Explorez tous les épisodes du podcast Film and Television (Audio)

Artist and filmmaker Tom Kalin joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his 1992 film Swoon. Kalin discusses the historical background of the film (the famous 1924 Leopold and Loeb murder case), how he reimagined the case through the lens of queer desire, and how he conducted archival research into the central figures of the murder. Kalin also discusses how his background and training as a visual artist fed into his work in feature-length film making. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40927]

Film producer Liz Yale Marsh and mustang wrangler West Taylor join moderator and co-producer Wendy Eley Jackson to discuss their work on the documentary Facing the Falls, which follows disability rights advocate Cara Elizabeth Yar Khan and her twelve-day expedition through the Grand Canyon. They explore how Yar Khan’s muscle disease provided a unique challenge to navigating the Grand Canyon, as well as how Marsh and Jackson came onto the film in post-production and helped to finish the project. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40926]

Filmmakers Natasha Merkulova and Alexey Chupov join moderator Sasha Razor (Film and Media Studies, UCSB) to discuss their film Captain Volkonogov Escaped. Merkulova and Chupov share how they work as a film making team, how they researched the period of Stalinist purges in the 1930s, and how they sought to make the period of the film feel contemporary. They go on to discuss their experience working with lead actor Yura Borisov, who gained wider recognition for the 2024 film Anora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40925]

Eric Faden (Bucknell University) discusses his work on the Japanese Paper Film Project, a project that has been preserving paper films made in Japan in the 1930s. Koto player Yoko Reikano Kimura and cellist Hikaru Tamaki (Duo Yumeno) joins Faden and moderator Alex Lilburn (Film and Media Studies, UCSB) to talk about how the preservation work was carried out and their experiences presenting the digitized films with live musical accompaniment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40924]

Mona Damluji (Film and Media Studies, UCSB) and Elisabeth Weber (German and Slavic Studies, UCSB) join moderator Bishnupriya Ghosh (English and Global Studies, UCSB) to discuss the film project From Ground Zero, an anthology of films made by Palestinian filmmakers since the beginning of the war in Gaza. They discuss how the films present a unique vision of Gaza, showing a vibrant society dealing with the outbreak of war, and how the films urge the audience to become informed viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40923]

Film historian Rebecca Prime joins moderator Ross Melnick (Film and Media Studies, UCSB) for a discussion of the classic Hollywood film The Sound of Fury. Prime outlines the film’s production history and how its political and social commentary was shaped by its director, Cy Endfield, who would go on to be blacklisted due to his association with the Communist Party. They further discuss Endfield’s subsequent work in London and how he struggled with the blacklist for the rest of his career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40919]

Documentary subject and Chicano activist Jerry Ramirez joins moderator Clint Terrell (English, UCSB) for a discussion of the documentary film American Homeboy. They discuss Ramirez’s involvement with the film, his relationship to his Chicano identity, and how his experience being incarcerated fueled his activism, particularly in relation to Chicano issues. Ramirez and Terrrell reflect on how the film portrays Chicano history, including how Chicana and Chicano identity has been shaped over time. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40921]

Over 20 years since its release, Hedwig and the Angry Inch remains as relevant as ever to the politics of the day. A child of division, Hedwig refuses to be caught between categories, instead evading gender description and embracing herself as lovingly as one can. Writer/director/actor John Cameron Mitchell joins moderator Patrice Petro, Dick Wolf Director of the Carsey-Wolf Center, to discuss a post-screening of Hedwig and the Angry Inch. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40922]

Film curators Michelle Baroody and Maggie Hennefeld join moderator Patrice Petro for a discussion of their program “Archives of Anonymous Labor: From Farce to Liberation.” The program juxtaposes five films that about anonymity and labor, from silent films that show the invisible labor of housemaids and film editors to films that highlight the erased labor of decolonial struggle. This program is part of the Carsey-Wolf Center annual conference Anonymous Labor in Film and Media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40920]

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson’s radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Filmmaker RaMell Ross discusses "Nickel Boys", his 2024 feature film adaptation of Colson Whitehead’s Pulitzer Prize–winning novel. Directed and co-written by Ross, the film follows two Black teenagers—Elwood (Ethan Herisse) and Turner (Brandon Wilson)—at a brutal reform school in Jim Crow–era Florida, modeled on the real-life Arthur G. Dozier School. Shot entirely in first-person perspective, the film alternates between the boys’ viewpoints to create an immersive, visceral experience. Drawing on his documentary background ("Hale County This Morning, This Evening") and large-format visual style, Ross shares insights into adapting the novel’s moral complexity, crafting the film’s distinctive visual language, and using point-of-view cinematography to deepen viewer empathy and emotional connection. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40545]

