Explorez tous les épisodes du podcast Film at Lincoln Center Podcast

On today’s NYFF62 podcast, we present the press conference from this year's Centerpiece selection The Room Next Door, featuring director Pedro Almodóvar and cast members Julianne Moore, Tilda Swinton, and John Turturro, moderated by NYFF Artistic Director Dennis Lim. Pedro Almodóvar’s finely sculpted drama, his first English-language feature, is the unmistakable work of a master filmmaker, a hushed and humane portrayal of the beauty of life and the inevitability of death, graced with incandescent performances by Moore and Swinton that tap the very essence of being. Winner of the Golden Lion at the 2024 Venice Film Festival, Almodóvar has exquisitely reframed his career-long fascination with the lives of women for an American vernacular, capturing Manhattan and upstate New York with enraptured affection. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix. The Room Next Door will open at Film at Lincoln Center on December 20. Tickets on sale soon.

On today’s NYFF62 podcast, director Alex Ross Perry, producer/editor Robert Greene, and members of the band Pavement (Stephen Malkmus, Scott Kannberg, Mark Ibold, Steve West, and Bob Nastanovich) join NYFF Artistic Director Dennis Lim to discuss Pavements at its North American Premiere. Fueled by a sardonic, tricky sense of humor, Alex Ross Perry’s very funny sorta-documentary about the beloved indie rock band integrates archival footage of Pavement at the height of their cult popularity, newly shot material following them during their recent comeback tour in 2022, and a kaleidoscope of semi-scripted contemporary scenes about the shooting of a movie within the movie starring Jason Schwartzman, Fred Hechinger, Nat Wolff, Tim Heidecker, Logan Miller, and a hilarious Joe Keery as an actor seeking awards glory. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

This week we’re excited to present a conversation with His Three Daughters director Azazel Jacobs and cast members Natasha Lyonne, Elizabeth Olsen, and Carrie Coon during a special advance screening at FLC. His Three Daughters is now streaming on Netflix. From writer-director Azazel Jacobs comes this bittersweet and often funny story of an elderly patriarch and the three grown daughters who come to be with him in his final days. Katie (Carrie Coon) is a controlling Brooklyn mother dealing with a wayward teenage daughter; free-spirited Christina (Elizabeth Olsen) is a different kind of mom, separated from her offspring for the first time; and Rachel (Natasha Lyonne) is a sports-betting stoner who has never left her father’s apartment—much to the chagrin of her half-sisters, who share a different mother and worldview. Continuing his astute exploration of family dynamics in close-knit spaces, Jacobs follows the siblings over the course of three volatile days, as death looms, grievances erupt, and love seeps through the cracks of a fractured home.  This conversation was moderated by filmmaker Tamara Jenkins.

This week on the Film at Lincoln Center podcast, we’re featuring a Q&A from the 60th New York Film Festival with Enys Men director Mark Jenkin and lead Mary Woodvine, moderated by FLC Senior Director of Programming Florence Almozini. In 1973, on an uninhabited, windswept, rocky island off the coast of Cornwall in southwest England, an isolated middle-aged woman spends her days in enigmatic environmental study. When she’s not tending to the moss-covered stone cottage in which she lodges, her central preoccupation is a cluster of wildflowers at a cliff’s edge, the blossoms’ subtle changes noted in a daily ledger. She’s also increasingly haunted by her own nightmarish visitations, which seem both summoned from her own past and brought up from the very soil and ceremonial history of this mysterious place. Shot on enveloping, period-evocative 16mm, this eerie, texturally rich experience from Cornish filmmaker Mark Jenkin conjures works of classic British folk horror but remains its own strange being, a genuine transmission from a weird other world. Enys Men opens next Friday, March 31, with a filmmaker Q&A at 6pm, along with Jenkin's debut feature Bait, which also opens next Friday with a Q&A at 8:45pm. Don’t miss Enys Men on 35mm—only during opening weekend and get tickets at filmlinc.org/enys

This week on the Film at Lincoln Center podcast, we’re featuring a special Q&A from our recent screening of S. S. Rajamouli’s RRR with composer M.M. Keeravani, who recently won an Academy Award for Best Original Song for "Naatu Naatu." But first, listen to FLC programmers Maddie Whittle and Tyler Wilson preview our upcoming series, Unspeakable: The Films of Tod Browning, which kicks off tomorrow and runs through March 26. Explore the lineup, including new restorations, 35mm screenings, live musical accompaniment, and get tickets at filmlinc.org/browning. From an original story by V. Vijayendra Prasad, the historical action epic RRR (short for Rise, Roar, Revolt) follows the fictionalized paths of real-life freedom fighters Alluri Sitarama Raju (Charan) and Komaram Bheem (Rama Rao) as they come together in 1920s Delhi to battle the nefarious British Raj for the rescue of a kidnapped girl from Bheem’s tribe. Enjoy Academy Award-winning composer M.M. Keeravani’s conversation on working on the film’s score, his musical influences, and more.

This week on the Film at Lincoln Center podcast, we’re featuring a special Q&A from the 60th New York Film Festival with Drylongso director Cauleen Smith, moderated by Director and President of the Academy Museum of Motion Pictures Jacqueline Stewart. Cauleen Smith’s 1998 feature debut, a landmark in American independent cinema, follows Pica (Toby Smith), a woman in a photography class in Oakland, as she begins photographing the young Black men of her neighborhood, having witnessed so many of them fall victim to senseless murder and fearing the possibility of their becoming extinct altogether. This project serves as a point of departure for Smith to explore Pica’s relationship with her family, as well as her relationship with a friend (April Barnett) who becomes the victim of an enigmatic and elusive serial killer lurking in the background. An enduringly rich work of DIY filmmaking, Drylongso remains a resonant and visionary examination of violence (and its reverberations), friendship, and gender. An NYFF60 Revivals selection. The NYFF60 Revivals presentation of Drylongso was sponsored by Turner Classic Movies.  The new 4K restoration of Drylongso opens next Friday, March 17, in our theaters with a filmmaker Q&A with Smith on opening night. On the occasion of the theatrical release of the NYFF60 selection, we are also showing two Shorts Programs of Smith’s short films on Friday, March 17, with an intro from Smith, and Sunday, March 19. Get tickets to Drylongso and both shorts programs and receive an automatic discount package of $20 for the general public and $15 for FLC Members. Explore showtimes and get tickets at filmlinc.org/drylongso

