Author Otis D. Gore Gives Hope and Inspiration in “The Audacity of Doubt” 
https://otisdgoreauthor.com/
Doubt-Pushing-Through BOOK

Otis D. Gore's latest book, The Audacity of Doubt, is more than just a collection of personal stories and reflections; it's a beacon of hope for anyone struggling with self-doubt and seeking resilience. In this transformative work, Gore takes readers on a journey through his own life, offering a candid exploration of the trials and triumphs that have shaped his understanding of doubt and perseverance. Writing The Audacity of Doubt was not an easy feat for Gore. As the author explains, the process required him to confront some of the most challenging moments of his life—moments that were fraught with uncertainty and introspection. Gore's narrative is one of vulnerability and honesty, qualities that he believes are essential for crafting a story that resonates deeply with readers who may be facing similar challenges. The book is not just a recounting of Gore's personal experiences. Instead, it is carefully constructed to balance authenticity with relatability. Gore meticulously crafts each chapter to not only share his journey but also to provide a universal message of inspiration. He integrates practical strategies and relatable anecdotes, transforming the abstract concept of overcoming doubt into something tangible and actionable. Throughout the writing process, Gore faced his own bouts of self-doubt. However, these moments only reinforced the book’s core message: pushing through uncertainty and fear is essential to achieving something meaningful. Gore's determination to offer readers genuine insights led him to explore new depths of his own psyche, making the book a testament to the power of resilience and self-belief. The Audacity of Doubt offers more than just encouragement; it provides a roadmap for personal growth. Each chapter is a unique blend of storytelling and actionable advice, designed to help readers confront their fears, embrace resilience, and unlock their full potential. Gore’s use of personal anecdotes alongside practical strategies makes the book an essential guide for anyone looking to break free from the constraints of self-doubt and live their best life. In a world where doubt often feels like a constant companion, The Audacity of Doubt stands out as a powerful tool for self-empowerment. Otis D. Gore’s journey of overcoming his own doubts serves as a powerful reminder that while doubt may never fully disappear, it does not have to dictate the course of our lives. Instead, by confronting our fears and embracing our resilience, we can forge a path forward that is not only meaningful but also transformative. Equally important, Otis D. Gore is deeply passionate about public speaking and inspiring others through his words. With a strong belief in the power of communication to effect change, he is eager to share his insights on overcoming self-doubt and embracing audacity with a broader audience. Gore's ultimate goal is to deliver a TEDx speech, where he can connect with people on a global scale and encourage them to challenge their own limitations, just as he has done throughout his life and career. For anyone ready to take that step, The Audacity of Doubt offers the guidance and inspiration needed to turn uncertainty into strength and hesitation into action. Dive into this transformative journey and discover the audacity to overcome your own doubts.
Website: https://otisdgoreauthor.com/

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Bio
Mr Zaid Abdulqadir, a new jersey born and raised native who had aspirations to be writer of the modern era. He started with reading to escape his own environment to one day writing about those experiences in a way that connects to people of all types across the world. His goal is to be on the wall of the greats to tell his perspectives,his experiences into books, novels, and movies.

Channel: VLundergroundVEVO Name of Label: V-L Records band website: 
www.v-lunderground.com

 Facebook page:https://www.facebook.com/VeeLUnderground Link to itunes:

 https://music.apple.com/us/artist/v-l-underground/1559565213 Link to Spotify

 https://open.spotify.com/artist/5cxekEman6eoirkMoQZTGl

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https://www.instagram.com/jasonmanwillofficial/?hl=en

https://www.tiktok.com/@jasonmanwillofficial?lang=en


https://x.com/thejasonmanwill/status/1804510572341272585



Dynamic rock artist Ja’son Manwill advances to the quarter-finals of America’s Next Top
Hitmaker competition, placing him among the top 1% of entrants. This impressive feat
highlights his growing influence in the music industry. With a sharp focus and
unwavering determination, Ja’son aims to win the grand prize: a feature in Rolling Stone
Magazine, a spot on Rolling Stone’s Future of Music lineup at SXSW in 2025, and
$10,000.
When the opportunity arose, Ja’son jumped at the chance to showcase his distinctive
take on rock music. His sound merges classic rock elements with a modern twist,
setting him apart in today’s music scene. As a versatile artist, Ja’son combines
captivating songwriting with his talent for producing vibrant, innovative tracks. This
unique blend has earned him a place among the competition’s elite.
Ja’son’s journey to this point has been fraught with challenges. After a severe traumatic
brain injury in 2016, which left him debilitated, he faced a long road to recovery. Despite
the setback, he remained determined, focusing on regaining his ability to walk and
relearning to play instruments, including his specialty, the piano. During this difficult
period, he strategically planned his musical comeback. His perseverance paid off when
his single “Despair,” echoing influences like Blink-182 and Green Day with vocals
reminiscent of the Sex Pistols, earned him a Grammy nomination six years later.
Ja’son embodies the belief that with enough dedication, any goal is achievable. He
embraces his second chance with enthusiasm, driven by a profound desire to succeed.
“I am stronger today than I’ve ever been. Like, I have a hunger and drive with tenacity
and desire to take everything,” he says. “I’m not saying it’s to be superficial. I’m saying I
want it. I want it more than anybody else wants it because getting back to that point and
taking the Rolling Stone Magazine [feature] would be huge in itself. And then taking the
future of music showcase just shows that if I can do it, you can do it.”
Ja’son’s top finish in the group rounds and his place in the quarter-finals show his
potential to secure the Rolling Stone Magazine feature and the $10,000 prize. Fans can
help the promising artist bring home the gold by voting for him for free by
https://tophitmaker.org/2024/ja-39-son-manwill.
A Grammy-nominated artist and multi-talented professional, Ja’son is making significant
strides in the industry. His music blends influences from legends like Elton John,
Aerosmith, Guns N’ Roses, and Metallica, creating a diverse and dynamic sound.
Whether delivering electrifying tracks or heartfelt ballads, Ja’son’s evolving musical style
keeps audiences engaged and eager for what’s next.