Filmmaker Adamu Chan joins UC Santa Barbara’s Althea Wasow for a powerful conversation about "What These Walls Won’t Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS’s "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film’s creative process, its social justice impact, and the importance of centering incarcerated voices. It’s an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series’ treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

The Moon and Back marks the feature‑length directorial debut of UCSB Film & Media Studies alumnus Leah Bleich. The film follows high‑school senior Lydia Gilbert (Isabel May) as she grapples with her father’s death and mounting family challenges. When she discovers a space‑opera screenplay her dad left behind, Lydia assembles a low‑budget crew—armed only with a VHS camera—to bring his story to life. Shot in just nine days on a $50,000 budget through the Six Feet Apart Experiment, the project won “Best Women’s Film” at the 2022 San Diego International Film Festival and screened at numerous festivals. Bleich returns to UCSB for a conversation with moderator Ross Melnick, sharing insights into the making and inspiration behind her heartfelt coming‑of‑age drama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock’s 1951 classic Strangers on a Train. Adapted from Patricia Highsmith’s debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he’ll kill Guy’s wife, and Guy will kill Bruno’s father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock’s most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]

Thirty years after the film’s release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Filmmaker Madhuja Mukherjee joins UCSB professor Bishnupriya Ghosh for a conversation about Deep6, a Bengali-language drama set in Kolkata during the politically charged year of 2011. The film follows Mitul, a solitary journalist navigating the end of West Bengal’s 34-year Communist rule while confronting personal loss and shifting identities. Starring Tillotama Shome, Deep6 blends realism with elements of magical realism, exploring memory, trauma, and transformation in a changing city. The film premiered at the 26th Busan International Film Festival and was featured at both the International Film Festival of Kerala and the Kolkata International Film Festival. Mukherjee, also a professor of Film Studies at Jadavpur University, brings deep insight into the film’s themes and structure. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40539]

Director Pamela Yates joins UCSB professor Giovanni Batz for a conversation about Borderland | The Line Within, a powerful documentary exploring the human cost of U.S. immigration policy. The film examines the “border industrial complex”—a vast system of surveillance, detention, and deportation—through the personal stories of immigrants resisting systemic injustice. Highlighting voices like Mayan activist Kaxh Mura’l and DACA recipient Gabriela Castañeda, Yates reveals how the border extends far beyond geography. This discussion sheds light on the role of storytelling in challenging structural violence and advocating for dignity, justice, and human rights. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40532]

Sound editor Javier Umpierrez joins moderator Greg Siegel (Film and Media Studies, UCSB) for a discussion of his work on director Apichatpong Weeresethakul’s film Memoria. They discuss how Umpierrez’s background in radio informed his work building the soundscape of the film. They also explore the challenges of designing and editing sound for films in which sound is an essential narrative component. Umpierrez further discusses his experience working with Apichatpong Weeresethakul. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40531]

In the early 20th century, Budapest was the second-largest Jewish city in Europe, and Jewish artists and intellectuals played a major role in the city’s cosmopolitan cultural life. Among them was theater and cinema director and producer Béla Pásztor, whose career was marked by early success and later oppression. In a conversation with UC San Diego history professor Deborah Hertz, Béla’s son, Rafael Pastor, explores his family’s history before, during, and after the Nazi occupation of Hungary, including his parents’ emigration to Israel, where he was born. In commemoration of the 80th anniversary of the deportations and annihilations of Hungarian Jews in 1944, which Béla survived in hiding, the conversation is preceded by a brief historical overview and survivor testimonies of this harrowing—and unforgettable—tragedy. Series: "Library Channel" [Humanities] [Show ID: 40227]

Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It’s Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40070]

Composer Christopher Willis joins moderator Tyler Morgenstern (Assistant Director, Carsey-Wolf Center) for a discussion of his work on Schmigadoon! They discuss how theatrical and movie musical history, as well as Willis’ musicology background, informs the music of the show. They explore the challenge of composing an underscore, and incorporating the stylistic variation of decades of musicals, from the Golden Age musical tradition to the darker themes of 1960s and 1970s productions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39993]

Director Lynn Hershman Leeson joins moderator Letícia Cobra Lima (History of Art & Architecture, UCSB and curator of A Box of One’s Own) for a discussion of her film !Women Art Revolution. They discuss her history as an artist, and the difficult process of piecing together a narrative from hundreds of hours of footage, interviews, and extensive archival research. They also examine the institutional issues faced by women in the art world and make connections between past and present artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39975]

