Emerging from the same mid-90s Chicago scene that saw bands like Veruca Salt, Loud Lucy, Menthol, Triple Fast Action, and Local H get signed to major labels, Fig Dish delivered alternative guitar rock that paid homage to the legends of Mt. Rockmore - Zander, Mascis, Mould, and Westerberg - under the Polygram Records (and subsidiaries) banner. Their discovery is the stuff of legend: the band sent demo cassettes to various major labels with a handwritten note from “Steve,” claiming to have found a band worth checking out, banking on the idea that everyone knows a Steve and the label would think it was a genuine tip.

Despite their immediately catchy songs that could easily fit into any alternative rock radio playlist, the band (Blake Smith - vocals/guitar, Rick Ness - vocals/guitar, Mike Willison - bass, Andy Hamilton - drums) struggled to grasp the elusive brass ring. Their single “Seeds” was released with a video but saw limited play on MTV’s 120 Minutes. Touring across the country, they opened for acts like Juliana Hatfield, Veruca Salt, Ned’s Atomic Dustbin, Owsley, and Walt Mink. However, their 1995 album, That’s What Love Songs Often Do, produced by Lou Giordano, failed to make a significant impact. Their 1997 follow-up, When Shove Goes Back to Push, recorded under challenging circumstances, also ended up in used CD bins despite featuring some of the catchiest rock tunes of the year. In a last-ditch effort, the band filmed a video for “When Shirts Get Tight” featuring adult film stars in humorous, over-the-top scenarios. The video, too risqué for MTV, became more myth than reality.

By 1998, Fig Dish’s tenure with Polygram ended unceremoniously. They recorded new songs at Andy Gerber’s Million Yen studio in Chicago, hoping for a second chance that never materialized. Smith and Willison went on to form Caviar (known for “Tangerine Speedo”), while Ness and Bill Swartz (who played drums on Shove) formed Ness.

Recently, Forge Again Records from Chicago reached out to the band to release their two albums on vinyl for the first time. While the band agreed, navigating the bureaucratic red tape with record labels has been time-consuming. In the meantime, Forge Again asked if Fig Dish had any unreleased material, leading to the release of their 1998 demos as Feels Like the Very Second Time on vinyl.

In this interview, Smith and Ness reveal there was no dramatic story behind the band’s breakup; the members remain friends and stay in touch. While they won’t be quitting their day jobs to relive their (less than) glory days, there’s a strong possibility that Fig Dish will release new material in the near future.

Songs In This Episode

Intro - Burn Bright For Now

13:54 - Pretty Never Hurts

Outro - When Shirts Get Tight

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Is Nü Metal the most divisive music subgenre of the 1990s? It sure seems to generate a lot of hate, but is also beloved by millions of fans. Eschewing the traditions of classic NWOBHM bands (guitar solos, leather, fist-pumping athems), Nü Metal rose from the same underground that embraced both hip-hop and mosh pits, with its own style (baggy pants, tracksuits, baseball caps) more reminiscent of Run D.M.C. than Judas Priest. In the same way that punk was a response to the bloated stylings of 70s corporate and progressive rock, Nü Metal stripped away the overindulgence of previous metal incarnations and focused on rhythm and catharsis. Bands like Korn, Papa Roach, and Linkin Park wrote about the dark underbelly of suburban home life, with varying musical approaches, while others like Slipknot, Mudvayne, and Static-X added a layer of theatrical presentation in their looks. We revisit not just the Nü Metal period, but also what came before it, bands like Anthrax and Public Enemy teaming up, the alternative approaches of Primus, Faith No More, and Rage Against The Machine, and explore the looks, the sounds and legacy of Nü Metal.

Songs In This Episode

Intro - Blind by Korn (from Korn)

17:11 - Snap Your Fingers, Snap Your Neck by Prong (from Cleansing)

26:20 - We Care A Lot by Faith No More (from Introduce Yourself)

37:04 - Denial by Sevendust (from Home)

49:32 - Last Resort by Papa Roach (from Infest)

50:27 - Rock That Doesn't Roll / Dope Nostalgia podcast promos

58:21 - A.D.I.D.A.S. by Korn (from Life Is Peachy)

1:11:24 - 10 Seconds Down by Sugar Ray (from Lemonade and Brownies)

1:24:35 - Boom by P.O.D. (from Satellite)

Outro - Rollin' (Air Raid Vehicle) by Limp Bizkit (from Chocolate Starfish And The Hot Dog Flavored Water)

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No one would have faulted the surviving members of For Squirrels for moving on from music after the horrific accident that claimed the life of their singer, bassist, and road manager. It took years for guitarist/singer Travis Tooke and drummer Jack Griego to regroup with new bassist Andy Jim Lord under the new moniker Subrosa and land a new record deal, the end result being their 1997 lone release Never Bet The Devil Your Head. While For Squirrels drew comparisons to the college rock of R.E.M., Subrosa dials up rock, dabbling in a post-hardocre riffage while Tooke switches between a lower register singing voice and a fiery growl. Passionate but uneven, the record doesn't shy away from the past for the Tooke and Griego, who channel their catharsis in equal parts volume and melancholy.

Songs In This Episode

Intro - Never The Best

13:42 - World's Greatest Lover

23:01 - The Life Inside Me Killed This Song

28:38 - Antigen Fiend

32:33 - Dope Nostalgia Promo

34:27 - Damn The Youth

Outro - Rollercoaster

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The twin guitar attack by Adam Franklin and Jimmy Hartridge on Swervedriver's 1991 debut Raise is unlike anything else under the shoegaze umbrella. While 80s dream pop was a touchstone for many of their contemporaries, the band from Oxford, England took some American influences like Dinosaur Jr., The Stooges, Sonic Youth, and Hüsker Dü into consideration. Their sound is more aggressive, more visceral, and often more exciting, leaning into the guitar's ability to shift tones quickly without relying on a wall of noise and feedback.

