Everything Fab Four – Détails, épisodes et analyse

Joining host Ken Womack on the first episode of season 7 is Blac Rabbit — familiar voices to our listeners. In 2018, Blac Rabbit released their first LP, "Interstella," which included the debut single “Seize the Day,” which has served as the "Everything Fab Four" theme song since our very first episode featuring Steve Lukather in September 2020.

In 2018, a 48-second video of twin brothers Amiri and Rahiem Taylor, the guitarists and singer-songwriters who perform as Blac Rabbit, playing the Beatles' “Eight Days a Week” went viral, racking up millions of views. They went from staging impromptu shows in New York City subway stations to wowing international crowds from the Bowery Ballroom to Berlin, covering "Michelle" for a Gucci ad featuring Harry Styles, playing Liverpool's Cavern Club, and appearing on "Ellen." They have also famously recreated John Lennon and Yoko Ono’s 1969 Bed-In for Peace, recording “Give Peace a Chance” alongside Ono, Ringo Starr, Jeff Bridges, and New York City Mayor Bill de Blasio. 

Blac Rabbit will be performing at the inaugural Everything Fab Four Fest, November 6-8, 2025, at the Berkeley Oceanfront Hotel in Asbury Park, New Jersey, where we'll be celebrating the 60th anniversary of the Beatles' "Rubber Soul" album in fine style. Visit ef4fest.com for more information and to book your tickets today.

On this episode of Everything American singer-songwriter Peter Wolf joins host Ken Womack to discuss Wolf’s life in music and his earliest musical influences.

A native of the Bronx, Wolf spent his youth soaking up New York City’s music scene, especially the Apollo Theater’s array of soul, rhythm & blues, and gospel performers. After moving to Boston, he attended Tufts University’s Museum of Fine Arts. During this period, he formed his first band, The Hallucinations, which performed in area clubs. 

In 1967, Wolf and drummer Stephen Jo Bladd joined the J. Geils Band, which had recently formed in Worcester. During the 1970s, the group notched several Top 40 singles, including a cover of the Valentinos’ “Lookin’ for a Love” and the singles “Give It to Me,” “Must of Got Lost,” and “Come Back.” By this point, Wolf had emerged as the band’s principal songwriter. With “Love Stinks,” the J. Geils Band enjoyed breakthrough success, followed by the megahits “Centerfold” and “Freeze-Frame.” 

In 1983, Wolf and the J. Geils Band parted ways after the singer expressed his interest in returning to the band’s rock ‘n’ roll roots. As a solo artist, he notched several hits, including “Lights Out” and “Come as You Are.” The latter song was featured in Rob Reiner’s acclaimed film The Sure Thing. 

Wolf continues to enjoy accolades for his solo career. His 2002 album Sleepless featured guest performances by Mick Jagger and Keith Richards and was feted by Rolling Stone as one the 500 Greatest Albums of all time. His 2010 album Midnight Souvenirs earned Album of the Year honors at the Boston Music Awards and featured duets with Shelby Lynne, Neko Case, and Merle Haggard. Wolf recently published his memoirs. Entitled Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses, the book traces Wolf’s six-decade career in a series of unforgettable vignettes. 

English-American music icon Billy Idol joins Everything Fab Four to discuss the exhilaration of being a Beatle fan “in real time” and how his voice was mistaken for Paul McCartney’s.

Billy Idol began his rock n roll career as the guitarist for Chelsea, subsequently achieving renown on the London punk rock scene in the 1970s, when he performed as the lead singer for Generation X. His career truly exploded in the 1980s when he moved to New York City to pursue a solo career working in collaboration with guitarist Steve Stevens. His eponymous debut LP yielded monster hits in “White Wedding” and “Dancing with Myself,” while his 1983 sophomore album Rebel Yell achieved double-platinum success on the heels of “Eyes without a Face” and the sizzling title track “Rebel Yell.” 

Over the years, he has continued to burnish his star on the shoulders of such albums as Whiplash Smile, Charmed Life, Cyberpunk, Devil’s Playground, and, most recently, Kings and Queens of the Underground.

In 2024, Rebel Yell was remastered in a deluxe new edition to celebrate Billy’s incredible 40-year run as one of music’s most beloved, and most notorious, artists.

To celebrate the sixtieth anniversary of the Beatles’ first appearance on the Ed Sullivan Show, our guests revisit the evening that the Beatles graced their living rooms for the first time, on this special episode of Everything Fab Four. These Beatles lovers include Steven van Zandt from Bruce Springsteen’s E Street Band, R&B singer Darlene Love, actor Billy Bob Thornton, and even one lucky audience member from that first Ed Sullivan performance.