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3AM Tokyo, a well known cover act in the northeastern U.S. is releasing a new original single
that’s all about lust and the fun and sexy side of life.
The new single “Whoa Oh Oh” was released in mid-August and features the fresh new voice of
Eliza Vitale paired with group founder Picasso Brown, Steve Leevy on keyboard, Eric Whatley
on bass and Jerel Murray on drums.
“You really have to listen to the message because it’s inferred,” Picasso said. “It’s a very sexual
song, it’s about lust. The premise is like whoa, oh my God. When Eliza is singing her part, she’s
talking about how he makes her feel, like whoa. And when I sing my part, I'm saying like, how
you use everything you're doing and it’s like whoa for me as well. It's fun and sexy.”
Picasso said 3AM Tokyo was called on recently to open for the rapper Flo Rida for a few dates on
the east coast and they decided to come up with an original song to debut at that opening.
“This was actually Eliza’s idea,” Picasso said. “She was like, ‘we should come up with a song.’ I
called her up to come to the studio and we knocked it out in four hours. Literally four hours, we
wrote it and I produced and mixed it within two days.”
3AM Tokyo is the brainchild of Picasso, a Grammy nominated Singer/Songwriter/Producer, and
it is one of the top regional and national cover acts with a powerful mix of pop, hip hop, EDM,
reggae and rock.
“The sounds and dynamics of 3AM Tokyo are flawless, but we also have one of the top visual
production shows on the scene, not only performing the songs, but giving fans a visual experience
like no other,” Picasso said. “It's a visual show with lights and lasers and LED walls and all that
stuff. And we have a complete mix of what we do throughout our show. So all these songs work
within a three hour show that we do.”
Picasso said all the members of 3AM Tokyo have their own musical careers. Leevy on keyboard
is a national touring musician who has performed with Wiz Khalifa, Snoop Dogg and others.
Whatley is also a bass player for John Legend.
“I formed this group with different people that are that are prominent and in different areas,,”
Picasso said. “We've been out for maybe ten years doing what we do. And it was just the four of
us. Then I added Eliza to give us that kind of ‘Fergie’ feel, I guess you could call it. You know,
Black Eyed Peas? She's my Fergie.”
The group has had some success on the Billboard Top 100 charts with their song “Can We Kick
It,” and they continue to forge a unique identity and a truly unparalleled experience.
Find them on all social media and streaming platforms:
Website: www.3amtokyo.com
Facebook: https://www.facebook.com/3amtokyo
Instagram: https://www.instagram.com/3amtokyo
Tik Tok: https://www.tiktok.com/@official3amtokyo?lang=en
Spotify: https://open.spotify.com/artist/76lV0o1XtQ7yG6RGkcqXHF
Linktree: https://3amtokyo.hearnow.com/whoa-oh-oh

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Former Army Musician Shanti Chapman’s latest single, “Joy Comes in the Morning,” is an R&B
song that speaks to a universal audience. The new song showcases Chapman’s talent for
heartfelt lyrics and soothing melodies.
Chapman said, “It’s a testament to the power of music to uplift the soul. The music is very
simple and powerful. It doesn’t get in the way of the message. It has familiar elements, but also
unique elements, as far as the orchestration and progression of chords.
“It falls in line with what I feel my mission is in life. I want to draw out the best in people and
give them hope for a brighter future. I want those that are hurting and yearning to find
something greater than themselves to be touched by my music."
For “Joy Comes in the Morning,” Chapman took a draft to the accomplished producer Tré
Corley of Hendersonville, Tennessee. He took Chapman’s work and turned it musically into
what it is. Chapman sang the lead, while Corley’s wife contributed background vocals.
Chapman, a former United States Army musician, learned to be dedicated, resilient, disciplined,
and to pay attention to detail. Raised in a household full of music, his father was very musical.
Shanti took piano lessons as a child. He found joy in picking out melodies by ear on the piano.
His life's musical journey has included hip-hop, R&B songs, and everything else from Jazz to
Gospel music.
In addition to his recent single, Shanti Chapman is excited to share an upcoming project with
listeners. Leading up to the holiday season, Chapman will be releasing an original Christmas
single. He is also working on a large project with his label, DeMaskUs Music Group. “The
project will be collaborative. I’m planning on aligning myself with artists in the industry who
want to use music as a tool to provide hope and healing as well as entertainment.”
When he isn’t working on new music, Shanti Chapman devotes himself to his family and
community. For the past 10 months, he has been working with the homeless population and
trying to find solutions to fix a broken system.
Make sure to stay connected to Shanti Chapman on all platforms for new music, videos, and
social posts.

