Critics at Large | The New Yorker - Détails, épisodes et analyse

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Critics at Large | The New Yorker

The New Yorker

Société & Culture

Fréquence : 1 épisode/8j. Total Éps: 152

Critics at Large is a weekly culture podcast from The New Yorker. Every Thursday, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss current obsessions, classic texts they’re revisiting with fresh eyes, and trends that are emerging across books, television, film, and more. The show runs the gamut of the arts and pop culture, with lively, surprising conversations about everything from Salman Rushdie to “The Real Housewives.” Through rigorous analysis and behind-the-scenes insights into The New Yorker’s reporting, the magazine’s critics help listeners make sense of our moment—and how we got here.

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Données mises à jour le 06/11/2026

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The Cozy Conservatism of “The Gilded Age”

Épisode 134

jeudi 5 novembre 2026 • Durée 45:48

The HBO series “The Gilded Age,” created by the period-drama maestro Julian Fellowes, took a moment to find its audience. But several seasons in, the lush sets, immaculate costuming, and soapy plotlines have attracted a robust viewership, making it must-watch television. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider the show’s appeal and whether its focus on high-society dramas makes it, as some critics have said, insipid or trivial. In his effort to bring the titular period to life, Fellowes both dramatizes and sanitizes the social tensions of the day, particularly in the case of the ruthless capitalist George Russell, whom viewers have affectionately nicknamed Train Daddy. Why are we so ready to cozy up to these historical avatars, even as anger toward modern billionaires’ meddling seems at an all-time high? “This show creates an avenue for viewers who politically are really opposed to that to actually indulge in it,” Schwartz says. “This is the sneak attack of Julian Fellowes.” Read, watch, and listen with the critics: “The Gilded Age” (2022–) “The Age of Innocence” “The Custom of the Country” “OpenAI’s Hollywood Whisperer,” by Charlotte Klein (New York) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Critics at Large is a weekly discussion from The New Yorker that explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Critics at Large Live: “I Need a Critic!”

Épisode 133

jeudi 29 octobre 2026 • Durée 48:21

On this episode of Critics at Large, recorded live at the twenty-seventh annual New Yorker Festival, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz bring their advice series to the stage for the first time. They advise on a range of topics, including films to introduce children to the magic of movies, art to rekindle a feminist spark, and whether trying to optimize one’s inner life can diminish the capacity for genuine taste. Read, watch, and listen with the critics: “Gangs of New York” (2002) “West Side Story” (1961) “Crouching Tiger, Hidden Dragon” (2000) “Casablanca” (1942) “Raiders of the Lost Ark” (1981) “Playtime” (1967) “Duck Soup” (1933) “E.T. the Extra-Terrestrial” (1982) “Spirited Away” (2001) The music video for Michael Jackson’s “Remember the Time” The music video for Michael Jackson’s “Thriller” “War and Peace,” by Leo Tolstoy “Plays: The Seagull; Uncle Vanya; Three Sisters; The Cherry Orchard,” by Anton Chekov “The Dolphin Letters, 1970-1979,” by Elizabeth Hardwick and Robert Lowell “The Black Outside,” by Joy Priest “Pricks in the Tapestry,” by Jameson Fitzpatrick “The Morning of the Poem,” by James Schuyler “Mommie Dearest” (1981) Hole’s “Live Through This” “Women Talking,” by Miriam Toews “Women Talking” (2022) “How to Say Babylon: A Memoir,” by Safiya Sinclair “The Substance” (2024) “Big Swiss,” by Jen Beagin “Oreo,” by Fran Ross “Life Itself!,” by Elaine Dundy “Eureka Day,” by Jonathan Spector “Middlemarch,” by George Eliot “Pride and Prejudice,” by Jane Austen “Looking for Mr. Goodbar,” by Judith Rossner “The Vanishing Half,” by Brit Bennett “Show Me a Hero” (2015) “Ocean’s Eleven” (2001) “Heart of the Beast” (2026) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker that explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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