Songs In This Episode:

Intro - Raise

12:10 - Sci-Flyer

17:29 - Son of Mustang Ford

25:15 - Feel So Real

Outro - Deep Seat

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It's our third year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2022. There's a wide array of bands and artists, new and old, that helped make 2022 a great year for music. New albums from 1980s and 90s artists like The Afghan Whigs, Suede, Archers of Loaf, The Cult, Rammstein, The Crystal Method, The Hellacopters, and many more all released great late career records, while newer bands like The Glad Machine, Noiseheads, The Bishop's Daredevil Stunt Club, Goodbye June, and a number of others landed on our radar.

Songs In This Episode:

Intro - I'll Make You See God by The Afghan Whigs (How Do You Burn?)

11:43 - Nervous by Noise Unit (Cheeba City Blues)

26:23 - Times Like These by Soulside (A Brief Moment In The Sun)

32:44 - Magical Thinking by Sloan (Steady)

41:40 - Feed The Wound by Pig (The Merciless Light)

53:00 - October's Song by Skid Row (The Gang's All Here)

1:10:39 - Reality Spiral by Greg Puciato (Mirrorcell)

Outro - Personality Disorder by Suede (Autofiction)

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Scotland's Gun didn't make much of a dent stateside in the 80s or 90s, slightly out of tune with what was happening in mainstream. Their third album, Swagger, is aptly named, as the band is fully in control of their 80s AOR meets 90s hard rock approach. While 1994 was ground zero for grunge and alternative on US radio and MTV, Gun injected their sound with Bon Jovi big rock, Billy Idol energy, and even some Red Hot Chili Peppers funk on the questionable cover of "Word Up" by Cameo.

Songs In This Episode:

Intro - Don't Say It's Over

13:43 - Find My Way

21:59 - Something Worthwhile

31:52 - Word Up

Outro - Vicious Heart

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Formed in 1994 out of punk rock roots, Pohgoh’s poppier sounds earned the Florida band comparisons to acts like Velocity Girl and Superchunk. A split single with Braid was released in 1996 and by the time Pohgoh was ready to record a full length, singer Kobi Finley had been replaced by Susie Richardson. What should have been the start of a great relationship with the newly created label Deep Elm Records wound up dissolving quickly after drummer Keith Ulrey unceremoniously quit the band after the full length, In Memory of Bab, had been recorded but shortly before a record deal was signed. Ulrey’s departure led the band to break up in 1997 though Ulrey and Richardson’s relationship developed and the former bandmates wound up getting married in 2000. In 2016, Pohgoh reunited and two years later released Secret Club on Ulrey’s New Granada Records. An opening slot on a Jawbreaker reunion tour happened in 2019 which led to the band recording another new album, Du Und Ich, which came out in October 2022.

Songs In This Episode:

Intro - Friend X (from The Emo Diaries Chapter One: What's Mine Is Yours)

6:03 - Tell Me Truly (from In Memory of Bab)

Outro - Try Harder (from Secret Club)

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Although Chris Cornell had written solo tracks for soundtracks during the Soundgarden era, it wasn't until the band had broken up that he released his proper solo debut. 1999's Euphoria Morning is both expected and unexpected, as some songs aren't far off from "Blow Up The Outside World" or "Fell on Black Days," minus the band bombast, while others showcase his phenomenal vocal talent over folk, blues, and psychedelic turns.

Songs In This Episode:

Intro - Can't Change Me

17:15 - Moonchild

21:50 - Wave Goodbye

27:13 - Preaching The End Of The World

33:38 - Disappearing One

Outro - When I'm Down

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Lead by brothers Jag (guitarist) and Chris (drummer) Tanna, I Mother Earth made layered Latin percussion, alternative rock bombast, and hints of progressive and psychedelic rock a part of the formula from the get go. But the band comes into their own on the 1996 sophomore release Scenery and Fish, opening with Afro-Cuban-influenced percussion that weaves throughout the record. Where some bands might trim out extended jams or unexpected divergences mid-song to attract a more commercial audience, the band plants the flag with full-throated bravado that no musical stone will be left unturned.

Songs In This Episode:

Intro - One More Astronaut

12:50 - Songburst And Delirium

16:22 - Raspberry

24:41 - Pisser

29:37 - Another Sunday

Outro - Hello Dave

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On their third and final studio album, Bedhead, lead by brothers Matt and Bubba Kadane, craft an intimate record built on space and restraint. But 1998's Transaction de Novo isn't entirely a down-tempo affair, as the band pushes the sonic envelope on noisier tracks like "Extramundane" and "Psychosomatica" with mixed results. The sweet spot lies in the slowcore creep of opener "Exhume," which remains instrumental for most of its four plus minute running time, or expansive closer "The Present," which builds like an Explosions in the Sky song. The band finds new and interesting ways to stay true to their sound while tweaking it along the way.

Songs In This Episode:

Intro - Lepidoptera

10:25 - Exhume

13:48 - More Than Ever

21:54 - Extramundane

26:09 - The Present

Outro - Half-Thought

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The past few decades have solidified Linda Perry as a pop songwriting machine for the likes of Pink, Christina Aguilera, Gwen Stefani, and many more artists in the 2000s. But the talent was already there in 1992 when "What's Up!" struck a chord with listeners as the first track off of the one and only 4 Non Blondes album "Bigger, Better, Faster, More!" While the neo-folk of "What's Up!" slotted in nicely alongside fellow non-grunge acts like Blind Melon, Spin Doctors, Blues Traveler, Dave Matthews Band, and others, the rest of the record tackles a variety of genres, like the shuffling blues of "Pleasantly Blue" to the bass-popping funk of "Superfly" to mixed results.

