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This Summer Throwback Dance Party episode (2026, Volume 2) is a nonstop throwback mix spanning 70s disco through 00s dance, assembled for Fourth of July weekend listening and the dancefloor. Expect reworks and modern mashups that keep the original hooks intact, including Michael Jackson throwback moments and club-ready takes on classic radio and club favourites.

Highlights include fresh versions and remixes from Block & Crown throughout the set, Babert’s Italo and Pump The Jam reworks, Duck Sauce’s Barbra Streisand re-edit, Robin S.’s Show Me Love (Muka Club Mix), and a bold DJ GALIN remix of Lady Marmalade. The notes also call out the rise of AI-altered vocals and producers who modernize classics—an ongoing trend here—while announcing this as one of the final Throwback Dance Party installments ahead of a planned Best Of collection later in the year.

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This is a Dance Classics Summer Throwback Dance Party mix for 2026, Volume 1 — a two-hour collection built for Fourth of July cookouts and backyard celebrations. The set stitches updated Michael Jackson remixes into a broader parade of 70s disco, 80s dance, 90s house and 00s party anthems to keep the energy moving all night. Michael Jackson is the centerpiece here, with fresh reworks of Beat It, Billie Jean, Rock With You and Wanna Be Startin' Somethin' sitting alongside contemporary club edits. You’ll also hear producer-driven dancefloor material from Block & Crown, DE SOFFER, Disco Gurls, and a cheeky Colin Jay flip of Nelly’s Hot In Herre — selections chosen for momentum and singalong moments. Treat this as a playlist to lift spirits and reset the mood: grill fired up, friends over, and an easy-to-follow arc that balances nostalgic hooks with modern remix heat. Volume 2 follows later this week for more throwback club action.

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Fall Throwback Dance Party 2025 Volume III delivers a blended set of 70s disco, 80s dance, 90s house and early‑2000s dance with a clear nod to Funky House. This volume was rebuilt over Thanksgiving to stitch together bold mashups, overlays, and unexpected pairings that turn familiar instrumentals and vocals into fresh club moments. The goal was momentum—snappy edits and tighter transitions keep the energy moving across the two‑plus hour mix. Producers around Block & Crown drive the set, often pairing classic grooves with rap or hip‑hop verses to create surprising collisions that actually work on the dance floor. Highlights include new takes from Block & Crown alongside tracks by Nari, Steve Tosi, Jackers Revenge, Eugenio Fico, and Cheesecake Boys. Fans of Nu Disco, funky tribal edits, and late‑90s/early‑00s structure will find Volume III a return to form and a playlist built for steady, nostalgic dancefloor motion. Listen for the craft in the transitions: long outros are trimmed, breakdowns tightened, and the mix favors momentum over extended fades to keep each section focused and club‑ready.

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This Fall Throwback Dance Party mix (2025, Volume II) leans into familiar dubs and remixes across 70s disco, 80s dance, 90s house, and 00s dance. The set is built for recognition — remixers thread iconic hooks into fresh club-ready productions so moments land with instant recall while still feeling new. Highlights include nods to Nari & Nabuk’s 2k25 reworks, plenty of Block & Crown treatments, tasteful Nu Disco turns from Richard Grey, and funk-leaning edits from Lissat & Ghostbusterz. Jackers Revenge and Babes On The Run crop up with energetic originals and mixes that keep the momentum over the set’s two-plus hours. Expect a mix of singalong moments and peak-time grooves designed to pull you out of your chair. A quick note for regulars: Volume III will be slightly delayed due to a short hospital stay, but the series will continue once things settle.

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This Fall 2025 Throwback Dance Party installment leans into Funky House built from 70s disco, 80s R&B dance grooves, and 90s house. Volume I is designed as a late-night, groove-forward set that stitches deep cuts and under-the-radar club edits into a smooth two-hour ride for fans of retro dance floor sounds.

Highlights include frequent appearances from Block & Crown across Nu Disco and Funky mixes, Nari & Nabuk’s originals, Adri Block’s party-ready cuts, and Jackers Revenge’s Nu Disco spins. You’ll also find remix flavors from Steve Tosi and a bumping House of Prayers edit; the mix keeps familiar era textures while digging up lesser-known gems that sit comfortably next to the hits you already know.

The flow stays consistent from start to finish, favoring R&B-tinged dance grooves and roomy Funky House transitions. Volumes 2 and 3 of the Fall Throwback Dance Party are queued up to follow this release with more of the same vibe. If you like the Funky House flavor here, check the Funky House Sessions and BackSpin archives for related mixes and classic-era selections.

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Electro House BackSpin Volume 11 (2011–2012) closes out Party Favorz’s deep dive into the era’s millennial dance hits and club anthems. This 2025 release compiles the definitive big-room moments and remixes that dominated playlists and festival main stages across 2011–2012.

Highlights include Martin Solveig’s “Hello,” Rihanna’s collaborations with Calvin Harris, LMFAO’s party anthems, and Swedish House Mafia’s widescreen productions, with David Guetta’s vocal-led bombast threaded throughout the mix. The set also revisits Florence + The Machine’s “Spectrum” via its Calvin Harris club rework, and celebrates the bootleg culture that kept dancefloors chaotic—most memorably the DJs From Mars mashup that recombines Sak Noel, Bingo Players, and a White Stripes riff.

At three and a half hours this volume closes the 2011–2012 chapter of BackSpin while pointing to the next installments and archival specials. Expect big drops, festival-ready edits, and the era’s blend of indie melodies and electro house aggression.

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Electro House, BackSpin series, 2011–2012 — this refreshed Volume 10 collects the era’s biggest EDM and millennial dance hits, updated to include the Bodybangers remix of Alexandra Stan’s “Mr. Saxobeat.” The set revisits the peak of the early-2010s EDM boom, when festival anthems and radio-ready remixes by the likes of David Guetta and Swedish House Mafia blurred the line between underground and mainstream.