This week on the Film at Lincoln Center podcastm we’re featuring a Q&A from the 60th New York Film Festival with Stonewalling (opens March 10!) filmmakers Huang Ji and Ryuji Otsuka, moderated by FLC Senior Director of Programming Florence Almozini and interpreted by Vincent Cheng. Before that, listen to a special programmer’s preview of the 28th Rendez-Vous with French Cinema from FLC Assistant Programmer Maddie Whittle. Our annual festival celebrating the best works in contemporary French film is now taking place through March 12 with filmmaker Q&As, Free Talks, and more. Explore the lineup and get tickets at filmlinc.org/rdvFor more than a decade, Beijing-based wife-and-husband team Huang Ji and Ryuji Otsuka have been making films about the lives of young people in China—in many cases “left-behind children,” or those whose parents are forced to leave their families to find jobs in cities. Expanding their project, their gripping, humane yet uncompromising latest, shot with a precise formal economy by Otsuka (who also serves as cinematographer), focuses on a year in the life of Lynn, a flight-attendant-in-training whose plans to finish college are thrown into doubt when she discovers she’s pregnant. Not wanting an abortion (a decision she hides from her callow, absent boyfriend, away on modeling and party hosting gigs), she hopes to give the child away after carrying it to term, while staying afloat amidst a series of dead-end jobs. As incarnated by the filmmakers’ quietly potent recurring star Yao Honggui, Lynn—whose story continues after being the center of the filmmakers’ acclaimed The Foolish Bird (2017)—is both a fully rounded character and the vessel for an urgent critique of a modern-day social structure that has few options for women in need of care. Stonewalling opens on March 10 in our theaters, with in-person Q&As with directors  Huang Ji and Ryuji Otsuka during opening weekend, and special screenings of Egg and Stone and The Foolish Bird. Get showtimes and tickets at filmlinc.org/stonewalling

This week on the Film at Lincoln Center podcast, we're featuring a conversation with Davy Chou and Park Ji-Min, discussing Return to Seoul at the 60th New York Film Festival with Artistic Director Dennis Lim. Freddie (Park Ji-Min), a young French woman, finds herself spontaneously tracking down the South Korean birth parents she has never met while on vacation in Seoul. From this seemingly simple premise, Cambodian-French filmmaker Davy Chou spins an unpredictable, careering narrative that takes place over the course of several years, always staying close on the roving heels of its impetuous protagonist, who moves to her own turbulent rhythms (as does the galvanizing Park, a singular new screen presence). Chou elegantly creates probing psychological portraiture from a character whose feelings of unbelonging have kept her at an emotional distance from nearly everyone in her life; it’s an enormously moving film made with verve, sensitivity, and boundless energy. A Sony Pictures Classics release.

This week on the Film at Lincoln Center podcast, we’re featuring a special Everything Everywhere All at Once Q&A from our recent series ‘Verse Jumping with Daniels with directors Daniel Kwan and Daniel Scheinert, and producer Jonathan Wang, moderated by FLC Programmer Tyler Wilson. In their second feature-film collaboration, Daniels evoke everyone from Wong Kar Wai, Harmony Korine, and Stephen Chow and everything from video games, YouTube algorithms, wire fu, Japanese anime, late 1990s Hollywood nihilism, and more: Golden Globe® Winner Michelle Yeoh delivers a career-defining performance as Evelyn Wang, a first-generation Chinese-American living above her laundromat business with her aging father (James Hong), her teenage daughter (Stephanie Hsu), and her kind but painfully naive husband (Golden Globe® Winner Ke Huy Quan). Amid an IRS audit (spearheaded by a nearly unrecognizable Jamie Lee Curtis) that reveals the cracks of her family and livelihood, Evelyn plunges into a multiversal war of “’verse jumpers” that puts the fate of every universe in her hands… This hardly describes the gag-a-minute, gleefully maximalist feature, whose high-wire achievement here is precisely in balancing the unwieldy tone promised by its title with a cinematically legible sense of infinity, all while issuing a profoundly emotional warning to our overstimulated present. An A24 release.

This week on the Film at Lincoln Center podcast, we’re featuring a Q&A from the 60th New York Film Festival with director Albert Serra on Pacifiction, moderated by FLC’s Senior Director of Programming Florence Almozini, and a special programmers preview with the curators behind the 51st Dance on Camera Festival, taking place through Monday and featuring 30 new films from 35 countries. Get tickets to the longest-running dance film festival in the world at filmlinc.org/dance. Catalan filmmaker Albert Serra reconfirms his centrality in the contemporary cinematic landscape with this mesmerizing portrait of a French bureaucrat (a monumental Benoît Magimel) drifting through a fateful trip to a French Polynesian island with increasing anxiety. Pacifiction charts the various uneasy relationships that develop between Magimel’s autocratic yet avuncular High Commissioner, De Roller, and the Indigenous locals (including nonprofessional actor Pahoa Mahagafanau in a hypnotic breakthrough as De Roller’s trusted right hand and maybe lover) who operate essentially under his faux-benevolent thumb, many of whom we meet at a resort that caters to the prurient exoticism of foreign tourists. Serra’s gripping, atmospheric thriller is a slow-building fever dream that lulls before catching us by surprise with the depths of its darkness, a film that allows its incisive social commentary about the remnants of colonialism to surface through quiet observation and aesthetic audacity. Pacifiction opens February 17th in our theaters with in-person intros and Q&As with Serra on Feb. 17, 18 & 19. Get tickets at filmlinc.org/pacifiction.

This week on the Film at Lincoln Center podcast we’re featuring a special Q&A that followed the recent U.S. Premiere of The Birthday during our Jordan Peele curated series, The Lost Rider: A Chronicle of Hollywood Sacrifice, with director Eugenio Mira and lead Corey Feldman. Moderated by FLC Programmer Tyler Wilson. Part comedy of manners by way of Jerry Lewis, part phantasmagorical head trip, Eugenio Mira’s debut has garnered cult status in the years since its premiere at Sitges in 2004, in part for never getting an official home video release or U.S. theatrical premiere—that is, until this January at Film at Lincoln Center. Set in a ruby-red Art Deco hotel in 1987, The Birthday follows hapless protagonist Norman Forrester (Corey Feldman)—whose accent might suggest Brooklyn, New York, but is actually Brooklyn, Baltimore—as he navigates an inhospitable birthday celebration for his scolding girlfriend’s wealthy father (cult icon Jack Taylor) and struggles with the anxieties of his deteriorating romance. The atmosphere turns from tensely awkward to downright sinister as the party wears on, leading Norman to uncover an unimaginable conspiracy implicating the partygoers and staff. With its painstakingly fabricated set design, kinetic camerawork, and bonkers performances, The Birthday is weirdo-horror of the highest order and peers straight into a traumatized headspace of relationship neuroses.

This week on the Film at Lincoln Center podcast, we’re featuring a recent conversation with filmmaker Lukas Dhont on his latest film Close, which was recently nominated for Best International Feature at the 95th Academy Awards, and moderator and critic Thelma Adams. This talk was first exclusive for FLC Patrons.  If you're interested in supporting FLC by becoming a member and exploring member benefits, visit filmlinc.org/members for more information.  Leo and Remi are two thirteen-year-old best friends, whose seemingly unbreakable bond is suddenly, tragically torn apart. Winner of the Grand Jury Prize at the Cannes Film Festival, Lukas Dhont's second film is an emotionally transformative and unforgettable portrait of the intersection of friendship and love, identity and independence, and heartbreak and healing. Close is now playing in theaters.