Songs In This Episode:

Intro - What's Up!

17:12 - Drifting

23:56 - Old Mr. Heffer

32:15 - Calling All The People

Outro - Superfly

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Soulwax is best known for their remixes of such 2000s artists as LCD Soundsystem, Tame Impala, Gorillaz, Tiga, and more, but the band actually got their start as a catchy alternative rock band produced by the Chris Goss (of Masters of Reality) on their debut and Dave Sardy (Barkmarket) on their sophomore album, Much Against Everyone's Advice. Splitting their sound between chunky distorted guitars on tracks like "Too Many DJs" and "Conversation Intercom" and more a delicate approach on "Overweight Karate Kid" and "Flying Without Wings," it gives the album variety. But depending on which version you listen, the album can run long after an elongated lull in the middle that could be rectified with a reshuffling of the track list.

Songs In This Episode:

Intro - Much Against Everyone's Advice

14:27 - Too Many DJs

16:48 - Overweight Karate Kid

21:05 - Flying Without Wings

25:13 - My Cruel Joke

Outro - When Logics Die

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An established artist starting a new musical project is always a tricky proposition, and the 90s were no different. Whether releasing a solo album or starting a new band, quality doesn't always matter when it comes to fans accepting a new sound or direction. After the amicable split of Bikini Kill in 1998, Kathleen Hanna returned a year later with the retro-inspired Le Tigre, forgoing punk bombast for dancier sounds rooted in homemade drum loops, Farfisa organs, 60s girl groups, 80s new wave and electroclash. But that doesn't mean politics and social commentary take a back seat, as Hanna is as sharp lyrically as ever on the self-titled debut album while balancing pop melodies with a lo-fi approach.

Songs In This Episode:

Intro - Deceptacon

11:22 - Les and Ray

17:36 - What's Yr Take On Cassavetes

24:46 - Phanta

28:56 - Eau D'Bedroom Dancing

Outro - My My Metrocard

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It's hard to look back on the 1990s and remember a time when Alanis Morissette was not one of its most recognizable artists. At the start of the decade, unless you were familiar with Canadian pop music or the Nickelodeon show "You Can't Do That On Television," you'd be forgiven for not knowing her name. In 1995, that all changed. Thanks to a meeting with songwriter/producer Glen Ballard, the creatively frustrated 19-year old teen pop star was able to reinvent herself by stripping away the restraints of her previous career and starting anew. Songwriting sessions with Ballard allowed Morissette to unleash her voice, sonically and lyrically, one demo at a time into what would become one of the most successful albums in history. As impressive as the sales numbers are, unlike other massive multi-platinum world sellers, Jagged Little Pill does it without being glossy and over-produced, relying on simple drum loops, tasteful guitars, and the occasional bouncy bassline to provide the foundation for Morissette's singular voice.

Songs In This Episode

Intro - You Outta Know

29:52 - Right Through You

32:35 - Dope Nostalgia Promo

37:03 - All I Really Want

46:55 - Not The Doctor

50:56 - Mary Jane

Outro - Head Over Feet

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The line between influence and blatant copying is thin, but bands like Salmonblaster fall more towards the former on their 1996 self-titled and only officially released album. The howling vocals and chugging guitar riffs easily recall Nirvana but in a way that pays respect rather than simply aping the sound, and it's not the only trick the band has up their sleeves. Guitars are big and occasionally chaotic in a shoegaze way that makes the more restrained elements shine brighter, while the band shifts between sounds as easily as their lead vocalist jumps from cathartic screams to melodic harmonies.

Songs In This Episode:

Intro - Sugarrush

14:26 - Transistors & Turbines

20:36 - Freeway

26:46 - Brian Jones

31:49 - Visonblur

Outro - The Perfect Fit

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Garage rock can be a catch-all term that rubs shoulders with punk, rockabilly, surf, and more. But thanks to a variety of known and lesser-known bands, there has always been a group of dedicated musicians writing and playing revved up and relatively simple rock that traces its lineage back to the primitive and raw sounds of 60s that popped up after the British Invasion with roots in American rhythm and blues. After a very underground 80s, the sound returned in fits and starts with bands like Jon Spencer Blues Explosion and later The White Stripes, The Hives, The Strokes, and plenty of other bands starting with "The." We dig into the whole sound, the local scenes that helped foster the sound over decades, and much more.

Songs In This Episode:

Intro - Fell In Love With A Girl by The White Stripes

16:20 - Paint It Black by The Avengers

21:49 - Touch Me I'm Sick by Mudhoney

31:09 - (Gotta Get Some Action) Now! by The Hellacopters

40:11 - Heaven by The Hydromatics

1:07:31 - The Reproduction of Death by The (International) Noise Conspiracy

Outro - Singin' A Song About Today by The Mooney Suzuki

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Shoegaze is a term tossed out whenever a band leans in on the wall-of-sound distortion and pairs it with obscured vocals and dreamy feedback. But few bands actually stuck to My Bloody Valentine's template, adding their own flavors like the 1993 debut album Against Perfection by Adorable. Here the vocals are less obscured, and even hooky at times, recalling everyone from Echo & the Bunnymen and The Smiths to The Verve and Spiritualized. But it's not just the vocals that give Adorable a unique twist, as the rhythm section, especially an occasional Pixies-like bassline, gets their times to shine as well.

Songs In This Episode:

Intro - Breathless

17:49 - Sister Chapel Ceiling

21:26 - Homeboy

28:07 - Sunshine Smile

34:45 - Still Life

Outro - A To Fade In

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Chicago and the surrounding areas like Champaign-Urbana nurtured a big guitar rock sound found in the Smashing Pumpkins, Hum, Catherine, Veruca Salt, Fig Dish, and others. Originally called Mother for their debut, the band signed to a major label, changed their name to Menthol, and produced an album worthy of that group with 1995's self-titled release. But the band takes a different approach vocally, spitting big chunks of lyrics filled with a variety of references and twisted wordplay.