It's almost impossible to imagine what it was like to be at ground zero of American Beatlemania on February 7, 1964, when the group landed at New York City’s John F. Kennedy International Airport, which had been renamed some fifty days earlier in honor of the fallen leader. The band’s Pan Am flight was met with the screams and fanfare of some 5,000 people, whom the Beatles claimed to have heard—incredible as it may seem—even as the plane was taxiing along the runway. 

As writer Stephen Glynn presciently remarked, “The spirit of Camelot, shot down in Dallas, Texas, had flown over from Liverpool, England, and the unprecedented euphoria that greeted the group seemed part of an expiation, a nation shaking itself out of its grief and mourning.” There is little question that the Beatles’ timing in the history of the United States was uncanny, as well as a welcome respite from the national malaise, but one cannot overlook the power of marketing in a new media era unlike any that the postwar world had ever seen. 

Capitol Records had saturated the city with posters announcing, “The Beatles Are Coming,” while New York’s WMCA and WINS radio stations had given away T-shirts—and, rumor has it, $1 each—to thousands of teenagers who greeted the Beatles that Friday afternoon on the JFK tarmac. Released in December 1963 by Capitol, “I Want to Hold Your Hand” had sold more than one million copies by mid-January, an astounding feat for a group that had been largely unheard of on American shores scarcely a month before. 

On Sunday, February 9, the Beatles launched into a spirited rendition of “All My Loving” to begin their set on the Ed Sullivan Show before some 73 million television viewers, a figure that accounted for nearly 40 percent of the population of the United States at that time. It was popular music’s big bang, and like that incredible instance in the birth of the universe some 13 billion years ago, it is still resonating.

Brian Ritchie, bassist for the folk punk band the Violent Femmes, joins host Kenneth Womack on this episode to chat about his first Beatles records and the 40th anniversary of the Femmes’ debut album.

Ritchie co-founded the Violent Femmes with percussionist Victor DeLorenzo in 1981, and the duo were later joined by singer-songwriter Gordon Gano. Ritchie came up with band’s distinctive name on a whim, employing it during their early days playing in Milwaukee’s coffee houses. In August 1981, the Violent Femmes were discovered performing on a street corner in front of the Oriental Theatre by James Honeyman-Scott, the guitarist for the Pretenders, and Chrissie Hynde invited the Femmes to play an acoustic set prior to the Pretenders’ show that night.

In 1983, the Violent Femmes released their self-titled debut album, which emerged as a key soundtrack for the burgeoning alternative and college-oriented rock movements. The inaugural LP featured many of the band’s best-known songs, including “Blister in the Sun,” “Kiss Off,” “Add It Up,” and “Gone Daddy Gone.” The album became the Femmes’ most successful LP, eventually earning platinum status from the Recording Industry Association of America. 

Over the years, the Femmes have recorded 10 studio albums, including Hallowed Ground (1984), The Blind Leading the Naked (1986), and Why Do Birds Sing? (1991). The group is widely considered to be a key influence on the 1980s and 1990s alternative rock scene. 

On this episode, Grammy Award-winning American singer-songwriter and activist Joan Baez joins host Ken Womack to share her memories of meeting the Beatles for the first time and witnessing their final live concert.

Baez's time-eclipsing folk music often champions songs of protest and social justice. Over the years, she has recorded 30 albums in genres ranging from folk rock, pop and country to gospel music. As a performer, Baez has specialized in interpreting the work of other composers, recording songs by such luminaries as the Beatles, Woody Guthrie, Bob Marley, and many others.

Baez began her recording career in 1960, producing a trio of successful LPs in Joan Baez, Joan Baez, Vol. 2 and Joan Baez in Concert. During her early years, Baez was one of Bob Dylan’s first major collaborators, steadfastly working to popularize his impact upon folk music. She was also a featured performer at the 1969 Woodstock Festival, singing fourteen songs on that vaunted stage.

In addition to her musical career, Baez has demonstrated a lifelong commitment to political and social activism in the areas of nonviolence, civil rights, human rights, and the environment. In 2017, she was inducted into the Rock and Roll Hall of Fame, and in 2023, Baez was the subject of the acclaimed documentary "I Am A Noise."

Sophie B. Hawkins, the Grammy-nominated American singer, songwriter, multi-instrumentalist, and painter, joins host Kenneth Womack on the season five finale episode of “Everything Fab Four.” Hawkins started her Beatles journey as a kid with “Revolver,” and remembers playing along with tennis racket guitars and couch cushion drums. “Even as a non-musician, you can sing basically every part.” In this conversation, she digs deep into the unique ways Beatles fans come together through the music, and how being a Beatles fan pushed her toward excellence in her own songwriting. 