This week on the Film at Lincoln Center podcast, we’re revisiting a conversation from the 60th New York Film Festival with Mia Hansen-Løve on One Fine Morning, moderated by NYFF Artistic Director Dennis Lim, followed by our recent conversation with Jordan Peele, Keke Palmer, and more on the making of NOPE. Few filmmakers are as adept at exploring the contours of modern love and grief as Mia Hansen-Løve, whose intensely poignant and deeply personal latest drama stars Léa Seydoux as Sandra, a professional translator and single mother at a crossroads. Her father, rapidly deteriorating from a neurological illness, will soon require facility care, and her new lover is a married dad whose unavailability only seems to draw her nearer to him, despite—or because of—the fact that she’s going through an overwhelming time in her life. Hansen-Løve, so finely observant of the small nuances of human interaction, creates, in harmonious concert with a magnificent Seydoux, a complicated portrait of a woman torn between romantic desire and familial tragedy that is a marvel of emotional and formal economy. One Fine Morning opens Friday, January 27, in our theaters. Get showtimes and tickets: filmlinc.org/morning Following a special 70mm screening of NOPE during our Jordan Peele curated series, The Lost Rider: A Chronicle of Hollywood Sacrifice, NOPE director Jordan Peele, lead Keke Palmer, producer Ian Cooper, editor Nicholas Monsour & composer Michael Abels joined FLC Programmer Tyler Wilson to discuss the making of the sci-fi-horror.

This week we’re excited to present an archival conversation from 2012 at the 50th New York Film Festival with No director Pablo Larraín and lead actress Antonia Zegers. Larraín returns to the New York Film Festival this fall with the NYFF62 Spotlight selection Maria. Don’t miss the NYFF premiere of Maria and many more great films at this year's festival. Single tickets will go on sale this Tuesday, September 17! Learn more at filmlinc.org/nyff In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote YES or NO to Pinochet extending his rule for another eight years. Opposition leaders for the NO persuade a brash young advertising executive, Rene Saavedra (Gael Garcia Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot's minions, Saavedra and his team devise an audacious plan to win the election and set Chile free. The conversation was moderated by Richard Peña.

This week on the Film at Lincoln Center podcast, we’re sharing a talk from the 60th New York Film Festival with Alice Diop & Frederick Wiseman, whose films Saint Omer (opening Friday at FLC with Q&As!) and A Couple, respectively, were both NYFF60 Main Slate selections. The conversation was moderated by Dessane Lopez Cassell, editor-in-chief of SEEN journal with translation by Nicholas Elliott. French filmmaker Alice Diop has said that it was the work of Frederick Wiseman that inspired her to become a documentarian. It is fitting, then, that NYFF60's Main Slate featured new films by Wiseman and Diop that speak to each other in extraordinary ways—including in their deviation from documentary into the more delicate terrain between fiction and nonfiction. Both A Couple (Wiseman) and Saint Omer (Diop) take true stories of extraordinary and fraught women as their bases, probing the formal possibilities and limits of cinema in revealing the inner lives of real people. The two directors convened for a conversation about the turn to narrative cinema, the cultural and generational distinctions of filmmaking in France and the United States, their respective approaches to cinema as a mode of systemic critique, and more. NYFF Talks were presented by HBO. Saint Omer, France’s Oscar entry, opens this Friday in our theaters with Q&As on Friday and Saturday. Get showtimes and tickets at filmlinc.org/saint

This week on the Film at Lincoln Center podcast, we’re featuring two conversations from the 60th New York Film Festival. The first is with Carla Simón, director of Alcarràs, an NYFF60 Main Slate selection about a family in present-day Catalonia, moderated by former NYFF Executive Director Eugene Hernandez. The second conversation is a deep dive on liberating lost movies with various Missing Movies board members and advisors. Winner of the Golden Bear at this year’s Berlinale Festival, Carla Simón’s follow-up to her acclaimed childhood drama Summer 1993 is a ruminative, lived-in portrait of a rural family in present-day Catalonia whose way of life is rapidly changing. The Solé clan live in a small village, annually harvesting peaches for local business and export. However, their livelihood is put in jeopardy by the looming threat of the construction of solar panels, which would necessitate the destruction of their orchard. From this simple narrative, pitting agricultural tradition against the onrushing train of modern progress, Simón weaves a marvelously textured film that moves to the unpredictable rhythms and caprices of nature and family life. Alcarràs, Spain’s official Oscar entry, is now playing in our theaters. Get tickets at filmlinc.org/alcarras Movies go “missing” all the time, whether due to lapses in preservation and archiving, complexities of copyright and distribution, or technological obsolescence. To address these issues—which can powerfully shape what we know and regard as the cinematic canon— a group of filmmakers, distributors, archivists, and lawyers founded the organization Missing Movies.  We were pleased to welcome Missing Movies board members and advisors Amy Heller, Dennis Doros, Nancy Savoca, Rich Guay, Ira Deutchman, and Maya Cade to NYFF60 for a special conversation aimed at empowering the filmmaking community with the tools to liberate lost films and to ensure that the cinema of the present avoids the same fate. All NYFF60 Talks were presented by HBO.

This week on the Film at Lincoln Center podcast, we’re featuring a special conversation from our recent sneak preview screening of Corsage with director Marie Kreutzer and lead Vicky Krieps.  In a perceptive, nuanced performance, Vicky Krieps (Phantom Thread) quietly dominates the screen as Empress Elizabeth of Austria, who begins to see her life of royal privilege as a prison as she reaches her fortieth birthday. Marie Kreutzer boldly imagines Elizabeth’s cloistered, late-19th-century world within the Austro-Hungarian Empire with both austere realism and fanciful anachronism, while staying true and intensely close to the woman’s private melancholy and political struggle amidst a crumbling, combative marriage and escalating scrutiny. Star and director have together created a remarkable vision of a strong-willed political figure whose emergence from a veiled, corseted existence stands for a Europe on the cusp of major, irrevocable transformation. Corsage, an official selection of the 60th New York Film Festival, is now playing in our theaters. Get showtimes and tickets at filmlinc.org/corsage

This week on the Film at Lincoln Center podcast, we’re featuring a special conversation with Hugh Jackman on his latest film, The Son, which recently played in our theaters exclusively for FLC Patrons. If you're interested in supporting FLC by becoming a member and exploring member benefits, go to filmlinc.org/members. For a limited time, get 30% off Memberships with the promo code HOLIDAY30; available for Contributor-level Memberships and above. A cautionary tale that follows a family as it struggles to reunite after falling apart. The Son centers on Peter (Hugh Jackman), whose hectic life with his infant and new partner Beth (Vanessa Kirby) is upended when his ex-wife Kate (Laura Dern) appears with their son Nicholas (Zen McGrath), who is now a teenager. The young man has been missing from school for months and is troubled, distant, and angry. Peter strives to take care of Nicholas as he would have liked his own father to have taken care of him while juggling work, his and Beth's new son, and the offer of his dream position in Washington. However, by reaching for the past to correct its mistakes, he loses sight of how to hold onto the Nicholas in the present. Sony Pictures Classics will release The Son on January 20, 2023.

