Welcome to another episode of the "Decorating Pages" podcast. This week, I’m talking to Production Designer Debbie De Villa, who skillfully brought the suspenseful film of "Trap" to vivid life. In this M. Night Shyamalan thriller, Cooper (Josh Hartnett) and his daughter Riley attend a concert that turns out to be a trap for a notorious serial killer. Debbie takes us behind the scenes, unraveling the meticulous thought and creativity that went into contrasting Cooper’s wicked  nature with an environment nuanced by warmth and empathy. She’ll delve into how she used circular and geometric elements within the stadium to symbolize the killer's entrapment, heightening the dramatic tension. Additionally, Debbie will share her favorite set—the concert stage—where she designed a whole concert within the film, giving each song a different feeling using the four elements and evolving Lady Raven's character development. Are you passionate about TV and film production? Fascinated by the behind-the-scenes magic that brings your favorite shows and movies to life? Look no further than the Decorating Pages podcast!Join Emmy-winning set decorator Kim Wannop as she guides you through the world of visual storytelling in each episode. With exclusive interviews featuring top industry professionals—from production designers and set decorators to prop masters—you'll gain unparalleled insights and appreciation for the craft.Whether you're a film enthusiast, a design lover, or simply curious about the creative process, Decorating Pages podcast is your essential guide to the art of TV and film production. Don't miss out—subscribe today and embark on a captivating journey behind the scenes!#DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNowSubscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio, and iHeartRadio.Follow us:* Instagram: @decoratingpages* YouTube: Decorating Pages Podcast* TikTok: @decoratingpagespodcastReach out to Kim Wannop at kimwannop@decoratingpagespodcast.com and visit www.decoratingpagespodcast.com for more information.

In this episode, I chat with the talented Production Designer Ruta Kiskyte about her work on the film "Sing Sing," which stars Colman Domingo as Divine G, an innocent man who was imprisoned for 25 years but finds purpose through a theater group in prison. Ruta's dedication to authenticity shines as she collaborates with previously incarcerated cast members to recreate spaces like cells, theater sets, and the clemency hearing room. She paid meticulous attention to detail, sourcing Divine G's exact prison typewriter, crafting butterflies from candy foil, and even recreating clemency documents. Her artistry evoked powerful emotions from those whose stories inspired the film, a testament to her commitment to authenticity.Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast!As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling.Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production!#DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNowSubscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadioFollow at:Instagram: decoratingpages YouTube: Decorating Pages PodcastTicTok: @decoratingpagespodcast Contact Kim Wannop at kimwannop@decoratingpagespodcast.comwww.decoratingpagespodcast.com

In this episode, I chat with set decorator Kimberly Leonard. You can hear a previous podcast about her wonderful work on “The Dropout” and now we dive into her latest work on Netflix's limited series "Griselda." Kimberly explores the vibrant period design of the 70s and 80s in this whirlwind crime story about “The Godmother” of drug lords, Griselda Blanco. With much of the show shot on location, Kimberly brings the decades to life—from the opening scene's sweeping house tour to intense gun battles in bars and deeply character-driven interiors. Get ready to be transported back in time!Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast!As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling.Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production!#DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNowSubscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadioFollow at:Instagram: decoratingpages YouTube: Decorating Pages PodcastTicTok: @decoratingpagespodcast Contact Kim Wannop at kimwannop@decoratingpagespodcast.comwww.decoratingpagespodcast.com

In this episode I speak with Production Designer Marek Dobrowolski. Marek has designed a number of historically rich stories that have taken him to locations all around the world. After winning an Emmy for his work on “Hitler: Rise of Evil”, he continued his epic designs with Steven Spielberg’s “Into the West ' which he was also nominated for.His other designs include “The Craft”, “Terminator: The Sarah Connor Chronicles”, “Justified”, “World Without End”, ”The Company”, “Under the Dome”, “The Last Ship”, “Mr. Mercedes”, the current season of “The Walking Dead”. His latest film, “I’ll Find You”, is a wonderful story of love conquering all set in the Nazi background of World War 2. He shares that he got to go home to Poland for filming and was able to have a full Polish crew. He is a wonderful storyteller, as you will hear, sharing about his designs and research for each of these marvelous projects.

