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Explorez tous les épisodes du podcast Empowered Artist Collective Podcast - for actors, singers, dancers, writers, creators and performers
Plongez dans la liste complète des épisodes de Empowered Artist Collective Podcast - for actors, singers, dancers, writers, creators and performers. Chaque épisode est catalogué accompagné de descriptions détaillées, ce qui facilite la recherche et l'exploration de sujets spécifiques. Suivez tous les épisodes de votre podcast préféré et ne manquez aucun contenu pertinent.
| Titre | Date | Durée | |
|---|---|---|---|
| 142. Composing Original Musicals with Zoe Sarnak | 27 Oct 2026 | 01:07:22 | |
Where does an original musical begin? Drama Desk nominated and Larson Award winning composer, lyricist, and writer, Zoe Sarnak, takes us inside her wonderfully unconventional journey from studying molecular biology at Harvard to creating musicals like The Lonely Few and Broadway's upcoming Galileo. They get into the art and science of composing, finding the emotional truth of characters, and the importance of leaving room for discovery as an original musical takes shape. Zoe shares how she develops multiple musicals simultaneously, finds melodies in subway rides and walks through the city, and approaches a creative process that leaves room for imperfection, growth, and change. They also dig into the complicated relationship between AI and original artistry, what makes human storytelling irreplaceable, and the difference between achieving the Broadway dream and allowing it to define your worth. This is a conversation about following the work you can’t help but make, trusting your curiosity, and remembering that the most compelling stories are the ones that keep revealing something new about what it means to be human.
ZOE SARNAK is a Drama Desk nominated and Larson Award winning composer, lyricist, and writer. Works include GALILEO (with Danny Strong and Michael Weiner) opening at the Shubert Theatre this year, NY Times Critic’s Pick THE LONELY FEW (with Rachel Bonds), EMPIRE RECORDS (with Carol Heikkinen), PARTICLE FEVER (with David Henry Hwang and Bear McCreary), A BEAUTIFUL MIND (with Sarah Treem); and others soon to be announced. Sarnak was named to the 2024 Broadway Women's Fund "Women to Watch" list and her music has been featured by the NY Times, The Guggenheim, the BBC and more. @zoesarnak
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| 141. Inside the Mind of a Showrunner with Sonja Warfield | 20 Oct 2026 | 00:55:11 | |
What happens when you stop treating your career like a straight line and start trusting where your artistry actually takes you? This week, Jennifer sits down with writer, producer, and "The Gilded Age" co-showrunner and executive producer, Sonja Warfield, to talk about a creative career that has spanned comedy, drama, development, and showrunning. Sonja shares how improv led her to writing, the path to her first television writing job on "Will & Grace," what a showrunner actually does, and why so much of building a lasting career comes down to developing your voice and staying open to where it leads. They also get candid about the projects that never get made, prioritizing life outside of the work, separating your identity from your job title, and learning not to attach yourself to outcomes. With takeaways about kindness, flexibility, and embracing the pivot, this episode is a reminder that there is no color-by-numbers version of an artistic career and sometimes the unexpected path is the whole point.
Sonja Warfield is a television writer/producer and author whose credits include her work on the Emmy Award-winning NBC sitcom Will & Grace as well as BET’s hit comedy The Game. Currently, she’s the Emmy-nominated Executive Producer and Co-Showrunner for the HBO’s highly awarded drama, The Gilded Age. Over the course of her 20+ year career, Sonja’s also earned credits from a diverse range of television shows including Disney Channel’s popular Liv and Maddie; BET’s Zoe Ever After, which featured pop star Brandy; the animated series She-Ra for Dreamworks/Netflix, where she also penned an original song; and the ABC comedy Jake in Progress. She’s developed and written pilots/projects for ABC, NBC, Netflix, Nickelodeon, Lifetime, Universal TV, Sony Pictures Television and HBO. She is currently adapting the novel, The Davenports, in partnership with Susan Fales-Hill for Alloy Entertainment, WBTV and Amazon Prime, which they will Executive Produce.In addition to television and film, Ms. Warfield is author of the entertaining, empowering and inspiring book Get Your Butt Off My Couch (And Your Hand Outta My Wallet), a woman’s guide to getting rid of her deadbeat husband, boyfriend or boo-thing. Sonja and her book have been featured on numerous radio and television programs including The Dr. Phil Show. Ms. Warfield has a B.A. in Cinema/Television-Critical Studies from the University of Southern California where she has taught television writing. She is represented by Anonymous Content.
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| 140. Casting Director Mini-Series: Making an Impression That Lasts with Gayle Keller | 13 Oct 2026 | 01:00:45 | |
What makes a casting director remember you? This week, Jennifer sits down with casting director, Gayle Keller, whose nearly 30-year career in TV and film has given her a front-row seat to what makes an actor stand out. Gayle gets super specific about what she’s watching for in an audition, what makes a self-tape work, why truthfulness and instinct matter more than getting every choice “right,” and how an audition that doesn’t lead to the job can still lead to years of being called back. They also dig into the relationship between actors and casting directors, how Gayle discovers new talent, why she still sees theater as one of the most powerful ways to get on someone’s radar, and what actors can do to stay in a casting director’s orbit. Because, as Gayle reminds us, while actors are trying to find casting directors, casting directors are trying to find you, too.
An independent New York casting director who has worked the past 25 years casting television and film. Some recent film credits include - The Comeback King ( release date Feb. 2017) The Mastermind, Poetic License, Showing Up (2024 winner of the Independent Spirit award for Casting), Certain Women, The Big Sick, Hustlers ( Artios nomination for Comedy Feature Casting), First Cow, The King of Staten Island, The Bubble, Problemista, Please Don’t Destroy and Babes.Some tv credits include - Law and Order: Criminal Intent, Bored ToDeath, Louie (nominated for two Emmys), Inside Amy Schumer, At Home With Amy Sedaris, Crashing, What We Do In The Shadows (nominated for Emmy and won Artios for Best TV Comedy series), Betty, Flatbush Misdemeanors, Life & Beth, Big Door Prize, Fantasmas and The Chair Company and Big Mistakes. A proud member of CSA, the Academy of Television Arts & Sciences, the Academy of Motion Picture Arts & Sciences and Local 817.
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| 139. Playwright Mini-Series: The Stories Only You Can Write with Joceyln Bioh | 06 Oct 2026 | 00:57:57 | |
What if becoming the writer you’re meant to be starts with letting go of the writer you think you’re supposed to be? As part of our Playwrights Mini-Series, playwright and performer Jocelyn Bioh gets wonderfully real about finding her comedic voice, walking away from writing when it wasn’t working, and eventually returning to it on her own terms. She takes us inside a process that is far less romantic than it is disciplined: writing plays in the hours before restaurant shifts, outlining before she sits down, working quickly when time is limited, and rewriting School Girls; Or, The African Mean Girls Play 36 times before finding its ending. We talk about not being precious with your words, knowing when to cut what you love, following the ideas that won’t leave you alone, and protecting the time and space original work actually requires. It’s a conversation about trusting your voice, staying flexible about what an artistic life can look like, and remembering that sometimes the work that changes everything begins when you finally give yourself permission to write like yourself.
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Jocelyn Bioh is an award-winning, Tony Award-nominated Ghanaian-American writer/performer from New York City. Her most recent work for the theater, Jaja’s African Hair Braiding (MTC), premiered on Broadway in 2023 and earned five Tony nominations, including Best Play, along with nominations from the Drama Desk, Drama League, and Outer Critics Circle. The play launched a multi-city U.S. tour in 2024 and made its UK debut at the Lyric Hammersmith Theater in London in March of 2026. Bioh’s other written pieces include Merry Wives (Public Theater’s Shakespeare in the Park, PBS Great Performances and HBO’s Reopening Night); Nollywood Dreams (MCC Theater); and the multi-award-winning School Girls; Or, The African Mean Girls Play, originally produced at MCC Theater in 2017-18, which has gone on to have over 75 regional productions and premiered in the UK in 2023 and is due to have its long awaited Broadway debut in the Fall of 2026 directed by 2 time Tony nominee Whitney White. Named one of Variety’s 2024 “Screenwriters to Watch,” TV credits include “Russian Doll,” Spike Lee’s “She’s Gotta Have It” (Netflix), “Tiny Beautiful Things” (Hulu), “The Acolyte” (Disney+), and she is writing the live-action film adaptation of the hit Broadway musical Once on This Island for Disney. Awards: Creative Capital Award Recipient (2026), Horton Foote Prize (2024), Dramatist Guild Hull-Warriner Prize (2024 and 2018), Steinberg Playwright Award (2020), Drama Desk Award for Outstanding Adaptation (2022), Outer Critics Circle John Gassner Award (2018) Lucille Lortel Award for Outstanding Play (2018), Tow Foundation Playwriting Fellow (2017).
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| 138. But What Do You Actually Want with Jennifer Apple | 29 Sep 2026 | 00:17:10 | |
What if the career you’ve been chasing isn’t actually the career you want? In her first official solo episode, Jennifer gets vulnerable about stepping outside her own comfort zone to unpack something she keeps seeing in her coaching sessions: artists working SO hard toward the things they've been told they're supposed to want, without stopping to ask, Wait, do I actually want this? From Broadway and representation to booking the job and feeling “behind,” Jennifer breaks down how to get underneath the shoulds, understand the why behind what you want, and use your core values to make choices that actually feel like yours.
So grab a notebook, get ready to ask yourself some potentially uncomfortable questions, and see what comes up when you let yourself be really honest about what YOU actually want.
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Jennifer Apple is an actor, coach, writer, and podcast host from NYC, who is in playful pursuit of truth, vulnerability, & empathy in the arts. She originated the role of Anna in the 10x Tony Award-winning "The Band's Visit" First National Tour and received the Elliott Norton Award for Outstanding Lead Performance in a Musical for Dina in "The Band’s Visit" at the Huntington/SpeakEasy Stage. With performances at regional theaters like The Huntington Theatre, Shakespeare & Company, Chautauqua Theater Company, American Conservatory Theater, Goodspeed Musicals, and Pennsylvania Shakespeare Festival, Jennifer has made her mark on both stage and screen, with TV credits including a recurring role on "Law & Order: SVU" and "New Amsterdam." She has an MFA in Acting from the American Conservatory Theater, has workshopped numerous new plays and musicals, and lent her voice to multiple original cast recordings. Jennifer’s mission as a sought after acting coach is to empower others to embody their truest selves, so they can confidently and authentically express themselves with integrity in everything they do. She specializes in helping artists find new monologues through Monologue Sourcing, teaches strategy for breaking down text, and prepares folks for BFA/MFA auditions and last-minute auditions. She also teaches masterclasses and workshops virtually and in-person for schools, universities and theater programs all around the country, specifically within the framework of her Empowered Artist Intensive container. Jennifer is the founder and executive director of the Empowered Artist Collective, a community for women and non-binary artists to help foster sustainable and thriving careers in the arts. She hosts the Empowered Artist Collective Podcast, sharing valuable insights and advice for artists at all stages of their journeys. Discover more at www.JenniferApple.net or www.EmpoweredArtistCollective.com and follow her journey on Instagram at @JenniferApple_ and the podcast at @EmpoweredArtistCollective.
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| 137. Director Mini-Series: Creating the Conditions for Magic with Danya Taymor | 22 Sep 2026 | 01:01:01 | |
You can’t direct magic into existence, so how do you create the conditions for it to happen?
Tony Award-winning director Danya Taymor takes us inside her process behind The Outsiders, John Proctor Is the Villain, and a directing practice rooted in preparation, play, instinct, and finding the alchemy of a room. She shares why she never wants to shut down an idea, how physical exercises and deep trust help build an ensemble, and why theatre is ultimately an act of collective belief where everyone has to care. Danya gets candid about staying open while trusting your gut, uplifting the next generation of directors, and developing the audacity to say, “You need to see my version.” And for the actors listening, Danya pulls back the curtain on what actually catches her attention in an audition, including the singular, unteachable quality that makes her want to keep watching.
This episode is a reminder to trust what only you can bring, stay open to what you can’t predict, and let the magic become something bigger than anything you could have created alone.
Danya Taymor became the youngest woman to win the Tony Award for Direction for her work on The Outsiders, which won four Tony Awards including Best Musical and is currently running on Broadway and in the 1st National Tour. She received a second consecutive Tony nomination and won the Drama Desk Award for John Proctor is the Villain, which starred Sadie Sink and was nominated for seven Tony Awards including Best Play.
In 2021, she made her Broadway debut with Antoinette Nwandu's Pass Over which was the first play back on Broadway after the 18 month covid shutdown. Danya's production of Pass Over was filmed in collaboration with Spike Lee, premiered at the Sundance Film Festival and is streaming on Amazon Prime. She directed the world premiere of Will Arbery's Pulitzer finalist Heroes of the Fourth Turning for which she won the Obie Award and the Callaway Award. Other recent work includes: John Proctor is the Villain (Royal Court, West End Transfer 2027), Trophy Boys by Emmanuelle Mattana (MCC), Jonah by Rachel Bonds (Roundabout), Endgame by Samuel Beckett (Gate Theater, Dublin), Evanston Salt Costs Climbing by Will Arbery (New Group), Daddy by Jeremy O. Harris (New Group, Almeida, UK), queens by Martyna Majok (LCT), Wyoming (Lesser America) and My Daughter Keeps Our Hammer (The Flea) by Brian Watkins, and The Sensuality Party by Justin Kuritzkes (New Group).