Expect extended club mixes and notable reworks across two-and-a-half hours: highlights include David Guetta feat. Sia’s She Wolf (Falling To Pieces), Swedish House Mafia’s Don’t You Worry Child (Extended Mix), Avicii’s Levels, Porter Robinson’s Language (Extended Mix), and Nicki Minaj’s Starships (Cosmic Dawn Club Mix), alongside remixes by Tiësto, Bodybangers, and Cosmic Dawn. BackSpin Volume 10 is a nostalgia-driven time capsule — crafted for anyone chasing the big-room energy, memorable hooks, and festival-ready drops that defined 2011–2012.

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Electro House BackSpin Vol. 9 revisits the festival-sized, crossover dance hits that dominated 2011–2012. This installment collects the era’s biggest club-to-radio moments—where David Guetta and Swedish House Mafia pushed big-room hooks into the mainstream and pop stars leaned into four-on-the-floor extravagance. Highlights include Rihanna’s festival-ready pairings with David Guetta and Calvin Harris, Katy Perry and Ke$ha’s remix-fueled pop anthems, and Lady Gaga’s “Born This Way” in club-ready form. You’ll also hear J.Lo’s stadium pop, Pitbull’s summer-smash energy, and indie-to-EDM crossovers like Fun.’s Alvin Risk remix. Standout mixes from Cosmic Dawn, Dave Audé, Jody den Broeder, Liam Keegan, and Alvin Risk give familiar songs fresh peak-hour heft. At just under two and a half hours, Vol. 9 is designed for nostalgia and peak-time sets alike—party-ready remixes and anthem edits that defined the millennial EDM moment.

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Summer Throwback Dance Party 2025 Vol. 3 is a Dance Classics mix built for the long holiday weekend. This Volume 3 installment stacks disco, ’80s dance, ’90s house and early‑2000s floor fillers into a 2½‑hour nonstop set meant for pools, barbeques, and backyard cannonballs. Highlights pivot between modern reworks and retro sing‑alongs: Block & Crown steer the mix with several originals and a nu‑disco take on “Around The World,” GhostMasters supply club mixes of “Stand By Me,” “Just Like Me” and other peak moments, and Disco Gurls keep the energy bright with “No Good Love” and “Good Times.” You’ll also find Mother Hackerz’s nostalgic “Summer Of Sixty‑Nine,” a Fat Tony club mix of A‑Ha’s “Take On Me 2025,” plus beats from The Beatbangers and Nari & Giorgio V. The set finishes as a sun‑soaked, feel‑good soundtrack that segues straight into the upcoming Beach Party edition.

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This episode is a Summer Throwback Dance Party mix for 2025, Volume 2, built for celebration and the dancefloor. The two-hour set pulls from 70s disco through 00s dance and focuses on fresh remix treatments so familiar favorites slot neatly into a modern summer party flow.

Highlights include new remixes and extended club versions from Lissat & Tarrant, Max Magnani, FlashDancers, GhostMasters, Disco Gurls, and a Blond:ish rework of Foreigner’s classic. Expect a mix of disco-inflected grooves, 80s/90s dance edits, and house-era refreshes stacked back-to-back to keep energy high without repeating Volume 1.

Party Favorz notes this dropped a day early for the July 4th weekend and promises Volume 3 soon. Crank the speakers, enjoy the remixes, and treat this as a warm-up set before the regular summer lineup returns.

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Summer Throwback Dance Party (Dance Classics, 2025) Volume 1 is a 2½-hour throwback dance mix built for backyard BBQs, pool parties, or a solo kitchen shuffle. This set pulls Pop, Rock, Hip Hop and Dance hits from the ’60s through the 2000s and reimagines them for today’s dance floor with modern remixes and clever mashups. Highlights include nods to Bob Sinclar alongside a heavy helping of new retro edits from Block & Crown, GhostMasters, Disco Gurls, FlashDancers, and Steve Tosi. Expect mashups that blend two iconic hits, faithful updates given a club boost, and plenty of nu-disco and ’90s house energy; the post also notes many of these producers work under multiple aliases, so some material may be familiar in new skins. This is Volume 1 of three planned drops—Volume 2 arrives Friday and Volume 3 follows next week—so mix this release with past sets for hours of nonstop throwback party energy. Whether you’re reliving old dance-floor memories or introducing classics to a younger crowd, this compilation aims to keep the vibes carefree and the groove steady.

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This Electro House mix is BackSpin’s Millennial-era survey of club-ready pop and remixed dance hits from 2009–2010, assembled for a near three-hour party set. Expect Funky House edges and peak-time club edits that turn radio anthems into floor magnets. Highlights include reworks that dominated DJ crates: Katy Perry’s California Gurls (Liam Keegan Electro Remix), Madonna’s Celebration (Oakenfold Remix), and Robyn’s Dancing On My Own (Buzz Junkies Club Mix). The set leans on heavyweight remixers — Dave Audé appears across multiple tracks, Chew Fu and David Guetta supply darker club turns, and rising EDM names like Avicii & Sebastien Drums close with an original mix. The tracklist bridges pop and club culture with energetic edits from Kelly Clarkson, Rihanna, Black Eyed Peas, and Tiesto collaborations, making this volume a concise time capsule of how mainstream pop met electro and funky house at the turn of the 2010s.

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Electro House Classics — BackSpin Volume 7 collects the club-ready remixes and pop-EDM crossovers that dominated 2009–2010 dancefloors. This mix is a celebration of the era when electro house became the default language of clubland, built for pre-games, afterparties, and every charged-up moment in between. Highlights include three Dave Audé revamps of Lady Gaga cuts alongside club versions of Selena Gomez songs and Ke$ha’s TiK ToK, all retooled for maximum floor impact. The compilation also nods to the era’s chart architects — David Guetta and Black Eyed Peas — whose productions blurred the line between pop and the club scene. Across three hours the set balances brash, explicit floor-fillers with European imports and deeper grooves, showing how remix culture reshaped mainstream pop into anthemic dance music. Turn it up for a snapshot of when EDM genuinely ruled the radio and the nightclub alike.