This week on the Film at Lincoln Center podcast, we’re featuring a special conversation between The Eternal Daughter director Joanna Hogg and filmmaker Martin Scorsese. The two talked about discovering each other's filmography, Hogg’s lifelong friendship with Tilda Swinton, and the process of creating art out of grief.  The Eternal Daughter follows a middle-aged filmmaker and her elderly mother who take an eerie, emotional trip to the past when they stay at a fog-enshrouded hotel in the English countryside. The great Joanna Hogg uses this Victorian gothic scenario for an entirely surprising, impeccably crafted excavation of a parent-child relationship starring Tilda Swinton in a performance of rich, endless surprise. The NYFF60 selection plays  daily in our theaters. Get tickets at filmlinc.org/eternal.

This week on the Film at Lincoln Center podcast, we’re featuring a programmers preview of our Yoshimitsu Morita retrospective and a conversation from the 60th New York Film Festival between filmmakers Joanna Hogg & Kelly Reichardt.  First up, listen to programmers Dan Sullivan and Aiko Masubuchi dive into the career and films of Yoshimitsu Morita, one of the most fascinatingly idiosyncratic and prolific directors in modern Japanese cinema. Our Yoshimitsu Morita retrospective takes place through December 11 with special introductions during opening weekend. Get tickets and All-Access Passes at filmlinc.org/morita.  After the preview, we’re revisiting an NYFF60 conversation with The Eternal Daughter director Joanna Hogg and Showing Up director Kelly Reichardt. Two of the leading auteurs of contemporary cinema, Joanna Hogg and Kelly Reichardt have built acclaimed bodies of work that stand out for their epic existential scope and intimate emotional textures. With The Eternal Daughter and Showing Up, respectively, Hogg and Reichardt take their filmmaking into new territories, exploring the poetic and prosaic imbrications of life and art, particularly in the personal and professional worlds of female artists.  We were pleased to bring Hogg and Reichardt together for a conversation about their singular career trajectories, their distinctive approaches to writing and directing, and the process of translating personal experience into universally resonant stories of women on the verge of creative transcendence. NYFF60 Talks were presented by HBO. Joanna Hogg’s The Eternal Daughter is now playing in our theaters. Get tickets at filmlinc.org/eternal

This week on the Film at Lincoln Center podcast, we’re featuring two conversations: the first with director Jerzy Skolimowski and co-writer Ewa Piaskowska on the NYFF60 selection, EO, and the second with director Nikyatu Jusu and producer Nikkia Moulterie on the ND/NF51 selection Nanny. At age 84, legendary director Jerzy Skolimowski has directed one of his spryest, most visually inventive films, following the travels of a peripatetic donkey named EO. After being removed from the only life he’s ever known in a traveling circus, EO begins a journey across the Polish and Italian countryside, experiencing cruelty and kindness, captivity and freedom. Skolimowski imagines the animal’s mesmerizing journey as an ever-shifting interior landscape, marked by absurdity and warmth in equal measure, putting the viewer in the unique perspective of the protagonist. Skolimowski has constructed his own bold vision about the follies of human nature, seen from the ultimate outsider’s perspective. EO, a New York Times Critic's Pick, is now playing in our theaters. Get tickets at filmlinc.org/eo Next, we’re revisiting a conversation from the 51st New Directors/New Films with Nanny director Nikyatu Jusu and producer Nikkia Moulterie. A riveting Anna Diop commands nearly every frame of director Nikyatu Jusu’s feature debut, a breakout at this year’s Sundance, where it won the Dramatic Grand Jury Prize. In this psychologically complex fable of displacement tinged with supernatural horror, Diop plays Aisha, a woman who recently emigrated from Senegal and is hired to care for the adorable daughter of an affluent couple (Michelle Monaghan and Morgan Spector) living in New York’s Tribeca neighborhood. Increasingly unsettled by the family’s volatile home life, though desperate to make enough money to bring over her young son from Senegal, Aisha begins to unravel, finding her life in America to be more nightmare than dream. Mixing domestic melodrama with American genre elements and West African folklore, Nanny is a spellbinding experience that defies expectation. Nanny, a New York Times Critic's Pick, is now playing in our theaters for one week only, with a special holiday promotion: buy one ticket, get one free for all screenings through November 27. Get tickets at filmlinc.org/nanny

This week on the Film at Lincoln Center podcast, we’re featuring a talk from the 60th New York Film Festival with photographer, artist, and activist Nan Goldin, moderated by NYFF programmer Rachael Rakes. In the NYFF60 Centerpiece selection All the Beauty and the Bloodshed, documentarian Laura Poitras takes as her subject Nan Goldin. An era-defining artist who rose from the New York “No Wave” underground to become one of the great photographers of the late 20th century, Goldin put herself at the forefront of the battle against the Sackler family and their pharmaceutical empire, both as an activist at art institutions around the world that had accepted millions from the Sacklers and as an advocate for the destigmatization of drug addiction. This intimate, career-spanning conversation with Goldin dove into the personal and political roots of her creative practice, the radical humanism of her photography, and the defiant intertwinings of her art and activism.  All the Beauty and the Bloodshed opens on November 23 in our theaters. Don’t miss our Q&A with director Laura Poitras and P.A.I.N. activist Harry Cullen on November 26. Get showtimes and tickets at filmlinc.org/beauty All NYFF60 Talks are presented by HBO.

This week on the Film at Lincoln Center podcast, we’re featuring a special introduction from Martin Scorsese ahead of the premiere of Personality Crisis: One Night Only at the 60th New York Film Festival, followed by a Q&A with directors Martin Scorsese and David Tedeschi, subject David Johansen, Executive Producer Mara Hennessey, producer Margaret Bodde, and Leah Hennessey, moderated by FLC Programmer Dan Sullivan. Continuing his vibrant and invaluable documentaries about iconic American artists and musicians such as George Harrison: Living in the Material World, No Direction Home: Bob Dylan, and the Fran Lebowitz portrait Public Speaking, Martin Scorsese turns his camera on another beloved New York institution: the singular David Johansen. Equally celebrated as the lead singer-songwriter of the androgynous ’70s glam punk groundbreakers The New York Dolls and for his complete reinvention as hepcat lounge lizard Buster Poindexter in the ’80s, the chameleonic Johansen has created an entire genre unto himself, combining swing, blues, and rock for something at once mischievous and deeply personal. In Personality Crisis: One Night Only, Scorsese and co-director David Tedeschi (The 50 Year Argument), with the help of cinematographer Ellen Kuras (American Utopia), luminously capture the entertainer’s January 2020 Cafe Carlyle set, where he performs as Poindexter singing the Johansen songbook, bringing downtown irreverence to this storied uptown joint. Presented alongside new and archival interviews, the concert is marvelously intimate and a testament to both a lost New York and a performer who remains as fresh and exciting as ever. All NYFF60 documentaries were sponsored by HBO.