Songs In This Episode:

Intro - Dry Heaves (Of The Well-Adorned)

17:34 - Stress Is Best

20:35 - U.S.A. Capable

26:35 - Perfect Spirals

32:58 - Briefcase Full Of Cash

Outro - Francis Scott Key

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Bands cultivating a look to match their sound in rock and roll is nothing new, but the 90s weren't the most receptive decade to a well thought out image. The Sharp, with their black and white color scheme, upright bass, and precise take on 80s new wave with twists of rockabilly and power-pop, make a case that The White Stripes would follow at the end of the decade with their 1993 debut This Is The Sharp. Sounding blender filled with albums by The Knack, Brian Setzer, sElf, Joe Jackson, Fountains of Wayne, Jellyfish, and more, the tight, clean sounds are at odds with the distorted grunge overtaking the music world in 1993. But their charm of being totally at odds with the times means the skill and craftsmanship of the songwriting really shines, even if it dips into familiar patterns at times.

Songs In This Episode:

Intro - Scratch My Back

17:28 - Talking Sly

24:12 - Love Kiss

33:04 - Kiss Me Again

Outro - Don't Waste My Time

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College rock is a broad term, but one that can be applied to the post-Blake Babies band Antenna founded by John Strohm and Freda Love. On the second and final album by the band, 1993's Hideout, the influences of American indie and underground pop are infused with strands of shoegaze and dream-pop noise, with tasteful guitar effects, and unexpectedly crafty baselines and backing vocals. All of that makes it not entirely appealing to mainstream radio in 1993 looking for the next Nirvana or Pearl Jam, but ideal for the college radio crowd in search of something different.

Songs In This Episode:

Intro - Wallpaper

12:43 - Don't Be Late

21:09 - Easy Listening

31:21 - Stillife

Outro - Shine

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The moniker "post-hardcore" was used to describe the wave of bands following the hardcore-punk sound but pushing the musical envelope. In the 80s it was Husker Du and Minute, the 90s Fugazi, Drive Like Jehu, Jawbox. None were exactly the same, each stretching and pushing the boundaries of what made up post-hardcore. New York City, home to Helmet, Quicksand, and Chavez, was fertile ground for the sound, which included Into Another. On their 1994 sophomore album, Ignaurus, the band take the edge and energy of post-hardcore, combine it with some progressive rock, and end up with a sound unlike just about anyone else was making at the time.

Songs In This Episode:

Intro - Running Into Walls

14:44 - Maritime Murder

30:24 - Anxious

45:02 - Poison Fingers

Outro - Ungodly

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Jon Crosby, the singer, songwriter, and multi-instrumentalist at the helm of VAST, was a well-regarded guitarist as a teen who signed a record deal with Elektra at just seventeen years old. On the debut, Crosby takes 90s industrial rock in the vein of Nine Inch Nails or Stabbing Westward and layers unexpected sounds, like Benedictine monks and Bulgarian women's choirs, to create haunting soundscapes that compliment his wide vocal range that can belt it out or croon with equal effectiveness. Visual Audio Sensory Theater is a true album, with extended intros and subtle connective tissue running throughout the record that will divide listeners today just as it did in 1998.

Songs In This Episode:

Intro - The Niles Edge

18:42 - I'm Dying

21:56 - Here

32:13 - Dirty Hole

40:24 - Touched

Outro - Pretty When You Cry

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Known for his talents on various stringed instruments, Ben Harper solidified his backing band as The Innocent Criminals on his fourth record, 1999's Burn To Shine. With that band arrangement, Harper delves into a variety of sounds, channeling the blues and folk that made up his early solo releases but continuing the louder sounds from his previous outing, The Will To Live. Through the twists and turns, from 70s-influenced blues rock to minor-key Zeppelin riffing, Harper and his band play with volume and dynamics throughout to create a unique sonic pallet that works until it doesn't.

Songs In This Episode:

Intro - Burn To Shine

15:53 - Steal My Kisses

27:00 - In The Lord's Arms

38:04 - Two Hands of a Prayer

56:33 - Beloved One

Outro - Forgiven

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Though Fu Manchu often comes up when discussing the stoner rock of Sleep, Kyuss, Queens of the Stone Age, Monster Magnet, and, the Orange County band has made the prime focus skate boarding, California vibes, and science fiction, all stuffed in a smoke-filled custom 70s van. As proponents of fuzzed-out guitar riffing, tight arrangements, catchy hooks, and finding the balance between bombast and restraint, Fu Manchu marks all our boxes. The fact they do such a good job not only writing great music, but creating an entire look and feel from album artwork to merchandise helps us look into what was once an aspirational idea of the West Coast to a pair of flat-land Ohio boys.

Songs In This Episode:

Intro - No Dice

18:33 - Drive

27:15 - King of the Road

34:56 - Boogie Van

40:35 - Weird Beard

Outro - Freedom of Choice

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Nine Inch Nails' second studio album, The Downward Spiral, is Trent Reznor's chronicle of self-destruction through themes of addiction, depression, and existential despair. Free from the interference of TVT Records, it marked a significant recording and songwriting evolution for Reznor, building upon the . While the industrial rock genre had already combined heavy guitar riffs with electronic elements, Reznor's innovative production techniques combined with his ear for melody helped launch the album and band from the underground world to dance charts, daily MTV play, and global recognition.