In this episode I speak with Oscar winning Set Decorator Shane Vieau. Shane’s work has a dynamic effect on screen which you can currently see in his Oscar nominated work on "Nightmare Alley". He has decorated huge films like “The Imaginarium of Doctor Parnassus”, “Dawn of the Planet of the Apes”, “Crimson Peak”, “Suicide Squade”, “xXx: Return of Xander Cage”, “The Shape of Water”(Oscar) and “It: Chapter Two”, He also decorated 2015’s Best Picture “Spotlight”and that lil’ indy film “Juno”.

On this episode I speak with Production Designer Ethan Tobman. Ethan is nominated for and ADG award this year for his design of Taylor Swift’s “All Too Well” in Short Format: Web Series or Music Video. He won the ADG award last year for “Black is King” in the Variety Special category. Ethan studied at NYU where he wrote, directed and production designed a short film at the age of 19 that went to Cannes Film Festival. From there he worked his way up on film to a Production Designer for films, TV  and music videos. Currently airing now on Hulu, Ethan Tobman also Production Designed “Pam and Tommy”. His other projects also include “Free Guy”, Beyonce’s “Lemonade” and “Formation”, multiple videos with Taylor Swift, “The Report”, and the chilling story “Room”.

On this episode I speak with Set Decorator Amber Richards. Amber is a Set Decorator in New Zealand and is nominated for an Oscar this year for her work on “The Power of the Dog”. This film was shoot in New Zealand for Montana by director Jane Campion and is stunning in it's period decor. As I spoke with Amber I got a better sense of how crews work in New Zealand compared to the US. We talk about how the responsibilities of the Set Decorator reach to different decor like wallpaper and hardware in her department. Amber was nominated for an ADG award last year for her work on “Mulan”, a huge scope of sets in that period film also. We discuss how Set Decorators have pieces fabricated for set as she did for “Mulan” and “The Meg”. Amber started as a set dresser on some of the biggest films of our time including “The Lord of the Rings” series, “The Last Samurai”, “King Kong”, “The Chronicles of Narnia”, “Mission Impossible: Fallout”. Amber is currently jumping in on “Sweet Tooth” season 2 on Netflix!

On this episode, I speak to Production Designer Steve Olson, Set Decorator Jerie Kelter and Art Director Raf Lydon. These three are now nominated for an ADG award for their work on “Live in Front of a Studio Audience: “The Facts of Life” and Diff’erent Strokes”. Exciting to hear how these three collaborated to make these iconic sets come back to life. From the linoleum floors, the moldings, and matching furniture to a T! Steve, Raf, Jerie and their crews brought these classic sets back to life and made us remember the design of minicams in the 80’s.

In part two of this interview with director Craig Zisk we speak about how he decides to shoot a scene, and gives a great example of the one-er (scene shot in one take) he did on the show “Smash”. We talk about guest directors being visitors on long running shows and how he works in that environment. The importance of the Tone Meeting with the showrunner. We discuss “Cop Rocks”, “The Larry Sanders Show”, “Brave New World” and “The Looming Tower”. He has been directing for 30 years, and is still excited about every project …I hope I get to work with him again soon.

On this episode I speak with Director, Producer Craig Zisk. Craig has directed over 96 shows in his career jumping back from drama to comedy. He's directed shows like "NYPD Blue", "Alias", "Scrubs", "The Office", "Parks and Rec", "Brooklyn Nine-Nine", "Weeds", "New Girl", "Fear the Walking Dead", "This is Us", "Wu-Tang:An American Saga" and many more. He talks about his college days at USC while being a PA on "Family Ties". An incredible story of how passion and hard work prevail in this industry.

On this episode I’m talking with Set Decorator Sarah McMillan who is Emmy nominated for her work on the riveting limited series “Mare of Easttown”. Sarah’s resume has some real hidden gems like AMC’s “Dispatch’s from Elsewhere”, Netflix’s “Living with Yourself”, the period film “Kill Your Darlings”, and her first Set Decorating job was on Gus Van Sant’s "Last Days". In starting out she set dressed on “The Royal Tenenbaums”! Sarah and I talk about the home town vibes she created in absolute perfect detail in capturing the look of Easttown, a fictional town outside of Philadelphia.

Ryan Garton is a Set Designer who has worked on shows TV shows like “Banshee”, “Sleepy Hollow” and “Scorpion”, his work can recently be seen in the film “The Prom” and I’ve been working with him for the past year on “American Crime Story: Impeachment”.  Ryan has a gift for creating gorgeous virtual renderings of the sets he designs. These days with our schedules being so tight and revisions constantly coming at you, a Set Designers job has become more demanding. Ryan and I also have a deep love for the Real Housewives franchises. We talk some gossip and rate the homes and decor of some of the Real Housewives.

