Explorez tous les épisodes du podcast Film and Television (Audio)

Director and co-writer Erica Tremblay joins moderator Lisa Parks (Film and Media Studies, UCSB) for a discussion of her film, Fancy Dance. They discuss the development of the film and Tremblay’s three-year-long journey to study the Cayuga language in preparation. They also discuss Lily Gladstone’s central performance, the role of dance as a central motif, and the foregrounding of queer identity and culture in the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39971]

Director Kemp Powers joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a discussion of his film Spider-Man: Across the Spider-Verse. They discuss the development of the film, the origins of characters like Spider-Punk, and various artistic influences. Powers also shares his experiences working with a large, diverse animation team and thoughtfully addressing issues of representation and authenticity. They also discuss the storytelling and expressive possibilities of animation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39976]

Filmmakers Valerio Ciriaci and Isaak Liptzin join UC Santa Barbara moderator Stephanie Malia Hom to discuss their film, Stonebreakers. They detail the origins of the project and their interest in monuments as a trigger for political action and historical discourse. They also discuss their experiences filming protests and broader political action against police brutality and systemic racism, and share perspectives on documentary film’s delicate tension between history and memory. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39636]

Moderator Alexandra Noi joins author Paul Gregory and director Marianna Yarovskaya in this Q&A for a discussion about their inspiring collaboration on Women of the Gulag. This book and documentary traverse the stories of the victims and survivors of the Gulag, demonstrating the resilience, suffering, and silencing of the women who lived under Stalins dictatorship. The conversation between Gregory, Yarovskaya, and Noi gives insight to their involvement with the project, the difficulties of telling a true story that is widely unknown, and the ways in which a wide scope of reception heightened awareness for patriarchy, violence, and inequality. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36603]

Writer, director, and musician Boots Riley talks about labor politics, surrealism, and hip-hop music in this Q&A for his 2018 subversive comedy Sorry to Bother You. Boots’ dedication to a lifetime of activism and storytelling lent itself to his insightful commentary about the social relevance and ideological impact of his film. Alongside moderator Miguel Penabella, Boots takes us into his mind and shows us the importance of standing up for yourself and others in the face of adversity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36548]

Co-directors/producers Jim Lebrecht and Nicole Newnham talk about their award-winning film, Crip Camp, giving insight to the disability revolution in America. This film tells a story of Camp Jened and offers a unique perspective on equality. Lebrecht and Newnham discuss their initial involvement with the project and the way that it has impacted their lives as well as millions of viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36556]

Kyung Hyun Kim, author of Virtual Hallyu: Korean Cinema of the Global Era joins moderator Sowon Park for a discussion of the 2019 subversive film Parasite. Winner of the Best Picture Academy Award in 2020, Parasite offers a raw and emotional look at class disparities in Korea. Kim and Park dissect the film’s themes of poverty, affluence, violence and language. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36555]

Co-directors/producers Sharon Shattuck and Ian Cheney discuss their film Picture a Scientist (2020), which chronicles the groundswell of researchers who are writing a new chapter for women scientists. Their conversation gives insight to the films portrayal of the brutal harassment, institutional discrimination, and years of subtle slights faced by women in STEM. Shattuck and Cheney also delve into the production behind their documentary, offering viewers an inside look at the process of telling the story of scientific luminaries who provide new perspectives on how to make science itself more diverse, equitable, and open to all. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36511]

Jay Roach discusses the challenges in directing the Austin Powers Trilogy. In this video, Jay Roach talks with UCSB Pollock Theater Director, Matt Ryan, how he approached creating Austin Powers with Mike Meyers. With henchmen, fembots, and innuendo to spare, Austin Powers: quickly became a cultural phenomenon, spawning two sequels Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36510]

Director Darya Zhuk discusses making Crystal Swan, which is a vitriolic comedy set in Belarus circa 1996. The film follows a young female DJ who befriends a rural family in a scheme to obtain her U.S. visa so she can move to Chicago and pursue her house-music career. In her debut tragic comedy, director Darya Zhuk reveals a multilayered vision of time and place and paints a bright, kitschy, vibrant backdrop of familial dynamics and cultural traditions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36302]

The two-part documentary series "And She Could Be Next" (2020) tells the story of a defiant movement of women of color who are transforming politics from the ground up. The series was filmed during 2018 and 2019. It centers on those at the heart of the movement behind the New American Majority. "And She Could Be Next" features an entirely women of color creative team. Director/producers Grace Lee and Marjan Safinia joined moderator Wendy Eley Jackson (Film and Media Studies, UCSB) for a Zoom discussion. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36237]