Songs In This Episode

Intro - Mr. Self Destruct

33:07 - Piggy

36:42 - I Do Not Want This

40:58 - The Becoming

46:02 - Heresy

58:39 - Closer To God (single)

Outro - Hurt

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Montreal's Doughboys, like so many bands who tipped their toes in the power-pop sound, were mostly ignored by US listeners. Unless led by a ballad like the Goo Goo Dolls or pushing a punkier sound, artists with layered harmonies and a keen sense of melodic hooks were often overlooked for pure pop. On their 1993 album Crush, the band never compromise on the guitars, combining hardrock riffs with catchy leads and an occasional ripping solo. Only when the band slows down and gets dirgy does the momentum falter on an overall underappreciated gem.

Songs In This Episode:

Intro - Tearin' Away

18:00 - Fix Me

27:03 - Everything

30:25 - Neighborhood Villain

Outro - Shine

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Bruce Kulick, a member of KISS from 1984 to 1996, and John Corabi, a member of Motley Crue from 1992 to 1997, joined forces to form Union with capable players Jamie Hunting on bass and Brent Fitz on drums. The songwriting style Corabi brought to Crue is evident from the first track "Old Man Wise," which combines classic hard rock riffs with melodies and vocals that fit well into 90s alternative and grunge, such as Alice In Chains. What helps make this something more than just another album is the small touches - the harmony vocals from all members paired with clean and unfussy production that serve the songs well.

Songs In This Episode:

Intro - Old Man Wise

13:56 - Around Again

20:20 - October Morning Wind

28:40 - Let It Flow

39:26 - Pain Behind Your Eyes

Outro - Get Off My Cloud

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While G. Love is currently doing the press circuit to discuss his latest album, Philadelphia Mississippi, the affable blues artist is more than happy to talk about his experiences in the ‘90s. Born in Philadelphia and raised on the finest music that city had to offer in the ‘70s and ‘80s, namely soul and blues, G. Love moved to Boston to continue his busking career with hopes of landing a record deal. As glam became grunge, and grunge became pop-punk, G. Love’s alternative hip-hop with blues-style guitar playing was a bit of an anomaly though, in retrospect, artists like Beck and Fun Lovin’ Criminals could now be considered peers. A deal with Sony imprint Okeh was solidified in ‘94 with the release of the first G. Love and the Special Sauce album and G. Love got into the write, record, tour cycle for the rest of the decade releasing three more albums before the turn of the new century. Looking at G. Love’s discography, he never slowed down though he left Okeh to release solo - and band - albums on Brushfire Records, all the while maintaining a consistent touring lifestyle. 2022’s Philadelphia Mississippi was born out of pandemic SoulBques where G and his makeshift group of musician friends would hang out, grill up some meats, and sit around playing blues music. You can catch G. Love on stage opening the Dispatch/O.A.R. tour as well as headlining some of his own dates this summer.

Songs In This Episode:

Intro - Rhyme for the Summertime

8:06 - Baby's Got Sauce

Outro - Blues Music

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In the 1990s Dinosaur Jr. was primarily the J Mascis show, with both Lou Barlow and Murph out of the band. Their 2000s reformation has resulted in a steady release of some of the band's best material, but the origins trace back to the early 80s and the high school hardcore band Deep Wound where J and Lou began. Then known only as Dinosaur, the band toned down the hardcore elements for more jangle, and with J growing into a guitar shredder somewhere between Sonic Youth and Neil Young. On each of their three releases, the band grows as songwriters and players, and production considerably improves as the studios and budgets slowly increase. We dive into the early years to hear the earliest inklings of what the band would later become on albums like Green Mind and Without A Sound.

Songs In This Episode:

Intro - The Leper from Dinosaur

17:49 - Repulsion from Dinosaur

28:21 - In a Jar from You're Living All Over Me

34:03 - The Lung from You're Living All Over Me

41:06 - No Bones from Bug

Outro - Freak Scene from Bug

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Though known for a variety of harder post-hardcore bands like Helmet, Quicksand, Biohazard, and many more in the early 90s, the New York City indie music also include a number of outliers who had their major label moments. Like Soul Coughing or Firewater, Skeleton Key sought to do something slightly different. Sure, there are guitar-driven alternative rock tunes like "Wide Open" or "The Worlds Most Famous Undertaker," but the majority of the album isn't so straightforward. With a "junk" percussionist, there is a pallet of sounds not regularly heard on most alternative rock records of the decade.

Songs In This Episode:

Intro - Watch The Fat Man Swing

23:05 - Wide Open

28:22 - All The Things I've Lost

35:24 - Vomit Ascot

Outro - The Worlds Most Famous Undertaker

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One-hit wonders are not unique to the 1990s, and revisiting sophomore albums is always a hit-or-miss experience. Double down on what made the band or artist successful, evolve the sound into something unexpected, or somewhere in between? After scoring a hit with "Counting Blue Cars" on their 1995 debut Pet Your Friends, Dishwalla returned in 1998 with And You Think You Know What Life's About. From the opening track, the band play with sounds and melodies that stretch from the industrial rock of Stabbing Westward to the big choruses of Oasis to the experimental quirk of Radiohead. The album is unafraid to go BIG, with soaring guitar lines and vocals, but does it add it up more than just a collection of disparate influences?

Songs In This Episode:

Intro - Healing Star

11:56 - Stay Awake

18:03 - Until I Wake Up

23:06 - Pop Guru

Outro - Bottom Of The Floor

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The late mid-to-late 90s were overwhelming based on the number of new album releases each week. Unfortunately, that meant bands like Little John either had a breakout single and video or were quickly relegated to the cut-out bin. In the case of their 1996 album Derailer, full of pop-rock that veers between Dinosaur Jr. guitar riffs and the quirky lyrics and melodies of They Might Be Giants, the band crafted some earworms alongside some less engaging album tracks. From the opening title track to the Presidents Of The United States of America-esque "Evel Knievel," the band craft tight, fun songs that more people should know.