Writer/director Sam Kadi and actors William Atherton and Rizwan Manji join moderator Juan Campo (Religious Studies, UCSB) for a discussion of their film The Citizen. They share their experiences making the film and drawing inspiration from real Arab-American stories. They also discuss the continued relevance of the film’s themes, including issues of citizenship, the immigrant experience, racial prejudice, and the right to protest, as well as the representation of Arab-Americans on-screen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39978]

Filmmaker Sreemoyee Singh joins moderator Shiva Balaghi (Area Global Initiative, UCSB) for a discussion of her film And, Towards Happy Alleys. They discuss the impetus for the film and Singh’s research into the cinema of Iran, as well as her travels to the country. Singh reflects on her experiences documenting Iranian filmmakers like Jafar Panahi and meeting those close to and following in the footsteps of the late Forugh Farrokhzad. She also discusses lessons learned as a documentary filmmaker. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39779]

Producer Angela Laprete and actor Lindsay Watson join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of their film The Wind and the Reckoning. They discuss the film’s origins and telling the story in the ʻŌlelo Hawaiʻi language. They also speak on the development of the script, its approach to genres like the Western and historical drama, working with cultural consultants, and the importance of authentic and thoughtful cultural representation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39977]

Director Sam Pollard joins moderator Wendy Eley Jackson (Film and Media Studies, UCSB) for a discussion of his film Max Roach: The Drum Also Waltzes. They discuss his long and remarkable career as a documentary filmmaker and the life of jazz musician Max Roach. They also reflect on Pollard’s varied documentary subject matter throughout the decades, from dressage to graffiti to the civil rights movement, and working closely with director Spike Lee. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39974]

Director and co-writer Erica Tremblay joins moderator Lisa Parks (Film and Media Studies, UCSB) for a discussion of her film, Fancy Dance. They discuss the development of the film and Tremblay’s three-year-long journey to study the Cayuga language in preparation. They also discuss Lily Gladstone’s central performance, the role of dance as a central motif, and the foregrounding of queer identity and culture in the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39971]

Director Kemp Powers joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a discussion of his film Spider-Man: Across the Spider-Verse. They discuss the development of the film, the origins of characters like Spider-Punk, and various artistic influences. Powers also shares his experiences working with a large, diverse animation team and thoughtfully addressing issues of representation and authenticity. They also discuss the storytelling and expressive possibilities of animation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39976]

Director Nicole Newnham joins moderator Kyna McClenaghan (Film and Media Studies, UCSB) for a discussion of her film The Disappearance of Shere Hite. They discuss the origin of the film and her interest in Shere Hite, as well as the archival research undertaken in making the documentary. Together, they also detail the work of Shere Hite in the context of the feminist movement of the time, the sexist backlash she received, and the enduring impact of The Hite Report and other studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39973]

Filmmaker Jess X. Snow joins UCSB's Heidi Amin-Hong to discuss a selection of Snow’s films and their broader artistic journey. As a multidisciplinary artist, Snow's work encompasses poetry, visual art, and film, often addressing themes like the model minority myth, community care, mutual aid, and the Asian-American immigrant experience. They also explore how their films depict queer intimacy and the romantic and erotic agency of Asian-Americans. The conversation provides a deep dive into Snow’s creative process and how their diverse body of work challenges stereotypes and offers empowering narratives for marginalized communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39972]

Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes’ continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Actor Meg Ryan joins moderator Brad Silberling for a discussion of the romantic comedy classic When Harry Met Sally. They share behind-the-scenes stories of the film’s late screenwriter Nora Ephron and the enduring legacy of the film. They also reflect on the development of the film’s script and iconic characters, the process of shooting scenes and bringing Harry and Sally to life onscreen, and Meg Ryan’s work both in front of and behind the camera over the course of her career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39638]

Associate producer Steve Starkey and screenwriter Peter S. Seaman join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of the film Who Framed Roger Rabbit. They discuss the early development and complex visual effects of the film. They also discuss the state of Walt Disney Studios in the 1980s and the industrial contexts surrounding the film, as well as allegories of segregation and urban sprawl in Los Angeles worked into the narrative. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39737]

Director Deborah Stratman joins moderator Alex Lilburn (Film and Media Studies, UCSB) for a discussion of her film, Last Things. Stratman discusses the varied ecological, geological, literary, and cinematic inspirations of the film and thinking beyond anthropic time scales. Together, they also discuss the structure of the documentary, the use of voiceover and outside excerpts, the scientific concepts explored throughout, and the research undertaken in the development process for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39639]