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Connect with the remixed Johnny PE on all platforms for new music, videos, and social
posts.
Spotify: https://open.spotify.com/artist/3sCo5sdPcpYW9jU6GeAG73
Instagram TheJohnnyPE
Johnny PE (PE stands for Pushing Everyday) is moving on from the R&B/hip-hop of his
past. They are still part of his style, but “Somehow,” his latest single, is not the one or
the other.
They are, instead, part of a new fusion that incorporates both with the instrumentation
and lyrics of several kinds of music that are in his musical background, including his
upbringing and the place where he was born, raised and still lives — Nashville,
Tennessee, specifically East Nashville.
“Somehow” and its video drop on September 13.
It is on the surface a love song and a song about relationships in general, with people,
with life.
“‘Somehow’ is all about how it’s okay to move on, from a relationship or from certain
parts of your life where you feel like you’re stuck,” said Johnny PE. “As long as we’re
here, there’s always a tomorrow. You always got new opportunities to make a better
tomorrow. You just got to keep pushing everyday.”
Memories keep pouring down
We can’t escape from this dark cloud
If we could find a way to figure it out
Somehow, Somehow
Moving on is what he is doing. “Somehow” is the next stage in his musical development.
The drums of “Somehow” say hip-hop. The melodies and instrumentation are
alternative. The soft, easy guitar work is like a ballad, and the lyrics are emo, but
Johnny PE’s clear, strong voice now and then dips into R&B.
“Once you listen to ‘Somehow’ and some of the future music, you’ll see it’s more
alternative. It’s actually more emo because it’s more guitar — acoustic heavy, but it still
has a bass line.”
He said “Somehow” marks the opening of a new phase in his career, and the choice is
deliberate. His tracks from here on out will be descendants of this one.
“I’m in a different space in my life,” he said. “Hip-hop has saved a lot of people’s lives,
and it’s always going to be around, but I want to make something more meaningful to
me personally, something that touches me on a bigger level, something that people can
relate to. It was time to change gears and show my evolution as a person and as an
artist.”
It is such a mix that he can’t put a name to it, but he said, “Once you hear this record?
It’s gonna tell you just about everything you need to know about where I am and where
I’m going.”
The variety on display in this song, the way all the different pieces come together so
smoothly, is a natural result of his upbringing and his place.
His influences include, “of course,” Michael Jackson, but he said, “My parents used to
play Side A, and Anita Baker, Luther Vandross, the old school music. My older brother,
he would play different things, man. I’m ranging from Bone Thugs-N-Harmony to
Nickelback, Coldplay, Chris Brown, John Mayer, Usher, Frank Ocean and Pharrell
Williams. Growing up in my house, I’d get a little bit of everything.”
It’s also his place — Nashville, which is known for country, but also has a rich and
varied musical culture, from country to blues.
“It’s a great place to be,” he said.
His background is making him a well-rounded artist, “able to try different things and
experiment with my voice, and I can write just about whatever I want.”
He has been making music for a dozen years or so now, starting out, like so many
people do, “self-taught, singing our favorite songs on the radio.”
Then, one day, his brother told him, “Man, you got a really nice voice. You should take it
serious,” and he took his brother’s advice.
“Of course, I wasn’t releasing music, but I was taking myself through music bootcamp,
recording and trying to get better. I’ve always done R&B, then started to get better,
gaining some local buzz. I just kept doing it, kept getting better, working on my voice,
working on my pen, and here we are.”
He has two more singles ready to go, “Changes” and “Breaking.”
“They’re special, man. Words can’t even do them justice.”
“I’m serious,” he said, laughing. “Amazing records, man, amazing. I’m excited about
them. We got stuff lined up, and we’re really working.”

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Website: https://www.juliera.com/

Spotify: https://open.spotify.com/artist/00it1bBwOIDqd6QFINlBav

YouTube: https://www.youtube.com/juliera

Facebook: https://www.facebook.com/iamjuliera/

Instagram: https://www.instagram.com/iamjuliera/

Tiktok: https://www.tiktok.com/@iamjuliera

Artist and lyricist, Juliera, brings self-empowerment and hope to the dancefloor with her latest
single, “Hero.” With a rhythmic beat and thoughtful lyrics, the pop song speaks to all listeners.
“It’s a very fun song,” shares Juliera. “It’s a dance song that talks about being the ‘Hero’ who
goes the extra miles for people and does whatever it takes to make them happy… It’s about
giving all your love.”
Facing divorce, Juliera turned a difficult moment in her life into a chance to make herself happy.
“I wrote the song in 2017 when I was actively ghostwriting for other people. The inspiration for
this song hit me when someone hired me to write a song to a beat they provided. Several years
later, the song was still stuck in my head and I couldn’t forget the melodies nor lyrics. So, I
decided to record it myself.”
Motivated by the positive feedback Juliera received on the studio recording, she decided to
take the song to the public. “My 3-year-old son heard the song and absolutely loved it. He
danced to it and made me replay it multiple times. I then decided that I would make my music
video for this song based on a concept that is fun for kids and adults.” With the original beat
tied to the first version of the song, Juliera enlisted a producer to create a new sound to
accompany her original lyrics.
Blending her Nigerian culture with American influences, Juliera showcases a diversity of sound
through her music. She began writing around age 16. “I used to write lyrics on paper and one
day my aunt went through my things and asked me if I wrote it, saying ‘it’s really good.’ I didn’t
believe her, thinking it was just something an aunt would say. Then I got into college and
wanted to see what to do on the side for income. I went on Fiverr and put up a gig to write
songs and lyrics for people.”
As fate would have it, “let me see if I can do this” became a successful hustle writing music for
new and repeat clients. It was only a matter of time before Juliera earned over 250 five-star
reviews writing more than 1000 songs, many of which were for return customers. “It made me
realize I knew what I was doing and how to do it,” shares the artist.
“Hero” is one of two songs available by the artist. Two videos are also available for the single, a
lyric video and official music video. Her other single, “Let It Ache,” is about coping through
heartbreak even when the heart aches. “I didn’t want to leave but what I was going through… I
would rather walk away and take the heartbreak,” tells Juliera of the thought process that
inspired the song.
The artist also has eight songs written and four music videos ready for release. She plans to
share new media regularly over the next few months.
At the end of the day, Juliera hopes to inspire listeners to follow their dreams. “I think it’s
important for people to follow their dreams and not settle for less. My husband didn’t want me
to do music. So, I shut my dream away. I pulled my dreams away for this person who ended up
being abusive and cruel to me… What a joke! Now, I’m happy doing what I love doing and I am
doing better for myself now than I ever did in my marriage. It was almost as if my marriage was
a dark cloud hovering above me and blocking my blessings. I want people to know their worth
and choose better for themselves.”