This week on the Film at Lincoln Center podcast, we’re featuring a conversation from the 60th New York Film Festival, moderated by Film Comment Co-Deputy Editor Devika Girish. This talk brought together the directors behind two stunning works of autofiction in the NYFF60 lineup. One Fine Morning by leading French filmmaker (and NYFF staple) Mia Hansen-Løve and Aftersun, the debut feature by Charlotte Wells, both center on father-daughter relationships drawn from the directors’ own lives, exploring tenderness and trauma, love and loss with formal ingenuity and emotional force. Both films also feature powerhouse performances—Paul Mescal in Aftersun and Léa Seydoux in One Fine Morning—that challenge and reinvigorate routine cinematic portrayals of femininity, masculinity, and intimacy.  Hansen-Løve and Wells partook in an extended conversation about the process of making art out of one’s life, giving filmic shape to the workings of memory and time, reimagining the contours of “women’s cinema,” and more. NYFF Talks were presented by HBO. Charlotte Wells’s Aftersun is now playing daily in our theaters. For showtimes and tickets, go to filmlinc.org/aftersun.

This week we’re excited to present an archival conversation from 2011 at the 49th New York Film Festival with The Loneliest Planet director Julia Loktev and lead actress Hani Furstenberg. Acclaimed artist and filmmaker Loktev returns to the New York Film Festival this fall with the NYFF62 Main Slate selection My Undesirable Friends: Part I — Last Air in Moscow. Single tickets to the festival will go on sale on Tuesday, September 17! Learn more at filmlinc.org/nyff. In The Loneliest Planet, Julia Loktev crafts an intimate relationship film starring Gael García Bernal and Hani Furstenberg as young fiancés backpacking through the Caucasus Mountains in Georgia. The two characters are joined by a mountaineer, forming a trio that quietly treks across dramatic landscapes, where there is just as much said as left unsaid. Loktev dramatically expands her scope with The Loneliest Planet and in the gorgeously filmed mountains has found the perfect setting for isolated, at times suffocating drama. The conversation was moderated by Richard Peña.

This week on the Film at Lincoln Center podcast, we're revisiting a special conversation from the 60th New York Film Festival with director Park Chan-wook and actor Park Hae-il on the season's biggest hit, Decision to Leave. Moderated by NYFF Executive Director Eugene Hernandez. Busan detective Hae-joon (Park Hae-il) finds that he’s increasingly obsessed with a puzzling new case: a middle-aged businessman has mysteriously fallen to his death during a rock climbing expedition. Upon discovering photos of his abused wife, a Chinese national named Seo-rae (Tang Wei), Hae-joon begins to suspect it wasn’t an accident, all the while becoming emotionally and erotically drawn to her. From this Hitchcockian situation, director Park Chan-wook (Oldboy) weaves a swelling, expanding, ever more complex tale about a possible black widow and the investigator who just might be fashioning his own web. One of Park’s most enveloping and accomplished thrillers, which earned him the Best Director award at this year’s Cannes Film Festival, Decision to Leave is a constantly surprising, elegantly constructed film that builds in power to a truly haunting denouement. Decision to Leave is now playing in our theaters! Get showtimes and tickets at filmlinc.org/decision

Director Elegance Bratton and cast members Jeremy Pope, Gabrielle Union, and Raúl Castillo, and producers Effie Brown and Chester Algernal Gordon present and discuss The Inspection, the Closing Night selection of this year’s festival, with NYFF Executive Director Eugene Hernandez. Known for his affecting and dynamic documentary Pier Kids, about homeless queer and transgender youth in New York, and the Viceland series My House, on underground competitive ballroom dancing, filmmaker and photographer Elegance Bratton has made his ambitious narrative debut with The Inspection, a knockout drama based on his own experiences as a gay man in Marine Corps basic training following a decade of living on the streets. In a breathtaking first cinematic starring role, Tony– and Emmy–nominated actor Jeremy Pope is run through an emotional and physical gauntlet as a young man dealing with the intimidation of a sadistic sergeant (Bokeem Woodbine), his desire for a sympathetic superior (Raúl Castillo), and his complicated feelings toward the mother who rejected him (a revelatory Gabrielle Union). Bratton’s film is a nuanced portrait of American masculinity and evocation of the military during the Don’t Ask, Don’t Tell era, as well as a forceful, electric work of autobiography. An A24 release.

Director Maria Schrader, screenwriter Rebecca Lenkiewicz, cast members Carey Mulligan, Zoe Kazan, and Ashley Judd, and New York Times journalists Jodi Kantor and Megan Twohey discuss She Said, a Spotlight selection and World Premiere at NYFF60, with NYFF Executive Director Eugene Hernandez. In 2017, New York Times reporters Jodi Kantor and Megan Twohey broke a story that would change the world. Uncovering decades of sexual harassment and assault in Hollywood, Kantor and Twohey boldly took on an establishment that had too long been allowed to systematically protect abusers. This thrilling new drama based on Kantor and Twohey’s best-selling book about their hard-fought investigation is directed by Maria Schrader (director of I’m Your Man and the acclaimed TV series Unorthodox) from a screenplay by Rebecca Lenkiewicz (Ida). She Said stars Zoe Kazan and Carey Mulligan in wonderful performances as the two intensely committed reporters whose efforts would ultimately help ignite the #MeToo movement. Schrader’s film, in the tradition of All the President’s Men and Spotlight, is a tribute to the art and importance of investigative journalism, as well as a moving portrait of two women whose personal lives couldn’t be put on hold even as they navigated a labyrinth of NDAs, legal double binds, and frightened witnesses. She Said’s remarkable supporting cast includes Patricia Clarkson, Andre Braugher, Samantha Morton, and Jennifer Ehle. A Universal Pictures release. NYFF60 screenings of She Said were presented by Citi.

We welcomed director James Gray and cast members Anne Hathaway, Jeremy Strong, Banks Repeta, and Jaylin Webb to present and discuss Armageddon Time, the 60th Anniversary Celebration and Main Slate selection of this year’s festival, with NYFF Artistic Director Dennis Lim. The most personal film yet from James Gray (The Immigrant, The Lost City of Z) is also one of his greatest, an exquisitely detailed and deeply emotional etching of a time and place: Queens, 1980. Set against the backdrop of a country on the cusp of ominous sociopolitical change, Armageddon Time follows Paul Graff (Banks Repeta), a sixth grader who dreams of becoming an artist. At the same time that Paul builds a friendship with classmate Johnny (Jaylin Webb), who’s mercilessly targeted by their racist teacher, he finds himself increasingly at odds with his parents (Jeremy Strong and Anne Hathaway), for whom financial success and assimilation are key to the family’s Jewish-American identity. Paul feels on firmest ground with his kind grandfather (a marvelous Anthony Hopkins), whose life experiences have granted him a weathered compassion. Rejecting easy nostalgia for a more difficult, painful form of recall, Gray’s film—shot with intimate naturalism by Darius Khondji—is a perceptive and humane coming of age story that does what only cinema can do, elevating the smallest moments into the greatest drama. A Focus Features release.

