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Sunday 27th September 2026 marks the 20th anniversary of Wicked in the West End. The magical untold story of infamous witches of Oz has helped teach audiences about the power of acceptance, defying expectations and understanding that we’re all deserve our chance to fly. Now, two decades later and over 7,500 performances later, the responsibility to tell this falls to two young actors helping to usher in a new era and put their mark on these infamous leading characters.  Direct from their dressing room just days before the official 20th anniversary celebrations, Elphaba and Glinda reflect on the “honour” of leading this historic company of Wicked, and why they just “couldn’t imagine doing the show with anybody else” but each other. We also explore the power of stepping into a huge role like Elphaba and why you’re honouring what came before – without losing your own magic – and why it’s never been about being anybody other than yourself.  We celebrate the joy of the original Broadway cast album with Idina and Kristin’s voices, including how that inspired them both as young performers, and why you have to learn to welcome and accept the pressures of singing a score that means so much to audiences . And we explore the joys of a British accent – something that remains singular to the London production – the power of the Oz Dust Ballroom scene and how it remains both of their favourite moments to perform together each show, and how the power of acceptance within this story penetrates into their own lives outside of the theatre. Plus, the relevance of a story that highlights political injustice, their collective frustrations at the lack of positive attitudes towards the phrasing of witch and what it’s like singing this score – and performing that act one closer – eight times every week. “It’s a show that reflects society by showing people themselves on stage.” Host: William J Connolly Produced by: William J Connolly/Darren Bell wickedthemusical.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the Tony-nominated and Drama Desk-winning playwright and screenwriter of Wicked who brought the magic of Oz to life through her thrillifying storytelling of its two most famous witches – both on stage with the musical and through the recent two-part blockbuster movies. To mark 20 years of Wicked in the West End and her remarkable adaptation for the stage – which has welcomed more than 13 million people to over 7,500 performances in London alone – we take flight to celebrate two decades at the Apollo Victoria Theatre. Direct from her home Stateside, it’s congratulotions all round as she shares wonderful memories of reuniting with her original creatives once again to begin their West End journey back in 2006 and how she sprinkled hidden gems of the original 1939 The Wizard of Oz movie into her musical script and how Gregory Maguire’s original novel, which kick-started this new chapter, inspired this smash-hit show we all love She also walks through the origins of some of her favourite lines in the show, how she built signature scenes around key character arcs for her leading ladies, and her tight collaboration with Wicked’s music writer, Stephen Schwartz. Plus, the joy of having her work translated into different languages and cultures across the last two decades, the key plot throughline of the spoken dialogue – “It’s not lying, it’s looking at things another way” – and why Wicked is constantly asking audiences to “open your mind to a new point of view.” She also talks through the development of the song What Is This Feeling? and why it was workshopped through different drafts and musical options during development, understanding that change is scary for principal characters – and also for humans, as she learnt fast when writing for Glinda – as well as the vitality of exquisite storytelling in her act two opener, Thank Goodness. We also rejoicify her recent double box-office hit with Wicked on the big screen, why fans’ desire for the movie adaptation never went cold throughout the years – and why Wicked: Part One and Wicked: For Good were never about simply repeating the musical in a different medium. And she shares the swankified global power of the original Broadway cast album, memories of meeting Idina Menzel for her first Wicked audition back in 2001 – and how it changed the trajectory of Wicked forever. She also zooms in on Madame Morrible’s denouncement of Elphaba in Defying Gravity, and why spoken word in such a huge act one closing song helps her leading lady step into her power. And why London is “very special to us” as she lauds the remarkable women who have led her show in the West End. Host: William J Connolly Produced by: William J Connolly/Darren Bell wickedthemusical.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the longest-running actor to play Fiyero in the history of Wicked on Broadway, performing an incredible 1,073 performances as the CEO of the brotherhood of the tight white pants. Having first joined the show as an understudy and ensemble member on tour, he’s danced his way through life to leading the show on the road in the US, on Broadway – including during its 20th anniversary at the Gershwin Theatre – and now directly into its 20th celebrations this September, as the London production of Wicked marks two decades at the Apollo Victoria Theatre – something he labels as “the greatest experience of my life”. Now here in London – a place and chapter that he labels as “so unexpected” – he reflects on his history-making time as the Winkie Prince, including how his time as an understudy under great leaders helped teach him about the power of teamwork, why there’s more to Fiyero than just his looks – and how he’s worked to ensure his portrayal allows the acting to lead first. Plus, we explore both the similarities and differences between his performance and that of Jonathan Bailey’s in the recent blockbuster movie, what it was like playing Fiyero during the release of the two movies, and celebrate introducing his American portrayal to UK audiences, including the hilarious encounter around accents he had with its London stars when he first joined the West End cast.  And he reflects on the life-changing impact this show has had on his life, his family and his career: “This was not something that I thought was possible.” Host: William J Connolly Produced by: William J Connolly/Darren Bell wickedthemusical.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the hilarious stage actor who made history when she originated the role of Glinda in the West End production of Wicked in 2006 opposite none other than Tony Award-winning star Idina Menzel. And as the West End production celebrates two decades at the Apollo Victoria Theatre this September, we celebrate “the most extraordinary thing to happen to this unknown Australian actress”. From welcoming in a new life for Glinda as the first to play her with a British accent – including switching lines from “how to fix your hair” to “how to do your hair” – to working with the show’s original creative team on some of the major character and script updates that would become definitive to London. She also looks back on why not everything quite went to plan during that first preview — particularly when it came to her first descent into Oz via her bubble! — as she recalls the moment through great laughter. We also celebrate Kristin Chenoweth and her lasting impact on the role, why comedy is forever this Aussie’s favourite medium, and working with original London co-stars including Adam Garcia and Miriam Margolyes. Plus, she celebrates the “terrific team” she created with the “bloody lovely” Idina Menzel, including the “electric” feeling of playing opposite her Elphaba each performance, how she had “tears rolling down her face” during every performance of “Defying Gravity” – and why there’s truly “never been a voice like it” when it comes to the OG green girl. We also toast the extraordinary costumes of Susan Hilferty, the unmatched loyalty of Wicked London fans and why it’s important to never judge your character by their choices — even when faced with their more challenging moments each show. And as for returning to London this September to celebrate 20 years… she quite simply “cannot wait!”