On this episode I speak with Set Decorator Alison Harvey about the epic Netflix series “The Crown” Having been on the project for over 8 years this final season holds a special place in telling the life of Queen Elizabeth. This final season included sets that depicted the death of Diana, Princess of Wales, the Golden Jubilee of Elizabeth II, the deaths of Princess Margaret and Queen Elizabeth The Queen Mother, and the wedding of Prince Charles and Camilla Parker Bowles and more. We talk about the color pallant of the decor changing over the seasons, some of the hardest sets to decorate and giving this amazing series a glorious set to end on.

On this episode I speak with Director Michael Uppendahl. Michael has an very interesting story of how he got into directing that intertwines passion, talent and good old fashion luck. He is an award winning theater director and has been directing hugely acclaimed TV series like "Walking Dead", "Madmen", "Turn", "Legion", "Castle Rock", "Hunters", "Hollywood", "Ratched", "Fargo" and I am currently working with Michael on "American Crime Story: Impeachment". I was just delighted when I learned he had directed an episode in this past season of "Fargo" that was shot in black and white. It's a beautiful hour of television. With Emmy voting going on till June 30th please consider Michael’s work on "Fargo", "Ratched" and "Hollywood".

On this episode I speak with Production Designer Kalina Ivanov about her design of the 50's noir series "Lovecraft Country". Studying theater at NYU lead Kalina to storyboarding for films such as "Silence of the Lambs", "Quiz Show", "Sleepers" and more. Kalina transitioned to Production Designing films that range from comedies like "The Best Man", "Uptown Girls", and "Long Shot", to the TV musical "Smash", dramas such as "Rabbit Hole", "The Conspirator", the series "Kings", and Netflix's "Seven Seconds". Kalina's Production Design also won an Emmy award for HBO's "Grey Gardens".

On this episode I am airing an interview I did last month with my alma mater Jefferson University. They have a great online series of webinars of how-to's from some of their alumni in their speciality fields. You can check out other webinars on their website jefferson.edu. In this webinar give tips on staging your home for selling from a set decorators design eye. Very grateful that I was considered for the series and hope that it was helpful. If you would like to watch the slide show for this episode you can find it on the Jefferson University YouTube channel and soon on the Decorating Pages YouTube channel.

The ADG awards are this Saturday, April 10th, which lets me celebrate the nomination of my friend Shaun Page for his work on "Wheel of Fortune". "Wheel of Fortune" is nominated for an ADG Award in the Variety, Reality or Competition category. We speak about the nominated sets and how the show being on for 35 years and being nominated now is such a special accomplishment. Shaun also manages to flips houses on the side, how he does that and work full time on this iconic show I have no idea.

In this part two interview with Production Designer Jim Bissell we throw back to "The Twilight Movie". His feelings about designing CGI heavy films like "300" and "Jumanji", working six times with director George Clooney including "Confessions of a Dangerous Mind"and "Good Night and Good Luck". His love of "The Spiderwick Chronicles", designing of a 5 million dollar parking garage for "Mission Impossible: Rouge Nation" and how he basically invented computer PreVis on "The Boy Who Could Fly". He also gives us some great insight into his recent film that he is nominated for an ADG award “The Midnight Sky”

It’s been a goal to speak with Jim Bissell since starting this podcast because on my wish list of designers and decorators I wanted to selfishly interview people who inspire me and inspire the world of cinema and tv. Jim Bissel has so many films that I cherish that of course I’m a total dork in this interview. He has a fascinating origin story that put him in the sights of Stevan Speilberg on one of his first films E.T. We talk about comparing his spaceship design from E.T. to The Midnight Sky. He reveals some Easter eggs from ET and The Rocketeer. The magic of trashing the house in Harry and the Hendersons. He won an Emmy Award in 1980 for his work on Palmerstown, U.S.A. followed by a BAFTA nomination for production design on Steven Spielberg's E.T. the Extra-Terrestrial. He has a Oscar nomination for Good Night and Good Luck. Three ADG nominations, and the ADG Lifetime Achievement Award in 2015, which.. He’s going strong, he might need another one.