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https://www.yeaimpact.com/





ALLISON BEGALMAN is the co-founder and CEO of YEA! Impact, co-founder and EP of the Hollywood Climate Summit, and the creator of USC School of Cinematic Arts' first-ever social impact screenwriting lecture "Call to Action: Writing Stories of Relevance and Social Impact." She is a recipient of the Roddenberry Impact Award as well as the Walking Softer Young Leaders Award and participated in the Social Justice Partners Los Angeles 2022-2023 Systems Change Incubator. Allison is also a founder of USC School of Cinematic Arts' Feminist Media Festival. Outside of social impact, Allison writes for television and film. She has worked at companies like CAA, Annapurna Pictures, as well as on shows such as Sony TV's PREACHER and Hulu's MONSTERLAND. She is represented by Alison Mann and Sydney Blanke at Fourth Wall Management.

Yea! has elevated clients like Good Energy, a nonprofit story consultancy that promotes environmental justice in scripted content and Scriptation, an Emmy award-winning app that helped Hollywood go paperless, all while launching hard-hitting campaigns for notable films including, To The End, Since I Been Down, and I Am Greta.
In addition, this organization has produced the annual Hollywood Climate Summit, an LA-based international event, which has featured notable speakers like Jane Fonda, Quinta Brunson, Rosario Dawson, and the Daniels.


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Connect with Nicole-Marie on all platforms for new music, videos, and social posts.
Website: https://nicolemariemusic.com/

Amazon Music: https://www.amazon.com/music/player/artists/B001A0RUE8/nicole-
marie?isDramIntegrated=true&shoppingPortalEnabled=true

Apple Music: https://music.apple.com/us/artist/nicole-marie/16755350

SoundCloud: https://soundcloud.com/nstaeheli
Spotify: https://open.spotify.com/artist/29GCUWCofGEkh3uwjrhJV0
YouTube: https://www.youtube.com/channel/UCE0Oz6pxxUrIy1VV4yMTCuA