. Host: William J Connolly Produced by: William J Connolly/Darren Bell wickedthemusical.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the Academy, Grammy and Tony-winning lyricist and composer of Wicked, the musical that has been the soundtrack to our lives in London for almost 20 years, as the West End production steps into its 20th anniversary year this September. To celebrate two decades of performances at the Apollo Victoria Theatre, it’s time to head back to 2006 and explore how London helped shape Wicked into one of the biggest theatrical hits of all time. Speaking direct from his home, the genius himself explains how introducing the untold story of the Witches of Oz to a new, non-American audience was a “nervous” challenge for its leading creatives, who all reunited for the first time since opening on Broadway. He reveals how they implemented changes to the show that began in London, why they felt it was important to workshop those changes with a British cast, and why the epic scale of Wicked in London is all thanks to the beauty of the Apollo Victoria Theatre. He celebrates some of the remarkable women who have starred in the show in London – and in the recent two-part movie! – and recalls what it was like reuniting with his Tony-winning colleague and friend Idina Menzel as she returned to the show for its London opening in 2006, describing her as an “absolute powerhouse voice and persona” when remembering her time leading the show.  He also shares his memories of hearing her sing his anthem “Defying Gravity” live night after night, the audience response to the song at its first preview in the West End, and why hearing it remains “exhilarating” for its musical creator, from that first night in 2006 all the way to today.  Plus, he opens up about the growing cultural and political relevance of the musical, the secret sauce of director Joe Mantello, and why everything in Wicked ultimately comes back to the power of great vulnerability and authenticity – both in its leading characters and in the remarkable women who have played them over the last 20 years. Twenty years of Wicked in London? Even he can’t quite believe it! Host: William J Connolly Produced by: William J Connolly/Darren Bell wickedthemusical.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate her final performances as the brattiest girl in all of London town as she plays Mary Todd Lincoln in the West End production of Oh, Mary! - a role that she reprises following record-breaking box office runs in New York – Jinkx Monsoon is reflecting on a life-changing journey leading The Monsoon Administration. So how do you switch from bratty curls Stateside to an all-new English cast and audience that is waiting to learn a bit of American history with a twist?   Direct from her home, we talk all things Mary Todd, including their love and respect for the writing of Cole Escloa, being given the honour of stepping into Sam Pinkleton’s production on now three separate occasions and why this material is anything but a joke to deliver eight times every week.  Plus we celebrate her journey from niche cabaret artist to being a niche cabaret legend on stage every night, the power of patience and hard work in the entertainment industry and why great writing in the world of comedy is addictive. We also celebrate the power of stage door conversations, queer people creating spaces within the mainstream that they wanted but were never given – and the life-changing impact Hedwig and The Angry Inch had on her as a young queer theatre kid longing for connection.  And why it was a full-circle moment for her when friends like RuPaul and Michelle Visage showed up for her at Oh, Mary!, reminding her of the remarkable journey from a tic tac lunch and a dream to certified leading lady.  Finished? This gorgeous little hussy is only just getting started…. Host: William J Connolly Produced by: William J Connolly/Darren Bell ohmaryplay.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the remarkable stage actor currently leading as King II Targaryen in the world premiere of Game of Thrones: The Mad King at the RSC in Stratford.  Based on the novels by George R. R. Martin and adapted for the stage by Duncan Macmillan and directed by Dominic Cooke, the play marks a milestone moment for the globally-adored franchise – and celebrates a new chapter in the world of possibilities for major theatrical epics. But how do you bring this extraordinary tale to life each and every night on stage?  Well lets find out as just moments before he takes to the stage at the Royal Shakespeare Theatre in this world premiere production, we dive deep on the wondrous world of Game of Thrones: The Mad King, including making his RSC debut, building a beloved character up in a new chapter – and why his pursuit of truth in a world of madness has been one of his favourite theatrical endeavours so far. Plus, we celebrate the genius of George R. R. Martin, his visit to see the show on two separate occasions – and how this has turned out to be George’s favourite version of the infamous Iron Throne. We also acknowledge the global love of fans embracing new faces inside the world of Game of Thrones, what it’s really like seated up that famous Throne - and how he’s gone from being a newbie to certified fan in the GOT universe.  An epic of all epics? Sounds about right for The Mad King… Host: William J Connolly Produced by: William J Connolly/Darren Bell www.rsc.org.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Enter centre stage… a legend. With an extraordinary 11 Grammy nominations, 3 Emmy nominations and a Tony nomination to her name, Vanessa Williams has broken boundaries and captivated audiences for decades. From chart-topping music to unforgettable roles across film, television and stage, she has become the definition of hard work, soaring talent and undeniable stage presence. Currently originating the ultimate boss from hell in the official stage adaptation of The Devil Wears Prada, it’s time to check in at Runway and celebrate her final chapter as Miranda Priestly — ahead of her major live solo show, which begins touring next February. Direct from her home, we reflect on her milestone journey at the Dominion Theatre, why performing in the West End is a dream come true, how London has embraced her — and why she is proud to dive deeper into and explore more of the most famous fashion boss of all time. Plus, we talk all things Sir Elton John and Jerry Mitchell, her soaring love for co-star Matt Henry, and why everything is iconic at Runway — from her entrance and those quotable lines to all that fashion. And with friends, industry peers and colleagues including Chita Rivera, Stephen Sondheim, Luther Vandross, Hal Prince and Barbara Cook (to name but a few!), we celebrate a life on stage that has allowed Vanessa to flourish and shine — and why she has never taken a moment of it for granted. And above all else, why you should NEVER measure yourself by the opinion of others. It’s time to enter the House of Vanessa — legends only edition. Host: William J Connolly Produced by: William J Connolly/Darren Bell devilwearspradamusical.com vanessawilliamslive.