In this part two of my interview with Set Decorator Jan Pascale we discuss her beginnings in Pittsburgh as a set painter on "Mr. Rogers"! Then the obvious shift to Roger Corman films. Her early work propping then moving to set decorating on films like "Forever Young", "Dracula Dead and Loving It", TV shows like "Gidion’s Crossing" and "Boston Public", then decorating "Training Day". Her string of heavy dramas intermixed with hilarious comedies like "Good night and Good Luck", "Anchman", "Spiderwick Chronicles", "Kicking and Screaming", "Leatherheads", "Horrible Bosses", "Argo", "Suburbacon", "VEEP", "All the Way", "Vice" and the upcoming "Maverick", the sequel to "Top Gun" and she is currently working on the Obi-Wan series for Disney. Jan’s beginnings to now is an extraordinary carer of decorating the screen.

In this episode I speak with the "Queen of White House Set Decorating" Jan Pascale. Her career includes so many great looking film I had to give you two episodes of her amazing decorating stories. With the highly acclaimed film "Mank" already sweeping up the nominations, I'm sure Jan will not be overlooked for her decorating in this black and white film. Her resume includes gems like "Good Night and Good Luck", "Sicario", "Argo", "Anchorman", "The Spiderwick Chronicles", "VICE", "Training Day" and the soon to be released "Maverick" the long awaited sequel to "Top Gun". A plethora of great stories decorating these films, so many this is part one of two... your welcome.

On this episode I explain the day to day of how Covid is effecting the way the set gets decorated. From meetings to last touches on set, the way we all work in this industry has changed, and I hope not for long.

On this episode I speak with Dean Holland, an Emmy winning editor for his work on The Office” He seven nominations fro his work on The Office and Parks and Recreation and the 76th annual Academy awards. He also has three Online Film and Television award nominations in directing for “Parks and Recreation” and “Brooklyn Nine-Nine”. I met Dean on “Parks and Rec” and was lucky enough to start up the Netflix series “LOVE” with him after Parks ended and then again work with him on “The Good Place”. Starting out in a post production house he quickly found his way to editing and working on shows like “Behind the Music” then comedies like Dave Attell ‘s ”Up All Night” and Comedy Central’s Celebrity Roasts. Working for nine years between “The Office” and then “Parks ad Rec”, Dean was able to move from Editing to Producing and then Directing. He has been directing recent shows like “Splitting Up Together”, “Bless This Mess” and “The Unicorn”.

In this episode of the Decorating Pages I speak with one of my favorite Production Designers David Gropman. We speak about his captivating design of the limited series "Ripley." Based on Patricia Highsmith's dark, thrilling novel, the series spans eight episodes on Netflix, and dazzles with over 200 sets. We focus on the psychological impact of set design on character spaces like details in Tom's apartment and the meticulously crafted spaces in Dickie’s Villa and how they contribute to the story. And we praise Set Decorator, Alessandra Querzola’s set details from unfinished Caravaggio paintings to carefully chosen leather chairs. David also discusses the logistical hurdles they faced, especially those brought on by the COVID-19 pandemic, and location scouting all over Italy.Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast!As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling.Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production!#DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNowSubscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadioFollow at:Instagram: decoratingpages YouTube: Decorating Pages PodcastTicTok: @decoratingpagespodcast Contact Kim Wannop at kimwannop@decoratingpagespodcast.comwww.decoratingpagespodcast.com

As a holiday present to my loyal listeners I’m giving away my top 5 tips for breaking into the business. I’m sharing the story of how I got into production and eventually a job in the art department. It is hands down the most asked question I get over the years. I’ve spent hours emailing people back the same story and the same tips. So this is my holiday gift to anyone looking to get into his crazy business. Happy Holidays!

On this episode I speak with Production Designer Rose Lagace. She is also the creator of the successful Hollywood art department insider website Art Departmental. We spoke in mid august and we both were starting back to work at the time. We talk about her show “The Baroness Von Sketch Show”, which if you haven't checked it out, it’s pretty funny and a little dark. We discuss the ebb and flow of the work in Canada in the past decade, some of our tricks we used for getting into the business and her work designing many short films like Patient, Close your Eyes, Suffer, Plus One and so many more. She also describes how she came up with the successful website Art Departmental. Incredible how she is able to juggle working, keeping up with this site, interviewing Designers and Decorators.

