Découvrez des podcasts liées à Get Reelisms | An Ode to Filmmaking. Explorez des podcasts avec des thèmes, sujets, et formats similaires. Ces similarités sont calculées grâce à des données tangibles, pas d'extrapolations !
In episode 193 of the Get Reelisms podcast, hosts Adam Chase Rani and Christine Chen talk with Mylene “Mai” Briggs of Keelab Media, a producer, writer, director, marketer, and mom with production companies in Los Angeles and Ottawa. Mai and Christine share how they met through Film Girls Brunch and discuss navigating LA’s isolating, competitive film scene by intentionally building community, including the origins and growth of Film Girls Brunch (founded by Imani and Kaiulani, later expanded with Mai). Mai describes burnout, single parenting, and starting her company for survival after exhausting film-industry hours and childcare costs, then working extreme schedules for flexibility. They swap first-client stories, reflect on learning without film school by saying yes and figuring it out, and Mai recounts high-pressure live multi-cam festival livestream work for Pique in Ottawa.
About Christine W Chen:
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
Guest:
Mailyne Briggs is a Filipino Canadian multi-hyphenate filmmaker, writer/director, and mother. As the founder of Kilam Media Inc., her media production company focuses on purpose-driven content and diverse stories with impact. With over a decade of production experience, including co-producer/DoP for I AM: Limitless (CBC Gem), Mailyne’s work centers on women and underrepresented communities with themes of identity, belonging, and joy. Her commitment to community advocacy is proven through her work as a volunteer Board member for multiple non-profits in Canada and as the co-founder of three non-profits, including Film Girlz Brunch Los Angeles. She continues to work on co-productions in Canada and the US while actively developing her debut feature film, Those Days of Summer. Above all, Mailyne prioritizes rest, mental health, and family.
S4E192: Vertical Film Frenzy - The New Wave of Vertical Cinema
Saison 4 · Épisode 192
mardi 4 août 2026 • Durée 41:13
Fellowship App Hell, Strategic TV Directing Pitches, and Why Verticals Are the New Wild West On the Get Reelisms podcast, filmmakers Adam Chase Rani and Christine Chen catch up on recent festival news and Christine’s birthday, then dive into “fellowship app hell season,” comparing repeated lab applications and essay-writing to endlessly applying to colleges with no clear feedback. Christine shares she’s applying to programs including Film Independent, Sundance Producing Lab, and WriteBack Rise, and discusses the demoralizing competition, lack of guarantees, and the need to budget time by stepping back from AD work to focus on directing and stronger applications. Adam explains reframing a Disney directing program pitch from choosing a favorite show to choosing a show that logically matches evidence in his portfolio and experience. They also recap a Scene Lab focused on verticals and discuss vertical video’s growth, rising production value, democratized audience-driven discovery, and reduced gatekeeping compared to traditional Hollywood.
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
For more information about Christine Chen:
S4E191: The Evolving Role of AI in Filmmaking
Saison 4 · Épisode 191
mardi 21 juillet 2026 • Durée 01:14:55
On Get Reelisms Podcast episode 191, hosts Adam Chase Rani and Christine Chen interview filmmaker/producer/AD and occasional actor Avid (“Avi”) from Puppy Love Productions about becoming a “multi-tool” on set, especially in vertical productions. Avi recounts starting as a high-school editor on Final Cut Pro 7, continuing filmmaking while majoring in chemistry/biochemistry due to family pressure, learning directing performances through an improv-actor collaborator, and falling into first AD work via a 48-hour challenge and a Sony-financed short where a seasoned producer taught him set lingo. They discuss on-set judgment and delegation, phone rules, interns learning walkie etiquette, and how vertical storytelling uses cliffhangers, paywalls, CPI/client-driven scenes, and evolving efficiency systems. Avi also explains creating 3Line Studio, notable clients, a stolen box truck recovery using AirTags, and plugs a vertical Scene Lab event at 3Line Studio on April 29 (7–10 PM).
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
S4E190: Vertical Film Frenzy - Guerrilla Filmmaking on Crack
Saison 4 · Épisode 190
mardi 7 juillet 2026 • Durée 37:30
Verticals, Unions, and AI: The Wild West of New Filmmaking | Get Reelisms Ep. 190 In episode 190 of the Get Reelisms podcast, filmmakers Adam Chase Rani and Christine Chen talk about Christine’s desert trip to see a meteor shower, her deliberate hiatus from AD work to regain creative peace, and her return to making fast, low-budget sketch comedy—especially vertical YouTube/Instagram sketches—through groups like Banana TV and a 10-episode series with her friend Myleene about friends whose hangouts always turn into film work. They discuss the rise of union and branded verticals, why creators are embracing the format as a new storytelling medium, and how to improve quality through writing and framing. The conversation covers intense vertical set workflows, block shooting and child actor restrictions, the push-pull between budgets and union standards, concerns about AI replacing art versus using AI as a logistics tool, and worries about declining literacy from students using ChatGPT. They close with GetReelisms.com plugs and tease the next guest from Puppy Love Productions.