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the kick-ass London stage star that’s currently making her acting debut as Katniss Everdeen in the original production of The Hunger Games: On Stage – a show adapted by Conor McPherson and directed by Matthew Dunster. From the thrill of shocking fan reactions to misbehaving props and the “insane” live experience and theatricals, we dive into life inside the of the new Troubadour Canary Wharf Theatre and why there’s no other theatrical world like it. Plus we talk about the books and what Jennifer Lawrence did so perfectly on the big screen, the thrill of meeting  original author Suzanne Collins and how you build up a role that is equal parts script, and superhero with the level of extra physicality and stunt work required.  And, you never truly lose the feeling of being a fan of this world - even when you become its newest soaring star. Host: William J Connolly Produced by: William J Connolly/Darren Bell thehungergamesonstage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the Tony and Olivier-recognised writer that’s penned some of the most impactful pieces of work of the last 20+years.  From Glorious! to End of the Rainbow and now Allegra - alongside many, many others – his work has brought soaring female-led stories to the forefront of our industry, often with an added live music element, too. To mark the final performances of his new hit Allegra – led by Dame Maureen Lipman - we dive into life back in the West End and why there’s a power in writing for comedic joy, being reunited with Maureen after their legendary work on Glorious! and how personal loss in his life was the unexpected real-world inspiration for his new show. We also talk all things End of the Rainbow, having leading stars like Tracie Bennett and most recently Jinkx Monsoon play the leading role, and why the show is more of a comedy than people expect - even through the tears and struggles - and, he reveals how, in one rather peak period in his life, he actually wrote both Glorious! And End of the Rainbow within the same 6-months period.  Plus, he lets us into his mind on everything from inspiration and ideas to story and construction on the page, how he continues to write two or three plays each and every year, and why sometimes not having a plan is “good” for the writing journey. Host: William J Connolly Produced by: William J Connolly/Darren Bell allegraplay.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Tina Sinatra isn’t sure if the pride will land first, or the tears. At the point of which we connect, it’s the latter.  Sat in her hotel room just hours before the West End premiere of a musical that honours the life of her parents - promising to “sustain him and honour him” when talk turns to her rather famous father, Frank - there’s a cocktail of emotions and pressure starting to build.  With a book by two-time Tony Award-winner Joe DiPietro and directed and choreographed by Olivier Award-winner and three-time Tony Award-winner, Kathleen Marshall, the daughter of one of the most famous men in music history knows the story of her family and how much they mean to music lovers throughout the generations - and is ready to introduce them to a new offering; Sinatra: The Musical, a show about the music, the man and showing the world just how strong her mum really was. Having its premiere now in London, a city that she reveals was Frank’s second favourite to play of anywhere across the globe - we all know where the first is! – Tina explains why this is a chapter she wants fans to throw their arms around, saying that she is “so happy” with the results of the musical. Guaranteeing that it shows Frank’s life in both the good and the ugly, the emotion of seeing her parents lives play out on stage with real humans and the added punch of the songs evokes “cheers they (her parents) hear in heaven” from those lucky enough to sit in the audience and go on this wild ride together.  And the task of becoming Frank? That’s the job of Joel Harper-Jackson, a leading man that she calls as “phenomenal” as her father - tears returning once again to her eyes.  So what’s it like to have the life of your family brought to the stage in a BIG and roaring West End musical? Well… emotional pride might be the best way to describe it all, as Tina Sinatra does here in this rather special episode of eleven. Host: William J Connolly Produced by: William J Connolly/Darren Bell Photography by: Gareth Cattermole sinatramusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the stage and screen actor that’s earned himself a wealth of fans from across both mediums thanks to his varied and detailed work, with projects like Bridgerton 2, Benediction, Black Beauty, Mrs Wilson, Derry Girls, What It Feels Like For A Girl, Ghosts, Lord of the Rings, Archie, Sweetpea and Wife, to name but a few. And now, he’s stepping into his first principal stage role to star in Tom Wright’s new play Please Please Me, which plays at the Kiln Theatre until 29th May.  So here, in an exclusive conversation recorded just as the show began its life at the Kiln Theatre, we dive into the magic of bringing a story like Please Please Me to the stage, including exploring the “complicated” life of Brian Epstein - the unsung, gay legend and ‘Fifth Beatle’. We also explore the safety of not having an audience all the way to the thrill of a sold-out one, the power of literature and research in building an understanding of the past and how music helps bring people together. Plus, how he loves jumping between stage and screen to apply his craft to both, becoming a student to leading industry peers and why he wanted to push himself out of his safety zone and honour the legacy of this remarkable music pioneer.Host: William J Connolly Produced by: William J Connolly/Darren Bell kilntheatre.com Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the newly-crowed Olivier winner and certified West End leading star that’s currently delivering the performance of a lifetime as Millicent Clyde in the original London cast of Paddington: The Musical at the Savoy Theatre. From her time rising through the ranks to starring roles in Hadestown, Cinderella, Death of a Salesman, Murder Ballad and many, many others, she’s earned herself a career on the stage like no other.  In this exclusive conversation direct from her home, we reflect on stepping into the darkness to spend her days hunting down the most famous bear of all of London as Millicent Clyde in Paddington: The Musical, and why there’s joy in those Pretty Little Dead Things. Plus, we celebrate the unmatched response to the show, how it’s “tough” to be mean to Paddington on stage when he’s looking directly into your eyes - somebody she describes as “the most perfect specimen” - and why there are cheers and tears every night when the little guy makes his first entrance.  