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Electro House BackSpin picks up the story of 2009–2010, a pivot moment when big-room remix culture collided with pop to create today’s stadium-sized EDM sound. Volume 6 collects high-energy club remixes and crossover anthems from that era, spotlighting the producers and reworks that turned radio hits into dancefloor staples. Highlights here include David Guetta-powered moments and club versions by Dave Audé, Cahill, Moto Blanco, Jody den Broeder, and Bimbo Jones, plus prime pop-to-club conversions from Lady Gaga, Katy Perry, Rihanna, Ke$ha, and Bruno Mars. Expect mashups of electro-house grit and disco-leaning grooves—think punchy basslines under familiar vocal hooks that soundbuilt for peak-hour play. This installment is the first of three volumes covering 2009–2010, distilled for anyone who lived through the era or rediscovered it later. If you remember sweaty club rooms, late-night radio mixes, and the remix becoming the headline act, Volume 6 will take you right back.

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This episode is a BackSpin installment focused on Electro House and big dance-club hits from 2007–2008, assembled as a snapshot of the era’s Dance Club Songs moment. Volume 5 gathers long-form club mixes and notable remixes—updated here to include P!nk’s U + Ur Hand (Bimbo Jones Explicit Mix)—to recreate the stretch-of-the-night energy that defined those years.

Highlights include deep, disco-rooted turns like Fish Go Deep & Tracey K’s The Cure & The Cause in DJ Meme’s Philly Suite rework, alongside club mainstays from Eric Prydz, Freemasons feat. Katherine Ellis, Rihanna (Jody Den Broeder mixes), and late-decade pop remixes by StoneBridge and Kaskade. You’ll hear both euphoric anthems and soulful, extended grooves that DJs used to ride for minutes at a time.

The notes also reflect on how mix lengths and remix culture shifted as streaming rose—why these 6–10 minute edits mattered on the floor and how modern streaming formats shortened the DJ’s toolkit. This volume aims to preserve the flow and integrity of those original club experiences while trimming a few sections for listening balance.

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Electro House BackSpin covers 2007–2008 and this Volume 4 set revisits the era when Electro House rose from the underground and reshaped mainstream dance floors. These mixes celebrate the podcast’s origin story and the era’s remix culture, with extended club versions and reworks that dominated both clubs and radio as remixers became remix royalty.

Expect a blend of pop-diva anthems and club-focused reworks — highlights include Britney Spears, Beyoncé, Rihanna, and Robyn sitting alongside heavyweight remixers like Seamus Haji and Bimbo Jones. The set underscores how producers such as Cahill, Freemasons, and Moto Blanco blurred lines between Disco House, Electro, and pop, while labels and DJs navigated shrinking promo budgets and the rise of online bootlegs.

This three-hour-plus compilation is curated for listeners who lived through the decade’s shift or want an immersive primer: big remixes, peak-hour edits, and the turning points that led Party Favorz to launch new series like Funky House and Peak Hour.

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This Fall Throwback Dance Party Volume 2 is a Dance Classics mixtape for 2024, stacking 70s disco, 80s dance, 90s house, hip hop and 00s dance into a nearly two-and-a-half-hour celebration. The mix leans on rework-friendly club edits and extended mixes to keep floor energy steady while threading familiar hooks through modern production. Highlights include multiple GhostMasters club mixes, Nu Disco and extended takes from Block & Crown, and Jackers Revenge’s retro-ready spins on Le Freak and Ladies Night. There are also fresh past-to-present turns like Olivia Newton-John’s Physical remixed by Block & Crown x Lissat and new originals from Nari and Disco Gurls. If you want a continuous, DJ-friendly sequence of throwback grooves and contemporary disco-house treatments, this set stitches classic melodies to current club textures without getting gimmicky. It’s programmed for dancing, singalongs, and a few peak-time throwbacks.

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This episode is a Fall Throwback Dance Party mix of dance classics spanning 70s disco through 00s dance and 90s house. Presented as Volume 1 for 2024, the mix leans into familiar grooves built for late-night floors and nostalgic radio sets.

Expect a steady run of crowd-pleasers and modern club edits from Block & Crown, GhostMasters and Ghostbusterz, with standout turns from Richard Grey and Disco Gurls. Crystal Waters appears in a Block & Crown rework and Stardust’s timeless “Music Sounds Better With You” gets a fresh Sgt Slick Melbourne recut, while Mike Ferullo joins forces on several originals that bridge classic hooks and contemporary production.

Clocking in around two hours and thirty-nine minutes, this set stitches together extended mixes, nudisco dubs and club-ready edits for a warm, dancefloor-friendly ride. Highlights include reinterpretations of “September,” “Everybody,” “Gypsy Woman” and inventive pairings that keep the energy moving from start to finish.

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Electro House and Millennial Dance Classics collide in BackSpin 2024 Volume 3, a set focused on big club hits and festival-ready remixes from the 2005–2006 era. This installment hunts the era’s dominant Rock Dance and Electro House flavors while spotlighting key producers and remixes that defined the floor — think Jacques Lu Cont’s Thin White Duke take on The Killers’ “Mr. Brightside” and Axwell’s Electro House revision of Roger Sanchez’s “Turn On the Music.”

Highlights include early David Guetta outings, Bob Sinclar’s singalong anthems like “Love Generation” and “World Hold On,” and Peter Rauhofer’s hallmark reworks for Christina Aguilera, Seal, and Nelly Furtado. Also on the mix: Freemasons’ club-ready edits for Beyoncé and Faith Evans, the Martijn Ten Velden remix of “Perfect (Exceeder),” and Cascada’s crossover hit “Everytime We Touch.” The set closes with Madonna’s “Sorry” to tie the energy together and nod to the period’s club diversity.