Screenwriters Rhett Reese and Paul Wernick discuss the challenges of writing genre bending screenplay of Zombieland. In this video, Reese and Wernick talk with UCSB Pollock Theater Director Matt Ryan about how they approached balancing the comedy and horror. The screenwriters recounted stories of working with actors Emma Stone, Woody Harrelson, Jesse Eisenberg, Abigail Breslin and Bill Murray. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36203]

Screenwriters Scott Neustadter and Michael H. Weber discuss the challenges of telling the true-life story of the making of one of the worst films ever made, The Room written and directed by the eccentric Tommy Wiseau. In this video, Neustadter and Weber talk with UCSB Pollock Theater Director, Matt Ryan, how they approached balancing the comedic elements of the chaotic production of the movie The Room with telling an emotionally compelling story. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36063]

Filmmaker James N. Kienitz Wilkins joins moderator Tyler Morgenstern, Assistant Director of the Carsey-Wolf Center, for a discussion of Still Film. They discuss its narrative and formal structure, as well as its thematic interests in the problems plaguing contemporary Hollywood. They also reflect on the film’s use of language and larger questions of cinema, memory, and nostalgia. Moreover, Wilkins discusses his use of 35mm press kit photos in the film and multiple meanings behind the term “stillness.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39637]

New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]

The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35807]

The possibilities of the Nicaraguan revolution, the refusal of current government officials to speak on the record, and the importance of recording the stories of an aging generation all arise in this conversation between director/producer Jenny Murray and moderator Bianka Ballina about ¡Las Sandinistas!. In this video, Murray discusses the reemergence of Nicaraguan protests in 2018 and her film’s uncertain future in the Central American nation. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 35764]

Bo Peep’s fierce leadership, modeling a character on a puppy, and the differences between writing for animation and live action all arise in this conversation about the Pixar legendary franchise between Stephany Folsom (Toy Story 4) and Pollock Theater Director Matt Ryan. In this video, Folsom and Ryan explore her career, the process of writing Toy Story 4, and her work in the Pixar universe. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35766]

Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]

A much-abused wig, the ad-libbing of Michael Keaton, and the gender imbalance in 1980s film makeup departments arise in this conversation about Beetlejuice (1988) between award-winning makeup artist Ve Neill and Rachael Ball (Film and Media Studies, UCSB). In this video, Neill shares a series of illuminating and entertaining anecdotes from many of her iconic film projects including Mrs. Doubtfire, The Lost Boys, and the Pirates of the Caribbean series. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35466]

America’s pre-WWII anxieties, Depression-era economic disparity, and the potential for positive social movements arise in this conversation about Frank Capra (director) and Robert Riskin’s (screenwriter) film Meet John Doe (1941) between author Victoria Riskin (Robert Riskin and Fay Wray: A Hollywood Memoir) and film scholar Charles Wolfe. Riskin and Wolfe discuss the multiple endings shot for the film, and Riskin reads passages from her father’s England-based radio broadcasts amidst the Battle of Britain. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35397]

The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35410]

Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35396]

Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35411]

Lucas Hilderbrand of UC Irvine joins UC Santa Barbara moderator Graham Feyl to discuss the film Paris is Burning. They review the history of its exhibition and the film’s enduring legacy as a powerful portrait of queer life, resistance, beauty, and art. They also discuss the unique structure of the documentary, the cultural contexts of drag balls for trans communities of color, and Paris is Burning’s significance in the history of trans representation onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39635]

The pursuit of fame, changes in China’s youth culture, and the gift economies of live-streaming are explored in this lively conversation between director Hao Wu and Hangping Xu (UC Santa Barbara). Hao vividly compares internet fandom in the US and China and reveals how the lives of the documentary subjects’ has changed since the release of the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35343]

The difficulties of low-budget documentary filmmaking, strategies for first-time political candidates, and the importance of new voices in Congress all arise in this inspiring conversation between producer Sarah Olson, documentary subject (and Missouri congressional candidate) Cori Bush, and Emily Zinn (UC Santa Barbara). In the video, Olsen and Bush share the remarkable energy that arose from a group of insurgents who ran for US Congress against incumbents in 2018. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 35341]

The isolation of house arrest, film as a tool for political expression, and the serpentine nature of Iranian cinema all arise in this thoughtful conversation about Jafar Panahi’s documentary, This is Not a Film (2011) between Anna Brusutti (UCSB) and Hamid Naficy (Northwestern University). Naficy and Brusutti’s wide-ranging discussion explores the wit and creativity of the film, the state of Iranian filmmaking, and the importance of cinema to engage entrenched political power. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 35342]