We also explore the joyful complexities of being a working mum in her 40s in the arts, the “wonder” of singing Anais Mitchell in Hadestown and why Paddington stands for “everything that’s right in the world”. Note: This episode was recorded before Victoria was crowned with her recent Olivier Award for Best Actress in a Supporting Role in a Musical. Host: William J Connolly Produced by: William J Connolly/Darren Bell paddingtonthemusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the Tony-recognised director and king of LOL that’s helped bring to life some of the funniest pieces of theatre and film - from Shrek: The Musical to Pitch Perfect, all the way to Sisters, starring Tina Fey and Amy Poehler and his Tony-winning smash-hit show Avenue Q- which now celebrates 20+ years since its first off-Broadway opening back in 2003.Now the famous singing puppets return to London with a special 20th-anniversary West End production, brought together by the original Broadway creative team.In this exclusive conversation direct from London, Avenue Q’s original director reflects on the power of singing puppets, tackling topics that seem off-limits until you’ve a furry friend by your side, and what the first reactions were like to the show back in 2003 - including the puppets getting down and dirty in You Can Be as Loud as the Hell You Want (When You’re Makin’ Love).Plus, the rare task of revisiting a show 20+ years later, updating his material for a new 2026 audience and how Lucy, The Slut’s now infamous performance of Special for the then Prince Charles came about.  We also dive into key moments from his career including mounting Shrek: The Musical for Broadway (farting ogres and all), working with Reese Witherspoon on the upcoming Legally Blonde prequel series Elle, and why he shares our collective excitement at the new Murder She Wrote adaptation starring Jamie Lee Curtis as iconic mystery writer Jessica Fletcher, which he is set to also direct. Anybody for a bit of puppet love? Host: William J Connolly Produced by: William J Connolly/Darren Bell avenueqmusical.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the Grammy-winning music powerhouse that’s been the soundtrack to our lives for more than two decades and produced some of the most moving music offerings of all-time – few greater than her Tony-recognised musical Waitress, which took New York by storm when it first began performances back in 2016.  Now, in an exclusive conversation marking the 10th anniversary of the show’s Broadway debut — and as a thrilling new touring production moves audiences across the UK — its Tony-nominated composer reflects on the life-changing journey of writing for Jenna, the pie-maker with a heart of gold. So direct from Stateside and taking a break from her time in the studio, we deep dive into the original creations of Waitress in this 14-year journey; including overcoming imposter syndrome while writing her first Broadway musical, writing soaring anthems like She Used to Be Mine, Soft Place To Hand and What Baking Can Do — and the honour of bringing Adrienne Shelly’s beloved story to the stage with a history-making creative team. We also discuss the emotional impact of Jessie Mueller’s original performance, how developing the role with her gave the composer the courage to step into Jenna’s shoes herself and understanding the value of feeling uncomfortable when creating new art. And she celebrates the power of new storytelling for her show with new faces and new audiences as Waitress tours the UK in this 10th anniversary year.  Sugar. Butter. Sara. Host: William J Connolly Produced by: William J Connolly/Darren Bell waitressthemusical.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the two-time Tony nominee and all-round Broadway icon that’s cemented herself as one of the greatest to treat the boards. From her star turns in Smash, 9 to 5: The Musical, Wicked, Noises Off and, of course, as Madeline Ashton most recently in Death Becomes Her, comedy, high-belting and joy comes as second nature to her - thrilling audiences and earning her a global army of fans. And now, she’s coming to the UK this May for a series of solo concerts - marking her return to these shores for the first time since 2018, playing the iconic Theatre Royal Drury Lane.  So with her best British accent at the ready and direct from her home Stateside, we discuss life post Death Becomes Her as she celebrates the hardest role of her life - her words, not mine - and why Madeline Ashton is the character she now feels closest to - plus, we go deep on the non-stop nature of a leading a comedy-led role like Madeline, the online discourse around audience members filming in the theatre as she explains it can feel like a “violation” to the performers on stage, and she reveals just how her now viral improv wedding moments – including the now brilliant Jet 2 and Grindr ‘brup’ – came about.  We also talk about the growing love and legacy of Smash, how her performance of Thank Goodness in Wicked being shared online has become an unexpected throwback to her time as Glinda, and how performing for superstars like Beyoncé and Dolly Parton was the greatest of honours. Plus, for those lucky enough to have a ticket for her now two sold out London shows this May, she shares a peak into new songs in an epic set list of hits that she’s honoured are now associated with her - in a show she promises you will leave “knowing that we are best friends”. And why above it all, she remains true to her life mantra, by always doing it always for the gaze… Host: William J Connolly Produced by: William J Connolly/Darren Bell lwtheatres.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the Olivier Award-winning theatre star with a voice powerful enough to rival the greats. From her show-stopping turn in Ghost to her acclaimed performance in Show Boat, she’s built a career defined by fearless choices, constant evolution and a commitment to sharpening her craft. Now, she’s stepping into something entirely new with the heart-opening musical Ballad Lines, playing at Southwark Playhouse Elephant. Just moments before she heads on stage, we dive into the emotional power of stepping into a brand-new world with Ballad Lines, why this project feels unlike anything she’s done before, and the beauty that comes from embracing the chaos of constantly pushing yourself as an artist. We talk about the importance of centring female stories in mainstream theatre, the thrilling risk of performing in intimate spaces, and why she’s proudly made a habit of “emotionally destroying” audiences — something that might become her niche. There’s also time for camp costumes in Cinderella, discovering the richness of the warmer tones in her voice, and the unexpected — and rarely discussed — realities that can follow an Olivier win, including the surprising stretches of not working. Plus, she reflects on the “beautiful” experience of Becoming Nancy in Birmingham and why theatre should belong to audiences everywhere — not just those in London. Host: William J Connolly Produced by: William J Connolly/Darren Bell southwarkplayhouse.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the Olivier-nominated stage and screen actor currently captivating audiences in the title role of the extraordinary new West End musical, The Unlikely Pilgrimage of Harold Fry— a production that explores the power of perseverance and the importance of never giving up on oneself. Direct from his home, its leading star reflects on what it means to take on a project as meaningful as Harold Fry, the powerful emotional response from audiences and why he describes himself as feeling both “honoured and blessed” by the reception of two mature leading characters in a London musical. We also celebrate his “extraordinary” co-star Jenna Russell and collaborating with the all-star creatives on this project, including chart-topping singer-songwriter, Passenger.  And we learn how this project had penetrated beyond the stage and into his personal life, encouraging him to approach others — and the world around him — with greater empathy and love.  Plus, he reveals his rather unexpected favourite musical, recalls some of his favourite memories from filming the iconic The Full Monty movie in South Yorkshire — including the famously revealing strip-tease scene — and reflects on his life-long connection with the York Theatre Royal Host: William J Connolly Produced by: William J Connolly/Darren Bell haroldfrymusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