Songs In This Episode:

Intro - Fell From The Sun

15:24 - Shoelace

22:05 - Scared

31:40 - Evel Knievel

40:49 - Derailer

Outro - Down On Me

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There isn’t a Dig Me Out listener who isn’t familiar with Everclear, a staple of ‘90s alternative rock radio and MTV. With a string of hits like “Santa Monica,” “I Will Buy You a New Life,” and “Father of Mine,” Everclear spent the better part of the decade relentlessly touring, playing to sold-out crowds around the globe. But, had it not been for the relative success of the band’s 1993 debut, World of Noise, Everclear might have been just another footnote in a long line of forgotten bands. Singer Art Alexakis had tried his luck in San Francisco with the band Colorfinger in the late ‘80s/early ‘90s but after that band’s demise, moved with his pregnant girlfriend to Portland, Oregon where he decided to give the music thing one last try. Though World of Noise was cheap to make, the songs that Alexakis recorded with bassist Craig Montoya and drummer Scott Cuthbert - rough and raw as they were - caught the ears of major label A&R reps looking for the “next Nirvana.” After an initial release on indie label Tim/Kerr Records, Capitol Records picked up the band and reissued the debut, and set Alexakis on the way to a career that has lasted 30+ years. For the first time ever, World of Noise is now available on all major streaming services, and a vinyl reissue is planned for later 2022. While Montoya and Scott Cuthbert (and Cuthbert’s replacement, Greg Eklund) are long gone, Alexakis continues to make a living by releasing new Everclear music and touring. While the venues may be smaller, the passion is still there and Everclear will be celebrating World of Noise, and the rest of its catalog, on a summer tour with openers Fastball and The Nixons.

Songs In This Episode:

Intro - Fire Maple Song

4:38 - Nervous and Weird

Outro - Sick and Tired

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Face To Face had established themselves over their first three albums as a skate punk band with elements of Bad Religion and Hüsker Dü. But for 1999's Ignorance Is Bliss, they purposely showed the tempos and expanded the pallet to a much more alternative rock sound. That left some fans confused, others angry, but also welcomed new listeners into the fold. Depending on whether you're a punk purist or prefer creative detours, there is plenty to enjoy on the album, which sounds confident and catchy in a way that only veteran players with songwriting chops could pull off.

Songs In This Episode:

Intro - Heart of Hearts

15:37 - The Devil You Know (God Is A Man)

22:33 - Prodigal

27:26 - (A)Pathetic

40:25 - I Know What You Are

Outro - Overcome

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Describing rock bands can be tricky, as there is usually a need for comparison to set expectations. In the cast of Headstones, it's not that simple. The band is heavy, but not metal. They rock in a way that fits into the 90s, but they're not grunge or alternative. Smart lyrics, big guitar riffs, and short catchy songs that have hints of Australian bands like AC/DC or The Angels, with a touch of Guns 'n Roses and even a ballad or two. On their 1993 debut Picture of Health, all the ingredients for a smash hit debut are there, and while the band is beloved in Canada, they didn't make a ripple outside their home country.

Songs In This Episode:

Intro - When Something Stands for Nothing

17:10 - Heart of Darkness

22:39 - Oh My God

35:19 - It's All Over

Outro - Judy

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With their tenth album, Jump Rope, just released, a fortunate stroke of serendipity landed Buffalo Tom's third album Let Me Come Over at the top of our most recent Patreon album poll. Having recorded their first two albums with J Mascis of Dinosaur Jr., the band took a different approach for their 1992 release, heading to Fort Apache Studios to work with Sean Slade and Paul Q. Kolderie. With guitars and tempos dialed down a bit, introspective lyrics and melancholy melodies become clearer in the mix, while tasteful layers of acoustic guitars, keys, and other additions help fill-out the three-piece sound.

Songs In This Episode

Intro - Staples

15:27 - Mineral

17:24 - Stymied

26:25 - Taillights Fade

29:54 - I'm Not There

Outro - Porchlight

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Composed of Jean-Luc De Meyer of Front 242, Mark Heal of Cubanate, and Ged Denton of Crisis n.T.i., along with special appearances by members of Front Line Assembly and Haujobb, C-Tec is something of a 1990s industrial supergroup. What that allows is the members to experiment on their debut Darker with a broader range of sounds away from their regular bands, like including breakbeats on "Being Nothing," going 80s on "The Lost," or punishing noise on "Shift IV." Of course, there are some four-one-the-floor thumpers made for the 12" remix, like the Rammstein-esque "Foetal" and driving "Stateless." A few of the tracks take a little more time than necessary to get going, and De Meyer's vocal approach won't be for everyone, but Darker is a worthwhile album to add to your industrial collection.

Songs In This Episode:

Intro - Flowing

10:25 - Being Nothing

15:37 - Foetal

25:38 - Flowing

28:19 - Shift IV

Outro - The Lost

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The EP, that strange format in-between singles and albums. What makes up an EP? It can be anything - all new material, demos, live tracks, remixes, or anything else an artist (or record label) can think of. While around since 1919, the EP format never had a more successful decade on the charts than in the 1990s. "Jar of Flies" by Alice In Chains became the first artist to have an EP reach number one on the Billboard 200 chart, and that wasn't the only commercially successful EP of the era. Nine Inch Nails, Ugly Kid Joe, Radiohead, My Bloody Valentine, Nirvana, Ride, The Smashing Pumpkins, and many more released essential music on EPs.