The benefits of set fires, the strenuous work of puppetry on film, and the magic of practical film effects are all explored in this energetic discussion between The Dark Crystal: Age of Resistance director Louis Leterrier and Carsey-Wolf Center associate director Emily Zinn. The two explore the strengths and challenges of working with puppets and practical effects while reviving the magical world of Jim Henson’s classic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35328]

Dangerous stunts, actor injuries, how to build a twister, and the technicolor production process all arise in this bright and deep conversation about The Wizard of Oz (1939) between UW Milwaukee professor Jocelyn Sczepaniak-Gillece and graduate student Hannah Garibaldi. Professor Sczepaniak-Gillece introduces and describes the gradual formation of the film’s enduring legacy as a nostalgic, family television tradition after its initial box-office disappointment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35326]

Composited digital and physical special effects, mechanical post-apocalyptic design, and the battle for limited resources are all touched on in this wide-ranging conversation between UC Berkeley professor and special effects scholar Kristen Whissel, and Carsey-Wolf Center director Patrice Petro. The two explore the films depiction of bodies and landscapes, masculinity and femininity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35327]

Yale University professor and filmmaker Charles Musser explores the historical and contemporary perspectives of race relations in German and American cinema from the 1920s by examining The Ancient Law (1923) and The Jazz Singer (1927). He evaluates how each film addresses anti-Semitism as well as the burning question of the history of blackface as a theatrical convention. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 35016]

Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35325]

UCSB Script to Screen interviewed this year's Emmy-nominated writers before the 2019 Sublime Primetime panel discussion at the Writers Guild Theater in Los Angeles. Series: "Writers" [Humanities] [Show ID: 35180]

A Q&A featuring director and producer David Elfick, and author and environmentalist Garth Murphy. They are joined by moderator Alexander Champlin in a conversation that covers the production and legacy of the classic surf film Crystal Voyager (1973). Elfick played an instrumental part in the establishment of the New Wave of Australian cinema internationally. Garth Murphy worked with Elfick on the post-production of Crystal Voyager. The Q&A addresses Elfick and Murphy’s work with George Greenough, a legendary surfboard designer and the subject of the documentary. They discuss the production of the film, including acquiring the rights to use Pink Floyd’s "Echoes" in the closing segment of the film. Their conversation also addresses the legacy of Crystal Voyager, in terms of both its historical significance and its groundbreaking style of surf cinematography. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34955]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]

Editor Maryann Brandon joins Pollock Theater Director Matt Ryan for a conversation about the process of editing Star Trek (2009). The Star Trek franchise has captured the imagination of audiences for over fifty years using a blend of spacefaring high-adventure and futuristic, utopian themes. In 2009, J.J. Abrams refreshed and extended the series with the series’ eleventh film. Brandon explains what is was like to edit a film that was part of such a beloved franchise, as well as how she maintained her own editing style while staying true to the original series. She discusses the process of manipulating footage and cutting on set, as well as how she shapes each scene around an actor’s performance while maintaining a delicate balance between exposition and effects. She also discusses her professional relationship with Abrams, sharing anecdotes from the sets of both Star Trek and Star Wars: Episode IX – The Rise of Skywalker, which she is currently editing under his direction. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34953]

Professor Michael Berry (Asian Languages and Cultures, UCLA) joins PhD candidate Wesley Jacks (Film and Media Studies, UCSB) for a post-screening conversation about Zhang Yimou’s 1987 film adaptation of Mo Yan’s Pulitzer Prize-winning novel Red Sorghum. Berry explains the legacy of the so-called “Fifth Generation” of Chinese filmmakers including Yimou, and how Red Sorghum’s production during the era following Deng Xiaoping’s 1978 shift to an open door policy resulted in a film that was both uniquely a product of its own time, and subject to less censorship and thematic restriction than other eras of Chinese filmmaking. A milestone adaptation of an important literary text, Berry describes some of the history of Yimou’s work on the project, and how many of the cast and crew involved in Red Sorghum have since gone on to have celebrated careers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34884]

Director Nishtha Jain joins UCSB’s Bishnupriya Ghosh (English and Global Studies) for a post-screening discussion of her 2012 film Gulabi Gang. The conversation includes Jain’s early career as a documentary filmmaker, the film’s examination of violence against women in India both as a result of the dowry system and a general social devaluation of women, and how she worked with Gulabi Gang leader Sampat Pal on location with individuals that were sometimes reluctant to speak on their own behalf or who felt conflicting familial loyalties. Jain addresses the film’s unusual three-part structure and her desire to let the complexities of the film’s subject shape the structure, rather than the reverse. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34844]