He’s the Tony and Olivier-winning producer behind some of the most extraordinary theatre of our time — renowned for bold mega-casting, powerful storytelling and ground-breaking productions. With War Horse, The Curious Incident of the Dog in the Night-Time, People, Places and Things, Cock, Othello, The Lion, the Witch and the Wardrobe, The Roommate, Death of a Salesman and, of course, Company, to name but a few.  Now, in his latest adventure, he brings Rachel Joyce’s beloved novel The Unlikely Pilgrimage of Harold Fry to the stage — directed by Katy Rudd, with music by chart-topping songwriter Passenger, and led by theatre icons Jenna Russell and Mark Addy. In this exclusive conversation, recorded just days after the show began previews at the Theatre Royal Haymarket in London, we dive into the journey of Harold Fry and why this story had to become a musical — not a play, as one hilarious meeting with author Rachel Joyce confirmed. We also uncover the joyful and unexpected connection between Curious Incident and this new show, and hear how returning to the original material became a deeply personal experience, helping him process grief following the loss of his mother when re-visiting the novel.   We also talk candidly about the realities of producing in the West End and Broadway — why success is never guaranteed, even with a hit on your hands — and the major productions that very nearly didn’t happened. And yes, we go deep on Company: the genesis of that now-iconic revival, the bold changes made along the way, how you persuade Stephen Sondheim to update a masterpiece, working with artists like Jonathan Bailey and Patti LuPone — and why, for him, a life in theatre is really just one long journey of joyful, fearless experimentation Host: William J Connolly Produced by: William J Connolly/Darren Bell haroldfrymusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s belted her way through SIX, Rent, Pretty Woman and Kinky Boots — and now she’s taking the wheel in the final chapter of Alicia Keys’ smash-hit, semi-autobiographical mega-musical, Hell’s Kitchen. But how do you sum up a journey that’s taken her from standby to leading role — stepping into the spotlight after stars like Shoshana Bean and Jessica Vosk? In this exclusive conversation direct from her New York home, we talk stepping into “the hardest role” of her life, the pure joy of going full throttle with a “loud and high” character like Jersey, and why stretching her voice and emotional bandwidth eight shows a week is something she’s leaning into — even when it’s tough! We talk the musical’s deep connection with young women, why “Pawn It All” is the moment she gets to completely “unleash” every night, and what it meant to receive validation from actual Alicia Keys — including that now-iconic curtain-call performance together — in a true full-circle moment. Plus, we celebrate the power of swings and standbys, the importance of being honest about when your instrument isn’t at its best and why sharing the stage with co-stars like Ne-Yo and Yolanda Adams meant everything. And those backstage guests? Patti LaBelle? Michelle Obama? Shania Twain? Dionne Warwick? Susan Sarandon? Cynthia Erivo? Casual. Host: William J Connolly Produced by: William J Connolly/Darren Bell hellskitchen.com Learn more about your ad choices. Visit megaphone.fm/adchoices

For this Olivier winner and Tony nominee, theatre isn’t a career choice — it’s survival. It’s the place that held her when nothing else could, the place that quite literally saved her.From her time outside theatres on Shaftesbury Avenue to seeing her own face illuminated above their very doors, it’s a career of absolute dedication to her craft matched with a showering of recognition from both industry and audiences alike.And now, as she steps into a new world – a kinder and more generous one to her soul, albeit still putting her work first – she takes to the stage in the premiere of High Noon, opposite the Billy Crudup.In this exclusive conversation, she opens up about becoming Amy in Thea Sharrock and Eric Roth’s new play High Noon — the power of inhabiting a character not driven by trauma, grounding herself in peace, and finding her voice again through singing for the first time in 30 years.We also return to her seismic performance as Emma in People, Places and Things — “the work of my life,” in her own words — and why theatre will always be a place of profound healing for her. Plus, how she draws inspiration from the fearless brilliance of industry peers like now Oscar-nominee, Jessie Buckley.And in a raw, breathtaking final moment, she shares how the nightly ritual of live theatre “continues to save my life daily.”The Gough Theatre? We should all be so honoured. Host: William J Connolly Produced by: William J Connolly/Darren Bell highnoontheplay.com Learn more about your ad choices. Visit megaphone.fm/adchoices

As Titanique marks its milestone first anniversary in London’s West End and Broadway sets sail this Spring, the Olivier-winning director and co-writer invites us inside his brilliantly unhinged mind to reveal how his love for the ultimate Canadian music icon helped build a global theatrical phenomenon. We dive into the show’s key development stages — from cut songs and jokes that didn’t survive the final draft to the iconic leading ladies who’ve steered the production around the world — and why no two performances aboard the Ship of Dreams are ever the same. He also unpacks the joyful chaos of the improv section, shares some of his favourite outrageous moments from the original Céline and co-creator Marla Mindelle, and explains why “punching up” is essential when making a show of this style — including how Titanique always honours the lives lost on the infamous ship. Plus: how a bottle of wine and a “what if?” launched Broadway dreams, the alternate titles that nearly happened, and what he thinks Céline herself would make of it all. Note: This episode was recorded before the announcement of Titanique setting sail on Broadway this Spring. Host: William J Connolly Produced by: William J Connolly/Darren Bell titaniquemusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet one of Australia’s finest leading ladies taking on the title role in the UK and Ireland’s touring production of Mary Poppins, reprising her practically perfect role having been lauded with praise for her portrayal down under.  