Songs In This Episode:

Intro - EP of the 90s Medley (Wish by Nine Inch Nails, I Stay Away by Alice In Chains, Blue by The Smashing Pumpkins)

15:15 - Everything About You by Ugly Kid Joe

22:40 - Making Love by Shiner

35:23 - Come See About Me by The Afghan Whigs

42:51 - JC Auto by Sugar

53:38 - One Too Many Mornings - The Dust Brothers

1:08:54 - I Could See The Dude by Spoon

Outro - Shooting Star by Golden Smog

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Melbourne, Australia's Sandpit only managed one full-length, 1998's On Second Thought, along with a few earlier EPs before disappearing. Mellow and sparse one minute, abrasive and noisy the next, the band finds a sweet spot between the two thanks to inventive vocal melodies that play with phrasing and cadence to keep the listener's ears engaged. Like American counterparts in Slint, Seam, or Polvo, there are slowcore and post-hardcore benchmarks the band hits with ease, while still creating interesting guitar lines between the crawling drum and snare hits.

Songs In This Episode:

Intro - Hold Yr Horses

11:23 - Walking in a Straight Line

19:04 - Metamorphosis

21:52 - I Positively Hate You Now

24:16 - Along The Moors

Outro - Helicopters

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Known as the more melodic half of the New Zealand alternative "Dunedin Sound" rock band Straightjacket Fits for their first two albums, Andrew Brough left in the early 90s to forge his own path. By the mid-90s Bike had formed and in 1997 would deliver their one and only album, Take In The Sun. The name is appropriate, as the album is full of shimmering, psychedelic sounds, and melodies that cry out for sunshine and warmth. But the band isn't a 60s retro act, incorporating fevered 80s alternative like on "Keeping You In Mine" or shoegaze noise on "Inside." On a pair of headphones, the album swirls and surrounds the listener, an aspect lost on lesser speakers that may turn off less engaged ears. As mentioned in the episode, our Patreon suggester wrote a eulogy for Andrew Brough after his passing in 2020 that is worth your time.

Songs In This Episode:

Intro - Take In The Sun

10:35 - Save My Life

18:20 - Inside

23:44 - Keeping You In Mine

Outro - Circus Kids

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On their 1993 debut Bring It Down, Madder Rose's Mary Lorson brings melodic sharpness and emotional depth to her vocals that helps make the band special. Billy Coté's guitar matches Lorson, weaving intricately disjointed solos and leads, while also bringing in shoegaze-styled textures and noise. This gives the band a unique niche in 90s rock, somewhere between the East Coast alternative rock of Belly, Letters to Cleo, or the Breeders along with UK bands like Lush or Slowdive. But with all the magic happening in the songwriting and performances, the end result is missing a gear. A lackluster production, with thin guitars and bass, doesn't give the band a needed punch when the energy levels rise.

Songs In This Episode:

Intro - Beautiful John

22:03 - While Away

29:22 - Swim

34:43 - Altar Boy

Outro - Bring It Down

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Though Steelheart was considered a new band when its self-titled release came out in 1990, the nucleus of the band had been together for nearly a decade. As Red Alert, the band spent most of the ‘80s honing songwriting skills and recording demos in Connecticut while playing occasional shows in a state that didn’t offer a lot of opportunities for a hard rock band. With a plane ticket and 4-song demo cassette in hand, the band, now called Steelheart, scored a record deal almost immediately after relocating to Los Angeles and within a year of moving to the West Coast, Steelheart was topping charts with “I’ll Never Let You Go (Angel Eyes)” which showcased Milijenko Matijevic’s soaring and glass-shattering vocals. With a modest level of success, the age old question of, “What would have happened had Steelheart moved to L.A. five years earlier?” is one that Matijevic has considered but knows he’s powerless to answer. After playing 50 shows in support of 1992’s Tangled in Reins, Steelheart played a Halloween gig opening for Slaughter. Matijevic attempted to climb a lighting truss only to discover it had not been properly secured. The 1,000 pound truss fell on Matijevic breaking his nose, cheekbone and jaw and, subsequently, led to Steelheart’s breakup as Matijevic was in the hospital and rehab for a considerable amount of time. With a new lineup in tow, Matijevic has carried on the Steelheart name and released Wait (1996), Good 2B Alive (2008) and Through Worlds of Stardust (2017) while playing gigs whenever he can. The singer also provided the vocals for Mark Wahlberg’s character in the 2001 film Rock Star which featured Steelheart’s “We All Die Young”. In 2022, Matijevic released the single “Trust in Love” in multiple languages in support of global peace and hopes that the song becomes an anthem for those who need hope in their lives.

Songs In This Episode:

Intro - I'll Never Let You Go

10:27 - She's Gone

Outro - Can't Stop Me Lovin'

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While bedroom recordings are nothing new to the music world, especially after the availability of cassette four-track recorders in the 1980s, going from crude demos to fully fleshed-out compositions is something else entirely. Many artists have taken advantage of computer-based recording programs in the 2000s, but musicians like F.M. Cornog, under the name East River Pipe, figured out to take an eight-track reel-to-reel home recording set-up and eschew any limitations. On the 1994 compilation Shining Hours In A Can, shimmering guitars and atmospheric keys backed by minimalist production give the sound a lo-fi Bruce Springsteen feel, with songs loaded up on regret, solitude, and loneliness.

Songs In This Episode:

Intro - Make A Deal With The City

10:48 - Helmet On

14:48 - My Life Is Wrong

22:00 - She's A Real Good Time

31:55 - Psychic Whore

Outro - Axl or Iggy

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The Manchester music scene gained notoriety long before Ian Brown and Shaun Ryder thanks to 1960s artists like The Hollies, The Bee Gees, and Herman's Hermits. Following the rise of punk, Manchester provided their own twist with bands like Joy Division and New Order, The Smiths, and The Fall breaking out at home and abroad. But our focus is on the unique combination of guitar-driven rock and underground rave music that morphed into what became known as Madchester. Combining funky, percussive rhythms with everything from 80s college rock to 60s psychedelic, the brief window of the late 80s and early 90s created a unique blend of danceable rock music paired with DJs and club music that became a small factor in the eventual rise of Britpop.