We welcomed director Chris Smith and producers Robert Downey Jr., Susan Downey, and Kevin Ford to present and discuss "Sr.", a Spotlight selection of this year’s festival, with NYFF Artistic Director, Dennis Lim. Rarely do films about artists allow the kind of poignant intimacy seen in this tender yet fittingly irreverent portrait of the life and career of Robert Downey Sr., the fearless, visionary American director who set the standard for counterculture comedy in the sixties and seventies. An inspired collaboration between celebrated documentarian Chris Smith (American Movie); the subject’s son, Robert Downey Jr.; and the man himself, who’s occasionally shown working on his own version of the movie we’re watching, “Sr.” functions both as an elegy for the rule-flouting underground icon, who passed away at age 85 in July 2021, and as a testament to his tireless creative spirit. Capturing its subjects’ refreshing candor about aging, past struggles with addiction, and the ups and downs of working in Hollywood, Smith’s film is an emotional depiction of a father-son bond that remained strong, pragmatic, and deeply loving to the end. A Netflix release. All NYFF60 Documentaries are presented by HBO.

We welcomed director Sarah Polley, cast members Claire Foy, Rooney Mara, Judith Ivey, Sheila McCarthy, Michelle McLeod, Kate Hallett, & Liv McNeil, and producer Dede Gardner to present and discuss Women Talking, a Spotlight selection of this year’s festival, with NYFF Executive Director, Eugene Hernandez. Sarah Polley brings ferocious honesty and restrained urgency to her screen adaptation of Miriam Toews’s acclaimed novel about of a group of women from a remote religious community dealing with the aftermath of sexual assault perpetrated by the colony’s men. A film of ideas brought to life by Polley’s imaginative direction and a superb, fine-tuned ensemble cast—including Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand, Ben Whishaw, and Judith Ivey—Women Talking is a deep and searching exploration of self-determination, group responsibility, faith and forgiveness, philosophically engaging and emotionally rich in equal measure. A United Artists release.

On today’s episode of our daily NYFF60 edition, director Elvis Mitchell and executive producer Steven Soderbergh discuss Is That Black Enough For You?!?, a Spotlight selection of this year’s festival, with NYFF Executive Director Eugene Hernandez. American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs. With Is That Black Enough for You?!? (the title referencing a recurring line from Ossie Davis’s 1970 benchmark Cotton Comes to Harlem), Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism. The Learning Tree, Watermelon Man, Shaft, Sweet Sweetback’s Baadasssss Song, Cool Breeze, Sounder, Super Fly, Coffy, The Spook Who Sat by the Door, Claudine, Uptown Saturday Night, Cornbread, Earl and Me, Killer of Sheep, and dozens more are analyzed with Mitchell’s customary verve and perspicacity. This is a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated. Featuring interviews with Margaret Avery, Harry Belafonte, Charles Burnett, Laurence Fishburne, Whoopi Goldberg, Samuel L. Jackson, Suzanne de Passe, Glynn Turman, Billy Dee Williams, Zendaya, and more. A Netflix release. To learn more and get tickets for this year's NYFF, taking place through October 16 in all five boroughs of NYC, visit filmlinc.org/tix.

We welcomed director Charlotte Wells and actress Frankie Corio to NYFF60 to present and discuss Aftersun, a Main Slate selection of this year’s festival, moderated by NYFF Artistic Director, Dennis Lim. In one of the most assured and spellbinding feature debuts in years, Scottish director Charlotte Wells has fashioned a textured memory piece inspired by her relationship with her dad, taking place over the course of a brooding weekend at a coastal resort in Turkey. The charismatic Paul Mescal and naturalistic newcomer Francesca Corio fully inhabit Calum and Sophie, a divorced father and his daughter often mistaken for brother and sister, who share a close and loving bond that creates an entire world unto itself. Wells employs an unusual and gorgeous aesthetic that brings us into the interior space of this parent and child, even as she judiciously withholds details, an approach that finally grants the film a singular emotional wallop. Aftersun reimagines the coming-of-age narrative as a poignant, ultimately ungraspable chimera, informed by the present as much as the past. Winner of the French Touch Prize of the Jury at this year’s Cannes Festival. An A24 release. Aftersun opens at Film at Lincoln Center on Friday, October 21st. Tickets are now on sale.

We welcomed director Luca Guadagnino and actors Taylor Russell and Chloë Sevigny to NYFF60 to present and discuss Bones and All, a Spotlight selection of this year’s festival, moderated by NYFF Executive Director, Eugene Hernandez. In a startling, star-making performance, Taylor Russell plays Maren, a teenager who has just moved to a small town in Virginia with her father (André Holland). However, it’s only a matter of time before the frightening secret Maren harbors is revealed and she must hit the road again—on her own. Soon, she meets another young drifter, Lee (Timothée Chalamet), who understands her more than anyone she’s ever met, and the two set out on a cross-country journey, satiating their dangerous desires and reckoning with their tragic pasts. Adapting a novel by Camille DeAngelis, director Luca Guadagnino (Call Me by Your Name) has crafted a work of both tender fragility and feral intensity, setting corporeal horror and runaway romance against a vividly textured Americana, and featuring fully inhabited supporting turns from Mark Rylance, Michael Stuhlbarg, Jessica Harper, Chloë Sevigny, and Anna Cobb. A United Artists release.

Laura Poitras, artist Nan Goldin, P.A.I.N. activists Harry Cullen & Megan Kapler, and lawyer Mike Quinn discuss their NYFF60 Centerpiece selection All the Beauty and the Bloodshed, moderated by NYFF Artistic Director Dennis Lim, at the press conference. In her essential, urgent, and arrestingly structured new documentary from Participant, Academy Award®–winning filmmaker Laura Poitras (Citizenfour) weaves two narratives: the fabled life and career of era-defining artist Nan Goldin and the downfall of the Sackler family, the pharmaceutical dynasty Goldin personally took on in her fight to hold accountable those responsible for the deadly opioid epidemic. Following her own personal struggle with opioid addiction, Goldin, who rose from the New York “No Wave” underground to become one of the great photographers of the late 20th century, put herself at the forefront of the battle against the Sacklers, both as an activist at art institutions around the world that had accepted millions from the family and as an advocate for the destigmatization of drug addiction. Illustrated with a rich trove of photographs by Goldin, who mesmerizingly narrates her own story, including her dysfunctional suburban upbringing, the loss of her teenage sister, and her community’s fight against AIDS in the 1980s, Poitras’s film is an enthralling, empowering work that stirringly connects personal tragedy, political awareness, and artistic expression. A NEON release. All NYFF60 documentaries are presented by HBO. All the Beauty and the Bloodshed opens on November 23rd at Film at Lincoln Center! Tickets on sale soon.