Other upcoming work includes the world premiere of Will Arbery's Spite House. She received the Cullman Award for Extraordinary Creativity from Lincoln Center and received a BA from Duke University.
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| 136. What We Wear Tells A Story with Qween Jean | 15 Sep 2026 | 01:04:00 | |
Season 4 is here, and we’re kicking things off in studio with Tony Award-winning costume designer, activist, and storyteller Qween Jean in a conversation about what happens when you stop waiting to be chosen and start trusting what you bring to the room. Together, they get candid about knocking on theatre doors before anyone knew Qween's name, trusting the instincts that became her artistic signature, advocating for herself and her collaborators, and learning to speak up without fearing it will cost her the next job. From Cats: The Jellicle Ball to Liberation, Qween offers a joyful, practical reminder that building a creative career isn’t just about getting the opportunity. It’s about knowing who you are when it arrives.
Haitian storyteller, human rights activist, and celebrated costume designer, Jean designed the feline fashion for Cats: The Jellicle Ball (opening on Broadway in spring 2026), for which she won a Tony Award and an Obie Award. Projects she has created designs for include Liberation (Broadway), Oh Happy Day, Saturday Church, Swamp Dwellers, Wedding Band, Macbeth in Stride, Walden and Donja R. Love’s new film Home. Jean founded Black Trans Liberation, an organization that provides fellowship, food, groceries, and housing resources for the transgender and gender nonconforming community. She is the co-author of Revolution is Love: A Year of Black Trans Liberation, a visual and narrative celebration of an activist movement.
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Learn more about Jennifer Apple: www.jenniferapple.netJennifer Apple’s IG: @JenniferApple_ EAC IG: @EmpoweredArtistCollective EAC TikTok: @EmpowerArtistCollectiveLearn more: https://www.empoweredartistcollective.com/
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| 135. Casting Director Mini-Series: Building Worlds Onscreen with Bess Fifer, CSA | 23 Sep 2025 | 01:04:45 | |
What’s the secret to building longevity in casting while protecting your creative vision? In the final episode of Season 3, Jennifer sits down with Emmy-nominated independent casting director, Bess Fifer, to dig into the realities, responsibilities, and rewards of the work. Bess shares candid insights about navigating the freelance hustle, redefining success on your own terms, and why even with hit shows like Severance on her résumé, stability in this industry isn’t guaranteed. Together, they discuss practical tools for actors, from how to approach self-tapes with a strong perspective, to the importance of framing and sound, to why asking thoughtful questions can actually signal professionalism rather than overstepping. This episode closes out Season 3 with a reminder that building a creative life is about finding your version of success, showing up with generosity, and trusting that good work will be recognized.
About Bess: Bess Fifer is a highly acclaimed casting director whose work on Apple+’s SEVERANCE has earned her two Emmy nominations and solidified her reputation as a leader in the industry. Known for her dedication to authentic, diverse, and inclusive casting, Bess has also been recognized for her groundbreaking contributions to Netflix’s IT’S BRUNO, for which she won the 2020 Artios Award for Excellence in Casting – Short Form Series. Operating from New York, Bess has significantly shaped careers across both film and television, bringing a fresh and inclusive perspective to independent features like LINGUA FRANCA and THE LIGHT OF THE MOON, as well as major TV series including ESCAPE AT DANNEMORA on Showtime. Her commitment to representation and inclusivity has made her a sought-after collaborator in the industry.
Bess Fifer's IG: @castingbybess
Bess's Website: fifercasting.com
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| 134. Protecting Possibility with Kate Baldwin | 16 Sep 2025 | 00:58:00 | |
How does one build a career defined not just by talent, but by joy, leadership, and resilience? In this episode, Jennifer sits down with Kate Baldwin, Tony-nominated actor, singer, and teacher, whose perspective on craft and community is as generous as it is practical. Kate discusses her current play, Murder on the Links at Two River Theater, and reflects on her career thus far, working with visionary directors like Darko Tresnjak, Susan Stroman, Michael Grief, and Jerry Zaks, who all taught her the power of shared vocabulary and artistic trust. She offers tools for navigating creative rooms like adapting to a director’s language, leaning into humor, and remembering to “protect the possibility of a happy ending.” Together they talk about how vulnerability and embracing messiness connect us more deeply to audiences, why leadership in a cast is also about setting the tone of care, and how stepping into advocacy roles helps shape her sense of responsibility in the industry. From navigating criticism and awards to showing up with curiosity and benevolence, and sustaining joy through community, this episode reminds us that what endures is the ability to keep learning, laughing, and lifting others up along the way.
About Kate: Kate Baldwin is a two-time Tony Award nominee and four-time Drama Desk nominee, having starred on Broadway as Irene Molloy in the 2017 revival of Hello, Dolly! and the 2009 revival of Finian’s Rainbow as Sharon McLonergan. She originated the roles of Sandra Bloom in Big Fish on Broadway and Leslie Lynnton Benedict in Giant at The Public Theatre. She starred as Jen in Keen Company’s revival of John & Jen and garnered a Lucille Lortel Award nomination for Superhero at Second Stage. Other Broadway credits: The Full Monty, Thoroughly Modern Millie and Wonderful Town. She starred in The King and I at the Lyric Opera of Chicago, The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at Williamstown Theatre Festival, The Music Man and South Pacific at Arena Stage (Helen Hayes Award nomination) and What the Constitution Means to Me at George Street Playhouse. Her television work includes a guest star on NBC’s “Law & Order: SVU,” Disney’s “Just Beyond,” HBO’s “The Gilded Age” and two PBS specials, “First You Dream: The Music of Kander & Ebb” and “Live from Lincoln Center: Stephen Sondheim’s Passion.” She is a graduate of Northwestern University and lives with her husband and son in Maplewood, NJ.
Kate's IG: @realkatebaldwin
Kate's Website: kate-baldwin.com
Two River Theater: tworivertheater.org
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| 133. Playwright Mini-Series: From a 9-Play Cycle to Writers Rooms with Mfoniso Udofia | 09 Sep 2025 | 00:59:47 | |
What does it mean to devote nearly two decades to a cycle of work while also leaping into entirely new forms? In this episode of our Playwright Mini-Series, Jennifer sits down with playwright, TV writer, and educator Mfoniso Udofia. Mfoniso shares how writing came from a place of healing and purpose and how her nine-play Ufot Family Cycle has grown into an expansive, intergenerational exploration of identity, hope, and belonging. She talks about finding a trusted circle of collaborators, knowing how to keep the emotional spark within the editing process, the challenges of finding balance, and the grief of letting go of a long creative chapter. Together, they discuss her transition into writing for television, learning the craft of image-driven storytelling, adjusting to the collaboration of the writers’ room, and understanding the unique desires of different networks. With takeaways on finding your voice, nurturing what excites you in your own work, and learning when to listen and when to stand firm, this conversation is equal parts inspiration and toolkit for artists and writers navigating all mediums.
About Mfoniso: MFONISO UDOFIA is a first-generation Nigerian-American storyteller and educator. From 2024-2026, a consortium of theatre companies and activation partners across Boston are producing all of Mfoniso’s 9-play UFOT FAMILY CYCLE. Productions of her plays SOJOURNERS, THE GROVE (2025 Elliot Norton for Outstanding New Script), RUNBOYRUN, HER PORTMANTEAU and IN OLD AGE have been seen at the Huntington Theatre, Central Square Theatre, Round House Theatre, NYTW, A.C.T., Playwrights Realm, Magic Theater, National Black Theatre, and Boston Court. She’s the recipient of the 2024 Steinberg Playwright Award, the 2021 Horton Foote Award, the 2017 Helen Merrill Award, the 2017-18 McKnight National Residency and Commission and is a member of New Dramatists.
Mfoniso's IG: @mfudofia
Mfoniso's Facebook: @mfonisoudofia
Mfoniso's Website: mfonisoudofia.com
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| 132. Director Mini-Series: Wisdom Through the Decades with Marcia Milgrom Dodge | 02 Sep 2025 | 01:00:21 | |
What does it take to sustain a decades-long directing career? In this episode of our Director Mini-Series, Jennifer chats with director and choreographer Marcia Milgrom Dodge, who has been shaping stories on stages across the country for more than 40 years. Marcia shares how she digs into the heartbeat of each piece she does, balancing politics, social consciousness, and community impact with theatrical joy. She opens up about the hardest parts of being a director, the trust and surrender required to let actors carry the work forward, and the importance of staying scrappy and resilient in a freelance career. Marcia reveals her method for typing scripts in their entirety, the ins and outs for doing regional theater, and explains why she sees choreography through the lens of human behavior. Together, they talk about finding your like-minded community, building relationships with writers, and never underestimating your value to a theater company. This episode is a reminder that when you lead with story, community, and heart, the work will always find its way forward.
About Marcia: Marcia Milgrom Dodge is a Tony & Drama Desk Award-nominated director & choreographer for her stirring & lovingly staged Broadway|Kennedy Center revival of Ragtime (also a Helen Hayes Award winner for Outstanding Director). “MMD” is the American Show Director for Tokyo Disneyland’s 40th Anniversary Parade “Harmony in Color.” Her bold new approaches to classic plays and musicals include La Cage Aux Folles (The Muny, starring Norm Lewis & Michael James Scott); Disney’s Beauty & The Beast (Olney Theatre Center, starring Jade Jones & Evan Ruggiero); Evita (Drury Lane & Riverside Theatres), Meet Me In St. Louis & Disney’s The Little Mermaid (The Muny); Fiddler On The Roof and The King & I (Maltz Jupiter Theatre, both with new choreography); The Curious Incident Of The Dog In The Night-Time (St. Louis Rep & Cincinnati Playhouse); The Secret Garden (Cincinnati Playhouse and Center Stage); Smokey Joe’s Cafe (The Muny and Drury Lane, Jeff Award for Best Revival). Television: Dodge appears as herself in Encore! on Disney+; choreographed an Emmy Award-winning episode of Sesame Street (The Tango Festival) and Elmo’s World: Wild Wild West video. Premieres: Maltby & Shire’s About Time(Goodspeed’s Norma Terris Theatre) and Closer Than Ever (Off-Broadway), William Finn’s Romance in Hard Times (Public Theater), and Sherlock Holmes & The West End Horror (co-written with Anthony Dodge, Bay Street/Edgar Award nomination). Dodge is also a wife, mother, teacher, and proud member of the Stage Directors & Choreographers Society (SDC).
MMD's IG: @marciamilgromdodge
MMD's Website: marciamilgromdodge.com
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| 131. Casting Director Mini-Series: Booking the Room with Claire Burke, CSA | 26 Aug 2025 | 00:59:31 | |
What does the ecosystem of a casting office and career look like? In this episode of our Casting Director Mini-Series, Jennifer chats with casting director and co-owner of the TRC Company, Claire Burke. Claire shares her journey from intern to co-owner, offering a glimpse into the intricate workings of a casting office. She emphasizes the need to balance artistic intuition with analytical skills for her job, the importance of reading the room during auditions for performers, and never underestimating a specific submission or attending an EPA. Together, they discuss maintaining a website to enhance visibility, embracing elements out of one's control, and insights for aspiring casting directors on breaking into the industry. Whether you're an actor seeking to better understand the role of a casting director or someone interested in becoming one, this episode sheds light on the ins and outs of the casting world.
About Claire: Claire Burke is an owner and Casting Director at The TRC Company, (formerly Tara Rubin Casting). Claire began working with Tara Rubin in 2013 as a casting associate on Andrew Lloyd Webbers's SCHOOL OF ROCK. Other favorite projects include A BRONX TALE, KPOP, WATER FOR ELEPHANTS, BACK TO THE FUTURE, LES MISERABLES (National Tour), and the upcoming National Tour of THE PHANTOM OF THE OPERA. She has cast for Yale Repertory Theatre, Westport Country Playhouse, The Alliance Theatre, and The Old Globe. The TRC Company's currently running projects include ALADDIN, SIX, THE OUTSIDERS, DEATH BECOMES HER, and BUENA VISTA SOCIAL CLUB.
Claire is a graduate of NYU's Tisch School of the Arts where she studied with The Atlantic Theatre Company. She loves working with young artists and teaches acting and audition technique at New York University and Florida State University. When not casting, she loves exploring restaurants and going to concerts. She lives on the UWS with her husband and two cats.
Claire's IG: @clairelouisewb
The TRC Company's IG: @thetrccompany
The TRC Company's Website: thetrccompany.com
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| 130. Playwright Mini-Series: Preserving Your Artistic Integrity with Ngozi Anyanwu | 19 Aug 2025 | 01:01:00 | |
How do you honor your creative timing in a culture that often has other priorities? In this episode of our Playwright Mini-Series, Jennifer sits down with playwright and actor, Ngozi Anyanwu, for a conversation about claiming your artistic voice, holding your ground in the industry, and creating work that is both deeply personal and universally resonant. Ngozi shares how her background as a performer informs her playwriting, why specificity in storytelling leads to greater connection, and practices for protecting and honoring your process. Together, they explore how to write without feeling boxed in, how to build a creative ecosystem that supports you both artistically and financially, and why a community of trusted collaborators, champions, and truth-tellers is essential to longevity. Whether you’re a playwright shaping your first draft or an artist ready to expand your body of work, this conversation is a reminder to stay true to your voice, honor the stories only you can tell, and trust that your truth has a place on stage.