Songs In This Episode:

Intro - Fool's Gold by The Stone Roses

13:27 - Dragging Me Down by Inspiral Carpets

26:08 - I'm Free by The Soup Dragons

33:15 - Pacific State by 808 State

46:02 - Sit Down by James

Outro - Step On by Happy Mondays

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Terms like post-punk, post-rock, emo, indie, etc. get tossed around when talking about 90s rock bands that strayed from the mainstream to embrace a different take on the soft/loud dynamic. Boston four-piece Karate takes the angular twin-guitar and vocal attack of Fugazi and shave off some of the rougher edges while incorporating Slint-like slowcore, dialing down the tempos and volumes ready to burst. Karate adds a twist with jazzy phrasings and even a dirgy blues riff, giving the band an opportunity to work with a wider sonic pallet while leaving plenty of open space that occasionally feels underdeveloped.

Songs In This Episode:

Intro - It's 98 Stop

17:30 - New Martini

27:22 - New Hangout Condition

35:46 - Wake Up, Decide

Outro - Die Die

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Though Chad Fischer’s musical resume begins with School of Fish, the drummer didn’t play on either of the band’s two full-length albums. Just before the recording of 1993’s Human Cannonball, Fischer was fired by producer Matt Wallace who brought in session drummer Josh Freese to play on the album. When Freese was unable to tour with School of Fish due to other commitments, Fischer rejoined as the live drummer until the band broke up shortly thereafter. Knowing that he wanted to make a living in music, Fischer acquired gear and built a recording studio where he recorded not only his post-School of Fish band, Lazlo Bane, where he sang and played guitars, but worked on a number of releases by artists like Star 69 and Jeremy Toback. A chance meeting with Colin Hay (Men at Work) resulted in a personal - and working - relationship that continues to this day. Perhaps Fischer’s biggest musical accomplishment, however, was writing the song “Superman” which became the theme song for the long-running NBC comedy, Scrubs. These days, Fischer is writing, recording and producing for TV and movies, staying busy by releasing cover songs (and videos) and starting to work on new Lazlo Bane material.

Songs In This Episode:

Intro - Superman by Lazlo Bane (from All The Time In The World)

7:47 - Alone Again by Chad Fischer (from Ice Age: Dawn of the Dinosaurs soundtrack)

Outro - 3 Strange Days by Lazlo Bane and School of Fish (from Someday We'll Be Together)

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Following the end of Galaxie 500, Damon Krukowski and Naomi Yang were ready to give up on music. Thanks to Mark Kramer of Shimmy Disc, who coaxed them back into the studio, the pair formed Damon and Naomi, and released their debut More Sad Hits in 1992. While continuing the dream pop/slowcore sound of Galaxie 500, the band stretch their sound in various ways, with subtle basslines playing off the vocal melodies, hits of French pop and jazz, and the varied vocal approach with each taking lead, as well as harmonizing on several tracks. Neither high or lo-fi, it's melancholy but not depressing, a fine needle to thread.

Songs In This Episode

Intro - Boston's Daily Temperature

13:25 - E.T.A.

17:28 - Information Age

24:19 - Once More

28:43 - Astrafiammante

Outro - This Changing World

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New Radicals, the band that wrote the ubiquitous single "You Get What You Give" which will never the airwaves, was the brainchild of Gregg Alexander and former child actor Danielle Brisebois, the former who had previously failed to breakthrough in the late 80s/early 90s solo artist. Donning the iconic bucket hat and calling-out (then) current celebrities like Courtney Love and Beck gave critics something to spill ink about, but the overall 1998 release Maybe You've Been Brainwashed Too never got the attention the single managed. Drawing on pop from several decades and angles, the band moves effortlessly between 90s alt-rock less expected sounds like the soulful bounce of Hall and Oates or twists and turns of Todd Rundgren. While the album hones in on specific moods, like longing blue-eyed soul on one track and Badfinger-esque 70s pop on the next, the variety of players gives the overall record an inconsistent vibe with tracks often exceeding their welcome by a minute or two.

Songs In This Episode:

Intro - You Get What You Give

22:16 - Mother We Just Can't Get Enough

30:06 - In Need of a Miracle

37:47 - I Don't Wanna Die Anymore

Outro - Flowers

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Alternative in the late 80s included several artists who successfully mixed funk and hip-hop with hard rock and metal, such as Faith No More, Living Colour, and the Red Hot Chili Peppers. In Melbourne, Australia, Defryme would form in 1989 with a similar sound, but it would take them five years to release their debut Purekiller. By that time, the fusion of hip-hop, funk, and metal was a far less original concept, and while Defryme craft a handful of tight tracks, the band struggles with consistency. The catchy hook of "Therapy" is absent on at least half of the record, which dips into yarling grunge territory on "Sanity" and attempts an ill-advised cover of LL Cool J's "Mama Said Knock You Out."

Songs In This Episode:

Intro - Pure Killer

12:03 - Gunn

22:57 - Therapy

33:12 - Sanity

Outro - Rivers

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Before the alternative explosion led by Nirvana in 1991, bands like Jane's Addiction, R.E.M., Red Hot Chili Peppers, and Faith No More were already paving the way on MTV and modern rock playlists. Coming off the success of iconic rap-rock tune "Epic" from their sophomore album The Real Thing, Faith No More followed up with 1992's Angel Dust, further exploring the edges of thrash metal, funk, new wave, and more. While the record stretches the boundaries of what could still be called a mainstream, major label release, the end result is full of relentlessly catchy earworms that often defy categorization.

Songs In This Episode:

Intro - Smaller And Smaller

16:30 - A Small Victory

21:43 - RV

29:07 - Be Aggressive

40:30 - Midlife Crisis

Outro - Everything's Ruined

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