This week we’re excited to present an archival conversation from 2011 at the 49th New York Film Festival with the makers of the Main Slate selection A Dangerous Method: director David Cronenberg, screenwriter Christopher Hampton, producer Jeremy Thomas, and lead actor Michael Fassbender. Cronenberg returns to the New York Film Festival this Fall with the NYFF62 Main Slate selection The Shrouds starring Vincent Cassel and Diane Kruger. Don’t miss the U.S. Premiere of The Shrouds and many more great films by securing your Pass to NYFF62 today at filmlinc.org/passes. From acclaimed director David Cronenberg came A Dangerous Method, a dark tale of sexual and intellectual discovery featuring two of the greatest minds of the 20th century. Carl Jung (played by Michael Fassbender) has just begun his psychiatric career, having been inspired by the great Sigmund Freud (Viggo Mortensen). When a mysterious and beautiful woman (Keira Knightley) goes under Jung's care, Jung finds himself crossing the line of the doctor/patient relationship, causing great conflict with his mentor and making Jung question his own morality in the process. The conversation was moderated by Scott Foundas.

This week we welcomed director Kelly Reichardt and actress Hong Chau to NYFF60 to present and discuss Showing Up, a Main Slate selection of this year’s festival, moderated by NYFF Artistic Director, Dennis Lim. Continuing one of the richest collaborations in modern American cinema, director Kelly Reichardt (Certain Women) reunites with star Michelle Williams for this marvelously particularized portrait of a sculptor’s daily work and frustrations in an artists’ enclave in Portland. Lizzy (Williams) struggles to put the finishing touches on her latest pieces for a gallery show, all the while juggling admin work at the local art school; dealing with the neglect of her well-meaning landlord (a funny and nuanced Hong Chau), who also happens to be a rising-star conceptual artist; and tending to the emotional well being of her increasingly fragmented family. Christopher Blauvelt’s patient camerawork, Reichardt’s precise cutting, and Williams’s physically transformative performance coalesce to create something remarkable in Showing Up, a delicately humorous drama of the experience of being a creative person that avoids all clichés that plague films about artists. An A24 release. Tickets to the 60th New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis at filmlinc.org/tix

This week we welcomed writer/director Todd Field, cast members Cate Blanchett, Nina Hoss, and Sophie Kauer, and composer Hildur Guonadóttir to the press conference for TÁR, moderated by NYFF Artistic Director, Dennis Lim. The charisma and emotional precision of Cate Blanchett are put to astounding use in this deft showcase for the actor’s musical artistry, a stinging portrait of a world-famous orchestra conductor’s gradual unraveling that is the first film in sixteen years from director Todd Field (In the Bedroom, Little Children). A Focus Features release. Tickets to the 60th New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis at filmlinc.org/tix

Last weekend we welcomed writer/director Frederick Wiseman and actress and co-writer Nathalie Boutefeu to NYFF60 to present and discuss A Couple, a Main Slate selection of this year’s festival.  Countess Sophia Behrs married Leo Tolstoy when she was 18 and he was 34. They were husband and wife for 48 years, had 13 children, and she outlived him by nine years. Yet their relationship, among the most discussed and written about in literary history, was anything but harmonious, as Sophia, an artist in her own right—a photographer, memoirist, and editor—was constantly forced to negotiate her happiness with her husband’s infidelities. Inspired by Sophia’s story, legendary American documentarian Frederick Wiseman has made a film based on Sophia’s diaries and letters from Leo to Sophia, structured as a series of monologues delivered with magnificent poise and gathering intensity by star and co-writer Nathalie Boutefeu, pillowed by graceful images of natural beauty from the film’s bucolic French setting. Wiseman’s captivating one-woman portrait presents a remarkably contemporary rendering of a marriage. A Zipporah Films release. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis at filmlinc.org/tix

This weekend we welcomed writer/director Paul Schrader and cast members Joel Edgerton and Sigourney Weaver to NYFF60 to present and discuss Master Gardener, a Main Slate selection of this year’s festival.  Narvel Roth (Joel Edgerton) takes great care and pride in his work as the longtime head horticulturist at Gracewood Gardens, the historic estate of the demanding, imperious Norma Haverhill (Sigourney Weaver). An enclosed, scrupulously run world of its own, Gracewood has been in the Haverhill family for generations, and Norma trusts no one other than Narvel to continue its traditions. However, a threat of change is harkened by the arrival of Norma’s troubled grand-niece, Maya (Quintessa Swindell), whose presence sets off a chain reaction of events that catalyze Narvel into coming to terms with his own shocking past. Following First Reformed and The Card Counter, Paul Schrader continues his dramatic renaissance with an equally effective, startling tale about dormant violence and the possibility of regeneration. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis at filmlinc.org/tix

This weekend we welcomed writer/director Ruben Östlund and cast members Dolly de Leon and Zlatko Burić to NYFF60 to present and discuss Triangle of Sadness, a Main Slate selection of this year’s festival.  Cinematic mischief maker Östlund liberally applies his customary playfulness to the wide canvas of his wildly ambitious, frequently hilarious latest film, which won the Swedish director his second Palme d’Or at this year’s Cannes Film Festival. Kicking off as a satirical romance, following the bickering, money-soured relationship between two hot young models (Harris Dickinson and Charlbi Dean), the three-part film escalates into increasing absurdity after they are invited on a luxury cruise, where they rub elbows with the super-rich, as well as a disheveled and disillusioned, Marx-spouting sea captain (Woody Harrelson). To tell more would ruin the Buñuelian twists of this poison-dipped farce on class and economic disparity, which doesn’t skewer contemporary culture so much as dunk it in raw sewage. Listen below as they discuss Triangle of Sadness, how the film shifted after working with collaborators, capturing beauty as a currency, and more with Dennis Lim. Don’t forget to mark your calendars: Triangle of Sadness opens in select theaters this Friday, October 7th, from NEON. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis at filmlinc.org/tix

The 60th edition of the New York Film Festival, currently in progress through October 16th, recently hosted the World Premiere of Chinonye Chukwu’s powerful new drama, Till, in the festival’s Spotlight section. Till tells the story of Mamie Till-Mobley, the Chicago woman whose son, Emmett Till, was lynched while visiting cousins in Mississippi and whose body became an indelible image of the horrors of American racism. Employing a direct, unflinching, yet sensitive gaze, Chukwu has created the definitive drama of this woman’s grief and resilience, and in an astonishing performance, Danielle Deadwyler captures both a mother’s indescribable heartbreak and her inspiring ascension to the role of civil rights activist. Till is a momentous reminder of an ever-present tragedy, featuring painstaking production design, subtly expressive camera framing and composition, and a note-perfect supporting cast, including Sean Patrick Thomas, Jalyn Hall, Tosin Cole, John Douglas Thompson, Frankie Faison, and Whoopi Goldberg. Listen to the press conference below with director Chinonye Chukwu, producer and co-writer Keith Beauchamp, and cast members Danielle Deadwyler, Whoopi Goldberg, Jalyn Hall, John Douglas Thompson, and Sean Patrick Thomas, moderated by NYFF Main Slate selection committee member, Rachel Rosen. To learn more and get tickets for this year's NYFF, taking place through October 16 throughout NYC, visit filmlinc.org/tix

