Explorez tous les épisodes du podcast Far From Ideal

Making a film entirely in one shot is surely one of the most masochistic exercises a filmmaker can undertake. And yet they persist!

We cover everything from Hitchock’s classic Rope that mimics a single shot, the experimental and painfully boring foray into digital of Russian Arc, all the way through to the mainstream blockbusters of Birdman and 1917.

Eventually we get to the work of Philip Barantini, the current master of the form with his film Boiling Point and recent Netflix limited series Adolescence dominating headlines.

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With Kirstie Alley, John Travolta and Bruce Willis as the voice of a baby, Look Who’s Talking was the surprise smash hit of 1989. But does it hold up as a masterpiece of cinema, or is its legacy tarnished by a series of increasingly bizarre and poorly thought-through sequels? To potentially find out some of the answers, listen to this week’s episode, safe in the knowledge that we also spend a good amount of time talking about Con Air.

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Damien Chazelle makes films about three things: music, filmmaking and toxic people single mindedly achieving their dreams while the rest of their lives crumble around them. Whether it’s an abusive jazz mentorship, a quest for a spot on the walk of fame or whatever the hell was going on in Babylon, there’s more than enough here to fulfill the Far From Ideal quota.

Featuring a special guest appearance by Caroline Ullman.

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Tarantino’s most recent film takes him fully into his dude-bro podcast guy era. Featuring: cool cars, movie stars, movie stars driving cool cars and a bizarre revisionist history of the Manson murders in which Sharon Tate is at best a featured extra. We touch on Jackie Brown, Four Rooms, Inglorious Basterds and The Hateful Eight and wonder with so many memorable characters why Once Upon a Time… In Hollywood’s most memorable is a dog.

With meta-textual hyper referential filmmaking sometimes if you throw enough shit at the wall you end up with a wall covered in shit.

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Fresh off this year’s Berlinale, Hannah takes us behind the scenes of Berlin’s premier film festival. We dive into all the hard hitting topics: the joys and existential horrors of networking, the mystery of “market screenings” (sadly not a cinema supermarket hybrid) and Berlin’s bleak February weather. In spite of that description, the podcast is still slightly more fun to listen to than Tolstoy.

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In 2024, M. Night Shyamalan lured moviegoers in with the slick and exciting trailer for his latest directorial misfire, Trap. Featuring the pop sensation that is Saleka Shyamalan, Kid Cudi cosplaying as Lucius Malfoy, and Josh Hartnett swinging for the rafters as a serial killer who seems to embody every Myers-Briggs personality type at once.

Perhaps the real trap isn’t just the one set inside the arena—but the psychological prism through which we attempt to make sense of a chaotic and indifferent universe. Or maybe it really is just the cops in an arena.

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The rip roaring ride that was the 97th Academy Awards has come and Hannah is hearing about it all for the first time! The sweep for Sean Baker and Anora, the history-making moments for Flow (first Latvian winner), Paul Tazewell (first black man to win Best Costume Design) and Emilia Perez (worst speech ever). We absolutely don’t cover it all this time because another two hour episode would be egregious but we certainly cover some things a bit.

Featuring very special guest Ilana Francis.

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In this week’s very special episode we look ahead to the 97th Academy Awards. The highs, the lows, the nominees, the snubs and we answer the two very important questions: who will probably win and who should actually win.

In one of the weirdest awards seasons in recent times we show remarkable restraint in how little we continue our criticisms of Emilia Perez from last week and astonishing commitment to ignoring the documentary and short film categories.

Featuring very special guest Ilana Francis.

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What happens when a celebrated French director makes a Spanish language opera about a Mexican cartel leader’s gender transition journey? You get the cinematic… film that is Emilia Perez, a movie that has garnered the second most Oscar nominations of all time while also being one of the most masochistic viewing experiences imaginable. Join us this week as we attempt to make some sort of sense of Emilia Perez.

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On another thrilling episode of “Far From Ideal colon Sofa Spuds”, we run the gamut from The Muppets all the way through Ricky Gervais and explode out the other end with the recent horror movie offerings of Nosferatu and Heretic. There’s something for everyone! As long as you’re interested in The Muppets, Ricky Gervais, Nosferatu or Heretic. End bracket.

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Madame Web has been trashed by pretty much everyone, including some of those involved with making the film. But is all that criticism entirely fair? Are we simply jumping on the bandwagon? Didn’t all of our mothers go to Peru to extract magic spider venom to cure us of a genetic disease in utero… Metaphorically?

If you were worried that we don’t spend enough time criticising Benedict Cumberbatch, put those fears to rest.

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This week we ask important questions about the core of high art and cinema such as: Is Spy Kids cool? How many Marvel films have we each seen? And was the score of The Butterfly Effect entirely composed by Limp Bizkit?

Be careful not to miss this episode, you may end up in a Slumdog Millionaire situation one day and need to recall information from it. FYI we do not discuss Slumdog Millionaire in this episode. We do, however, touch on: Challengers, Dear Santa and The Ghostbusters Franchise. Lucky, lucky you.

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If Greta Gerwig’s 2023 ode to Mattel isn’t ready for the Far From Ideal treatment then too bad because here it is. Classic moments of this episode include: the infamous Oscars ‘snub’, an extensive examination of Max’s Barbie History knowledge and the introduction of our new, original and entirely patented game Six Degrees of Nicholas Hoult. With all that and more we still manage to mention the Fast and The Furious Franchise.

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This week Hannah and Max go full free association. From lazily watching the first film that pops up on any given streaming platform to half remembered bits and pieces of decades old TV shows: if you're not wearing a hat then put one on so that you can hang onto it. If you're already wearing a hat, get in touch to let us know what kind.

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On this week's thrilling episode Hannah and Max barely mention Bradley Cooper's egregious prosthetic nose in the 2023 Leonard Bernstein biopic Maestro. A slew of other actors, topics and films come up throughout including: Eternal Sunshine of the Spotless Mind, I'm Not There, Elvis and many, many more.

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A new weekly podcast where Hannah and Max pick cinema to pieces and feast upon its bloated corpse. Sometimes there are games.