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Electro House BackSpin 2024 focuses on the club hits and extended mixes that defined 2005–2006. This Volume 2 set digs into the era when producers like David Guetta, Axwell, Kaskade, Fedde Le Grand, the Freemasons, and Peter Rauhofer were shaping festival-sized, big-room dance floors.

Expect long, properly mixed club versions rather than radio edits — think Madonna’s Hung Up (SDP Extended Vocal) sliding into Eric Prydz vs. Pink Floyd’s Proper Education and the era’s anthemic Deep Dish and Freemasons treatments. The mix highlights the tug between electro and disco-house trends, the occasional rock‑guitar remix flair that packed dancefloors, and plenty of EU favorites from Ministry of Sound and Hed Kandi collections.

Minimal trimming lets full builds and progressions breathe. Volume 3 is already queued, but for now settle in for 3½ hours of early‑millennium club nostalgia and enjoy the ride.

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This Dance Classics mix is Summer Throwback 2024 Volume II, a nearly three-hour party set mining 70s disco, 80s dance, 90s house, hip hop and 00s dance for peak-floor moments. The mix stitches new club edits and original-style productions together to keep a nostalgic flow while pushing familiar hooks into contemporary club context. Highlights include multiple Block & Crown cuts and collaborations, high-energy Jackers Revenge club mixes, and Ghostbusterz reworks that bridge disco and house. You’ll also hear Disco Gurls’ funk-forward club tracks, Richard Grey cuts with Lissat, FlashDancers extended mixes, and a fresh Push It 2024 remix from Salt N Pepa that lands late in the set. The selection favors dancefloor continuity over straight-era chronology, making it a summer-ready throwback mix.

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A Dance Classics summer mix — Summer Throwback 2024 Volume I — built for nostalgia and peak-floor moments across 70s disco, 80s dance, 90s house and 2000s dance. This two-hour set stitches original mixes and club-ready reworks into a continuous party flow meant for late-night drives or backyard gatherings. Highlights include deep grooves from Ministry Of Funk, club heaters from GhostMasters and Jackers Revenge, and singalong edits by Block & Crown. FootLoserz and Disco Gurls supply peak-time energy while Nari and Steve Tosi bring a late-set house lift. Expect extended mixes and mashups that favor momentum and melodic hooks over trend-chasing — a straightforward throwback dance playlist for summer listening. Track selection runs the gamut from sultry deep-house mixes to Ibiza-style club edits and straight-up disco revivals, keeping the emphasis on dancefloor-friendly arrangements and familiar motifs. Whether you’re revisiting classic grooves or discovering modern producers leaning into retro sounds, Volume I is designed to keep the party moving.

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This episode is Progressive House-forward BackSpin, revisiting millennial dance-floor favorites from 2000–2004 with a 2024 reboot perspective. The set digs into early‑2000s Progressive House, Trance, and Electronica—curated to highlight tracks that TikTok and modern DJs are reworking for today’s clubs. Expect a mix of crowd pleasers and deeper gems across a three‑hour journey.

Highlights include era-defining cuts and remix treatments by John Creamer & Stephane K, Deep Dish, Scumfrog, Peter Rauhofer, and Chus & Ceballos, alongside classics like Rui Da Silva’s "Touch Me," Goldtrix feat. Andrea Brown’s "It's Love (Trippin')," and iiO’s "Rapture" (Creamer & Stephane K Mix). The BackSpin reboot narrows the decade into focused genre sets, so this volume concentrates on the progressive, percussion-led sound that bridged peak‑hour energy and melodic trance aesthetics.

If you’ve been hearing echoes of these tracks in modern edits, this mix explains why: great melodies and rhythmic drive from the millennial era still translate on today’s dance floors. Sit back and rediscover the originals that inspired the current wave.

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This episode is a 2023 X-Mas Dance special mixing circuit and house flavors into a single festive set intended for holiday parties and late-night dance floors. X-mas Dance 2k23 reworks classic seasonal songs into club-ready remixes while keeping a warm, familiar holiday spirit throughout the nearly three-hour mix. Highlights include Mariah Carey’s All I Want For Christmas (Low Sunday Extended), Kylie Minogue’s Every Day’s Like Christmas (Stock, Aitken & Waterman), and Cher’s DJ Play A Christmas Song (7th Heaven Club Mix). The set also features Leona Lewis (Cahill Club Mix), Kristine W (Illicit Club Mix), and a Fragile Future bootleg of Ariana Grande’s Santa Tell Me, with lounge interludes to balance the energetic peaks. If you want a danceable, contemporary take on seasonal favourites, this mix blends nostalgia and club production across 37 tracks.

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This episode is an 80s-focused Fall Throwback for 2023, a three-hour ride of dance-ready remixes and reinterpretations aimed at club floors and nostalgia playlists alike. Volume 2 gathers modern producers who rework late 70s and 80s classics into house, nu-disco, and club mixes, opening with Block & Crown's take on Sniff 'n' the Tears' Driver's Seat and closing with uptempo jams built for dancing.

Highlights include Block & Crown's Swingin Sultan (a Dire Straits rework), Disco Gurls' U're Simply The Best (a fresh groove on Tina Turner), and collaborative turns from GhostMasters and The GrooveBand that reimagine tracks like My Sharona and Hungry Eyes. You’ll also find house-friendly treatments from Ghostbusterz and several mixes featuring The Soul Gang that add funk and vocal heft. About half the set uses original vocals while others employ skilled soundalikes, but the overall effect is a cohesive, danceable tribute to the era.

