curves' (2002)29 Jan 201902:05:14

In this episode, I talk about Patricia Cardoso's feminist coming-of-age classic, "Real Women Have Curves" (2002). I discuss body image, factory work, the exploitation of immigrant labor, and the profoundly political and radical messages in the film. At the beginning of the episode, I also talk about recently re-watching Krzysztof Kieslowski's "The Double Life of Veronique" (1991).

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Original logo by Dhiyanah Hassan

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