About Ngozi: Ngozi Anyanwu is a multi hyphenated storyteller most recently seen performing in Nathan Alan Davis‘s THE REFUGE PLAYS at Roundabout Theatre with New Theatre workshop in 2023. Her upcoming play THE MONSTERS will make its world premiere at Two River Theater coproduced with Manhattan Theater Club in the 25/26 seasonin which she’ll also direct. Her most recent play LEROY and LUCY premiered at Steppenwolfe Theater in this past fall of 2024. She’s a 2020 Steinberg Playwright Award winner.. Previous productions include LAST OF THE LOVE LETTERS at the Atlantic Theater Company, GOOD GRIEF (Vineyard Theatre NYtime’s Critic’s pick in NYC / Center Theatre Group in LA) and THE HOMECOMING QUEEN (sold-out world premiere run and a NYtimes’s Critic’s pick at the Atlantic Theatre). GOOD GRIEF was on the Kilroys List 2016 and a semi finalist for the Princess Grace Award, and won the Humanitas Award. THE HOMECOMING QUEEN was on the Kilroys List 2017 and was a Leah Ryan Finalist. Her play NIKE… (Kilroys List 2017) was workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm and New York Stage and Film. Ngozi also has been commissioned by NYU, The Old Globe, Two Rivers Theatre, The Atlantic Theatre, and Steppenwolf. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film and Page 73. She attended Point Park University (BA) and received her MFA in Acting from University of California, San Diego.
Ngozi's IG: @gozeface
The Monsters - Two River Theater
The Monsters - Manhattan Theatre Club
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| 129. Casting Director Mini-Series: An Actor's Advocate with Sujotta Pace, CSA | 12 Aug 2025 | 01:05:20 | |
How can performers turn the audition process into a collaborative partnership? In our first episode of our Casting Director Mini-Series, Jennifer sits down with casting director Sujotta Pace to pull back the curtain on the casting process and reframe how actors see the people on the other side of the table. A former actor herself, Sujotta shares how she collaborates with directors and creative teams to clarify vision, why preparation and bold choices matter more than perfection, and how to “book the room” even if you don’t book the role. She offers tips for self-tapes, reaching out when a project aligns with your strengths, using your emotions to bring truth to your work, and demystifying the many factors that go into casting decisions. Together, they reframe an audition as an invitation, unpack casting directors as the actors’ advocate, and give tips for ways to enter the field of casting. This conversation is a powerful reminder that casting is more about partnership, collaboration, and the shared goal of bringing great stories to life.
About Sujotta: Sujotta Pace, C.S.A. (She/Her) is a freelance Casting Professional specializing in short films, new media content, podcasts, and plays (in New York and regionally). She is a Casting associate on the Roundabout Theatre Company/C12 Casting team (Broadway, Off-Broadway) and serves on the Board of Directors of the Casting Society, as well as a member of Theatre Producers of Color. Select casting director credits include the world premieres of Cats: The Jellicle Ball (Perelman Performing Arts Center) and Bad Kreyol (Signature Theatre Company). As an associate, she has contributed to &Juliet (Broadway), Home (Broadway), Yellow Face (Broadway), Tammy Faye: A New Broadway Musical (Broadway), Operation Mincemeat: A New Musical (Broadway) and the world premiere of Hippest Trip – The Soul Train Musical (Regional). Sujotta is committed to fostering brave, creative, and collaborative spaces. With over 20 years in the entertainment industry, her passion for actors and casting is reflected in her thoughtful, intentional approach and the material she chooses to champion.
Sujotta's IG: @sujotta
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| 128. Artistic Director Mini-Series: Curating with Care & Clarity with Patricia McGregor | 05 Aug 2025 | 01:01:09 | |
What does it look like to lead a major cultural institution with courage, care & a commitment to transformation? In this episode of our Artistic Director Mini-Series, Jennifer chats with director, writer, community organizer & Artistic Director of New York Theatre Workshop, Patricia McGregor, about how her full identity shapes her leadership. She shares how she curates using a funnel model rooted in collaboration & grounds her programming in rigor, risk & relevance. From building an “artistic compass” to reframing fundraising as a meaningful invitation, they also discuss burnout, tools for leading with purpose while centering people & why leadership isn’t about holding power, but holding space. Whether you’re stepping into leadership, shaping your practice, or dreaming of systemic change, this episode offers grounded inspiration & tools to lead artfully & live your values out loud.
About Patricia: Born in St. Croix, U.S. Virgin Islands, Patricia McGregor (she/her) is the Artistic Director of New York Theatre Workshop. Throughout her tenure at NYTW, she has championed visionary artists, producing five world premieres & countless workshop sharings. She secured key funding to innovate community engagement & education programs. Centering virtuosity & accessibility, Patricia has renewed NYTW's standing as a place of belonging for adventurous artists & audiences alike. A renowned director & writer working in theatre, film, dance & music, she has twice been profiled by The New York Times for her direction of world premieres. Her productions include The Refuge Plays (Roundabout Theatre Company, NYTW); The Last of the Love Letters (Atlantic Theater Company); Ugly Lies the Bone (Roundabout Theatre Company); Blood Dazzler (Harlem Stage); Lights Out: Nat “King” Cole (co-writer/director; Geffen Playhouse, People’s Light, upcoming NYTW); Sisters in Law (Wallis Annenberg Center for the Performing Arts); Shakespeare: Call and Response, Krapp’s Last Tape, What You Are, A Midsummer Night’s Dream & Measure for Measure (The Old Globe); Skeleton Crew (Geffen Playhouse); Good Grief (Center Theatre Group); Hamlet (The Public Theater); Place (BAM); The Parchman Hour (Guthrie Theater); brownsville song (Lincoln Center Theater); Indomitable: James Brown (Apollo Theater); Holding It Down (The Met); A Raisin in the Sun, The Winter’s Tale & Spunk (California Shakespeare Theater); Adoration of the Old Woman (INTAR Theatre); Four Electric Ghosts (The Kitchen); & the world premiere of Hurt Village (Signature Theatre Company). McGregor also served as a director for HBO’s emerging writer’s showcase & as tour consultant to Raphael Saadiq & J. Cole. She was associate director of Fela! on Broadway & directed The 24 Hour Plays on Broadway for many years. She co-founded Angela’s Pulse with her sister, choreographer & organizer Paloma McGregor. McGregor attended SMU, where she was a Presidential Scholar, & the Yale School of Drama, where she was a Paul & Daisy Soros Fellow & artistic director of Yale Cabaret.
Patricia's IG @patriciamcgregor
NYTW @nytw79 & nytw.org
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| 127. Four Pillars for Choosing Repertoire with Mariana Elosúa Serna | 29 Jul 2025 | 00:54:58 | |
How can you choose repertoire that reflects who you are, not how others define you or what others expect of you? In this episode, Jennifer sits down with voice teacher, pedagogue, and researcher Mariana Elosúa Serna to explore culturally responsive teaching and how identity, culture, and personal experience can shape a more empowering approach to choosing material. Drawing from her thesis work and her “Four Pillars of Repertoire” framework – Culturally Non-Specific, Culturally Representative, Culturally Stereotypical, and Culturally Sensitive — Mariana offers practical tools for teachers and students alike, from thoughtful intake forms that center the student’s experience & interests, to strategies like student veto power and collaborative rep selection. Whether you're a performer or educator, this conversation invites you to choose material that aligns with how you see yourself, not how others define you, as that is an extension of your voice, your values, and your story.
About Mariana: Mariana Elosúa Serna is a voice teacher, pedagogue, and researcher from Monterrey, Mexico, focused on creating an inclusive and culturally aware learning environment for her students. With a Master of Fine Arts in Musical Theater Vocal Pedagogy from Boston Conservatory at Berklee and a Bachelor’s degree in International Relations from Tecnológico de Monterrey, Mariana combines cultural awareness with vocal artistry in her teaching and research. Her work, which explores Latinx singers and musical theater repertoire, has been shared at major conferences in the field. As an educator, Mariana creates a supportive space where students can grow as both singers and individuals, helping them embrace their unique musical voices with confidence and care.
Mariana's IG: @marianaelosua
Mariana's Youtube: youtu.be/OYElQfAMhU8
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| 126. Playwright Mini-Series: Writing for the Actor with Keiko Green | 22 Jul 2025 | 01:05:08 | |
What kind of work emerges when you write from curiosity, not expectation? In this episode, as part of our Playwright Mini-Series, Jennifer chats with playwright and screenwriter Keiko Green to explore how emotional intelligence, actor instincts, and a healthy disregard for traditional rules have shaped her distinctive writing career. Keiko shares how she began writing roles for herself as an actor, which quickly transformed into writing pieces for others with character-driven, genre-fluid material that often break writing norms & expectations. Keiko offers practical tools like writing in 4-hour blocks, using the “but and therefore” method to keep characters active, her decision to go to grad school, and how she advocates for herself. Together they talk about building relationships, the importance of self-produced work, and writing material that showcases humanity, centers collaboration, and makes room for joy. This episode invites you to embrace the mess, trust the process, and create the story only you are meant to tell.
About Keiko: Keiko Green (she/her) is a playwright, TV writer, and performer based in Los Angeles. Plays include: You Are Cordially Invited to the End of the World! (South Coast Rep; Oregon Shakespeare Festival - Upcoming), Empty Ride (Old Globe), Exotic Deadly: Or the MSG Play (Old Globe; SF Playhouse; Porkfilled Productions - Upcoming), Hells Canyon (Theater Mu; WET - upcoming), The Bed Trick (Seattle Shakespeare Co; Artists Repertory Theatre - Upcoming), Sharon (Cygnet Theatre), and Hometown Boy (Actors Express; Seattle Public Theater). Her plays have been developed at the Kennedy Center, the National New Play Network, Playwrights Realm, Ensemble Studio Theatre, Atlantic Theater Company, and twice by the O'Neill National Playwrights Conference. Awards/Honors: Susan Blackburn Prize Finalist, Kilroys Web, San Diego Critics Circle Award(Outstanding New Play), Gregory Award (Outstanding New Play). She holds commissions from Manhattan Theatre Club/Sloan Foundation, and the Kennedy Center/Seattle Children's Theatre. Current/Past Affiliations: Old Globe Resident Artist, CTG Writers Workshop, Geffen Writers Group, Chance Resident Playwright, Theater Mu's Mu Tang Clan, Seattle Rep Resident Writers Group, former ACT Core Company Member. As a screenwriter, she wrote on Hulu’s “Interior Chinatown” and AppleTV's upcoming "Margo's Got Money Troubles." As an actor, she has performed at theaters nationwide and originated the role of Connie in Lauren Yee’s The Great Leap at the Denver Center and Seattle Rep. BFA: NYU Drama - Experimental Theatre Wing, MFA: UCSD Playwriting.
Keiko's IG: @keikothegreen
Keiko's Website: www.keikogreen.com
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| 125. SEO Strategies for Creatives with Tonya Lawson | 15 Jul 2025 | 00:56:43 | |
How can artists and creatives enhance their online presence, visibility, and income using SEO? In this episode, Jennifer sits down with Tonya Lawson, a classically trained clarinetist and SEO specialist, to break down exactly how folks can use search engine optimization to grow their online presence and monetize their work. Tonya breaks down the basic concepts of SEO, offers practical advice on optimizing websites and social media, and explains how creatives can use these tools to attract new clients, gain exposure, and monetize their online platforms. Whether you're a performer wanting more eyes on your work, a coach or teacher looking to build clientele, or a multi-hyphenate creative aiming to make your online presence actually work for you, this episode is packed with tactical tools, creative hacks, and empowering mindset shifts to help you make SEO your friend.
About Tonya: Dr. Tonya Lawson is a musician, blogger, and passive income specialist whose mission is to empower creatives to build out passive income streams so they have the financial freedom to live the life they want to live. She is a multi-passionate entrepreneur who currently runs a private studio of over 50 students, has 3 blogs, a coaching business, a membership, multiple courses, and teaches at Middle Tennessee State University. When not working, Dr. Lawson enjoys gardening, running, reading, cuddling with her cat Dot and playing with her dog Buster.
Tonya's IG: @dr.tonyalawson
Tonya's Website: tonyalawson.com
Tonya's YouTube: @dr.tonyalawson
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| 124. Projection & Video Design for Theater with Hana S. Kim | 08 Jul 2025 | 00:58:28 | |
What role does projection, video, and media design play in shaping a theatrical production? In this episode, Jennifer chats with Tony Award winning projection and video designer Hana S. Kim who invites us into her world where ideas transform into powerful visual landscapes on stage. From her roots in graphic design in Seoul to designing for Broadway in productions like Redwood, Real Women Have Curves, and The Outsiders, Hana shares how her creative process always starts and breaks down how she builds visual language from emotional concepts, mood boards, and textures before layering in technical tools. She explains how each production is unique, and how her work blends into the overall storytelling alongside lighting, scenic, and sound designers.