Reverbnation: https://www.reverbnation.com/nicolemarie79

“Ocean Breeze,” the song by Nicole-Marie off her EP Roars, Flames and Embers, is
such a beautiful, calming acoustic track that you would never know it was inspired by
dental trauma.
Dental trauma, and the sounds of the dental office — the drill, something that sounds
like suction — explains the line that says, “There’s a voice that’s demonic.”
“I was under the influence of nitrous oxide,” said Nicole-Marie, “and it was the sound
that’s — well, demonic — but I pretended it was an ocean breeze. I thought, ‘Okay,
that’s just an ocean breeze washing over me.’”
I am one with the morning
I am one with the world
And my soul is exploring
The ocean breeze that has unfurled
“I have so much dental trauma that I cope by making up songs while I’m under the
influence of nitrous oxide. I feel like if I go to the dentist, I’m at least gonna get a good
song out of it for going through all that pain and misery.”
There’s a voice that’s demonic but I am focusing
On ocean breeze in the distance blowing evil far from me
It’s a great story. Hearing her tell it, and listening to the song, it’s also believable. But
evil is real for her, both in her personal experience — having lived through 25 years of
narcissistic abuse — and in her day work as a social worker and mental health therapist
specializing in trauma.
“There’s still stuff I’m deprogramming from, and I’m still in recovery from that situation,
but there are situations in the world that are not ‘just’ narcissistic abuse, but
psychopathic and sociopathic abuse as well.”
“I’m expanding the metaphor to mean the demonic presence in the world,” she said.
“Ocean Breeze” is a way of calming the soul, combatting the mental, spiritual presence
of evil, whether it’s fanciful, like hearing Satan in a dental drill, or the much more
destructive kind that is all too common in what she calls “the 3D world.”
The song features slow, melodic rhythms of guitar, banjo, and mandolin, timed by drums
beating at the pace of a heart at rest. Nicole-Marie’s lyrics are delivered in her deep,
soothing voice. Doug Rusk is a featured vocalist on the track and is also the lead
guitarist.
She and Rusk are also featured in the video, produced by Smokescreen Media.
“I was really impressed with them. I’m going to work with them on another video soon,”
she said.
Nicole-Marie’s voice can climb. It has changed since she lost all hearing in her left ear
more than a decade ago. Her right ear loses hearing intermittently and sometimes, she
says, she is legally deaf.
“I used to be a first soprano when I did choir in high school. Since my hearing loss, I’ve
become more like an alto. I’ve learned to sing in that method — I don’t know what it’s
called, actually — but you hear by feeling the vibration in your body. On some of those
notes, I might not even be able to hear what I’m hitting.”
Abuse, hearing loss, cancer. She has survived and is recovering still from a great deal
of evil herself. Her music and her life are conducted in accordance with her spirituality,
which is at heart a non-denominational Christianity influenced by a pan-spiritual outlook
and yogic and other influences.
Christianity is fractured, a “divided kingdom,” she says, and needs to be much less
judgmental, which is inherently divisive, “because we don’t want to be conquered by
being divided.”
“I want to inspire other people to make the highest vibrational choices for their lives,”
which she defines as making life choices and decisions out of “gratitude, love, joy,
contentment,” rather than out of fear, anger or guilt.
“Ocean Breeze” is the lead single she is promoting from Roars, Flames and Embers,
but two other songs from the EP hold special meaning for her.
“Pour out the Oil” was inspired by Kim Clement’s prophetic writings on the biblical
Esther. The song features a woman, she said, who would “pour out the oil, pour out
healing to the world.”
“I wanted to put in influences of biblical women, powerful women,” she said. “So I put
Esther in a verse, and then Mary of Bethany, in a verse. Both were powerful biblical
women. I wanted to focus on that and what I think will be the return of the divine
feminine.”
She added, “And I’m not referring to the Barbie movie.”
The other song is “Beyond the Stars.”
“That one was written in the voice of God. I wrote it after experiencing some workplace
bullying. It’s like God speaking to me, saying, ‘I know who you really are, no matter what
other people call you, or say about you. I know who you really are.’ It’s about
forgiveness, too, of the bullies and of anybody that has to live in this crazy world. I think
it’s a very healing song.”
Nicole-Marie has been putting out music since 2003. Her catalogue includes six albums
and EPs and several singles. She lists her genre as “spiritual folk rock” and those are all
present, each by itself sometimes, sometimes in combination.
She has performed live, but not since the pandemic. She is dealing with a case of
performance anxiety but wants to perform again. She especially wants to go on a tour.
That reality is in a world that lies a little way down the road.
In the 3D world of now, there is promoting “Ocean Breeze” and Roars, Flames and
Embers and, also, “I’m working on my next music video. That’s where my immediate
attention is.”
“But beyond that, I hope to do some shows, get over some of my fears and inspire
others to face their fears and get over them.”

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Ronnie Warner is an American actor, writer, producer and director. He is best known for his roles as Rico in the stoner comedy Puff, Puff, Pass and the gangster, Dude, in This Christmas.

Newest Projects Director Unfinshed on B.E.T Network
Night Games by Lawrence B. Adisa







Merch - https://www.meoshabeanapparel.com/
Join my patreon https://www.patreon.com/MeoshaBeanOfficial

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Youtube: https://www.youtube.com/watch?v=I30hp7ostYY

Spotify: https://open.spotify.com/track/2xxzt2drU0zv7wfEPqoQho?si=36ba2d22b7804a17

TikTok: https://www.tiktok.com/@s.a.vents

Instagram: https://www.instagram.com/s.a.vents/

South Florida-based hip-hip artist and producer, S.A. Vents, recently dropped his latest single, a
hip hop and R&B fusion dubbed “Streets.” Smooth and straightforward, the single features a
melodic hook and thoughtful verses that showcase the artist’s fresh sound.
Versatility is key to S.A. Vents’ success. The artist has a background in music ranging from lyrical
composition to sound engineering. When it comes to creating his own music, S.A. Vents relies
on his natural ability to improvise.

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Filmmaker Meosha Bean interviews @Aubrionna_ Connect with Aubrionna on all platforms for new music, videos, and social posts. YouTube: https://www.youtube.com/channel/UCqa3Kz7ks-6jn8KKinplIUA

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Dejavu is a popular and frequently sought-after television personality, event host, actor and model, who built his soaring career in the world of fashion. The Metro-Atlanta-based red carpet host and fashion show commentator, has hosted a number of major fashion showcases throughout metro-Atlanta, designed to raise funds and awareness for non-profit organizations of various sizes.
The major fashion events held by leading metro-Atlanta designers and organizations for which Dejavu has shared his larger-than-life personality, fashion commentary and interviewing talents as a red or purple carpet host, also bring awareness to important issues and communities including the disability community, the LGBTQ community and human trafficking. Among the many fashion events Dejavu hashosted include the annual An Evening of Fashion and Elegance by Fashion by D'Shacourt Studios; NewYork Fashion Week: Rainbow Fashion Week in New York: Easter Seals Foundation's Fashion Uncorked: Susan G. Komen's Thai The Runway, and the Models Take Ovah and Runways on Fire fashion showcases.As a result of his own fabulous fashion sense, coupled with his fun, outgoing personality, Dejavu has also had the opportunity to appear on some nationally-syndicated television talk shows in New York, including Good Morning America; Live with Kelly and Ryan and the Harry Connick, Jr. Show. Also an actor, his talents have also opened the door of opportunity for him to appear in some movies and television shows.
These include seasons one and two of The Walking Dead, The Hunger Games, Hunger Games
Mockingjay and Last Vegas. The Conyers, GA native who attended Heritage High School, began his career as a model and cosmetologist and is an avid supporter and advocate of community causes for organizations and shelters providing assistance to the homeless and pet rescues and adoption,