We dive into the welcomed pressures of continuing the legacy of “absolute queen” Julie Andrews, fast approaching 1,000 performers globally and why nothing can compare the feeling of taking flight at the end of each performance and seeing small audience members smiling back - and maybe some rather tearful parents, too! Plus we there’s good in everyone, as Mary is determined to teach each and every show.  Playing the most famous nanny in history? “A perfect, wonderful experience!” Spit, spot! Host: William J Connolly Produced by: William J Connolly/Darren Bell marypoppins.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet the Olivier and Tony-winning genius director and choreographer turning his hand to the official stage adaptation of 50 First Dates: The Musical – which is now playing a limited run at The Other Palace in London. Host: William J Connolly Produced by: William J Connolly/Darren Bell theotherpalace.co.uk/50-first-dates-the-musical Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate their official opening back in London… the Kit Kat Club’s newest dream pairing of Sally Bowles and the Emcee on the “exhilarating task” of joining the West End production of Cabaret, the power and vitality of a story like this for a 2025/26 audience and why they continue to be inspired by each other's performances each and every day.  We also dive into their return to the world of Hadestown earlier this year to record the live captured recording in London - and the welcomed creative task of not replicating their performances of Orpheus and Eurydice, but expanding it.  Plus, we uplift the celebration of difference in live performance, dismissing the false demands for note-perfect singing and why they believe “art always meets the moment”. Host: William J Connolly Produced by: William J Connolly/Darren Bell kitkat.club/cabaret-london Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tony nominee and Broadway leading star on heading to UK shores to star in Songs For A New World: The 30th Anniversary Concert - conducted by none other than Jason Robert Brown.  We also talk all things Gypsy on Broadway, her history-making, Tony-celebrated time as Louise in that production (including a special guest question from actual Laura Benanti!) and the “honour” of having a front row seat to Audra McDonald’s performance as Rose.  We also dive into the hard reality of fierce expectation thanks to her global virtual moments and how crippling that can really be, why the phenomenon of “the hardest song I’ve ever sung” with My Days in The Notebook wasn’t as easy ride as you’d first expect - and why she wants to move past the need for “pretty” vocals and focus on both heart and story, together.  Plus, why showing up and doing your best counts for everything! Host: William J Connolly Produced by: William J Connolly/Darren Bell lambertjackson.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

The history-making Olivier winner and London stage star on bringing his own touch of magic to fashion icon Nigel in The Devil Wears Prada stage adaption, collaborating with musical legends like Sir Elton John, Jerry Mitchell and Vanessa Williams, and why life at Runway is anything but a bore.  Plus we celebrate the release of the Original West End Cast Recording, transferring his moving song Seen from stage to studio and why the importance of that very song isn’t ever lost on him.  We also revisit his historic Olivier win, how Not My Fathers Son from Kinky Boots opened up a conversation between audience and artist about the power of difference - and why The Actors House remains one of his proudest achievements.  Host: William J Connolly Produced by: William J Connolly/Darren Bell devilwearspradamusical.com theactorshouse.co Learn more about your ad choices. Visit megaphone.fm/adchoices

The West End leading man and genius of the acting world on leading the new West End production of The Producers as Max Bialystock, the vitality of the show to a 2025 audience and the honour of joining a league of legends that have played Max before. Plus, we explore the unmatched brilliance of Mel Brooks, why the joy of this world - and his time in Hello, Dolly! Last summer at the Palladium - was and remains a tonic to him, as much as he knows it does for the audience. And, we explore his standout role in Fiddler on the Roof, crediting an audience with intelligence and - thanks to his star-turn in the Wicked movie – he’s Hot 100. Host: William J Connolly Produced by: William J Connolly/Darren Bell theproducersmusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Tony-winner and our favourite funny soprano on why “Mother is Marmee” in Jo - The Little Women Musical and its thrilling new album recording, the upcoming 20th anniversary of The Wedding Singer and her legendary star-turn as Louise in Gypsy opposite Patti LuPone. We also dive into making dreams a reality when leading in My Fair Lady, her exquisite run at the Edinburgh Fringe with Nobody Cares (including upcoming US dates!) and the one piece of advice the late Stephen Sondheim shared, that stays with her even today. Plus, why living in a world that is looking constant external validation isn’t good for any of us, how cast albums help keep the legacy of her work alive often decades after the final curtain has fallen – and why all might seem one great laugh for the world's best Melania Trump impersonator, but it comes with a side dose of uncomfortable reality, too. Funny sopranos, assemble! Host: William J Connolly Produced by: William J Connolly/Darren Bell laurabenanti.com jothemusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate her final scheduled show as Alternate Eva and remarkable performance as The Mistress in Jamie Lloyd’s acclaimed production of Evita at the London Palladium, its breakout star reflects on a milestone chapter in her career. We dive into performing the iconic Another Suitcase in Another Hall nightly, the significance of her now-signature stage bob (and why she’s letting YOU the audience name it), and her unexpected journey from ensemble member to leading star. We also explore the impact of Jamie Lloyd’s visionary direction for The Mistress, along with the evolving role of social media in shaping the stage experience for 2025 — for both performer and audience alike. She also opens up about battling imposter syndrome when stepping into her first confirmed performance as Eva in place of “titan” Rachel Zegler, and how she found strength in the love of Rachel, her cast mates and the audiences who showed up in their thousands. And when her Don’t Cry for Me Argentina performance soared past 2M views in one viral clip, how what began as a daunting challenge became a career-defining moment. Plus, we dive into social media to read through your comments as the love comes pouring in. From Insta moments to viral TikTok's, the internet has spoken: Bella Brown > everything. Supremacy unlocked. Host: William J Connolly Produced by: William J Connolly/Darren Bell evitathemusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