About Hana: Hana S. Kim is an immersive media designer and a visual artist for live performances with experience across film and public art from Seoul, South Korea. Her theatrical design work has been seen on across the country and internationally. Her art installations have been shown at the Annenberg Space of Photography in LA, Jordan Downs Recreation Center, Occidental College and Baryshnikov Arts Center in NY.Hana is a recipient of the Tony Awards, the Princess Grace Awards in Theater Design, Richard Sherwood Award from CTG, and Kinetic Lighting Award for distinguished achievement in theatrical design from LA Drama Critics Circle. She was nominated for Lucille Lortel Awards for her work on The Visitor at the Public Theater. Her designs have been recognized by the Helen Hayes Award, Stage Raw Awards, StageSceneLA Awards and Bay Area Theater Critics Circle Awards. She is a member of United Scenic Artists Local 829. Recent credits include Redwood, Real Women Have Curves, and The Outsiders on Broadway, Orfeo at the Santa Fe Opera, Sumo and The Harder They Come at the Public Theater. She received BFA in visual communication at Seoul National University in South Korea and MFA at University of California, Los Angeles.
Hana's IG: @hana.s.kim
Hana's Website: hananow.com/
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| 123. Director Mini-Series: Letting Curiosity Lead with Amy Marie Seidel | 01 Jul 2025 | 01:06:31 | |
How can curiosity become a roadmap for directing meaningful, human-centered theater? In this episode, as part of our Director Mini-Series, Jennifer chats with director and dramaturg Amy Marie Seidel, who shares her approach where sound, scent, light, language, and presence all carry weight. Amy talks about her relationship with Tectonic Theater Company, being mentored by Moisés Kaufman, and her experience with Here There Are Blueberries and Machinal. She offers a powerful reminder of the importance of following artistic curiosity without judgment, creating space for rehearsal room humanity, trusting the brilliance of your collaborators, and embracing the flexibility of creating in real time. Together, they reflect on the power of letting go of rigid expectations because the more forms we allow ourselves to explore, the more layered and resonant our work becomes. This episode is a reminder that directing isn’t about control, but rather about connection, listening, and staying awake to the magic unfolding before you.
About Amy: Amy Marie Seidel (she.her.hers) is a NYC-based theater maker who has worked on Broadway, Off-Broadway, and regionally. She is a company member at Tectonic Theater Project, where she has developed numerous plays, including Here There Are Blueberries, a 2024 Pulitzer Prize finalist recently produced at New York Theatre Workshop, and Seven Deadly Sins, which won the 2022 Drama Desk Award for Unique Theatrical Experience. She has brought two major musicals to Broadway as part of team directing: Paradise Square (10 Tony Noms) and The Great Gatsby (1 Tony Win), and she is currently developing a new biographical play centering Billie Jean King. As director, Amy is developing multiple new plays, including All The Frozen Ones by Stella Ferra (Starring Robert Sean Leonard), A Clean Slate by Jack Saleeby, and Falling Forward, a new musical by Karl Amundson and Emily Fink (2024 NAMT Recommended Musical).
Amy's IG: @AmyMarieSeidel
Amy's website: www.amymarieseidel.com
Machinal Info: www.machinaltheplay.com
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| 122. Artistic Director Mini-Series: Making Room for Risk with Maria Manuela Goyanes | 24 Jun 2025 | 01:06:28 | |
How can one lead a theater artistically, logistically, and sustainably, all with deep humanity? In this episode of our Artistic Director Mini-Series, Jennifer chats with Maria Manuela Goyanes, current Artistic Director of the Woolly Mammoth Theatre and incoming Artistic Director of LCT3 at Lincoln Center, for an honest conversation about what it takes to run a cultural institution with integrity. Maria offers wisdom on assessing risk in today’s theater ecology, why comedy and community are essential “tentpoles” for new audiences, and how she reframes leadership as a form of abundance, not scarcity. Together, they discuss how to build meaningful community engagement, reimagine institutional “best practices,” develop sustainable career pipelines, and say yes to bold, risky theater that centers innovation and joy. This episode reminds us that there is no one model of leadership and that the most revolutionary thing you can do is bring your full, human self to the table.
About Maria Manuela: MARIA MANUELA GOYANES (she/her) is currently the Artistic Director of Woolly Mammoth Theatre Company. She will assume the role of Artistic Director of LCT3 and Producer of Lincoln Center in NYC this fall. Prior to joining Woolly, she served as the Director of Producing and Artistic Planning at The Public Theater, working on plays and musicals like HAMILTON by Lin-Manuel Miranda, PASSING STRANGE by Heidi Rodewald and Stew, and HERE LIES LOVE by David Byrne and Fatboy Slim, to name a few. While at The Public, Maria also held a position on the adjunct faculty of Juilliard and curated the junior year curriculum of the Playwrights Horizons Theater School at NYU. She has guest lectured at Bard College, Barnard College, Brown University, Columbia University, Juilliard, the National Theater Institute at The Eugene O’Neill Theater Center, UCSD, the University of Texas-Austin, and Yale University, among others. From 2004 to 2012, Maria was the Executive Producer of 13P, one of her proudest achievements. Maria is a first-generation Latinx- American, born to parents who emigrated from the Dominican Republic and Spain. She was raised in Jamaica, Queens, and has a collection of hoop earrings to prove it. She earned her Bachelor of Arts in 2001 from Brown University.
Maria Manuela's IG: @MariaGoyanes
Maria Manuela's LinkedIn: linkedin.com/in/maria-manuela-goyanes
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| 121. Playwright Mini-Series: Writing Toward the Ending with Lauren Gunderson | 17 Jun 2025 | 01:00:31 | |
What does it take to move a play from the cloud of an idea onto the page? In this episode of our Playwright Mini-Series, Jennifer sits down with one of the most produced playwrights, Lauren Gunderson, to unpack the alchemy of writing stories that matter. Lauren shares how she begins every piece with clarity around the ending, staying obsessed with a story long enough to see it through, then reverse-engineers her way through plot, character desire, and emotional arc. They explore her love for lean casts, the joy of adapting classics, her recent deep dive into musicals, and how collaboration fuels her creativity. Lauren offers tools such as balancing personal artistic fulfillment with the needs of theaters and audiences, utilizing collaboration as a creative accelerator, and trusting that a “bad” draft is merely a bridge to something better. No matter the style of writing, this episode is a reminder that good doesn’t come before done and that generosity, curiosity, and resilience are what carry a writer through.
About Lauren: Lauren has been one of the most produced playwrights in America since 2015, topping the thrice including 2022/23. She is a two-time winner of the Steinberg/ATCA New Play Award for "I and You" and "The Book of Will," and the winner of the Lanford Wilson Award and the William Inge Distinguished Achievement in Theatre Award.
Lauren's IG: @LalaTellsAStory
Lauren's Podcast "How To Playwright": how-to-playwright-podcast
Lauren's Website: www.LaurenGunderson.com
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| 120. Reckoning with Enoughness with Stephanie Elizondo Griest | 10 Jun 2025 | 00:59:07 | |
How does one feel into being enough as an artist, and is art itself enough? In this episode, Jennifer sits down with author Stephanie Elizondo Griest to discuss her decade-long global exploration of women artists and the creative life. Stephanie shares the emotional, economic, and spiritual trade-offs she’s made in pursuit of a life devoted entirely to art on a path she calls being an “art monk.” Together, they unpack how capitalism and patriarchy can distort our sense of value, the pressures of conventional success, and the radical act of defining sustainability, fulfillment, and legacy on your own terms. They share tips around grounding practices and community models, as well as powerful reframes around enoughness, sacrifice, and resilience. Whether you're questioning your creative path, feeling torn between stability and passion, or simply seeking permission to honor your calling, this conversation will remind you that your path doesn’t need permission; it needs honoring.
About Stephanie: Stephanie Elizondo Griest is a globetrotting writer from the Texas-Mexico borderlands. Her six books include: Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints, and the forthcoming: Art Above Everything. She has also written for the New York Times, Washington Post, The Believer, BBC, VQR, and Oxford American. Her work has won a Margolis Award for Social Justice Reporting, an International Latino Book Award, and a PEN Southwest Book Award. A professor of Creative Nonfiction at the University of North Carolina-Chapel Hill, she has performed as a Moth storyteller.
Stephanie's IG: @SElizondoGriest
Stephanie's Website: www.StephanieElizondoGriest.com
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| 119. Digital Media & Marketing with Katharine Quinn | 03 Jun 2025 | 00:57:14 | |
What are the essential tools, systems, and values behind running a multi-faceted Broadway marketing and media company in today’s fast-paced digital world? In this episode, Jennifer talks with Katharine Quinn, digital strategist and founder of the Broadway-focused marketing and media company, “And That’s Showbiz.” Katharine unpacks how a series of yeses, content creation, and a background in performing and directing unexpectedly led her to the world of social media strategy. She shares the real-world mechanics of running a business, scaling a one-woman operation to leading a full team, and the various tools to keep workflows both efficient and human-centered. Together, they offer tangible tips on producing inspired, fan-forward content across multiple platforms, managing analytics, and building trust with audiences through consistent interaction. Whether you’re an artist curious about the backend of content creation, want to better understand the world of digital marketing, or are dreaming of turning your creative passion into a purposeful business, this episode is a behind-the-scenes look at how digital storytelling can uplift and bring folks together.
About Katharine: Katharine Quinn is a digital strategist and the founder of And That's Showbiz, a multi-faceted Broadway marketing and media company taking a digital-first and fan-forward approach to amplifying theater beyond traditional spaces. From viral TikToks to photography, video production, influencer activations, partnerships, and fan events, ATS advances Broadway brands where audiences most frequently engage: online. The recently launched ATS YouTube channel featuring Broadway stars and innovators reached 250,000+ views in just one month. ATS’ strategy uses social media as both a growth engine and brand amplifier, extending the theatrical experience beyond the theater walls and bringing Broadway's talent directly to global audiences.
Katharine's IG: @itskatharinequinn
And That's Showbiz IG: @andthatsshow.biz
Website: www.andthatsshow.biz
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| 118. Director Mini-Series: From Stage to Screen with Sammi Cannold | 27 May 2025 | 01:02:53 | |
How do you build a multi-disciplinary directing career in today’s entertainment landscape? In this episode of our Director Mini-Series, Jennifer chats with Sammi Cannold, who shares her journey as a director of theater, opera, TV, film, and ceremonies. From directing Broadway’s How to Dance in Ohio to shadowing on Grey’s Anatomy to participating in Sundance’s Collab program, Sammi breaks down the hustle necessary for each area of the industry. She offers actionable tools and candid insights into what it means to work across mediums, practical advice on using university resources while in school, the importance of strategic preparation for projects, and how she gamifies the hustle of sending emails. They talk about the continuous humbling and education needed to learn what one doesn’t yet know, tangible tips on team building, hiring decisions, and managing interpersonal dynamics. This episode empowers emerging and established directors with real-world strategies, practical resources, and a deep understanding of a director's responsibility, not just artistically, but structurally and emotionally.
About Sammi: Sammi Cannold is a Broadway director and filmmaker who is one of Forbes Magazine's 30 Under 30 in Hollywood & Entertainment, one of Variety's 10 Broadway Stars to Watch, one of Town & Country's Creative Aristocracy, and a Drama Desk Award winner. In 2025, she was named a Sundance Writers Intensive Fellow and is developing her first feature film, The Homecoming, with the Sundance Institute. Additional: A.R.T. Artistic Fellow, member of Cirque du Soleil's Creative Cognoscenti, Sundance Institute Theater Fellow, and work for CBS, ABC, Nickelodeon, and Apple TV+. B. A., Stanford University; M.A., Harvard University. Sammi is represented by CAA and Untitled.
Sammi's IG: @sammi.cannold
Sammi's Website: sammicannold.com/
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| 117. The Role of a Publicist with Adriana Leshko | 20 May 2025 | 00:57:39 | |
What is the role of a publicist and what does the job entail? In this episode, Jennifer sits down with longtime arts publicist Adriana Leshko, Executive Vice President at Blake Zidell & Associates. With over two decades in the field working with institutions, artists, and mission-driven nonprofits, Adriana offers clarity around the distinctions between institutional, personal, and production-based publicity, working with critics, and how press relationships are built and maintained. From her non-linear start as a writer to her extensive work at BAM before her current position, she shares what goes into drafting press releases, the specificity needed for pitching, coordinating press nights, and working with critics. Together, they discuss the importance of earning trust, amplifying the artist’s voice, and building genuine relationships that last. This episode is full of actionable insight on how to think about press, prepare for coverage, and work in partnership with a publicist to elevate your art.
About Adriana: Adriana Leshko joined the staff of Blake Zidell & Associates as Senior Vice President in 2017 after nearly a decade in the press office at the Brooklyn Academy of Music. Prior to BAM, she worked for several years as an editor and writer for magazines and newspapers including Harper’s Bazaar (where she was the Arts and Entertainment Editor), The Economist, and The Washington Post, among others. She serves on the board of The Ukrainian Museum in her beloved East Village.