On this episode I speak with Director, Producer, Writer, AD Jeff Rosenberg. I’ve worked with Jeff for a couple of years on different shows as our first AD and second AD and he’s great in both positions. In this past year Jeff finished the film “We Broke Up” which he wrote, produced and directed. I wanted to have him on the podcast because it’s so interesting to me to hear how someone can wear all the hats and have the passion to get a project completed. It took him years to get this together and while working long hours on productions like “The League” “VEEP”, “The Good Place” and films like “Wine Country”. He has an ADG award for “VEEP”, and wins and nominations for writing, production and directing his film Orenthal:The Musical which is now showing on Amazon Prime. And he won the Audience Award at the Friars Club Comedy Film Festival for it. We talk about how we both started in Hallmark movies… he excelled a lot quicker then I did, his story of getting into this business is unbelievable.

On this episode I am joined by Production Designer James Pearse Connelly and we discuss the nominated designs and the winners of the 2020 Emmys for Production Design. If you have listened to James and I recap before you know we don't’ hold back, and we drink! I’m super glad that he’s up for this and is able to go head to head discussing all of these celebrated TV shows. We talk about who we thought would win, not necessarily who we voted for. And.. we were mostly wrong. Which goes to show, you never know… even as insiders, he’s even on the Emmy committee, ya just never know. James also just won a Daytime Emmy in June for his design of the Kelly Clarkson show, so cheers to that! He currently is the designer for show that are filming during covid like “The Masked Singer”. We talk about how designing for covid has changed his designing style.

On this episode I am joined by storyboard artist Gabriel Hardman. I spoke to him in early July after seeing him in the documentary “Harold and Lillian: A Hollywood Story”. A documentary about storyboard artist Harold Michelson and his wife Lillian Michelson, a film researcher. In the documentary they interview a current storyboard artist, Gabriel Hardamn. The documentary inspired me to track him down for this podcast. A storyboard artist is a position in the art department but as Gabriel explains they work more closely with the Director then the Production Designer. Gabriel’s resume is quite impressive. Huge films like Ford vs. Ferrari, Pirates of the Caribbean, Logan, Interstellar, The Dark Knight Rising, Inception, Angels and Demons, Tropic Thunder, The Siderman movies, The Austin Power movies. I definitely learned from this interview about specifics of the position and the imagination and talent it takes to be a storyboard artist.

On this episode I speak with Production Designer Jamie McCall. From her days of graphic designing on "House" to designing non stop for the past two years on "American Crime Story: Versace", "Pose", "The Politician" and the upcoming Netflix film "The Prom". We talk about her moving around the country to work in this industry, how other Production Designers have helped and influenced her, her work on "Banshee" and designing the Ryan Murphy world.

On this episode I speak with Set Decorator / Production Designer Matthew Flood Ferguson. Matthew is currently nominated for an Emmy for his work on the Netflix series “Hollywood” for Outstanding Production Design for a Narrative Period or Fantasy Program. His career as a Set Decorator focused on films like "Running with Scissors", "Beautiful Creatures", "The Gift", "Battle of the Sexes" and more… but recently turning to a string of high end TV Dramas like "American Crime Story: Versace", and the upcoming "Ratched", he then moved to Production Designer for “Hollywood”. We talk about how we met on Versace, how he started his career in commercials, the ridiculous pace it takes to get a series like "Versace" and "Hollywood" made and if he’ll be sticking to Production Design. I also gush about my love for the film "Running with Scissors" and make him talk about all the good stuff.

On this episode I speak with Production Designer Monica Sotto. Monica is celebrating her nomination for Outstanding Production Design for Variety, Nonfiction, Reality or Reality-Competition Programming for “Drunk History”. She was also nominated in 2017 when she was the Art Director on "Drunk History". This past January, when we were still allow to party, Monica and her team also picked up an Art Director Guild award for "Drunk History". I met Monica on “Bones”, she was the art department coordinator. It was great to catch up with her and see what she's been up to since I last worked with her. A USC film school grad, Monica started as being an agents' assistant and then moved into the art department. She’s worked on some great shows like “It’s Always Sunny in Philadelphia”, “Rizzoli & Isles (https://www.imdb.com/title/tt1551632/?ref_=nm_flmg_ardp_9)”, the last season of “American Horror Story” and more.