Born and raised in New York City, Hawkins pursued her studies as a percussionist at the Manhattan School of Music before embarking on a music career. She exploded into the international consciousness in 1992 with her debut album “Tongues and Tales.” A massive critical and commercial success, the LP spawned the hit single “Damn, I Wish I Was Your Lover.” Her second album, “Whaler,” featured additional hit singles in “Right Beside You” and “As I Lay Me Down.” As an actress, she has portrayed Janis Joplin in the play “Room 105,” while also performing as herself on the NBC TV series “Community,” for which she sang renditions of “Damn, I Wish I Was Your Lover” and “As I Lay Me Down.” Her latest album “Free Myself,” on the independent label she founded, Trumpet Swan Productions, features such standout tracks as “Love Yourself” and “Better Off Without You.” 

This week's guests are Margo Precht Speciale and Andrew Solt, who join host Kenneth Womack for a special episode devoted to celebrating the 75th anniversary of The Ed Sullivan Show and its lasting impact on American culture, including Beatles fandom.

The granddaughter of Ed Sullivan, Precht is a documentary filmmaker, as well as a UCLA graduate with a degree in Sociology. Her latest project traces her grandfather’s life and work as a television pioneer who reigned as the medium’s longtime tastemaker. In particular, Precht’s documentary explores a little-known aspect of Sullivan’s legacy, which involves his radical dedication to diversity that would act as an inflection point for igniting conversations about race in America.

Andrew Solt is an Emmy- and Grammy-winning, producer, director, writer and documentary filmmaker. Over the years, Solt has released a number of documentaries on the history of rock and roll. His collaboration with television documentarian and producer David Wolper included their work together on “Imagine: John Lennon” in 1988. In 1990, Solt purchased the rights to The Ed Sullivan Show library, which consists of 1,087 hours of kinescopes and videotapes that CBS broadcast between 1948 and 1971 on Sunday nights. Included in the archive are over 10,000 live performances by virtually every popular entertainer of the post-war era, highlighted by appearances from Elvis Presley and the Beatles. 

On this episode, the Boxmasters — an American rock band comprised of Grammy Award-winning recording engineer J.D. Andrew and Academy Award-winning actor Billy Bob Thornton — join host Ken Womack for a spirited discussion of songwriting, recording, and what Thornton says is "the most difficult thing about being a Beatles fan."

Formed in 2007, the Boxmasters have recorded a diverse catalog of music that touches on their shared love of the rock and roll of the 1960s. Listening to The Boxmasters, one can hear obvious odes to the Beatles, Byrds and Beach Boys, but also The Mothers of Invention, Kris Kristofferson, John Prine and Big Star.

Since the formation of The Boxmasters, several long-time friends have contributed to the sound of the band, but the core of The Boxmasters has always been Andrew and Thornton. As primary songwriters, the sound of the Boxmasters has been an evolution as the duo constantly strive to find new inspiration, new sounds and new means of expression.

As a touring band, The Boxmasters have cultivated a rabid fanbase across the United States and Canada. Opening for the likes of ZZ Top, Steve Miller, George Thorogood and Kid Rock, their touring highlights include appearances at Levon Helm’s “Midnight Ramble” in Woodstock, New York, a performance at “Ramble at The Ryman” in 2008, and “The Grand Ole Opry” in 2015. Their 14th and latest album is entitled ’69, with an ensuing tour that includes a stop at Monmouth University’s Pollak Theatre in June 2023.

Ken Womack's guest this week is Grammy-nominated American jazz guitarist Dan Wilson. Hailing from Akron, Ohio, Wilson made his recording debut with pianist Joe McBride and performed to worldwide acclaim with Joey DeFrancesco and Christian McBride’s Tip City, eventually recording his debut as a band leader with "To Whom It May Concern" in 2012. Over the years, Wilson has shared the stage with a host of jazz greats including Eric Marienthal, Russell Malone, Les McCann, René Marie, Jeff Hamilton, David Sanborn and Dave Stryker. In 2017, Wilson earned a Grammy nomination for his work on DeFrancesco’s "Project Freedom" album. He also served as a guitarist on Van Morrison’s recent albums "You’re Driving Me Crazy" and "The Prophet Speaks."

In 2021, Wilson released "Vessels of Wood and Earth," which includes the standout cut “Who Shot John.” The album was produced by McBride for his Brother Mister Productions label. In 2022, Wilson was named a Letter Rising Stars Jazz Winner. His latest LP, "Things Eternal," features his innovate take on the Beatles’ “Eleanor Rigby.”