Adriana’s IG: @adrianaleshko
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| 116. Orchestrating & The Broadway Sinfonietta with Macy Schmidt | 13 May 2025 | 01:04:11 | |
What exactly does an orchestrator do, and what else is possible in the landscape of orchestration? In this episode, Jennifer sits down with orchestrator and founder of The Broadway Sinfonietta, Macy Schmidt, to explore the creative, technical, and entrepreneurial facets of orchestration. Macy breaks down the craft, from expanding a piano sketch into a fully orchestrated arrangement to choosing instrumentation, texture, and timbre that bring an arrangement to life. She shares the tools, techniques, and self-taught path that shaped her process and what led her to create The Broadway Sinfonietta, an all-women and majority women-of-color orchestra, which has partnered with global brands, reimagined what orchestras can look and sound like, and redefined the ceiling of possibility. From practical tips around not relying on music software to business-minded strategies like writing compelling cold emails, and fostering environments built on transparency and trust, Macy’s journey is a lesson in how creative innovation, ethical leadership, and artistic excellence can—and must—coexist for us to expand what is possible in the industry and beyond.
About Macy: A first-generation Egyptian-American, Macy Schmidt has forged an unprecedented career as both a businesswoman and a creative. At the age of 27, she has already been named a Forbes 30 Under 30 honoree, collected her first Tony Award as a co-producer, and became the first & only woman-of-color orchestrator in Broadway history. She is known among her partners as a tenacious and imaginative producer — as well as a skilled musician — and has been trusted to grow powerhouse IP by the most prominent brands in media and entertainment.Macy is the founder and principal of both Overture Global Entertainment, a consultancy specializing in the design, development, and execution of large scale global concert ventures; and The Sinfonietta, an acclaimed all-women and majority women-of-color orchestra, production company, and musician management firm. Examples of her recent clients and partners include The Walt Disney Company, The Tony Awards, Sony Pictures, Forbes, TikTok, FIFA, Carnegie Hall, Condé Nast, and more. Macy’s unique career combining business acumen and an entrepreneurial spirit with her preceding musical reputation has also generated a robust resumé of high-profile international projects spanning the globe: from supervising entertainment for the 2022 FIFA World Cup in Qatar, to projects in the UK, China, the Middle East, and India. Above all, she is passionate about elevating women’s voices, which is at the core of all she does.
Macy’s IG: @macyjschmidt
Macy's Website: www.macyschmidtmusic.com
The Broadway Sinfonietta IG: @thesinfonietta
Website: www.thesinfonietta.com
Barbie Movie in Concert IG: @barbiethemovieinconcert
Website: www.barbiethemovieinconcert.com
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| 115. Artistic Director Mini-Series: Forging Community with Brisa Areli Muñoz | 06 May 2025 | 01:03:40 | |
How do you navigate the delicate balance between creative vision, financial stability, and community engagement as an Artistic Director? In this episode, as part of our Artistic Director Mini-Series, Jennifer chats with Brisa Areli Muñoz, Artistic Director of the Musical Theater Factory. Brisa shares her interest in the intersection of artistic practice, justice, community, and healing and how that guides her responsibilities as an AD. She talks about the importance of clarity around a theater’s mission, how to center underrepresented communities, balancing artistic vision with fundraising, and long-term organizational planning. They discuss how vulnerability, patience, and long-term vision are essential, how power dynamics within the creative process can be subverted through genuine collaboration, and the importance of making space for autonomy, curiosity, and care. Whether you’re an aspiring Artistic Director or looking for ways to build deeper, more supportive relationships with the artists you work with, this episode offers powerful tools to apply to your own creative practice.
About Brisa: Brisa Areli Muñoz (she /they) is a theater director, healing practitioner, and cultural worker. She is the Artistic Director of Musical Theatre Factory, a theater company based out of New York City that develops changemaking new musicals in a joyous, collaborative community for collective liberation. Brisa served as the Artist Lead for Arts for Everybody's national campaign in partnership with the city of Edinburg, Texas. Muñoz has directed & facilitated work on Broadway, across the world, and in communities in partnership with the Oregon Shakespeare Festival, American Repertory Theater, Center Theatre Group, The Kennedy Center, The Public Theater, Carnegie Hall, REDCAT Cal Arts Theater, Arts Emerson, New Jersey Performing Arts Center, BRIC Arts Media, Sojourn Theatre, ¡Oye! Group, CUNY Creative Arts Team, Hi-ARTS, CO/LAB, and Actionplay.
Brisa’s IG: @brisaareli
Musical Theatre Factory's IG: @mtfmusicals
Musical Theatre Factory Website: www.mtf.nyc
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| 114. Playwright Mini-Series: Letting Intuition Lead with Amy Berryman | 29 Apr 2025 | 01:03:54 | |
What happens when we let go of expectations and write from a place of trusting your intuition? In this first episode of our Playwright Mini-Series, Jennifer chats with playwright, writer, and screenwriter Amy Berryman about navigating her writer's journey with intention, agency, and a little “woo.” Amy shares how different forms of writing activate different parts of her brain, how intuitive playwriting lets her characters lead the way, and how outlining for screen projects often starts before the fun begins. She dives into her process, shares her philosophy on residencies or self-made retreats, and offers actionable tools for giving your writing the same value you give to other commitments. Together, they normalize the reality of many drafts, the vulnerability of sharing your work, and the courage it takes to trust yourself while also discerning what feedback to incorporate. Whether you're a seasoned writer or starting out, this conversation invites you to return to your creative self, one intuitive action at a time.
Amy Berryman is a playwright, actor, and teaching artist. Her play WALDEN had its world premiere on London's West End in 2021 at the Harold Pinter Theatre, under the direction of Ian Rickson and produced by Sonia Friedman. The play then had its U.S. premiere at Theaterworks Hartford, directed by Mei Ann Teo. It most recently premiered off-Broadway at Second Stage, directed by Whitney White, and was nominated for a 2025 Drama League Award for Outstanding Production of a Play, as well as nominated for the John Gassner Award for a new American play in the 2025 Outer Critics Circle. Berryman's other works include ALIEN GIRLS (O'Neill Finalist 2024, Powers New Voices at the Old Globe, Center Theatre Group Writers' Workshop Commission), GOD'S FLESH (MTC/Sloan Commission), THE NEW GALILEOS (O'Neill Finalist 2019), THREE YEAR SUMMER, THE WHOLE OF YOU, and EPIPHANY, OR WHAT WOULD YOU? (Shakespeare's New Contemporaries Finalist). Berryman is developing work for TV and film in LA and is a MacDowell Fellow.
Sign Up for Amy’s Class: https://www.amy-berryman.com/classes
Amy’s Website: amy-berryman.com
Amy’s Instagram: @amyrberryman
Amy's NPX: newplayexchange.org/users/20564/amy-berryman
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| 113. Reinventing Success for Yourself with Liz Kimball | 22 Apr 2025 | 01:05:31 | |
What if you redefined success as trying, wholeheartedly, for the things that matter most to you? In this deeply reflective episode, Jennifer talks to returning guest, Liz Kimball, who explores how her creative process has evolved since her previous episode (#24) and what it means to redefine success on your own terms. They unpack the impact of achievement culture on artists, the myth of external validation, and how our worth is not tied to performance. They share tools to combat the inner critic to make space for expansion, talk about building inner safety to create freely, explore ways to celebrate small wins without shame, and unpack how self-kindness is not just soft—it’s revolutionary. It is a powerful invitation to create from exactly where you are, to rewrite your definition of success, and to honor the process as the art itself. If you’ve ever felt trapped by “shoulds,” or questioned whether your work matters, this episode brings the language, tools, and presence to help you reclaim your power and reimagine your creative life.
About Liz: Liz Kimball (MFA, CPC) is a creativity catalyst and transformational coach for visionary creators. She is dedicated to helping women and girls free their creative voices so that they can birth the great work of their lives. Liz's work focuses on catalyzing individual and collective change through the magic of creative process. Liz's work has been featured at Tedx, Oprah.com, The Guggenheim, The Female Quotient, and at universities and institutions throughout the country.
Liz's IG: @lizkimball
Liz's Website: lizkimball.com
Liz's Substack: substack.com/@lizkimball
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| 112. Sound Design for Theater with Jessica Paz | 15 Apr 2025 | 00:56:07 | |
Ever wondered what it takes to become a sound designer? In this episode, Jennifer chats with Tony Award-winning sound designer Jessica Paz to demystify the path into sound design and offer a behind-the-scenes look at what the job entails. From breaking down the different jobs within the world of sound to discussing the gear that is helpful to know, Jessica shares the nitty-gritty of how she got started, what tools she uses, and how to approach learning for this part of the industry. Together they talk about advocating for yourself in a male-dominated space and how collaboration is at the heart of good design. They share advice on how to build relationships with other creatives, tips for working in various houses, and why staying curious and asking questions is essential. Whether you’re an aspiring sound designer, or simply fascinated by how theater comes to life through audio, this episode offers actionable tools, insider knowledge, and empowering insights to help you step into—and thrive in—the dynamic world of sound design.
About Jessica: Jessica Paz is a multi award winning Sound Designer. She has collaborated on the Broadway productions of HADESTOWN (TONY and Drama Desk Award, Best Sound Design of a Musical); A BEAUTIFUL NOISE; DEAR EVAN HANSEN; BANDSTAND; DISASTER! THE MUSICAL; THE ASSEMBLED PARTIES; and FELA! (TONY award, Best Sound Design of a Musical)
Off Broadway/Regional Sound Designs include LITTLE SHOP OF HORRORS (Westside Theater). TWELFTH NIGHT, OTHELLO; MISS YOU LIKE HELL; JULIUS CAESAR; A MIDSUMMER NIGHT’S DREAM, and AS YOU LIKE IT (The Public Theater); UGLY LIES THE BONE (Roundabout); A SUCKER EMCEE, and THE MUSCLES IN OUR TOES (LAByrinth); THE KING’S WHORE (Starcatcher Productions); BECOMING DR. RUTH (Westside Theater); LOOKING FOR THE PONY (Vital Theater Co.); WOMEN BEWARE WOMEN (Red Bull Theater); STRETCH – A FANTASIA (New Georges). Regional credits include WATER FOR ELEPHANTS (Alliance Theater; SUZI Award); KISS MY AZTEC (Berkeley Rep, CT Critics Circle Award); BURN ALL NIGHT (A.R.T Oberon Stage); WELCOME TO FEAR CITY (KC Rep); SCOTT & HEM IN THE GARDEN OF ALLAH; and SEE HOW THEY RUN (Barrington Stage); LEGALLY BLONDE, and 9 TO 5 (North Shore Music Theater); ROMEO & JULIET, MIDSUMMER NIGHT’S DREAM, OTHELLO, and MUCH ADO ABOUT NOTHING (Shakespeare on the Sound); SCKBSTD (Virginia Stage Co) ; VOLCANOES BIRTHRIGHT (Organic Magnetics); TEMP ODYSSEY, HER HAIR WENT WITH HER, BOOKENDS, and MINSTREL SHOW (NJ Rep). A proud member of IATSE Local 829; and Co-Chair of the board of the Theatrical Sound Designers and Composers Association (TSDCA).
Jessica IG: @jesstothepaz
Jessica's Website: jessicapazdesigns.com/
Jessica's Facebook: @JtothePAZ
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| 111. Artistic Director Mini-Series: Leading a Theater with Lisa McNulty | 08 Apr 2025 | 00:55:04 | |
What does it mean to be an Artistic Director, especially in today’s ever-evolving theater landscape? In this kickoff episode of our Artistic Director Mini-Series, Jennifer sits down with Lisa McNulty, Producing Artistic Director of WP Theater—the oldest and largest theater in the country dedicated to work by women+ artists. Lisa shares her journey, the lessons she’s learned from working at top institutions, and the complexities of running a mission-driven organization in these challenging times. Together they discuss WP’s various programs and she offers invaluable insights on building meaningful relationships with institutions, getting your work seen as an emerging artist. ways to break down barriers to access, and a rallying call to artists: don’t wait for permission—create the work that matters to you. WFrom strategic career moves to the power of artistic inquiry, Lisa’s insights will leave you inspired to take action, trust your voice, and create work that truly matters.
About Lisa: Lisa McNulty (she/her/hers) is an award-winning Broadway, off-Broadway and regional theater producer who recently celebrated ten years as the Producing Artistic Director of WP Theater. Under Lisa’s leadership, WP has been awarded Drama Desk, Lortel, and OBIE Awards for institutional excellence, and has proudly provided an Off-Broadway home to hundreds of extraordinary Women+ artists. Lisa comes to WP from Manhattan Theatre Club, where she served as Artistic Line Producer for eight seasons, working on more than 30 productions both on and off Broadway, including plays by Lynn Nottage, Sarah Treem, Harvey Fierstein, and Tarell Alvin McCraney, among many, many others. Lisa has a long history with WP Theater. She was originally hired by the company’s founder, Julia Miles, as the Literary Manager from 1997-2000, where she dramaturged work by María Irene Fornés, Julie Hébert, and Karen Hartman, among others, and in 2004, she returned to WP as its Associate Artistic Director, working on projects with artists including Diane Paulus and Dierdre Murray, Rinne Groff, and Lisa D’Amour. From 2000-2004 she was McCarter Theater’s Producing Associate, and her independent producing career includes projects with Sarah Ruhl, Todd Almond, Lucy Thurber and Lear Debessonet. Lisa’s leadership is underwritten by the BOLD Theater Women’s Leadership Circle, an initiative to support and promote women’s theater leadership funded by Helen Gurley Brown Foundation.