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This episode is a Dance Classics Throwback — Fall 2023 Volume 1 — a two-hour-plus set of modernized 80s, 90s and 00s songs reworked for the dancefloor. Party Favorz gathers contemporary edits and club-ready mixes that lean heavily on ’80s influence while touching 90s house and 00s dance, presenting familiar melodies in Nu Disco, club and funky-house dressings. Producers like Block & Crown, GhostMasters and Disco Gurls dominate the sequence, delivering upbeat takes on everything from big-chorus pop to deeper disco flavors. Highlights include Ian Ossia’s Living In A Disco, Softmal & Nytron’s updated All Night Long, and Khetama & Lissat’s Vogued; there’s even a provocative house-tinged reimagining of Heart’s Alone in the lineup. The selection is intentionally eclectic — sometimes surprising, sometimes awkward — but always aimed at DJs and listeners who enjoy retro songs reframed for modern dancefloors. If you follow this trend, you’ll spot consistent club-ready production and plenty of Nu Disco hooks; this volume collects material amassed since June and sets up a second, more ’80s-focused installment.

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This episode is a 00s dance music mix from the Millennial Dance Classics series, Volume 3, covering standout club cuts and remix treatments from 2003–2004. It collects electro, progressive, and house-driven versions of mainstream pop and deeper dance tracks, aiming to map the era when remix culture pushed radio hits back onto the floor.

Highlights include Gabriel & Dresden’s transformative remixes for Jewel and other vocal-led cuts, the late-era club sheen on Christina Milian’s “Dip It Low,” Janet Jackson’s Sander Kleinenberg-powered groove, and underground favorites like Mylo’s “Drop the Pressure” and Coldplay’s Heaven & Earth club rework of “Clocks.” The set balances big-name crossover remixes with club-only gems, showing how producers reshaped pop for late-night dancefloors. Cue this when you want that early-2000s progressive-to-electro arc in one nearly three-hour mix.

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Electro House and Progressive House — Top 2000s Dance Music Classics, Volume 2 (2003–2004) — collects extended club edits and era-defining remixes aimed at listeners who want the unedited, peak-hour feel. This installment focuses on the 2003–2004 window, triangulating mainstream club moments and underground remixes that pushed dancefloor dynamics during that period.

Highlights include work from remix heavyweights such as Dave Audé, Benny Benassi, Stuart Price (Les Rythmes Digitales), Jason Nevins, Lindbergh Palace and Gabriel & Dresden. Expect Benny Benassi’s take on Goldfrapp’s “Strict Machine” and the anthemic energy of Eric Prydz’s “Call On Me” alongside rock-to-club transformations like The Killers’ “Mr. Brightside” (Lindbergh Palace Remix). The mix moves between electro grit, progressive sweeps and house grooves, featuring long-form mixes built for DJ sets and listeners who remember how these remixes retooled pop and indie tracks for the dancefloor.

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This episode is a 00s Dance Music Classics installment (Millennial Dance Classics), covering standout club versions from 2003–2004 and celebrating the era when DJs reshaped pop and underground dance floors. Expect a near three-hour mix of house, progressive house, and trance that highlights alternative and extended mixes which helped shape the coming wave of superstar DJs.

Highlights include David Morales feat. Lea-Lorién’s extended take on “How Would U Feel,” DJ Tiësto’s remix of The Roc Project feat. Tina Arena’s “Never (Past Tense),” Mylo’s remix of Elton John’s “Are You Ready For Love,” Kurtis Mantronik presents Chamonix’s “How Did You Know (77 Strings),” and Felix Da Housecat’s Thin White Duke mix of “Silver Screen Shower Scene.” The set also pulls club-ready reworks from Gwen Stefani, Sting, Tiësto with BT, and more, favoring alternative club mixes over radio edits to showcase the period’s evolving sounds.

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This is a disco classics mix — Thank God It's Disco, Volume 8 (2022) — the four‑hour finale of the series, assembled as a remastered celebration of popular disco songs. The set balances familiar floor-fillers with deeper gems, updated and sequenced for modern club sound while keeping the original groove intact.

Standouts include Chemise's underground 1982 cut "She Can't Love" in a Purple Disco Machine extended remix, an energized Ahzz "New York Moving" Party Favorz re‑edit, and classic treatments of Ottawan's "D.I.S.C.O." alongside Dimitri From Paris' take on Sister Sledge. The collection also features refreshed mixes of Chic, Bee Gees, Patrice Rushen, and Donna Summer, offering a mix of extended remixes and contemporary reworks that respect the originals.

Volume 8 is released as a tribute and is dedicated to Irene Cara, whose voice helped define late‑disco and early‑’80s pop. This final installment closes the Thank God It's Disco run with a celebratory, dance‑ready nod to the era.

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Disco — Thank God It's Disco Vol. 7 (2022) collects remixes, reworks, and modern edits of 70s and 80s classics designed for contemporary dance floors. This installment continues Party Favorz's mission to resurface familiar grooves and deeper crate finds, updating them without losing the original soul. Highlights include Dimitri From Paris outings on Bohannon and Chic, several Barry Harris 2022 revisions for First Choice and Sylvester, and a new Purple Disco Machine & Lorenz Rhode take on Kano that leans into 80s synth textures. The set balances radio-friendly anthems like the Disco Gurls edit of “Stayin’ Alive” with underground favorites and club-focused retools, offering a nearly four-hour sequence meant for sustained DJ play or home listening. If you love rediscovered disco framed through modern remixes, this volume is full of familiar hooks given fresh production — expect extended mixes, thoughtful alt intros, and a few surprising pairings that underline how these grooves still drive today’s dance music.

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This House, Progressive House and Trance mix is Millennial Dance Classics Volume 2, covering key club hits from 1999–2002 and assembled as a retrospective set for modern DJs and listeners. The collection highlights how many early‑2000s anthems have been reshaped in recent years and gathers original mixes and standout remixes across five-plus hours of music. Expect familiar hooks and floorfillers including ATB’s "9PM (Til I Come)", Alice Deejay’s "Better Off Alone", ATC’s "Around The World", Eiffel 65’s "Blue (Da Ba Dee)", Afro Medusa’s "Pasilda" and Rui Da Silva’s "Touch Me". The set also leans on era‑defining remix work and DJs like Roger Sanchez, Robbie Rivera, Knee Deep and Pete Heller, offering a cross‑section of club textures from trance peaks to deep house grooves. Whether you’re revisiting classics or prepping a nostalgia‑led DJ set, this volume serves as a practical playlist and a reminder of the period’s lasting influence on today’s dance floor sound.