This episode is very special to me because I speak with a Designer idol of mine Production Designer Jane Musky. The films that Jane has designed have influenced me more than I realized. Although I have seen almost all of her films, multiple times, when I refreshed and watched some again, it made me feel passion, excitement, and my love for making set decorating. Jane designed Raising Arizona, Young Guns, When Harry Met Sally, Ghost, Glengarry Glen Ross, City Hall, The Devil’s Own, Boomerang and even recently Hustlers. We talk about her start as a scenic designer, meeting up with the Cohen brothers to start her film career, giving great advice about the set atmosphere, her recent season of the Murphy Brown reboot, working with DP’s like Barry Sonnenefeld, Dante Spinotti. Discussing the recent film Hustlers, the classic and in depth dressing of Glengarry Glen Ross, and then I pull everything I can out of her about Raising Arizona.

On this episode I speak with Production Designer Michael Wylie. His credits include Men in Black 2, Legion, Masters of Sex, The Mysterious Benedict Society, Pushing Daisies, (for which he won a Primetime Emmy) and, most recently, Avatar The Last Airbender. Avatar: The Last Airbender follows A young boy known as the Avatar who must master the four elemental powers to save the world. The show is regarded by many critics as one of the greatest animated television series of all time. Michael’s designs of this series has countless stunning sets that span Chinese culture and capture the fantasy of this beloved story.Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast!As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling.Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production!#DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNowSubscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadioFollow at:Instagram: decoratingpages YouTube: Decorating Pages PodcastTicTok: @decoratingpagespodcast Contact Kim Wannop at kimwannop@decoratingpagespodcast.comwww.decoratingpagespodcast.com

On this episode I speak with Jonathan Fischer who is an editor in unscripted reality television. Jonathan has been working on shows like Expedition Unknown, Little Woman:Dallas, Battlebots, American Guns, Ultimate Fighter, The Biggest Loser and more. He explains to me how the editing process begins, works and ends on a project. How the Tsunami in Japan in 2011 changed the editing industry forever. Who knew?? We discuss the ethical responsibility an editor has especially in reality television and how under current conditions working remotely is doable but not ideal. Also why he decided to change his career and focus on Virtual Reality.

On this episode I speak with Set Decorator Don Diers who’s passion for details in his sets and his choice for specific charter pieces are so wonderful to discover when you watch his work! Starting in film as an art director he quickly discovered his passion for creating the characters in dressing and switched paths to be a Set Decorator. Creating memorable sets on films like the picture perfect “Down with Love”, in TV the collage campus world of “Community” and even decorating for the “The Muppets” which he has an Art Directors Guild award for. He currently has the second season of Showtime’s “Kidding” under his belt and these sets are not to be missed.

On this episode I speak with the Production Design team of the final season of "The Good Place". Production Designer; Ian Phillips, Art Director; Adam Rowe, Prop Master; Gay Perello and Graphic Designer; Graham Radcliff watch the series finale of "The Good Place" together and reminisce how we all got it done. It was so nice to see each other, especially in this time. Watching the series finale together was special, we really appreciate each other's contributions to the look of the show. It was a fantastic series to be apart of. Many of us on the crew were also on Parks and Rec together and it’s like we say in this interview we all just click, and have a short hand of communication. Bonus! I also have made a video of this podcast accompanied by pictures of the sets and the props for you to view and listen at the same time! You can watch this on the www.decoratingpagespodcast.com website or the Decorating Pages Podcast YouTube channel. Today also starts Emmy voting, so I hope you will consider the series finale of "The Good Place" for Outstanding Production Design in half hour or less.