She’s the exquisite stage actor and vocalist on the creative joy of originating Andy in the Elton John-penned stage adaption of The Devil Wears Prada, her continuing obsession with Anne Hathaway and why iconic lines, serving camp and understanding the power of laughter helped carve out her take on Andy. We also explore the thrilling creative journey of developing a script and navigating changes during previews, her £3,000 fashion looks in the show and the unexpected challenges of the fashion world and how commentary from audiences about her appearance and size has been a fight she didn’t quite expect.  Plus we dive into the genius of Jerry Mitchell, having Sir Elton John as a colleague and collaborator, and why she is not afraid to slay! Host: William J Connolly Produced by: William J Connolly/Darren Bell devilwearspradamusical.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The 2x Olivier nominee on her history-making performance as Sally Bowles in Cabaret on Broadway - a role she reprises direct from the West End opposite Billy Porter - the joyful challenge of mastering the British accent and why she is fully standing in her power. We also talk about overcoming both the doubt and the haters to keep standing tall, originating in Waitress alongside Sara Bareilles and the late Gavin Creel – and why she hopes her roles in Oklahoma! and Guys & Dolls has helped usher in a more inclusive space for everybody to be seen and heard. Plus, how almost ten years in London all started with what should have been a brief few weeks standing in as Effie White in Dreamgirls and why her new album Marisha Wallace: Live In London is a celebration of the journey so far - and why you should never give up! Host: William J Connolly Produced by: William J Connolly/Darren Bell slinky.to/MarishaLiveinLondon Learn more about your ad choices. Visit megaphone.fm/adchoices

The music writer and vocal slayer on leading the London stage adaptation of Burlesque at the Savoy Theatre as Ali Rose, the thrill of singing signature songs like Tough Lover, Express and Bound to You live each performance (alongside many incredible new songs written exclusively for the musical!) and how there’s no faking it when you’re serving for the gods in a role like this.We also dive into beginning her writing journey with the show at 19, performing Ali live on stage in front of the OG movie star and her vocal idol Christina Aguilera and why she’s here to honour with great love what came before. Plus, we take a little lesson in the history of Burlesque, working with exciting artists like her co-star and director Todrick Hall and why she's proud to sing LOUD! Host: William J Connolly Produced by: William J Connolly/Darren Bell burlesqueonstage.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠⁠⁠⁠⁠elevenpodcast.com⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The London star on joining the cast of Tina – The Tina Turner musical as Rhonda Graam, music titan and best friend to the late Tina Turner. We also dive into spreading kindness as part of the UK touring company of Come From Away, understanding the daily pressures of navigating singing hit songs like Don’t Rain On My Parade when starring as Fanny Brice in Funny Girl, and how facing audiences when you’re not the listed above the title star can be as nerve wracking as it sounds.  Plus, why she shares the power of being present in even the craziest of career highs. Host: William J Connolly Produced by: William J Connolly/Darren Bell tinathemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠⁠⁠⁠elevenpodcast.com⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Titanique’s newest diva on playing one of the greatest vocalists of all time as Celine Deion in the smash-hit comedy musical in London, the emotional joy of her time in the Paris production and why water fountains become a spooky-scary thing for her.  Plus, we highlight the importance of good sound when My Heart Will Go On is on your daily venture, the liberation of just throwing limbs about and she reflects on her journey from free newspaper vendor to West End leading lady. Host: William J Connolly Produced by: William J Connolly/Darren Bell titaniquemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠⁠⁠⁠elevenpodcast.com⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The phenomenal leading man of Jamie Lloyd’s Evita on his “once in a lifetime journey” playing Che, honouring the legends who have played the role before him and the pride he felt having his family seated on second row for his official West End opening night at the London Palladium. Plus, he reflects on his journey with Sunset Boulevard on Broadway and how it led him to London, learning from his former New York co-stars including Nicole Scherzinger and Tom Francis, and why his “superstar” leading lady Rachel Zegler is “a pillar of hope for a lot of Latinos”. And, how he sees all your memes about his iconic curtain call moment in the paint and his underwear - and loves it!  Host: William J Connolly Produced by: William J Connolly/Darren Bell evitathemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠⁠⁠⁠elevenpodcast.com⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamie Lloyd’s exquisite new leading man on the honour of “pushing the boundaries” as Juan Perón in this fresh telling of Evita at the world-famous London Palladium, learning from the genius of Jamie’s direction – something he says is “a dream come true” – and its relevance to a 2025 audience. We also dive into blending onstage live performance with camera work to make the perfect musical experience, his love of the “perfect narrator” in Diego Andres Rodriguez and how he’s fighting the online love and exposure of a certain viral balcony moment to keep distance for his character on stage – however challenging it’s been!  Plus, why Rachel Zegler’s performance as Eva Perón is “one of the finest castings of all time” – and why he is “so in awe of the force of nature” that she is. And why he won’t hear a bad word said about his teeny weeny black tie.  Host: William J Connolly Produced by: William J Connolly/Darren Bell evitathemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠⁠⁠elevenpodcast.com⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The stage giant on returning to the Old Vic stage with Girl From The North Country, the life-changing impact of making his Broadway debut at such a young age and being a student to directors like Conor McPherson and Stephen Daldry. Plus, we revisit his legendary performance on Hey, Mr. Producer! with Ellen Greene, joyful memories of his late friend and Kiss Me, Kate co-star Marin Mazzie and how Company changed his life, forever. Host: William J Connolly Produced by: William J Connolly/Darren Bell oldvictheatre.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠⁠⁠elevenpodcast.com⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