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House and progressive house anchors this Millennial Dance Classics set from 1999–2002, a four-year journey through the sounds that reshaped the turn of the century. This Volume 1 collection stitches together big-room re-edits, filtered French house, funky grooves and trance-tinged club cuts to show how producers repurposed hooks and pushed dance music into new territory. Highlights include tough re-edits and mixes from Bob Sinclar and Armand Van Helden, underground dance staples like Paul Johnson’s “Get Get Down,” and singalong club treatments of Moloko and Dido by Boris and Deep Dish. You’ll also find era-defining remixes such as Fatboy Slim’s take on Groove Armada and Full Intention’s soulful work on MAW presents India. These mixes lean into variety rather than a single subgenre, so expect turns from funky house to progressive and filtered house across a long, seamless set. It’s curated for listeners who remember the era and young DJs looking for timeless material to drop into modern sets.

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Dance Classics mix for summer 2022 — a continuous Summer Throwback Dance Party built from classic mashups, disco-house reworks, and 80s/90s throwbacks. This set was assembled from Party Favorz's archive of bootlegs and nu-disco edits to deliver a nostalgic, poolside-ready mix that moves from vintage soul and disco into funky house and hip‑hop‑tinged remixes. Highlights include extensive Block & Crown material (Summertime, I Can't Wait, Disco Steppers and numerous collabs), nu‑disco turns from Richard Grey and Lissat, plus party-ready entries by GhostMasters, Nari & Steve Tosi, Disco Gurls, and Softmal. You’ll also hear familiar refrains reimagined — Aretha Franklin’s Respect (Block & Crown mix), Mark Morrison’s Return Of The Mack (KAMARENA Remix), and Bill Withers’ Lovely Day (Disco Incorporated Remix) — blended for a seamless, old‑school dancefloor vibe. Perfect for BBQs, afternoons by the pool, or anyone wanting a nostalgic yet club‑ready summer soundtrack.

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This episode is a Trance Classics collection — Ultimate Trance Classics, Volume 4 (2022) — curated as a late‑night, dawn‑chasing set of pivotal trance and progressive house anthems. The mix revisits signature moments from the genre’s golden era while offering an enhanced, tighter master than the 2010 predecessor.

Highlights include BT’s seminal Flaming June (BT & PvD Mix), Paul Oakenfold’s Southern Sun in Tiësto’s remix, and Armin van Buuren vs. System F’s Exhale, alongside Motorcycle’s As The Rush Comes (Armin Universal Religion Mix). The programme also nods to Push’s Strange World (2000 remaster) and closes on Dario G’s Sunchyme (Diffusion Remix), blending choir hooks and uplifting piano for a nostalgic payoff. Expect classic remixes and a flow that traces trance evolution from euphoric leads to driving club moments.

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This Trance Classics mix — Ultimate Trance Classics Volume 3 (2022) — collects more than three hours of seminal trance and progressive house cuts meant for late-night peaks and reflective drives. The set revisits landmark anthems and influential remixes that helped define the genre’s melodic, euphoric character. Highlights include the haunting opening of Brainbug’s “Nightmare,” the emotive sweep of Tiësto’s “Adagio For Strings,” and Gouryella’s timeless title track. You’ll also find Chicane’s sea‑washed “Saltwater,” Blank & Jones’ nocturnal “The Nightfly,” and Cosmic Gate’s driving “Exploration Of Space,” among other era-defining selections. Volume 3 balances vocal moments and instrumental climaxes, from Andy Moor & Somna’s vocal-led “More Than Love” remix to trance staples like System F’s “Out Of The Blue” and Paul van Dyk’s “For An Angel.” At roughly 3:42:30, this compilation is a concise retrospective for longtime fans and an accessible entry point for newcomers wanting a tour through classic trance moods.

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Trance Classics — Ultimate Trance Classics Volume 2 (2022) is a carefully curated mix that traces the genre’s peak moments from the 1990s through the early 2000s. This 4-hour compilation collects seminal club anthems and defining remixes to showcase trance and progressive house tracks that shaped dance floors and late‑night radio alike. Highlights include Gouryella’s “Walhalla,” Push’s “Universal Nation,” and Planet Perfecto Knights’ “ResuRection” (Paul Oakenfold Full On Fluoro Mix), alongside Tiësto’s “Elements Of Life” and Underworld’s “Born Slippy (Nuxx).” The set also features a notable uncredited trance remix of Dido’s “Thank You,” traced to an unofficial Russian EP and remembered for its early‑00s crossover appeal. Expect extended mixes and classic remixes — Ferry Corsten’s take on William Orbit’s “Barber’s Adagio For Strings” and Armin van Buuren’s Rising Star remix of Perpetuous Dreamer add cinematic peaks to the flow. This volume is aimed at listeners wanting a nostalgia‑driven deep dive into trance’s melodic highs and club-ready energy.

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This episode is a Trance Classics mix from the Ultimate Trance Classics series (Volume 1, 2022), designed as a concise survey of trance and progressive-house landmarks from the 90s and 00s. Party Favorz curates a set that balances floor-ready peaks with more melodic moments, tracing the genre’s roots from early techno and UK rave culture to the big-room sounds that followed. Highlights include Sasha’s Xpander and Hybrid’s Finished Symphony alongside Faithless’s God Is A DJ, Gaia’s Tuvan, and Armin van Buuren’s remix of iiO’s Rapture, with Tiësto, Matt Darey, and Above & Beyond also represented. The selection mixes well-known anthems and deeper selections—remixes by Scumfrog and Way Out West, classic Jam & Spoon and DJ Tiësto reworks, and progressive cuts that demonstrate trance’s tension-and-release structure. Volume 1 runs just over three and a half hours and aims to both entertain and map key moments in trance history for newcomers and longtime fans alike.