Lisa's IG:@lisamcnulty
WP Theater's IG: @wptheater
WP Theater's Website: wptheater.org
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| 110. Director Mini-Series: Directing with Vision with Whitney White | 01 Apr 2025 | 00:54:42 | |
What does it take to build a successful directing career? In this kickoff episode of our Director Mini-Series, Jennifer chats with artist, theater worker, and director Whitney White who shares her journey from music and acting to directing, emphasizing the power of staying open, trusting your instincts, and pushing past limitations. She breaks down her approach to directing—starting with an emotional response to a script, translating it into a world, and adapting her process to fit each project’s needs. Whitney highlights the importance of collaboration, documenting your artistic journey, and stresses that great work takes time with the best results coming from allowing the process to unfold naturally. Together, they share actionable advice, including applying for fellowships, creating work in community spaces, and building connections with fellow creatives who bring joy and rigor to their craft. She also reflects on directing The Last Five Years, a personal and full-circle moment in her career. Whether you're an emerging director or an artist expanding your craft, this episode is packed with insights, resources, and inspiration to help you take your next steps.
About Whitney: Whitney White is an Obie and Lily Award winning, as well as a Tony Award nominated director, writer and musician originally from Chicago, based in New York. She was a staff writer on Boots Riley’s I’M A VIRGO and is a believer of multi-disciplinary work and collaborative processes. Recent directing: Jaja’s African Hair Braiding (Broadway), Jordans (The Public Theatre), The Secret Life of Bees (The Almeida, UK), Soft (New York Times Critic’s Pick, MCC), On Sugarland (New York Theatre Workshop), Our Dear Dead Drug Lord (New York Times Critic’s Pick), What to Send Up When it Goes Down (New York Times Critic’s Pick), The Amen Corner (Shakespeare Theatre DC), An Iliad (Long Wharf), Canyon (LA Times Critic’s Choice, IAMA), Jump (National New Play Network Rolling World Premier, PlayMakers Rep). The Spectacularly Lamentable Trial of Miz Martha Washington (Steppenwolf Theatre). Original works include: Semblance (NYTW), Definition (Bushwick Starr), and Macbeth in Stride for which she won an Eliot Norton Award for Best Musical Performance (American Repertory Theatre, Under the Radar Festival at The Public Theatre).Whitney has developed work with: Sundance, The Roundabout, New York Theatre Workshop, The Vineyard, The New Group, Page 73, Playwrights Realm, Juilliard, Trinity Rep, NYU TISCH, Luna Stage, SUNY Purchase, Princeton University, Atlantic Theater Company Acting School, The Drama League, South Oxford, Jack, The Tank, New York Musical Festival, The Lark, and others. Whitney is a part of the Rolex Mentor and Protégé Arts Initiative, is a recent recipient of the Susan Stroman Directing Award, Herb Alpert Award and the Jerome Fellowship. She is an Artistic Associate at The Roundabout and an associate Artistic Director at Shakespeare DC. Past residencies and fellowships: Colt Coeur, The Drama League, the Roundabout and the 2050 Fellowship at the New York Theatre Workshop. MFA Acting: Brown University/Trinity Rep, BA: Northwestern University.
Whitney’s Website: whitney-white.com/
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| 109. Creating On Your Own Terms with Sujata Day | 25 Mar 2025 | 00:57:49 | |
What does it take to turn your creative ideas into finished projects? In this episode, Jennifer talks to Sujata Day —actor, writer, director, and producer— who shares her journey as a multihyphanate artist. She discusses how taking pressure off herself has led to new creative inspiration, the importance of deep outlining before scriptwriting, and how networking through genuine relationships opened doors in her career. Together they talk about the importance of allowing ideas to flow, the realities of pitching, funding, and producing projects, and the importance of starting small, assembling the right team, and treating every opportunity as a stepping stone. Whether you’re an emerging creator or an established artist, this episode is packed with actionable advice to help you confidently take your next step.
About Sujata: Pittsburgh native Sujata Day is a 2023 NAACP Image Award-nominated director for her debut feature film, Definition Please, which she also wrote, produced, and stars in. Boasting a 95% fresh Rotten Tomatoes score and multiple film festival awards, Sujata’s heartwarming hometown dramedy was acquired by Ava DuVernay's ARRAY and Netflix. Sujata is best known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for four seasons on HBO's Insecure. Sujata’s other credits include I Think You Should Leave With Tim Robinson and Brooklyn Nine-Nine. She honed her improv comedy skills at Upright Citizens Brigade Theatre and regularly performs in UCB's hit Asian AF show. On the unscripted side, Sujata hosts the Dungeons & Dragons culinary Amazon series Heroes’ Feast. Sujata developed and wrote a new installment of Universal's popular comedy film franchise, American Pie, based on her original pitch. She has also created projects with WBD, 20th Television, UCP, Lionsgate, eOne, MACRO, Hoorae, Get Lifted, and JuVee. She’s a Sundance Lab fellow, HBO Visionaries Ambassador, and Ryan Murphy Half Initiative alum. Next up for Sujata is horror anthology feature film Deepest Darkest, for which she’s writing and directing, in addition to starring alongside Rosario Dawson and Ernie Hudson.
Sujata's IG: @sujataday
Sujata's Website: www.sujataday.com/
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| 108. Starting A 501(c)(3) Nonprofit with Elsa Ward | 18 Mar 2025 | 00:56:24 | |
How do you turn a personal mission into a 501(c)(3) nonprofit that creates real industry change? In this episode, Jennifer chats with Elsa Ward, Founder and Executive Director of the Open Stage Project, who shares her experience creating a nonprofit organization dedicated to closing the gender gap behind the scenes in theater, TV, and film. Elsa breaks down the essential steps of forming a nonprofit, from defining a mission rooted in personal passion to securing board members and fundraising through individual donors, grants, and strategic partnerships. They discuss the power of clarity in knowing your "why,” the significance of mentorship, community building, and educating young artists about alternative career pathways. Whether you’re an artist looking to launch your own initiative or simply curious about nonprofit leadership, this episode is packed with actionable advice and insights to help you make an impact.
About Elsa: Elsa Ward is a visionary in the social entrepreneurship sector dedicated to closing the gender gap behind-the-scenes in theater, TV and film. In 2018, she founded the non-profit Open Stage Project with the support of The Entertainment Fund’s Creative Entrepreneurship program, aiming to address the pressing need to close the gender gap in professional behind-the-scenes roles. With her non-profit work, Elsa actively collaborates with the Career and Technical Education schools of the NYC Department of Education in Open Stage Project’s mission is to educate, inspire, and empower high school girls, and non-binary students interested in pursuing careers behind the scenes. With over twenty years of experience in costume design for theater, television and film. She has made significant contributions during her tenure as a costume designer at prestigious institutions such as the Manhattan Theater Club, the Public Theater, Second Stage, Playwrights Horizons, ABC, and CBS Studios.
Elsa earned her MFA from Rutgers University, specializing in theatrical design, and is a member of IATSE Local 829. Her inspiring journey reflects her unwavering dedication to fostering diversity and innovation in the entertainment industry and her commitment to making a profound impact through advocacy and creative leadership.
Open Stage Project IG: @openstageproject
Open Stage Project Website: openstageproject.org
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| 107. Social Media, Sapphic Expression, & Storytelling with Alexi Melvin | 11 Mar 2025 | 01:03:04 | |
How do you embrace your full identity and use social media as a tool for connection? In this episode, Jennifer talks to Alexi Melvin who opens up about her journey as a queer artist, from building an online presence in the queer space to advocating for authentic representation in theater and beyond. As a producer, Alexi sheds light on the Broadway landscape, the need for more inclusive and innovative storytelling, and how advocating for oneself and others can change the industry from the inside out. She offers insights on showing up as your whole self, staying open to new creative paths, and using humor as a bridge for connection and understanding. Together, they reflect on the generational shifts in embracing queerness, the importance of finding spaces where you feel truly seen, and how relationships -- whether online or in person -- built with kindness and curiosity, can shape opportunities in the industry. Plus, they talk about the responsibility of lifting up others, and the power of showing up—messy, imperfect, and fully yourself.
About Alexi: Alexi Melvin is a Tony-nominated producer, as well as an actor, writer and lgbtqia creator with upwards of 200K followers on social media. A graduate of the Lee Strasberg Institute and The New School, Alexi’s career spans multiple disciplines, blending her love for performance with producing and content creation. Her producing team credits on Broadway include Illinoise, Here Lies Love, and The Notebook. On the West End, she has co-produced Jamie Lloyd’s acclaimed Shakespeare productions, The Tempest and Much Ado About Nothing. Alexi is also an investor in the Broadway productions of Sunset Boulevard and The Outsiders. Alexi’s goal is to continue to make an impact in the world of the arts as well as the lgbtqia space, elevating diverse voices and pushing artistic boundaries.
Alexi’s IG:@thealeximelvin
Alexi’s TikTok:@thealeximelvin
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| 106. Lighting Design for Theater with Amanda Zieve | 04 Mar 2025 | 01:06:14 | |
What goes into lighting a show, and how does a lighting designer shape an audience’s experience without them even realizing it? In this episode, Amanda Zieve shares her journey from high school stage manager to Broadway lighting designer, working alongside legendary mentors like Hal Binkley. She provides insights into breaking into the field, the importance of observation and self-education, and how trust and collaboration are key to building a team. Amanda discusses the technical and artistic aspects of lighting design—how angles, colors, and cue structures impact storytelling—while also breaking down the many career paths within theatrical lighting. She reflects on her Broadway debut with The Who’s Tommy, the emotional highs and lows of the industry, and the balance between preparation and adaptability. Whether you're an aspiring lighting designer or just curious about the behind-the-scenes magic of theater, this episode sheds light (literally!) on an essential but often overlooked art form.
About Amanda: Amanda Zieve (Lighting Designer) is happy to live in San Diego doing what she loves around the country. Recent Designs include: Tommy (Broadway & Goodman) Cabaret (Goodspeed) Into The Woods, Billy Elliot and Titanic (Signature Theatre) American Jade (Buck’s County Playhouse) I Hate Hamlet (Maltz Jupiter) Sweeney Todd and Roof of the World (KC Rep) Approval Junkie (Off Broadway, Alliance Theatre). Her San Diego credits include: Velour: A Drag Spectacular, The Untitled Unauthorized Hunter S. Thompson Musical, Put Your House In Order (La Jolla Playhouse) English, Crime and Punishment, A Comedy, Dial M, Hair, Ebenezer Scrooge’s Big San Diego Christmas Show, Tiny Beautiful Things, Barefoot in the Park, Native Gardens, The Wonderers, Rich Girl (The Old Globe) Evita, Cabaret, Rock of Ages (Cygnet) Opening of the Rady Shell (San Diego Symphony). Associate credits include: Escape to Margaritaville, Bright Star, Allegiance (Broadway). She has had the privilege of working on 19 Broadway Productions. One of her most rewarding experiences has been assisting on Hamilton. She received her B.A. in Theatre from California State University Northridge. Amanda is very thankful for her supportive family and friends that enable her to be a working mom. Amanda is the proud co-founder of the Howell Binkley Fellowship Program. Created in partnership with the Hemsley Lighting Programs, the Fellowship honors Howell Binkley's legacy of mentorship by providing the extra ‘push’ and assistance in fostering the next generation of theatrical lighting designers as they begin their careers. For more information, to donate, or apply, please visit the link in the shownotes. She holds the Jeff Award for The Who's Tommy (2023) - Goodman Theatre, is a 2024 Women to Watch on Broadway (Broadway Women’s Fund) and has the 2024 Outer Critics Circle Nomination (The Who’s Tommy).
Amanda’s IG: @amandajzieve
Amanda’s Website: www.amandazieve.com
Howell Binkley Mentorship: www.hemsleylightingprograms.com/howell-binkley-fellowship
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| 105. A Producer's Mindset with Marjuan Canady | 25 Feb 2025 | 01:11:08 | |
How can artists cultivate a multi-faceted career while staying true to their vision and values, specifically in producing? In this episode, Jennifer sits down with multi-hyphenate Marjuan Canady—writer, actress, producer, entrepreneur, and educator— shedding light on the power of independent artistry and the evolving role of producers in the entertainment industry. From independently producing her own work to stepping into the commercial producing world, Marjuan explains how producing is more than just securing funding: it’s about leadership, vision, and fostering storytelling from inception to execution with creative development to financial strategy, contracts, and team building. She emphasizes the need for artists to take ownership of their careers, find their unique voice, and expand beyond traditional industry models. Together, they also touch on the realities of balancing multiple passions, the importance of community in fostering artistic growth, and practical tips for balancing creativity with the logistical demands of producing. Whether you’re an artist looking to produce your own work, an emerging producer seeking guidance, or curious about what it means to create opportunities for yourself, this episode is for you!