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
S4E189: A Slice of Cinema: John Valley and 'American Dollhouse
Saison 4 · Épisode 189
mardi 23 juin 2026 • Durée 53:09
On the Get Reelisms Podcast, filmmakers Madam Chase Rani and Christine Chen interview Austin director Jon Vallet about his new film American Dollhouse, which just premiered at South by Southwest and launched its festival run with an Austin “film family” crew. Vallet says the movie uses a character-driven, proto-slasher approach inspired by films like Psycho and Black Christmas, using modern anxieties about public spaces feeling unsafe and the dissonance of daily life in America as thematic fuel. He shares the logline: a woman inherits her childhood home, hoping to escape debt, but the house is falling apart and a doppelgänger-like neighbor becomes obsessively dangerous, escalating into a Christmas-set slasher. Vallet discusses prioritizing actors’ performances, early sound and scoring collaboration, shooting on Sony Venice in 4:3 with natural light and night-for-day, a 15-day December 2024 shoot, a difficult third-act set build, and adapting scripts and schedules to budget and resources.
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
S4E188: The Filmmaking Grind - Do NOT wait for the cavalry
Saison 4 · Épisode 188
mardi 9 juin 2026 • Durée 39:56
Adam Chase Rani and Christine Chen celebrate reaching 188 episodes of the Get Reelisms filmmaking podcast and reflect on nearly six to seven years of documenting their careers. They discuss recent Oscars results, including a tie and Sam Davis winning after their interview, and debate why genre films like Sinners may struggle for Best Picture despite winning Best Original Screenplay, while One Battle After Another wins Best Picture and PTA earns Best Director. They talk about attention spans, frustration with people assuming indie films are “on Netflix,” and Christine’s behind-the-scenes photo from Shakespeare on the Range being featured in the Academy Museum, a milestone linked to early career growth. Christine shares her decision to pause First AD work to focus on directing, developing a sketch-based branded micro-series, and adapting to vertical content trends. Adam plugs his “Create Your Own Content” course on getreelisms.com.
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
S4E187: From Documentaries to Oscar Winner - A Convo with 2026 Live Action Narrative Academy Award Winner Sam A Davis Director of The Singers
Saison 4 · Épisode 187
mardi 26 mai 2026 • Durée 44:48
Sam Davis on Making Oscar-Nominated Short ‘The Singers’ Without a Script, Casting Viral Buskers, and Shooting on Film
On Get Reelisms podcast episode 187, filmmakers Adam Chase Rani and Christine Chen interview Los Angeles–based filmmaker Sam Davis, who is campaigning his live-action short The Singers, nominated for an Academy Award and streaming on Netflix. Davis traces the project back 3–3.5 years to reading a George Saunders breakdown of a Russian short story, then adapting it into a modern bar-set film starring first-time actors found on social media, which took about 18 months to cast due to scam concerns and trust-building. He describes a documentary-influenced, unscripted approach with long improvised takes, constant sound recording, layered audio, and shooting on 35mm film for intentionality, while noting the costs of film and travel. The four-day shoot faced setbacks, including a lead dropping out two days prior. Davis discusses song selection, costume strategy, collaborating with a small crew, balancing documentary and narrative work, and developing future projects, including a long-term feature documentary.
About Christine W Chen:
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
S4E186: Are Verticals are Saving or Killing Hollywood?
Saison 4 · Épisode 186
mardi 12 mai 2026 • Durée 44:31
Verticals, Hustle, and the Future of Filmmaking (Get Reelisms Ep. 186)
On Get Reelisms podcast episode 186, filmmakers Adam Chase Rani and Christine Chen discuss being exhausted but grateful for steady work while others in Austin and Texas struggle despite talk of bigger film tax incentives. They say vertical short-form productions are “single handedly saving Hollywood,” with money coming from markets including China, and Christine notes speaking Mandarin helps her communicate with clients as an AD and director. They describe overlapping AD prep across productions, constant schedule demands on rare days off, and how vertical work favors indie-style problem solvers over union workflows. They explain vertical monetization as “Farmville”-style gamification with addictive cliffhangers and paywalls per short episode, shaping soapy storytelling tropes, while also noting vertical framing can be visually strong. They mention Darren Aronofsky’s AI film "On This Day, 1776" and briefly debate AI as a tool versus making full films with it, then preview an upcoming guest, Oscar-nominated short filmmaker Sam Davis ("The Singers" on Netflix).