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An EDM Christmas Dance Mix for 2021, Volume 2, built as a one-off holiday party set that pulls together Electro House, Dubstep, Trance, Trap, Hip‑Hop and Eurodance into a cohesive 91‑minute mix. This episode is designed as a seasonal club-style listen with familiar carols and pop standards reworked into festival-ready edits and bootlegs.

Highlights include festival-sized takes on Mariah Carey and Brennan Heart with Dimitri Vegas & Like Mike doubling up Santa favorites, a rare toMOOSE remix of John Lennon & Yoko Ono’s Happy Xmas, and club spins from Quintino and Yves V. The set also leans into cheeky contrasts like Eartha Kitt remixed by Disco Pirates and a Mr. Collipark flip of Donny Hathaway, giving the mix both nostalgia and unexpected dancefloor moments.

Tracks were chosen for mixability across wildly different BPMs, with strategic repeats of chestnuts such as All I Want For Christmas, Santa Claus Is Coming To Town and Last Christmas to keep the flow tight. Expect a fun, sometimes irreverent holiday ride that nods to classics while pushing them through modern EDM lenses.

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This is a Circuit-led holiday mix from the X-mas Dance series, 2021 — a dancefloor-friendly set of remixes and favorite seasonal club versions meant to brighten up the holidays. Party Favorz leans into newer remix work while sprinkling in alternate takes and classics, delivering just over two and a half hours of festive beats for DJs and listeners alike.

Highlights include heavy contributions from Dario Xavier (five holiday remixes), Dirty Disco’s seasonal turns featuring Kiva, Jeanie Tracy and Brenda Reed, and Jet Boot Jack’s remix of Diana Ross’ "This Christmas." Also featured are reworks of The Carpenters by Thee Werq'n Bitches, club-ready edits of Mariah Carey and Kelly Clarkson, plus nods to Kylie Minogue and Crystal Waters. Expect a mix of Circuit, house, and disco-tinged arrangements built for both nostalgia and the modern dancefloor.

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Disco fans — Thank God It's Disco Volume 6 (2021) revives top-rated 70s and 80s dance classics with contemporary remixes made for modern floors. This installment collects fresh reworks that aim to bridge nostalgia and current club energy, taking well-known originals and updating them with electronic production and club-friendly dynamics. Highlights include Lionel Richie’s “All Night Long” in the Softmal & Nytron 2K21 Mix, Donna Summer’s “Bad Girls” reimagined by Eugenio Fico, and DJ Meme’s Definitive Remix of The Brothers Johnson’s “Stomp!” Block & Crown’s takes on Michael Jackson and Diana Ross crop up alongside Dr Packer’s electrifying reworks of Sylvester and Chaka Khan. Barry Harris’s 2021 remix of The Jacksons’ “Can You Feel It” and mashups like Gino Soccio vs. Sugar Hill Gang add playful variety. The set runs just over two hours and favors groove-forward, dancefloor-ready versions that introduce classic songwriting to younger club crowds while keeping the originals’ spirit intact.

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Disco compilation, Thank God It’s Disco Volume 5 (2021), gathers reworked 70s and 80s favorites into a three-hour modern disco mix. This volume updates classics for the club era—some tracks use original stems while others are full remixes or mashups—aimed at listeners who want familiar hooks with contemporary production. Highlights include Jet Boot Jack’s take on Gloria Gaynor’s “Never Can Say Goodbye,” Antony Fennel’s house-leaning revamp of “I Will Survive,” and several Block & Crown reworks across Donna Summer, Rose Royce, and MFSB material. Producers like Dr Packer, Paul Parsons, and Barry Harris also contribute fresh club edits, while entries from ABBA, Chic, Patrick Cowley & Sylvester, and Lipps Inc. keep the tracklist rooted in disco’s biggest moments. The set favors dancefloor-friendly extended mixes and thoughtful mashups, making it useful both for casual listeners and DJs building a retro-meets-modern disco set.

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Disco-forward mix from the Thank God It's Disco series — Volume 4 (2021) — collecting remixes and reworks that refresh familiar dance-floor hits. This installment leans into classic disco and funk grooves while threading in late‑80s dance flavor and modern nudisco edits, assembled as a long-form listening experience that prefaces Volumes 5 and 6.

The set highlights heavy contributions from Dr Packer, who remixes or reworks the bulk of the program, with standout turns from Block & Crown and nods to Barry Harris and DJ Meme. Expect revamped takes on Donna Summer, Grace Jones, Diana Ross, and the Bee Gees alongside funk and club staples like Parliament and Patrice Rushen.

At just under four hours, the mix balances peak-time disco energy with deeper soulful moments — a curated ride for listeners who want classic vocal and groove-driven tracks updated for contemporary dance floors. Enjoy the reinterpretations and keep an ear out for the Tony Moran Legacy tie‑ins mentioned in the release notes.

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90s Classic House — Ultimate 90s House Classics Volume 6 (1998–1999) closes out the series with a curated ride through the late‑90s club floor. This final volume gathers progressive club hits and classic house remixes from 1998–1999, assembling extended mixes and DJ edits that dominated dancefloors as the decade turned.

Highlights include Kim English’s Unspeakable Joy (Razor ’n’ Guido Vocal Mix), Mariah Carey’s My All (David Morales Classic Club Mix), and a sweep of Hex Hector work across Deborah Cox and Tina Turner’s club versions, plus Victor Calderone and Junior Vasquez mixes that helped define the era. The set reads like a time capsule—big-room energy, vocal-house gems, and peak‑hour remixes that evoke long drives to hear a new promo or the weekend ritual of the local club.

For longtime fans it’s nostalgia with depth; for newcomers it’s a concentrated primer on late‑90s vocal and progressive house as played in clubs and on mixtapes.