About Marjuan: Named as a 2023, Woman to Watch on Broadway, Marjuan Canady is a Tony® Nominated Broadway Producer and award-winning Caribbean-American artist, entrepreneur, educator, and literacy advocate. A DC native, her work spans theater, film, television, children’s media and literature. Marjuan is the 2023 DC Mayor’s Arts LARRY NEAL Writer’s Awardee. She is currently a Co-Producer on the National Tour / Broadway revival production of The WIZ and the Broadway production of Alicia Key’s Hell’s Kitchen. Canady made her Broadway Producing debut on the 2022 production of Death of a Salesman. She was the 2021-2022 inaugural Front Row Productions Fellow / Adjunct Research Scholar at Columbia University MFA Theatre Management and Producing Program. Her original work has been seen on Hoorae Media, Sensical TV, Sesame Street, at The John F. Kennedy Center, The Smithsonian, The Lincoln Center for Performing Arts, The National Theatre, Miami Book Fair, Ryan Seacrest Foundation and the Caribbean Cultural Center African Diaspora Institute. She is the CEO/ Author and Creative Director of the children's media brand, Callaloo Kids. Marjuan has held fellowships at The Kennedy Center, The Schomburg Center, , the Caribbean Cultural Center African Diaspora Institute, Lincoln Center, Harlem Stage, and the Anacostia Arts Center. She is a 13 time DC Commission on the Arts and Humanities Artist Fellow. She is the Founder of her production company Sepia Works and non-profit, Canady Foundation for the Arts. Canady is a graduate of Duke Ellington School of the Arts, Fordham University and NYU Tisch School of the Arts. She is a member of the Producers Guild of America, Actors Equity Association, Dramatist Guild, and the Parent Artist Advocacy League. She is the proud mom of her four year old daughter.
Marjuan's IG: @marjuancanady
Marjuan's Website: www.marjuancanady.com/
Canady Foundation: www.canadyfoundationarts.org/
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| 104. Vocal Care for Performers with Sarah K. Brown | 18 Feb 2025 | 01:08:15 | |
How can singers, performers, or professional voice users take charge of their vocal health, prevent injury, and build a strong support team? In this episode, Jennifer sits down with licensed speech pathologist and singing teacher, Sarah K Brown, to discuss the intersection of vocal health, rehabilitation, and performance. Sarah shares her unique career journey from opera training to speech pathology and, unexpectedly, into private singing coaching—highlighting how her clinical skillset allows her to approach vocal training with both rehabilitative and preventative expertise. They dive into the stigma surrounding vocal injuries, the emotional toll of vocal setbacks, and how common irregularities actually are among professional singers. Sarah breaks down common vocal injuries, the difference between an ENT, laryngologist, speech pathologist, and voice teacher, and how to find a team that supports your individual needs. They also dispel common vocal health myths and share practical vocal health tips, from muscle tension release exercises to must-have items in a vocal health kit. Whether you’re an early-career performer looking to build your voice care team or a seasoned singer navigating vocal demands, this episode is packed with actionable takeaways on maintaining vocal longevity and finding the right teachers and medical professionals for your needs. Tune in for an empowering conversation that will help you feel more informed, confident, and in control of your vocal well-being.
About Sarah: Sarah K. Brown is a singing teacher and licensed speech pathologist based in NYC. Before launching her own voice studio and going into full-time private work, Sarah maintained a clinical caseload at the Voice Center of Mount Sinai for 5 years, as well as an adjunct faculty position at Pace University. Her research has covered a wide variety of topics in voice, and she has presented nationally at the Fall Voice Conference. Sarah also regularly teaches singing masterclasses, most recently with Yale University School of Drama. Her specialized combination of singing background, performance experience, and clinical expertise have enabled her to serve Broadway performers, Metropolitan Opera singers, and TV/film actors. She holds a BM in Vocal Performance from Chapman University and an MS in Speech-Language Pathology from Northwestern University.
Sarah’s IG: @vocalhealthskb
Sarah’s Website: www.sarahkbrownvoice.com
Voice Team Locator: https://voice-academy.uiowa.edu/voice-team-locator
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| 103. The Intersection of Artistry & Motherhood with Daniella Rabbani | 11 Feb 2025 | 01:01:34 | |
How does the creative process mirror the journey of motherhood? In this episode, Jennifer speaks with Daniella Rabbani – actress, singer, podcast host, activist, and mother – about the profound parallels between artistry and motherhood. Daniella shares how becoming a mother transformed her artistic identity, shifting her understanding of creativity, presence, and ambition. With prompts of “What moves me?” and “Who am I in this moment?” as a means for deepening one’s inner knowing, they explore the art of being present, the challenges of motherhood as an artist, and the importance of making small, intentional decisions to overcome life’s inevitable stuck moments. Plus, they discuss the intersections of artistry and motherhood that both require trusting one’s intuition, the challenges and rewards of balancing creativity with the financial realities of raising a child, and the profound importance of community and support. That creation—whether of a performance, a career, or a family—demands trust in the unknown and it is all with the desire to create a meaningful life, whether that includes motherhood or not. This conversation offers a raw and honest look at the often unspoken truths that shape the lives of artist-mothers, offering a candid and inspiring reflection on what it means to create life and art simultaneously.
About Daniella: Daniella has been hailed as “sympathetic and utterly alive” (New York Observer), “hilarious” (Wall Street Journal) and “will leave you twirling in the streets” (New York Times). TV credits: Amazon’s The Better Sister, HBO’s Scenes from a Marriage, CBS’ God Friended Me, FX’s The Americans, Fox’s Laughs. Films: Oceans 8, Appropriate Behavior and her award winning directorial debut OMA (Available on Amazon Prime Video) and more. Select Concerts: Jazz at Lincoln Center, Town Hall NYC, Summerstage in Central Park NYC, The State Jewish Theater in Warsaw Poland, The State Jewish Theater in Bucharest, Romania and more. Off Broadway: Drama Desk Winning Amid Falling Walls, Drama Desk Nominated The Golden Land, Hershele Ostropolye and Gimpel Tam (all with The National Yiddish Theater), Nina (Primary Stages). A award winning filmmaker, Daniella’s directorial debut OMA is available on Prime Video and her feature length documentary, Klezmerette, is underway. She is the host of The Mom Curious Podcast produced by Hoff Studios and advocates for a more inclusive world on instagram @daniellarabbani
Daniella’s IG: @daniellarabbani
Daniella’s Website: www.daniellarabbani.com
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| 102. Financial Planning for Creatives with Sylvie Scowcroft | 04 Feb 2025 | 01:00:20 | |
How can you best align your finances with the life you want? In this episode, Jennifer talks with certified financial planner, Sylvie Scowcroft, to tackle the often-overwhelming topic of money, especially for creatives. Sylvie shares her desire to demystify financial jargon and empower artists to feel confident with their money and overcome any shame surrounding it. She explains how financial planning is about creating tools to build the life you want as she breaks down the essentials of budgeting, cash flow, tax planning, and long-term goal setting. They discuss how to overcome money shame, approach financial planning with curiosity instead of judgment, and understand how your time, energy, and finances are interconnected. Plus, they share practical tips like setting up “money dates,” categorizing expenses, and reframing how we view spending through storytelling. Whether you’re overspending, over-saving, or unsure where to start, this episode will help you take the first steps toward financial clarity and freedom by discovering how you can shift your mindset, align your finances with your values, and use money as a tool to live your fullest artistic life.
About Sylvie: Sylvie Scowcroft loves talking about art and money. A New York native who studied Mathematical Economics and Dance, she has consistently straddled the performing arts and business worlds. She is the founder of The Financial Grove, a financial planning firm aimed to help creative-minded people gain clarity and confidence around their finances. Sylvie also works as a producer and especially loves championing new musical theater. She is a proud board member for Flight Path Dance Project, an organization that is revolutionizing accessibility to dance education.
Sylvie’s IG:@sylvscow
Financial Grove IG: @financialgrove
Financial Grove Website: www.financialgrove.com
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| 101. Building a Mission-Driven Company with Ashley-Lauren Elrod | 28 Jan 2025 | 00:59:11 | |
How can your art be a catalyst for social impact? In this episode, Jennifer speaks with Ashley-Lauren Elrod, Emmy-nominated producer and founder of the mission-driven production company, Visionary Woman Productions. Ashley-Lauren shares her inspiring journey of marrying advocacy with art that focuses on impactful storytelling to combat and address sensitive issues like sexual assault, domestic violence, and the stigma around mental health. She provides tangible tools for artists and entrepreneurs looking to build mission-driven companies, including how to legally establish a business, the back-end necessities, onboarding clients, and various ways to secure funding. This conversation is a reminder of the vast ways art can be used to inspire, advocate, and drive tangible change, from influencing legislation to empowering communities.
About Ashley-Lauren: Ashley-Lauren Elrod is an award-winning triple-threat, versatile professional with proven acting, producing, casting, directing, and production design expertise. Her unique approach to media, film, and marketing through her company Visionary Woman Productions makes her a highly sought-after industry dynamo who is known for her exceptional thought leadership and nonprofit advisory work. As a board-certified, trauma-informed leader, CSA survivor, and suicide attempt survivor, Ashley-Lauren connects her story in all that she does, partnering with organizations to raise awareness, change legislation, and tell powerful stories that need to be told. Ashley-Lauren is a true champion of diversity, safety, and inclusivity in all aspects of entertainment, media, marketing, and advocacy. She brings fresh perspectives, energy, and spirit to every project she takes on. Her passion is to impart the tools and knowledge to help people lead a fruitful and audaciously authentic life and to assist clients in achieving their creative vision through bold, audacious moves.
Ashley-Laurens’s IGs: @ashleylaurenofficial
Ashley-Lauren’s Website: www.ashleylaurenonline.com
Visionary Woman Productions IG: @visionarywomanproductions
Visionary Woman Productions Website: www.visionarywomanproductions.com
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| 100. Being a Theatre Historian with Jennifer Ashley Tepper | 21 Jan 2025 | 00:59:57 | |
What does it mean to be a theater historian? In our 100th episode, host Jennifer Apple speaks with Jennifer Ashley Tepper — producer, historian, author, and Creative and Programming Director at 54 Below — who shares how her passion for theater history began organically and evolved into a career spanning programming, teaching, consulting, and authorship. Together, they chat about the importance of cabaret spaces as creative hubs for fostering and preserving theater and offer practical tools for artists to pitch ideas with specificity and vision, embracing self-promotion through social media, and crafting creative marketing strategies to build one’s audience.
About Jennifer Ashley: Jennifer Ashley Tepper is an acclaimed theatre historian, author, and producer. She is the conceiver of The Jonathan Larson Project, which will start previews this coming February at the Orpheum Theatre, off-Broadway, following an acclaimed 2018 concert premiere and cast recording. She has been the Creative and Programming Director at 54 Below for the past decade. She has curated or produced over 7000 shows in this position. Her leadership at the beloved venue has gained praise from publications including The Huffington Post, The New York Times, Buzzfeed, Playbill, Newsday, The New York Post, and more. Tepper's four volumes of The Untold Stories of Broadway book series have been called an "inspiring Must- Read" by NBC New York and occupied the #1 spot on Amazon.com's Best Sellers List in Broadway & Musicals. Her upcoming book, Women Writing Musicals: The Legacy that the History Books Left Out was published in November 2024. Women Writing Musicals is the first-ever book about female musical theatre writers. Tepper is the producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation, recent projects that are part of a decade-long collaboration with the group known as Joe Iconis & Family. On Broadway, Tepper has also worked on [title of show], The Performers, Godspell, Macbeth, and The Parisian Woman. She was historian consultant on the tick, tick... BOOM! movie (directed by Lin-Manuel Miranda for Netflix) and co-creator of the Bistro Award- winning concert series, If It Only Even Runs A Minute. Her work as a theatre historian also encompasses celebrated live talks and events, including at TEDxBroadway, BroadwayCon, The Museum of Broadway, Thespian Festivals, and more. Tepper received a 2020 Lincoln Center Emerging Artist Award. She was named one of the 10 professionals on Backstage Magazine's "1st Annual Broadway Future Power List", which stated: "Proving herself both a zeitgeist predictor and theatrical historian with her eclectic programming, Tepper is leading the conversation on contemporary musical theatre.” The Jonathan Larson Project, which she conceived starts previews at the Orpheum Theatre in NYC in February.
Jennifer Ashley Tepper’s IG: @jenashtep
Jennifer Ashley Tepper’s Website: www.jenniferashleytepper.com
The Jonathan Larson Project: TheJonathanLarsonProject.com
54 Below: 54below.org & booking@54below.org
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| 99. Writing Adaptations with Victoria Male | 07 Jan 2025 | 01:02:45 | |
What makes a good adaptation? In this episode, Jennifer chats with screenwriter Victoria Male about the art of adapting material for the screen. Victoria shares her journey into screenwriting, inspired by her love of historical storytelling, and offers practical tools for reimagining stories with personal truth. The conversation explores how to approach adaptation, from acquiring rights through shopping agreements to better understanding intellectual property to structuring a TV pilot or screenplay to preparation with mood boards, cheat sheets, and outlines for staying true to the source material. They discuss balancing instinct and research, collaborating with authors, and honoring the original material while finding your unique way to tell a story that feels both personal and universal. They also talk about researching the market, connecting with collaborators who share your vision, and the importance of loving your project. Whether adapting a novel, article, or historical event, this episode empowers creators to reimagine stories authentically and bring them to life in new ways.