The 60th edition of the New York Film Festival officially kicked off on September 30, 2022 with our Opening Night selection: the North American premiere of Noah Baumbach's White Noise, presented by Campari. At the film's press conference, we welcomed Noah Baumbach and select cast members Greta Gerwig, Raffey Cassidy, May Nivola, and Sam Nivola, composer Danny Elfman, and songwriter James Murphy in conversation with NYFF's Artistic Director, Dennis Lim. Their wide-ranging discussion covers adapting the "unfilmable" Don DeLillo novel, the story's frightening similarities to our current pandemic, working with a very large cast, and shooting in Anamorphic widescreen. White Noise opens in theaters on November 25th and will premiere on Netflix December 30th. To learn more and get tickets for this year's NYFF, taking place through October 16 throughout NYC, visit filmlinc.org/tix.

This week on the Film at Lincoln Center Podcast, we're excited to welcome NYFF Artistic Director Dennis Lim and FLC Senior Director of Programming Florence Almozini for a programmers preview of the 60th New York Film Festival, through October 16th. Moderated by FLC Assistant Director of Marketing Jordan Raup. The three talked about the standouts and hidden gems of the festival across all five sections—Main Slate, Currents, Revivals, Spotlight, and Talks—along with the general ethos of the curation behind this year's historic edition. Don't miss NYFF60 and attend screenings in all five NYC boroughs! Get up to date information on available tickets at filmlinc.org/tix.

This week on the Film at Lincoln Center podcast, we’re featuring a special archival Q&A from the 39th New Directors/New Films in 2010 on I Am Love, with director Luca Guadagnino. Luca Guadagnino returns to Film at Lincoln Center for this year’s 60th New York Film Festival with the Spotlight selection, Bones and All, a work of both tender fragility and feral intensity, setting corporeal horror and runaway romance against a vividly textured Americana, featuring Taylor Russell and Timothée Chalamet as lovers with insatiable, dangerous desires. Tickets to NYFF60, which takes place Sept. 30 - October 16, are now on sale! Don’t miss screenings of Bones and All on October 6th (followed by a Q&A with Guadagnino), 8th, 11th, and 16th. Get tickets at filmlinc.org/nyff.

This week on the Film at Lincoln Center podcast, we’re featuring a special archival Q&A from the 48th New York Film Festival in 2010 on Meek’s Cutoff, with director Kelly Reichardt and moderator Melissa Anderson. Kelly Reichardt returns to NYFF for this year’s 60th anniversary edition with the North American Premiere of Showing Up, a Main Slate selection, which reunites the director with star Michelle Williams in a marvelously particularized portrait of a sculptor’s daily work and frustrations in an artist’s enclave in Portland. Tickets to NYFF60, which takes place Sept. 30 - October 16, are now on sale! Don’t miss screenings of Showing Up on October 5th and 6th, followed by Q&As with Reichardt. Get tickets at filmlinc.org/nyff.

This week we’re excited to present a conversation with Between the Temples director Nathan Silver and cast members Carol Kane, Robert Smigel, and Cindy Silver. Directed by New York filmmaker Nathan Silver, who co-wrote the screenplay with C. Mason Wells, Between the Temples follows Jason Schwartzman as a bereaved cantor at an upstate New York synagogue, who has lost his wife, can’t sing anymore, lives with his two mothers, and has a newfound taste for mudslide cocktails. While he keeps kosher and remains devout, his ennui-addled regression seems all but terminal until his 70-year-old grade school music teacher (played by Carol Kane) walks back into his life and becomes his new adult Bat Mitzvah student… and maybe something more.  Something like Harold and Maude by way of Mike Leigh, Silver’s ninth feature is perhaps his most accomplished film yet—a portrait of love in a time of loss that is equal parts touching, cringingly hilarious, and effortlessly strange, shot in stunning 16mm by Sean Price Williams and featuring indelible performances by Schwartzman and Kane. This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

This week on the Film at Lincoln Center podcast, we’re featuring a special archival panel discussion on the late filmmaker Jean-Luc Godard from the 52nd New York Film Festival. Listen to a special panel, including The New Yorker’s Richard Brody, former MoMA curator Lawrence Kardish, Goodbye to Language star Héloise Godet, and critic Max Nelson, discuss Godard’s work and career with moderator Eric Kohn from IndieWire. Tickets to the 60th New York Film Festival, taking place from September 30 to October 16th, go on sale Monday, September 19 at noon. Don’t miss this anniversary milestone edition and explore the lineup at filmlinc.org/nyff

This week on the Film at Lincoln Center podcast, we’re revisiting a conversation from the  27th Rendez-Vous with French Cinema with Hold Me Tight (opens tomorrow!) director Mathieu Amalric and actor Vicky Krieps, moderated by NYFF Artistic Director Dennis Lim. Vicky Krieps (Phantom Thread, Bergman Island) gives another riveting performance as Clarisse, a woman on the run from her family for reasons that aren’t immediately clear. Widely renowned as an actor but less well-known here for his equally impressive work behind the camera, Mathieu Amalric’s sixth feature directorial outing—his most ambitious to date—is a virtuosic, daringly fluid portrait of one woman’s fractured psyche. Alternating between Clarisse’s adventures on the road and her abandoned husband Marc (Arieh Worthalter) as he struggles to take care of their children at home, Amalric’s film keeps viewers uncertain as to the reality of what they’re seeing until the final moments of this richly rewarding, moving, and unpredictable portrait of grief. Get showtimes and tickets to Hold Me Tight at filmlinc.org/holdme

This week on the Film at Lincoln Center podcast, we’re revisiting a conversation from the 51st New Directors/New Films, moderated by FLC Senior Director of Programming Florence Almozini, with filmmaker Ricky D’Ambrose in anticipation of his latest film, The Cathedral, opening in our theaters this Friday with Q&As.  A multigenerational family saga in extreme miniature, the new feature from singular American independent director Ricky D’Ambrose is his most refined, emotionally resonant work yet. Slicing across decades with impressionistic precision, The Cathedral tells the formally economical yet engrossing story of the Damrosch family, whose quiet rise and fall is seen through the eyes of its youngest member, Jesse, born in the late 1980s. Using photographs and archival news footage to buttress his oblique drama, D’Ambrose shows how a family’s financial and emotional wear and tear can subtly reflect a country’s sociopolitical fortunes and follies. Explore showtimes and Q&As at filmlinc.org/cathedral.