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
S4E185: The Making of Starflare - From Idea to Screen - A Convo with Laura Ricci
Saison 4 · Épisode 185
mardi 28 avril 2026 • Durée 47:35
Star Flare: Reclaiming Agency, Building a Fun Set, and the Pain of Crowdfunding (Get Reelisms Ep. 185)
On Get Reelisms Podcast episode 185, hosts Adam Chase Rani and Christine Chen interview actor-writer-producer Laura Ricci about making her fantasy romance short film Star Flare. Laura describes feeling powerless as an actor and deciding to create her own work after living in Los Angeles for nearly three years, with wildfires raging and Trump newly inaugurated, leading her to write the script in a week and produce her first “real” film. They discuss designing the project around practical constraints (woods location, small cast, one day, limited costume changes) while still aiming big for the genre, and Laura’s priority of creating a safe, fun set that strengthens relationships and took care of the team. Laura calls crowdfunding the hardest part, recounting constant posting, emotional strain, and mixed results despite support and a stranger’s $1,000 pledge. Christine directed and is editing; they talk about post-production, sound design’s importance, and meeting through a TikTok call for a director.
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
S4184: Shooting in the Lone Star State: Texas Film Incentives and Innovations
Saison 4 · Épisode 184
mardi 14 avril 2026 • Durée 30:15
Texas Film Industry Thrives: Incentives, Expendables, and Community Stories
In this episode of the Get Reelisms podcast, hosts Adam Chase Rani and Christine Chen welcome special guest Chris Bigbie, owner of Dependable Expendables. They discuss Texas's booming film industry, driven by recent tax incentives, and the role of local companies like Dependable Expendables in supporting productions. Chris shares the impact of high-profile projects like Taylor Sheridan’s Yellowstone and Lioness shooting in Texas, and explains how his company meets the unique needs of film sets with specialized products like silent paper bags. The conversation highlights the significance of the Texas Production Expo and the mutual support within the filmmaking community, showcasing how local initiatives bolster industry growth.
Christine W. Chen is a Taiwanese American filmmaker, Academy member (Short Films Branch), and versatile producer, director, and writer known for bold, character-driven storytelling. Through her production company, Moth to Flame, she has created award-winning short films, features, and branded content—including Erzulie, a feminist swamp thriller that had a limited theatrical run and now streams on major platforms. In addition to her directorial work, Christine is a seasoned DGA 1st Assistant Director and co-author of Get Reelisms and ABCs of Filmmaking, as well as the co-host of the Get Reelisms Podcast.
is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
About John Valley
John Valley became a prolific music video director in Austin TX before honing in on his debut feature The Pizzagate Massacre, a dark horror comedy that VICE called "A grindhouse Pizzagate satire that perfectly captures a moment in time." His sophomore film, American Dollhouse is a modern take on proto-slasher classics like Psycho and Black Christmas.
Sam Davis is an Oscar newly winning director, cinematographer, and producer known for his work on The Singers (2025), Period. End of Sentence. (2018), and Nai Nai & Wài Pó (2023). A USC School of Cinematic Arts graduate, he specializes in documentary-style narrative filmmaking, often blending digital-age casting with traditional storytelling to explore themes of community and humanity.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
Adam Chase Rani is a production designer and set dresser working in the Austin film market, bringing a sharp eye for visual storytelling and practical creativity to every project. During the pandemic, he co-founded the Get Reelisms Podcast with Christine Chen to foster community within the film industry. Together, they’ve built a platform that blends education, candid conversations, and industry insights to help filmmakers connect, learn, and grow.
Guest:
Laura Ricci is a Los Angeles-based SAG-AFTRA actress known for roles in Hostess (2018), The Wraith (2021), and the upcoming Cupcakes (2025). She has also appeared in I Was There (2022) and Siren Salon (2023), often portraying characters with wit and depth. She is active on Instagram as @the.laura.ricci.
Christopher Bigbie is a Director and Creative Director with a lifelong passion for storytelling through cinema. Bringing a strong narrative sensibility and visual precision to commercials and digital content, he is known for building mood, capturing natural beauty, and shooting dynamic action with elegance and versatility. His work spans advertising and corporate campaigns for major global brands, where his ability to translate abstract ideas into compelling visual stories has become a defining strength.