About Victoria: Victoria Male is a 2023 Academy Nicholl Fellowship Finalist whose screenwriting also made the 2024 Love List of best-unproduced romance scripts in Hollywood. Her prose has been published worldwide in fifteen literary magazines and she's written op-eds for major publications. Most recently, she served as In-House Writer for the audio entertainment platform PocketFM. Victoria worked with some of the most prolific talent in Hollywood today during her years in creative development at The Montecito Picture Company/Ghost Corps under Ghostbusters’ director/producer Ivan Reitman and at the Western arm of media startup Graphic India.
Victoria’s IGs: @VictoriaMale1
Victoria’s Website: victoriamale.com
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| 98. Letting Go of Control with Tara Nicolas | 17 Dec 2024 | 01:03:14 | |
What does it mean to care for yourself? In this episode, Jennifer chats with Tara Nicolas —actor, global Nike trainer, Reiki master, meditation instructor, and community healer —who opens up about her physical and emotional journey through her many titles and personal life. She shares how a post-surgery healing process shifted her perspective on rest, movement, and the art of asking, “What do I truly need today?” Plus, she discusses balancing career highs with personal lows while discovering the beauty in letting go of control. Together, they unpack the power of self-trust, the importance of pausing, advocating for one’s needs in medical and personal spaces, cultivating flow amidst chaos, and redefining productivity by honoring the messy, beautiful truth of all that you are.
About Tara: Tara A. Nicolas is a Washington, D.C. native with Haitian roots who now calls Brooklyn home. Her journey into the arts began at the age of three in Lomé, Togo, and hasn't slowed down since. After earning her B.A. from UPenn, she followed her passion to the bustling streets of New York City. You might recognize her from commercials, leading workouts on Netflix’s Nike Training Club, in episodes of the CBS series FBI, or Godfather of Harlem on MGM+.
A multi-hyphenate, Tara’s artistic career spans acting, singing, and dancing mediums, leading her to work with some of the most illustrious names in the business, including Beyoncé, Queen Latifah, Forest Whitaker, Giancarlo Esposito, Fatima Robinson, and Megan Thee Stallion, among others. Beyond the spotlight, an unexpected life event led Tara on a lasting wellness journey, fueling her roles as a Global Nike Trainer, Reiki Master, and Meditation Instructor. When she’s not programming a spicy workout, Tara dedicates the rest of her time to community healing. A known face within Brooklyn, Tara hosts and supports wellness events geared toward women and communities of color, including one of her more popular events—Tea Time with T. For more about Tara and her work, visit her wellness company, Avocho.co.
Tara’s IGs: @taraanicolas and @TeaTimeCommunity
Tara’s Website: Taranicolas.com
Tara’s YouTube: www.youtube.com/@taraanicolas
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| 97. Content Creation Meets Skincare with Jillian Gottlieb | 10 Dec 2024 | 00:54:14 | |
Ever wonder how comedy, acting, and skincare can collide to create a thriving career? In this episode, Jennifer chats with actress and skinfluencer, Jillian Gottlieb, who turned her frustrations with theater into a flourishing, candid, and comedic social media presence, by combining her acting skills with storytelling to connect in meaningful ways. She dives into the realities of influencer life and the meticulous planning behind her creative process. Jillian offers valuable strategies for anyone navigating the social media space from tips on creating engaging videos to insights on growing an authentic audience. They also explore the essentials of skincare, break down must-have products, share simple routines, and how to approach treatments with choice, trust and confidence. Whether you're an aspiring content creator, a skincare enthusiast, or simply curious about how to redefine your relationship with social media and self-care, this conversation is packed with actionable insights and inspiration.
About Jilliian: Jillian Gottlieb is a tv/film actress splitting her time between New York City and Los Angeles. Most recently Jillian portrayed the role of Dr. Astrid Olsen in the hit CBS series ‘Elsbeth.’ She has a recurring role on Season Two of the Amazon Prime show ‘Harlem,’ and can be seen in the Fox feature film ‘Daughter of the Bride starring Marcia Gay Harden, as well as in the Universal Pictures feature film ‘Bros.’ For her performance in the critically acclaimed musical The Golden Bride, The New York Times said "Ms. Gottlieb is a revelation: effervescently daffy like a young Georgia Engel but also sassy and deadpan. The show is not the only discovery here." Jillian is also a popular skincare and comedy content creator with over 600,000 followers on social media.
Jillian’s IG: @jillian.gottlieb
Jillian's Tiktok: @jillian.gottlieb
Jillian’s Discount Codes: https://shopmy.us/jilliangottlieb
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| 96. Recognizing What Truly Matters with Gina Su | 03 Dec 2024 | 00:52:27 | |
How can honoring your core values help you make decisions that align with your purpose and bring fulfillment? In this episode, Jennifer talks with actor and filmmaker, Gina Su, who shares her journey while offering practical strategies for measuring personal progress, how to define one’s core values, and aligning decisions with purpose for what truly matters. They discuss the power of finding “flow,” ways to deepen empathy and prioritize joy by carving out intentional time for oneself, and learning how celebrating wins can help us grow meaningfully. Whether you’re striving to grow as an artist, professional, or human, this episode offers a fresh perspective on optimism, reminds us that healing others can heal ourselves - and vice versa, and that joy is found in the journey, not just the destination.
About Gina: Gina Su is a film actress, producer, and founder of Pretty Magic Productions, which strives to make films with impact while prioritizing the hiring and storytelling from a female POC perspective. She is known for "Autopilot", the sci-fi film in which she starred and co-produced. It screened at the prestigious Fantasia Film Festival alongside a film produced by Ben Affleck and Matt Damon. Currently, "Autopilot" is being turned into the feature film "Trüebadour," the latest news covered by Deadline. Besides her many kick-ass action roles in films like "Fetish," "Transpo," and "Santa Con," Gina's voice is heard on many Netflix Top 10 shows like "Hometown Cha Cha Cha" and "The Glory." Gina has been featured on ABC 7 News, various Apple and Spotify podcasts, and Comic Con. Outside of filmmaking, Gina enjoys traveling to tropical places, exploring plant-based cuisine, and making ceramics.
Gina’s IG: @missginasu
Gina’s Website: www.ginasu.com
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| 95. Pivoting with Purpose with Casey Farah | 26 Nov 2024 | 01:08:06 | |
How do you embrace life’s plot twists and find creativity in unexpected places? Jennifer sits down with Casey Farah, the artist & business owner behind Rally Bird Brand, to unpack how a life-altering accident shifted her path from performing on stage to creating in the studio and what it means to pivot and lean into various forms of creativity. They discuss the importance of embracing seasons of change, finding side hustles that fuel passion without burnout, and cultivating opportunities that align with one’s values. They also discuss how to navigate tough moments with grit and ingenuity through trusting one’s instincts, learning how to show up fully as oneself across all platforms, and the importance of learning to ask for help. Whether you’re navigating a pivot in your career, need inspiration for change, or are looking for ways to balance artistry with business, this episode is a testament to the power of following your gut and the courage it takes to pivot when life demands it.
About Casey: Casey Farah was an AEA actress, appearing in productions at the Walnut Street Theatre, Disney Cruise Line, and many other theaters across the country. When she wasn't onstage performing, she was in her dressing room illustrating- and throughout her years in NYC, whenever she had free time away from auditions, she was painting and upcycling. Casey began selling her work and taking on commissions and suddenly, a "side hustle" was born. Soon, the artistic pursuits once kept on the back-burner due to a demanding theater career became more fulfilling- and more financially stable- than performing, and the side hustle became a full-time job. Casey is the founder and artist behind Rally Bird Brand, an online shop that specializes in items that are painted, sewn, upcycled, and illustrated. From a collection of illustrated iconic women (with every product purchased, a portion of the proceeds was donated to Planned Parenthood) to a line of hand-painted hats (where with the purchase of every hat, a beanie is donated to a cancer treatment center in memory of Casey's mom) every RBB product is created to bring joy and positive change. Casey's collection of one-of-a-kind stuffed animals, Punklings, went viral last year and turned her small business into a "not so small anymore" business. Having a background in live musical theater has provided Casey with a tool kit that has proven to be incredibly valuable while running a business- being flexible and ready to adjust whenever life throws curveballs, both personally and professionally. Though she doesn't perform onstage anymore, Casey is thrilled to be able to share her work with a different kind of audience as an artist and business owner and is forever grateful for her years of performing.
Rally Bird’s IG: @rallybirdbrand
Rally Bird’s IGTikTok: @rallybirdbrand
Rally Bird’s Website: www.Rallybirdbrand.com
Rally Bird’s Etsy: https://rallybirdbrand.etsy.com and the code: EACLOVE10 for 10% off.
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| 94. A Choreographer's Journey with Katie Spelman | 19 Nov 2024 | 00:59:27 | |
What does it take to become a choreographer on Broadway? Jennifer talks to Director-Choreographer, Katie Spelman, who shares the complex and often nonlinear trajectory of the choreography world that led to her Broadway choreographic debut for The Notebook (which unfortunately closes December 15th). Katie breaks down the distinct roles and positions in the choreography world – from dance captain to assistant to associate – offering clarity on how each supports a production. Katie divulges some of her favorite tools, expresses how creating imperfect work regularly can unlock creativity, and highlights the collaboration and trust required to build and sustain productions. Together, they also discuss the systemic challenges in the industry, including gender disparities in creative leadership, the need for diverse representation on and off stage, and Katie’s personal commitment to uplifting others in the industry. Listeners will gain tangible insights into the importance of finding collaborators, embracing imperfection, and choreographing for the bodies and performers you have in a room. Whether you’re a dancer, choreographer, or simply curious about the artistry of storytelling through movement, this episode offers a rich exploration of creativity, resilience, and the power of community.
About Katie: Katie Spelman (she/her) is a Chicago-born, Brooklyn-based director and choreographer. She made her Broadway choreographic debut this past season with The Notebook. Recent credits include Great Comet (Writers Theatre), The Music Man (Marriott Theatre, 8 Jeff Nominations), Cabaret (Barrington Stage Company, Berkie Award for Best Choreography); the world premiere of An American Tail (CTC); Hello Kitty Must Die (Edinburgh Fringe), Day 365 - Live from the Rainbow Room with Dylan Mulvaney, Once (Writers Theatre), Swearing in English (Ars Nova), aren’t you glad you stayed in (TEAM Petri Project), AD 16 (Olney Theater, Helen Hayes Award for Best Choreography), The Beautiful Game (Tokyo, TOHO Productions), The Who’s Tommy (DCPA), and Oklahoma! (Goodspeed). She was the Associate Choreographer on Moulin Rouge for the Boston, Broadway, and Australian companies, as well as an associate on the Broadway productions of Amelie, American Psycho, and Once; she was the Associate Choreographer on RENT Live! on Fox, and the Associate Director for Close To You on the West End. Katie has also collaborated with Lookingglass, Shakespeare Theatre Company, Camerata Bern, Court Theatre, The Hypocrites, Ensemble Studio Theatre, Timeline Theatre, and Northwestern University. Katie was the Associate Choreographer on Moulin Rouge for the Boston, Broadway, and Australian companies; an associate on the Broadway productions of Amelie, American Psycho, and Once; and was the recipient of the SDCF Agnes DeMille.
Katie’s IG: @k8spelman
Katie’s Website: www.katiespelman.com
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| 93. Advocating for Accessibility with Jenna Bainbridge | 12 Nov 2024 | 01:01:00 | |
What steps can we take toward a more anti-ableist approach in theater, where disability inclusion is standard, not exceptional? Jennifer talks to Jenna Bainbridge – actor, disability rights activist, and co-founder of ConsultAbility, a consulting company focused on creating safe and inclusive environments for all disabled theater artists. Jenna shares her journey as an ambulatory wheelchair user, from her early years navigating ableist barriers to her current role on Broadway in Suffs - which shes incredible in and you only have until jan 5th to check out. She gives powerful insights on fostering environments where disability is embraced and access is seen as essential to creating truly inclusive experiences for everyone. Together they discuss the importance of proactive communication about access needs, what small but impactful changes organizations and individuals can make, ways to shift cultural attitudes to foster conversations about disability, and practical tools for implementing simple solutions. Learn how we can each play a role in building a more accessible, anti-ableist future in the arts.
About Jenna: Jenna Bainbridge (she/her) is an actor, singer, and disability rights advocate based in New York. At 16 months old, Jenna broke her spine and became partially paralyzed from the waist down. She navigates the world now as an ambulatory wheelchair user. In 2024 she became the first wheelchair user to perform in a New Musical on Broadway when she made her debut in Suffs which won the 2024 Tony Awards for Best Book and Best Music. She can also be seen in NBC’s Found and you can hear her narrate the audio books for Marieke Nijkamp’s Unbroken and Alice Wong’s Disability Intimacy.In addition to performing, Jenna is also the Co-founder of ConsultAbility, a consulting firm whose mission is to work with theatrical institutions and educational programs to create more accessible spaces and inclusive programming for disabled artists, bridging the gap between what is desired and what is required when working with disabled artists in the theatrical world.
Jenna’s IG: @bainbridgejenna
Jenna’s Website: https://www.jennabainbridge.com/
Tickets for Suffs: https://suffsmusical.com/tickets
ConsultAbility: https://www.consultability.org/
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