On this episode I speak with Production Designer Brain Stonestreet. Brian’s crater is jammed packed with huge live programs. Brian designs the stages for live evets like The Grammy’s, The Golden Globe Awards, The Soul Train Awards (https://www.imdb.com/title/tt11182954/?ref_=nm_flmg_pdsg_3), The BET Hip-Hop Awards (https://www.imdb.com/title/tt10950998/?ref_=nm_flmg_pdsg_4), The Billboard Music Awards (https://www.imdb.com/title/tt9154620/?ref_=nm_flmg_pdsg_7), The Annual Academy of Country Music Awards (https://www.imdb.com/title/tt8986084/?ref_=nm_flmg_pdsg_8) and more. He also has Production Designed The Kennedy Center Honors, Al Pacino and George Clooney An American Cinematheque Tribute (https://www.imdb.com/title/tt0770712/?ref_=nm_flmg_pdsg_83)s, and more. He has Won 3 Primetime Emmy Awards, 2 Art Directors Guild Awards and another 26 nominations (https://pro.imdb.com/name/nm0832313/about?ref_=nm_awards_summary). So I knew that he did these shows but when I really looked at sets for the performances he has designed.. It’s incredible. Moving parts and coordinating the artist and the lighting… and it’s live! Just some ….SOME of the amazing performances he has designed for Luciano Pavarotti (https://en.wikipedia.org/wiki/Luciano_Pavarotti), Whitney Houston (https://en.wikipedia.org/wiki/Whitney_Houston), Carlos Santana (https://en.wikipedia.org/wiki/Carlos_Santana), Elton John (https://en.wikipedia.org/wiki/Elton_John), Madonna - multiple times, Alicia Keys (https://en.wikipedia.org/wiki/Alicia_Keys), U (https://en.wikipedia.org/wiki/U2)2, Prince (https://en.wikipedia.org/wiki/Prince_(musician)) and Beyoncé (https://en.wikipedia.org/wiki/Beyonc%C3%A9), The White Stripes (https://en.wikipedia.org/wiki/The_White_Stripes), Adele, Foo Fighters (https://en.wikipedia.org/wiki/Foo_Fighters), Sting (https://en.wikipedia.org/wiki/Sting_(musician)), James Brown (https://en.wikipedia.org/wiki/James_Brown), Stevie Wonder (https://en.wikipedia.org/wiki/Stevie_Wonder), Brian Wilson (https://en.wikipedia.org/wiki/Brian_Wilson), Amy Winehouse (https://en.wikipedia.org/wiki/Amy_Winehouse), John Fogerty (https://en.wikipedia.org/wiki/John_Fogerty), John Legend (https://en.wikipedia.org/wiki/John_Legend), John Mayer (https://en.wikipedia.org/wiki/John_Mayer), Andrea Bocelli (https://en.wikipedia.org/wiki/Andrea_Bocelli), Lady Gaga (https://en.wikipedia.org/wiki/Lady_Gaga), Mick Jagger (https://en.wikipedia.org/wiki/Mick_Jagger), Barbra Streisand (https://en.wikipedia.org/wiki/Barbra_Streisand). And that’s just the ones I like! The design of his Kennedy Center Honors class include Leon Fleisher (https://en.wikipedia.org/wiki/Leon_Fleisher), Steve Martin (https://en.wikipedia.org/wiki/Steve_Martin), Diana Ross (https://en.wikipedia.org/wiki/Diana_Ross), Martin Scorsese (https://en.wikipedia.org/wiki/Martin_Scorsese), and Brian Wilson (https://en.wikipedia.org/wiki/Brian_Wilson), Merle Haggard (https://en.wikipedia.org/wiki/Merle_Haggard), Jerry Herman (https://en.wikipedia.org/wiki/Jerry_Herman), Bill T. Jones (https://en.wikipedia.org/wiki/Bill_T._Jones), Paul McCartney (https://en.wikipedia.org/wiki/Paul_McCartney), and Oprah Winfrey (https://en.wikipedia.org/wiki/Oprah_Winfrey). This is a fascinating interview at least it was for me, I really learned a lot from this. We talk about his shows and what his designing challenges for these live shows will be for this Corona Viruse phase. In fact, the BET awards are this sunday, June 28th, so I’m intrigued to see what the design is of it.

On this episode I speak with Set Decorator Brandi Kalish. Brandi was brave enough to take over HBO’s "Silicon Valley" season five and she jumped into massive new sets and continued that in season 6, its final season. We get into how she has a mentor in Production Designer Michael Wehstone, the massive sets she decorated for "Silicon Valley", and balancing a budget with help from product placement. Also, diving into her decorating decisions on the the popular Netflix show “Dead To Me”. In all her spare time she has just opened up a Prop house called Studio Arts (https://www.studioartsllc.com/) in downtown LA which focuses on rental of contemporary art. She has been nominated for her work on Silicon Valley with Emmy and ADG nominations and you can see her delightful decorating in the second season of the Netflix show "Dead To Me".

On this episode I speak with Production Designer / Set Decorator Tracy DIshman. I met Tracy on the NBC show Animal Practice, and unfortunately haven't been able to work with her again. Tracy is able to balance a career Production Designing independent films and still Set Decorating inbetween. Her recent credits include the Sundance film “Black Bear”, “Inherit the Viper”, James Franco’s “Zeroville” and the upcoming “Music” directed by Sia. We chat about budgeting the design of a project, salaries of Set Decorators, independent film making and more.