London's finest leading star on her "insane" time playing Lulu in the Regent's Park Open Air Theatre production of Shucked, leaning into the vocal marathon of singing Independently Owned each night and why life in the world of a musical comedy feels just right. Plus, we dive into her shining roles in The Wizard of Oz, Kiss Me Kate, Little Shop of Horrors and Oklahoma!, how leaning into stronger character-led roles allow her to push out any personal self-doubt, and why she knows there isn’t a Georgina Onuorah performance without sharing the gift of that unmatched voice. Host: William J Connolly Produced by: William J Connolly/Darren Bell openairtheatre.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠⁠elevenpodcast.com⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway’s original Romeo on life back as one of the most infamous boyfriends in history, embracing the chaos of this unexpected chapter as he performs in the UK for the first time and the remarkable connection this story has with audiences across the globe in 2025.  Plus, we dive into jamming with the likes of Max Martin and Ariana Grande, the power of being present in every moment possible and why being a douche is a whole lot of fun. Is… he the drama?  Host: William J Connolly Produced by: William J Connolly/Darren Bell andjulietthemusical.co.uk Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠⁠elevenpodcast.com⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The beloved Broadway star on the extraordinary journey of Drag: The Musical, creating a space where drag is accessible for all and learning to say goodbye to a cast of fierce co-stars. Plus, we dive into understanding his own personal relationship with femininity and how that has changed as he career progresses, having Liza Minnelli as his boss and the unfiltered joy of his new live cast album alongside Alaska – and many other fabulous queens! Host: William J Connolly Produced by: William J Connolly/Darren Bell dragthemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠elevenpodcast.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first of a two-part conversation... The Emmy, Tony and Grammy Award-winning stage and screen legend on his “life-altering” and history-making chapter as the Emcee in Cabaret at the Kit Kat Club, why this story connects differently in the era of Tr*mp and how he's making his younger-self proud. Plus, why this activist artist will forever use his art to speak truth to power - however challenging that can often be. Host: William J Connolly Produced by: William J Connolly/Darren Bell kitkat.club Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via ⁠elevenpodcast.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The American actor on leaning into the crazy to make his London stage debut this May in Stephen Sondheim's The Frogs at the Southwark Playhouse (including the promise of him in a toga), feeling comfortable in the world of comedy and his ultimate respect for theatrical performers. Plus, we talk the thrill of sound-checking with unmatched live vocalists like Nicole Scherzinger, embracing challenging the perceptions others have of you after his time on Glee and an excessive amount of questions about his appearance in the iconic piece of culture perfection that was Bratz: The Movie. Gag. Host: William J Connolly Produced by: William J Connolly/Darren Bell southwarkplayhouse.co.uk Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The critically acclaimed West End leading lady on the “unhinged and hilarious” joy of playing Celine Dion in brand new London stage hit Titanique, the welcomed responsibility of belting out the hits nightly and why her love and respect for Celine Dion is nonpareil.  Plus we talk icebergs, the unwavering love of her family and why her recent Olivier nomination for this very role is dedicated to one very important person – little Lauren. Think you know what really happened on the the Ship of Dreams? Think twice... Host: William J Connolly Produced by: William J Connolly/Darren Bell london.titaniquemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Olivier nominee and London stage star on bringing in a new chapter for her signature The Devil Wears Prada character Emily as the now musical moves from screen to stage, leaning into total trust with her genius director Jerry Mitchell and workshopping vocal options with her new music boss, the legendary Sir Elton John. We also talk comedy, fashion, belting and, of course, her recent Olivier nomination for originating this role. Plus we dive into why this level of public recognition from the industry she loves dearly is a win in her strive to believe in herself more – fully. You want to know how to survive at Runway? Here's the lady with all the answers... Host: William J Connolly Produced by: William J Connolly/Darren Bell devilwearspradamusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The breakout titular star on honouring icon Tina Turner as she brings her remarkable story to life on stage in TINA, The Tina Turner Musical as the show enters its seventh year, feeling the spirt of the late star and how playing this role has helped bring strength and healing into her personal life – calling it 'the biggest healer". Plus, we talk belting out signature songs, why it's all about the voice and the legs with the Queen of Rock and Queen of Rock 'n' Roll and why everything she does is for the loyal Tina fans that keep her memory living on. Simply the best? This superstar leading lady certain is all that – and more! Host: William J Connolly Produced by: William J Connolly/Darren Bell tinathemusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

London's original Regina George on leaning into the mean as she brings the beloved queen to life in Mean Girls: The Musical, why looks could kill when you're the head of North Shore High and why being the Apex Predator is actually a whole lot of fun. Plus what it's like taking comedy notes from a legend like writer Tina Fey, “taking it up” when performing World Burn for director Casey Nicholaw (“F**k yeah, you go girl”) and why the real love story of Mean Girls is.... Regina and Janis? #FuglyCow4Eva Host: William J Connolly Produced by: William J Connolly/Darren Bell london.meangirlsmusical.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The three-time Tony winner and undisputed icon of the theatrical world reflects on a career like no other. From her legendary roles in Evita, Sunset and Les Misérables to her dislike of riffing, love for her late friend Stephen Sondheim and being a proud groupie. We also dive into her desire to sing rock, bursting blood vessels and what it’s like to call out when there’s an audience waiting for you. Plus we discuss all things A Life in Notes as the concert comes to the London Coliseum on February 16th. She’s quite simply one of the greatest stars in history. Host: William J Connolly Produced by: William J Connolly/Darren Bell londoncoliseum.org Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jamie Lloyd's leading star on a double dose of Shakespeare alongside legends including Sigourney Weaver, Tom Hiddleston and Hayley Atwell and why nothing feels as beautifully intimate as standing on stage at Drury Lane. Plus, we talk their historic leading turn as the Emcee in Cabaret at The Kit Kat Club, the title role in Hedwig and the Angry Inch and why celebrating yourself fully is the greatest gift to you – and others.  Host: William J Connolly Produced by: William J Connolly/Darren Bell thejamielloydcompany.com Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Changed, For Good. Direct from backstage in Dublin on the current stop of their UK and Ireland Tour, the Wonderful Witches of Oz on their remarkable journey with the smash-hit musical, learning to love themselves fully and why self-acceptance isn't always an easy journey. Plus we dive into pre-show rituals high in the bubble, almost dropping the wand and why this job means more than most. There's also talk of a small song called Defying Gravity. #PinkGoesGoodWithGreen Host: William J Connolly Produced by: William J Connolly/Darren Bell wickedthemusical.co.uk Welcome to eleven. The official theatre podcast that brings the biggest stars and creatives together in one place to discuss life in the arts. Follow eleven on social media via @elevenpodcast and via elevenpodcast.com. Learn more about your ad choices. Visit megaphone.fm/adchoices