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https://facebook.com/miaragomusic/

https://www.youtube.com/channel/UC0qPjJewS6IkwKhD3oJAZKQ

https://music.apple.com/us/artist/mia-rago/1431625028


https://miarago.com/

https://music.apple.com/us/artist/mia-rago/1431625028


With bass, bongo, snare and guitar, indie pop singer-songwriter Mia Rago pulls you into
her trippy, boppin’ little alt-pop love-gone-wrong song “The Shower.”
And, it has a touch of the operatic, as Mia plays with her classically trained voice and
invites the listener to come play with her in the debris left from a breakup.
“The Shower” releases on August 9.
“It is playful,” she said. “Lyrically, it feels like one big run-on sentence, just the thoughts
going through your head, like, ‘What happened? What did I do? What did he do? What
did they do wrong?’ All this stuff that makes you feel absolutely crazy with a breakup.”
From the start of this affair we were 25 years young 
And now I’m starting to regret what I said when I thought 
You’re the one who always called
The only man of the hour
And I still just can’t believe I think about you
It will be the second song to be released from her upcoming album — her debut —
Wishing We Could Dream. More singles from the album are coming. The finished
project, with 11 tracks, will drop early next year.
The music video for “The Shower” will be released August 19.
“I had some fun with the music video, too, like, stuff you do post breakup. You know,
eating ice cream. Or just crying. But making it kind of fun instead of depressing and sad.
I wanted it to be upbeat, musically, and I feel like we did, me and my producer, Megan
McCormick.”
With the two singles from the album out this year, she is resuming a career path she
started with the release of a five-track EP, A Sea of Darkness, in 2020. The pandemic
and completing her degree in music interrupted.
“The pandemic did hit right as I was releasing my EP, and then I was in school up until
2022 getting my bachelor’s in music for vocal performance. That was my degree for
opera.”
Her post-college work as an operatic soprano includes performances of Puccini and
Verdi in Italy and singing in master classes and coaching work. She has sung baroque-,
classical-, romantic- and modern-era roles.
But her road to 2024 and the beginnings of a serious music career began with a
diagnosis of scoliosis at age 9 and surgery to correct it at 10. The titanium rods
permanently in her back and a long, painful recovery ruled out the sports and physical
activity she had loved.
Music became, as she says in her bio, the only thing she could rely on.
And, in another twist, she grew up in the funeral home owned by her parents, who also
owned a cemetery.
“Although some people might think it’s very depressing to grow up around that, I feel
like I have tried to appreciate life because I understand how short life is. And although I
do like the darkness of some of my songs, I try to highlight a lightness or a playfulness,
like in ‘The Shower.’”
Then there is the fact that, around the house, Papa sang Frank Sinatra and Mama loved
Elvis.
“I think of myself as an old soul,” she said. “I really love the older music, and I try to
incorporate some of that stuff and some of that writing into my songs.”
If some darkness is inevitable in her music, it comes in music that is beautiful and
versatile. The five songs on her EP, for instance, have country, “Rose,” a song with an
orchestral vibe, “Tension,” a rockish entry in “Alive,” and the very slow, moody,
contemplative “Serendipity.”
“Gone” is an upbeat tempo track that tells a story that is mysterious, ambiguous and
chilling. Did she disappear or was she disappeared?
All are beautiful listening. Mia Rago has a gorgeous voice, which she knows how to use
and clearly loves to play with.
The first track she released this year, “All of My Scars,” a song about her scoliosis, is an
alt-pop ballad of catharsis.
All of my scars, all of my tears
Gave me my pain and brought me here
The stronger my spine, my body and soul
Made up of bones with metal I’m whole
“I think ‘All of My Scars’ was very therapeutic for me,” she said. “I got diagnosed with
scoliosis at the age of 9, and to try to process that as a 9-year-old and then having the
surgery when I was 10 — it was not really possible for me to do, and I ended up
processing it years later.”
The years since A Sea of Darkness has been like a period of “research and
development.”
Going forward, she wants to develop — as long as I can — both her career in opera and
in alt-pop.
“My ultimate goal is to bridge the gap between my more indie-pop, alternative stuff and
opera. They’re more closely related than we think. I incorporate opera in some of my
performances, and I feel that, especially on ‘The Shower,’ in the chorus, I was able to
highlight some of my vocal training.”
Still, she says “indie music is a lot more freeing than classical.”
“There’s more rules in classical, and it’s more of a challenge, which is what I like about
it, but it is fun to be able to experiment.”
Fans can only benefit from following her as she creates her bridge.
Connect to Mia Rago on all platforms for new music, videos, and social posts.