In this episode I speak with my friend, Production Designer Cory Lorenzen. Besides being the Designer for "The Goldbergs" and "Schooled" he also is an Art Director in Entertainment Design for Universal, Nickelodeon and others.Starting his career with the indy hit "Napoleon Dynamite" he’s been designing films and tv shows like "Greek", "The Paul Riser Show", "Breaking In", "Web Therapy" the period hits "The Goldbergs" and "Schooled".

In this episode I interview Production Designer Bob Shaw, known for his work on "The Irishman", "The Sopranos", "Boardwalk Empire", "Wolf of Wall Street" and so many more. His thoughts on working in New York City on period projects, thoughts on working in this Covid world an his upcoming work on "The Gilded Age" and the Sopranos prequel "The Many Saints of Newark".

In this episode I conclude my interview with production designer Eugenio Caballero. He speaks about a very unique design process in designing the film “Roma”. He has had some extraordinary experiences working on film sand he talks about those collaborations like with director Jim Jarmusch, working and traveling in this work with a family, and how releasing films on streaming verse in the theater.

On this episode I speak with Production Designer Eugenio Caballero. We discuss his current show “Cortes” shutting down for the pandemic. His passion about this subject and the personal relation he has to the project. He shares his journey of starting out designing music videos and set decorating then becoming a Production Designer. He also tells of his collaboration with Director Guillermo del Toro on "Pan’s Labyrinth", specifically the use of certain color pallets in the film to distinguish the fantasy scenes

On this episode I speak with Production Designer Simon Elliott, the brilliant Production Designer, Simon Elliott. Join us as we discuss his latest project, a limited series adaptation of the Pulitzer Prize-winning book "All the Light We Cannot See" on Netflix. Simon shares the fascinating details behind recreating World War II France, the use of real materials to authentically bring this captivating story to life including using wood from a nearby barn to construct the attic set. We'll also discuss the intricate city scaled model created, underwater sets, and explore Simon's stunning French color palette. Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast!As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling.Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production!#DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNowSubscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadioFollow at:Instagram: decoratingpages YouTube: Decorating Pages PodcastTicTok: @decoratingpagespodcast Contact Kim Wannop at kimwannop@decoratingpagespodcast.comwww.decoratingpagespodcast.com

In this episode Production Designer Adam Rowe and I analyze the the Best Production Design brackets that hopefully you have been voting on the last 6 weeks. I took the Best Production Design Oscar winners and nominees since the 60’s and had March madness type brackets to vote on each week.  Adam was very kind to support me thru this and honestly was probably one of the few people I can say voted almost every day. This was fun! We break down every decade and have a lot of opinions on which film beat out the other. It was great to reminisce about these films that inspire us and I’m sure inspired you.

In this episode I talk with Set Dec Buyer Laine Abramson. Laine has been a buyer since the early 2000’s and we talk about how she changed positions from props to find her niche as a buyer. How she chooses challenging shows and different resources she uses to get the set right. She has worked on features like "Oceans 12", "Constantine", "Fast and Furious: Tokyo Drift" and "John Carter". Hectic TV shows like "Glee", "The Mindy Project", "Silicon Valley"and "Glow". Her upcoming projects include the feature "Malignant" and the Amazon show "Them: Covenant". We also get into the effects of this pandemic on the buyer position and talk about how we think things will change.

This is part two of my interview with Production Designer David Gropman. We discuss how he selects a crew when working overseas, his work with many amazing Set Decorator, Designing "Life of Pi" and working with director Ang Lee. I also check in with Annie Beauchamp, Caleb Duffy, Ethan Goodwin and Derek Hill on their pandemic experiences and their return to work guesses.

In this episode I am talking about my opinion of how this pandemic will effect production in the entertainment industry and my Set Dressing department. Production Designer David Gropman joins me and we also discuss how he has been effected by the pandemic and how his show was shut down in Italy. We talk about how he started in the business, "Chocolat", "Date Night", "One Fine Day"and the many broadway productions made into films that he has designed. You can currently see his work on the Hulu series on Catch-22.

Part two of my interview with Buyer Ethan Goodwin is all about the projects he has worked on. We talk about the period shows he has been apart of such as "For All Mankind" and "Perry Mason". We also talk about how our vendors somehow come through for us, and how real life timing vs. TV/Film timing is different. If we need it in two days somehow things happen. I also start with how the Coronavirs is effecting our industry and how it all went down in the past week.