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]

Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]

Filmmakers Kady Le, Lan Nguyen, and Quyên Nguyen-Le join moderator erin Khuê Ninh (Asian American Studies, UCSB) for a post-screening discussion of their short films “Like Mother, Like Daughter,” “Bị Kẹt,” and “Nước (Water/Homeland).” The directors each speak to their creative process and how they each worked to articulate subtle and often complex themes with their differing narrative, documentary, and experimental approaches. They explain how personal questions of family, home, community, history, and identity shaped their work, as well as the influence of other Vietnamese-American authors, activists, and filmmakers. This event was co-curated by the Viet Film Fest and presented in conjunction with UCSB Reads 2019. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34770]

Ecologist Rudo Sanyanga and filmmakers R. Lane Clark and Stephan Miescher join moderator Janet Walker (Film and Media Studies, UCSB) for a post-screening discussion of Clark and Miescher’s documentary film Ghana’s Electric Dreams. The film concerns the history of Ghana’s Akosombo Dam, and its complex legacy as a strategic modernization project launched during the presidency of Kwame Nkrumah. The panel conversation highlights the impetus for the film and its multi-stage development, the importance of the availability of archival footage and the filmmakers’ personal familiarity with this region of Ghana, and the far-reaching human and ecological impacts of large hydroelectric infrastructure projects. This event was hosted by the Carsey-Wolf Center in collaboration with the Mellon-Sawyer Seminar for Energy Justice in Global Perspective. Series: "Carsey-Wolf Center" [Humanities] [Science] [Show ID: 34883]

Director Leilah Weinraub joins Mireille Miller-Young (Feminist Studies, UCSB) for a conversation about Weinraub’s 2018 documentary Shakedown, a film that documents the L.A.-based underground black-lesbian strip club of the same name. Weinraub explains how she discovered the club and her decade-long project of capturing the experience of Shakedown on film. The talk also includes discussion of black ownership and labor, the visibility of black identities and sexualities, gentrification in the aftermath of historic riots, and the fragility of contingent cultural spaces under the dual pressures of over-policing and the politics of respectability. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34769]

What makes us human is a question that not only science asks, but all disciplines of mind from philosophy to religion to sociology and ethics, and even to storytelling and the arts. Tim Disney's new movie "William", about a Neanderthal living in the modern world forces us to ask that and many other questions. Director of the UC San Diego Stem Cell Program Alysson Muotri brought together a panel of experts from across a spectrum of disciplines to discuss those issues in a lively and engaging forum with the movie's creator. Series: "Stem Cell Channel" [Humanities] [Science] [Show ID: 34803]

Filmmaker Juel Taylor joins UC Santa Barbara moderator Mireille Miller-Young for a discussion of his film They Cloned Tyrone as part of our Black Hollywood series. Taylor details the development of the film and its narrative and thematic inspirations and ideas. Together, they discuss each of the three main characters and the film’s playful subversion of racial stereotypes and Blaxploitation tropes. They also reflect on the film’s exploration of conspiracy theories in Black communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39633]

The film Blade Runner was set in a dystopian 2019 Los Angeles. A timely gathering is in order. Three futurists sit down for a conversation on the film’s legacy and its relevance to Southern California. The guest speakers are David Brin, Paul Sammon and Mike Davis. They discuss the film’s influence and compare its vision with today’s 2019. Blade Runner initially underperformed in theaters when it was first released in 1982; some praised its thematic complexity and visuals, while others were displeased with its slow-paced narrative and unconventional plot. However, by 1992 it had become a cult classic and was re-released in newly edited versions. Why did it take a decade to find — or create — its audience? Series: "Library Channel" [Humanities] [Show ID: 34684]

New inflections given to old lyrics, the casting of non-professional singers in Across the Universe, and the impact of relocating Beatles tunes to American settings are topics covered in this wide-ranging discussion between acclaimed music journalist Greil Marcus and Carsey-Wolf Center director Patrice Petro. The two delve into the stylistic decisions of director Julie Taymor and the spectatorial pleasures that arise when song lyrics are unexpectedly connected to historical events. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34640]

Documentary filmmaking risks, the technical challenges of solar-powered flight, and attuning to the human struggle behind a quest to fly around the world without a drop of fuel are all central topics in this discussion between UCSB instructor Chris Jenkins and Point of No Return co--directors Quinn Kanaly and Noel Dockstader. The three talk frankly about the difficulty of earning trust as documentarians and how the crew adjusted filming plans when the Solar Impulse 2 mission began to falter.   Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34593]