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Make sure to stay connected to Sasha Friedman on all platforms for new music, videos, and
social posts @officialsashf.
Distrokid: https://distrokid.com/hyperfollow/sashafriedman/free-to-be-me
Instagram: https://www.instagram.com/officialsashf/
Spotify: https://open.spotify.com/artist/3wnCUxssEVAq0mjGnOSpav?
si=8X6yYYZSSNmR8MPKPFqB8A

Eleven-year-old singer, recording artist, and cancer survivor, Sasha Friedman is here to tell the
world that happiness is for everyone—and not reserved only for memorable events. Her new
pop single, “Free to Be Me,” is an upbeat, vibrant song that reminds listeners to be themselves
and find the joy in life, no matter what comes their way.
Released on June 9, 2023, “Free to Be Me” debuted at #7 on iTunes Pop Charts within the first
24 hours of its release.
Compassionate and caring, Sasha Friedman is driven to spread messages to help everyone
around her. “I want people to be happy even when they’re sad, hurt, or broken. I want them to
know they can be happy every day, not just on special occasions.” This compassion led Sasha to
record a song that’s not only relatable but meaningful, too.
Sasha’s purpose is about “being true to yourself and living your dream.” Her music is an outlet
for spreading happiness and positivity. “Free to Be Me” is a collaboration between Sasha and
her production and writing team. “I came up with the story, and they came up with the lyrics
and beat,” explains Sasha of the writing process. “Then I asked them to change the words and
improve it in my own way. It’s so fun to make music. I get to enjoy making it and watch my
music grow.”
Life hasn’t always been kind to Sasha Friedman, yet she continues to show us all what it means
to find the silver lining and keep going. At age 10, Sasha began feeling a neck pain that led to
the discovery of a massive tumor that revealed metastic Ewing sarcoma, a bone cancer that
spread to her neck, arms, legs, and lungs. No child should ever have to face the physical and
emotional pain of cancer. Sasha did so with grace and resilience. She turned to music to
transcend the pain and loneliness of the hospital where she underwent a major surgery and
chemotherapy. Fast forward to today—Sasha is in remission and excited to spend time doing
what she loves: creating heartwarming music and sharing meaningful messages through her
art.
Sasha’s passion for music began from a very young age—in fact, she began to sing around the
same time she learned to speak. As she grew older, she found inspiration in artists such as
Queen. When she began writing music, Sasha often turned to the themes of self-worth and
resilience in honor of her personal experiences and consideration for others. By the time she
turned nine, Sasha caught the attention of producers Cory and Julia Shuman of Little Bird Big
Sound. With the help of Cory and Julia, Sasha began recording music, leading up to the release
of her first single, “Free to Be Me.”
Sasha is excited to grow her music and continue to hone her skills. “I play a lot of instruments,
but I want to try making my own beat or tune. I think it’s cool to make up your own. Music
made me happy even on days when I was being poked and prodded—when I listened to music,
it took me away from the hospital to somewhere else, somewhere where I felt free. I want to
help people dealing with hard times to feel like that, too. I want to make people happy.”
Through her music and story, Sasha Friedman hopes to raise awareness for all the hospital
patients who are undergoing similar experiences, whether fighting cancer or undergoing a
major surgery. “Everyone goes through a hard time. I think and hope my music will help them
get through it. I want to help make people happy even in the hardest of times.”

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Listen to song here -- Spotify https://open.spotify.com/track/6fM6OpFZHCfVm3D1dlctIv?si=YN7gx2PeQkGSwo0pSN3cbA

YouTube https://youtu.be/TT-FZLwgd-s?si=8JImZ7nnt5_HsysY

Filmmaker Meosha Bean interviews Lohrasp Kansara and Norman Alexander,
we talk about their new collaboration “Follow Me” a
highly anticipated 2023 reboot of the classic house single originally released in 1992,
will be (re)released under the Wh0 Plays label.





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Osie is a talented singer-songwriter whose passion for music has been a part of her life from the very beginning. Although she has always had a deep connection to music, it took her some time to realize that it could become a career. Through her social media platforms, Osie blends her mental health-focused music with insightful facts, offering a behind-the-scenes look at her experiences as a woman living with alopecia.Having battled this condition for many years, Osie aims to inspire others facing similar challenges, using her platform to foster understanding and encourage resilience. Her unique perspective and authenticity not only set her apart in the music industry but also contribute to meaningful conversations around body positivity and mental health.Keep an eye out for her upcoming release, "remember disney?" set to drop in September, as Osie continues to use her music to connect with and empower her audience

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Connect to Livvy D on all platforms for new music, videos, and social posts.

Website: https://livvydmusic.com/

Amazon Music: https://music.amazon.com/es-co/artists/B0C48LPTDN/livvy-d

Apple Music: https://music.apple.com/us/artist/livvy-d/1686232083

Spotify: https://open.spotify.com/artist/4QWGfzFdbUVEfUmNHE9pWb
YouTube: https://www.youtube.com/@Livvydmusic
Twitter: https://twitter.com/livvydmusic
Facebook: https://www.facebook.com/livvydmusicofficial
Instagram: https://www.instagram.com/livvydmusic/
Tik Tok: https://www.tiktok.com/@livvydmusicofficial