Kashif Shaikh, co-founder and president of Pillars Fund, joins moderator Mona Damluji (Film and Media Studies, UCSB) for a discussion of the film Polite Society. Shaikh discusses working closely with director Nida Manzoor and themes of sisterhood, class hierarchy, and patriarchal power in the film. Together, they also discuss ways of subverting cliches and stereotypes in South Asian and Muslim representation onscreen and share perspectives on authenticity and a new generation of filmmakers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39736]

Filmmakers Valerio Ciriaci and Isaak Liptzin join UC Santa Barbara moderator Stephanie Malia Hom to discuss their film, Stonebreakers. They detail the origins of the project and their interest in monuments as a trigger for political action and historical discourse. They also discuss their experiences filming protests and broader political action against police brutality and systemic racism, and share perspectives on documentary film’s delicate tension between history and memory. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39636]

Filmmaker James N. Kienitz Wilkins joins moderator Tyler Morgenstern, Assistant Director of the Carsey-Wolf Center, for a discussion of Still Film. They discuss its narrative and formal structure, as well as its thematic interests in the problems plaguing contemporary Hollywood. They also reflect on the film’s use of language and larger questions of cinema, memory, and nostalgia. Moreover, Wilkins discusses his use of 35mm press kit photos in the film and multiple meanings behind the term “stillness.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39637]

Lucas Hilderbrand of UC Irvine joins UC Santa Barbara moderator Graham Feyl to discuss the film Paris is Burning. They review the history of its exhibition and the film’s enduring legacy as a powerful portrait of queer life, resistance, beauty, and art. They also discuss the unique structure of the documentary, the cultural contexts of drag balls for trans communities of color, and Paris is Burning’s significance in the history of trans representation onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39635]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Filmmaker Juel Taylor joins UC Santa Barbara moderator Mireille Miller-Young for a discussion of his film They Cloned Tyrone as part of our Black Hollywood series. Taylor details the development of the film and its narrative and thematic inspirations and ideas. Together, they discuss each of the three main characters and the film’s playful subversion of racial stereotypes and Blaxploitation tropes. They also reflect on the film’s exploration of conspiracy theories in Black communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39633]

Filmmaker Alejandro M. Flores Aguilar and moderator Giovanni Batz discuss the film Ixiles: Voices from the Shadows of Time. Aguilar details the origin of the project, as well as the historical contexts of Indigenous resistance in the Ixil region of Guatemala. They also discuss issues surrounding ethnographic research, the responsibilities of academics, and the future of anti-colonial resistance. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39575]

Filmmaker Anthony Banua-Simon joins moderator Patrice Petro to discuss his documentary film Cane Fire. They explore the historical and colonial relationships between the plantation economy, the film industry, and tourism in Hawai’i, and larger questions posed by the film. Banua-Simon also discusses his approach to interrogating Hollywood history and how archival materials, oral records, and conspicuous historical absences drive his central critique. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39574]

Writer/producer Gabe Liedman and moderator Tyler Morgenstern discuss the film Barb and Star Go to Vista Del Mar, a screening programmed alongside a workshop on comedy writing. Liedman discusses the collaborative work of comedy and the unique comedic style of the film. He also shares his favorite jokes and moments in the movie, and how the film has been impactful for their own work as a comedian and screenwriter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39565]

Director Arthur Jones and producer Giorgio Angelini join moderator Chelsea Kai Roesch from UC Santa Barbara to discuss their film "Feels Good Man." They talk about working with artist Matt Furie and unpack the social and political contexts behind Pepe the Frog and its cooptation by the alt-right. They also reflect on the cinematic challenges in telling a story about the internet and discuss the larger implications of internet culture and political polarization in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39567]

Timothy Corrigan of the University of Pennsylvania joins moderator Patrice Petro to discuss Rainer Werner Fassbinder’s classic film Ali: Fear Eats the Soul. Together, they examine the larger body of work and influences of the German filmmaker, which include Brechtian aesthetics and classical Hollywood melodramas like that of Douglas Sirk. They also offer close readings of scenes from the film, analyzing themes of class, race, and gender and the social relations of melodrama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39573]

Filmmaker Sam Kadi joins moderator Juan Campo, professor of religious studies at UC Santa Barbara, for a discussion of the film Lamya’s Poem. Together, they consider how the film employs magical realism to interweave scenes from the lives of contemporary Syrian refugees with the experiences of 13th century poet Rumi. Kadi discusses the uses of animation in crafting a fantastical world, and shares perspectives on the important role of music, a conversation that continued with input from composer Christopher Willis, who was in attendance for the screening. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39479]