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This episode is a 90s house music mix from the Ultimate 90's House Classics series covering 1998–1999, a set built to revisit the party hits that closed out the decade. Volume 5 stitches together mainstream club staples and underground dancefloor refinements, aiming to capture the era’s energy while highlighting tracks that still turn heads today.

Expect earworms and club staples like Stardust’s "Music Sounds Better With You," Paul Johnson’s groove-driven "Get Get Down," Moby’s gritty "Bodyrock," ATB’s signature melodic trance hook in "9PM (Til I Come)," Alice Deejay’s memorable "Better Off Alone," and Wamdue Project’s moody house classic "King Of My Castle." The mix balances Eurodance bounce, US house heat, and remix culture moments so characteristic of 1998–1999, delivering a nostalgic but danceable journey through a pivotal moment in electronic music.

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This mix is a 90s classic house compilation — The Ultimate 90s House Classics, Volume 4 — covering standout club remixes from 1998–1999 and built for peak-floor play. The three-and-a-half-hour set revisits the era’s remix-driven creativity, showcasing how producers reimagined pop, reggae and R&B for the dancefloor.

Highlights include Funkstar De Luxe’s uplifting Funkstar Club Mix of Bob Marley’s “Sun Is Shining,” Tony Moran’s 12" Club Mix of Janet Jackson’s “Together Again,” and Victor Calderone’s club take on Madonna’s “Ray Of Light.” Cher appears twice in powerful remixes by Tony Moran and Danny Tenaglia, while the Pet Shop Boys get a Thunderpuss 2000 Club Mix makeover and Ultra Nate’s “Found A Cure” shines in the Full Intention Club Mix. The tracklist balances vocal anthems and classic house reworks, painting a vivid portrait of late‑90s club culture and the remixers who shaped it.

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This episode is a 90s classic house mix from The Ultimate 90's House Classics series, covering 1998–1999 and tracing the progressive-house sound that dominated clubs at the turn of the millennium. Party Favorz curates full-length club mixes and remixes that reshaped pop and R&B for the dance floor, from Jonathan Peters’ take on Divine’s “Lately” to Hex Hector’s rework of Faith Hill’s “Breathe.”

Highlights include Thunderpuss treatments of Amber and Whitney Houston, Pablo Flores’ remix of Shakira’s “Ojos Asi,” and Kevin Aviance’s club-ready “Rhythm Is My Bitch,” alongside nods to Johnny Vicious, Club 69, and Soul Solution. The set emphasizes how remix culture blurred genre lines then—turning country, pop, and Latin tracks into progressive, peak-hour anthems—while preserving vocal drama and big-room energy. At 3½ hours, Vol. 3 is built for deep listening or long DJ sets, cataloguing a period when remixers were as central to dance culture as the original artists.

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A deep-dive into 90s House Classics from The Ultimate 90's House Classics series, Volume 2 (1998–1999). This mixed compilation collects dancefloor-ready club mixes that moved pop acts into house territory, with extended mixes and remixes crafted for peak-time sets and nostalgia-driven listening. Highlights include Boris’s revitalizing Musical Mix of Moloko’s “Sing It Back,” Hex Hector’s signature club work on Whitney Houston’s “Heartbreak Hotel” and Reina’s “Find Another Woman,” and Thunderpuss’s tribal rework of Britney Spears’ “Sometimes.” The set also spotlights Club 69 treatments of Funky Green Dogs and Simply Red, Davidson Ospina’s lush remixes for Backstreet Boys, and Shaft’s Latin-house crossover “Mucho Mambo (Sway).” These selections underscore how powerhouse remixers like Hex Hector, Thunderpuss, Club 69, Soul Solution, Davidson Ospina, and Boris kept dance floors humming at the close of the decade, turning radio hits into club anthems and preserving the era’s signature house energy.

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This episode is a 90s House Music Classics mix — The Ultimate 90s House Classics, covering 1998–1999 with extended club edits and remixes aimed squarely at the dancefloor. It collects classic reworks from legendary remixers who reshaped pop and club hits into house anthems for that period. Highlights include David Morales’ Alt Club rework of Jennifer Paige’s “Crush,” Pablo Flores’ club take on Ricky Martin’s “Livin’ La Vida Loca,” and Victor Calderone’s big-room Club Mix of Madonna’s “Beautiful Stranger.” The set also features Club 69’s Future Anthem treatment on Cher and Donna Summer’s Eric Kupper 12” mix, plus Pete Heller’s groove-led “Big Love,” offering a balance of mainstream revamps and underground club heat. Compiled for fans who love late‑90s remix culture, this volume runs just over three hours and showcases how DJs and producers remixed familiar songs into enduring 90s house moments. Expect vocal club mixes, extended dance edits, and a snapshot of the era’s remix-driven club sound.

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This episode is a 90s Classic House installment of The Ultimate 90's House Classics series, focusing on 1996–1997 and the way classic house broadened into mainstream pop and peak‑hour club territory. Volume 4 maps that transition by spotlighting producers and remixers who reshaped radio-friendly vocals and underground heat alike, with Club 69 singled out for its progressive club work. Highlights include definitive remixes that carried R&B and pop onto dancefloors: Toni Braxton reworked by Franki Knuckles, Me'Shell NdegeOcello's DT's N.Y.D.C. mix, Patti LaBelle turned up by Hex Hector, Cher via Junior Vasquez, and Ruffneck's Mousse T. Peppermint mix. The set also nods to the era's remix stars—David Morales and Ralphi Rosario among them—whose club edits helped DJs become mainstream personalities. Compiled by Party Favorz, this 2 hour 40 minute volume reads like a late‑90s snapshot: soulful vocals, big-room edits, and remix culture at its most influential. It’s curated for listeners who remember those peak-hour classics and for newcomers wanting a concise primer on how house crossed over during 1996–1997.

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