“Take A Number – Remix,” the new release from the rising pop country rapper Livvy D
(Olivia Dunbar), featuring C4. Benard and songwriter Kenna Page, is an incredible new
version of “Take A Number,” said to be the dating anthem for this summer.
Adding C4. Benard to the Remix provides a fun twist with a male perspective.
The song is Livvy D’s pop-country-rap-version of what she calls “the weird world of
dating.” “‘Take a Number’ is a fun song everybody can relate to,” she says. “It’s also about the
end of a bad relationship, or a few bad relationships I’ve been in, and how I’m better off
without them anyway.” The Remix features rappers C4. Benard in a hip hop-rap-pop dialogue of two sides —his and hers — to the dating scene.
“It’s his perspective, her perspective,” she said, “but they’re not against each other. The
listener is going to be the one who determines how they interpret the song.”
“Take a Number” was co-written by Aben Eubanks, a Grammy-nominated musician,
songwriter, composer and producer. He is a guitarist and songwriter for Kelly Clarkson.
In the original release, earlier this year, the song was “more the woman’s perspective,”
said Livvy D. That version switches back and forth from pop to rap and came with the
country flavor that infuses the Remix. Both renditions are light-hearted, creative versions of the love-gone-bad song. Her unique style was influenced by the music of Cardi B, Doja Cat, and Lizzo because, she said, “They wholeheartedly believe in their music, and their message conveys
power to their audience, something I also hope to do.”
She grew up listening to all kinds of music, beginning in the womb, when her mother put
headphones on her belly to feed classical music to her unborn daughter.
Livvy D, just launching her career as a singing artist, is working with a powerhouse
team. Producer and writer Eric “EJ” Johnson has worked for more than 15 years with
many Universal Music and Atlantic Records artists as well as major independent artists
across the country.
Her songs are recorded and mixed at Tom Weir’s Studio City Sound in Los Angeles.
Weir is a Grammy-winning mixer, engineer and producer who has made it to No. 1 on
the Billboard list. She takes inspiration from everyday life and expresses different facets of her identity in each of her songs. Livvy D was raised on a horse farm in rural Virginia. Riding horses, dancing and making music have always been parts of her life.
She has also been interested in fashion, and as a child put together her own home
fashion shows and choreographed dance routines. One of her recent releases, “Gucci,”
is a rap banger that she calls “a tribute to the designer life.”
“Boujee from birth,” she says, using a regional term to describe something upscale and
luxurious. It is an apt description of her brand, evident in her videos. She says she can
be found as easily on a horse as “on a shopping spree, chilling at a swank L.A. hotel or
in the studio.” She says she wants to inspire her fans to “embrace their individuality and creativity.”
“Be yourself, be authentic and creative, and have fun,” she said. “Be you, not who
everyone else thinks you should be, and always believe in yourself, even when people
tell you otherwise. Be strong. Be kind. Be creative. Be inspired. Be different. Be you.”
Connect to Livvy D on all platforms for new music, videos, and social posts.



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Stay connected to SKGLIZZII on all platforms for new music, videos, and social posts.

Video: https://youtube.com/watch?v=v1NhEuk-Rdk&feature=share

Apple Music: https://music.apple.com/us/artist/skglizzii/1685850185

Spotify: https://open.spotify.com/artist/090ziOynWb8yV5eNQNL6bo

Facebook: https://www.facebook.com/sk.glizzii

Instagram: https://www.instagram.com/skglizzii/
TikTok: https://www.tiktok.com/@_skglizzii_


SKGLIZZII’s “I Need Somebody” is a love story, a tale of justice miscarried, a life going
off the rails, tragedy, and redemption all rolled into one and told in hip hop.
The lyrical tone is neither bitter nor mournful. It is simply what happened, and it is all the
more compelling as a song because of that. The music magnifies the matter-of-
factness, the electronic piano tones carrying the story along like a raft on a river, light
drums providing emphasis. “It’s true. It is, really. It’s my pain, it’s what I went through in a two- or three-year span,”said SK. They fouled me wen they hit me with dat body yea
Stick’n’ to the code of staying silent yea He was charged with first-degree murder, facing a death penalty, basically because he followed the street code of silence out of loyalty to a friend. He was jailed for almost two years before being exonerated.“It’s true. Every bar, bar for bar, every bar is pain,” he said. “Bar for bar is release though. I released a lot of stuff, a lot of pain, a lot of stress, a lot of agony on to that record.” The “I Need Somebody” video is framed as a counseling session at the beginning, then fflashes back and forth to other scenes as he tells his story.
My first child was born while I was in that cell
Praying for them better days and waiting on that bail
I lost my momma while I was lock and stuck up in that jam
They just don’t know that broke my soul
His mother died shortly before he was released. During this time, he turned to
substance abuse, and that’s in the song, too.
So is blessing: My sister answer global tel like when u coming home
My nephew nieces said they love me and they miss me so
They just don’t know that blessed my soul His involvement with music predates his legal troubles, which ended late last year, but since then he has begun making a musical career with “Way2Real, House of Kings” in his hometown of Fayetteville, North Carolina.
“I Need Somebody,” released earlier this year, was his first. It has racked up more than
half a million streams on Spotify alone. His second release, “Free Big Slime,” has more
than 150,000, and he has more than a hundred thousand monthly listeners.
His music began when he was young.
“I grew up in a Christian home, so you know it was gospel, but in my mom’s house
Saturday was the cleanup day. The whole house, top to bottom.”
While they were working, they listened to music, but not just hip hop and rap.
“We listened to reggae — which I love, it’s one of my favorite genres — we listened to
reggae, we listened to rock, we listened to pop. All that. My mother’s thing was, ‘You’re
not just going to listen to this rap and this hippity hop thing. You’re going to listen to
everything.’ That’s what she used to call it, ‘hippity hop.’”
It was a well-rounded musical education, he said, that “grounded” him.
“It helped me know how to do music — period. it helped me understand music and
helped my versatility.” His first two songs are this hippity hop thing, but, he said, “I am very versatile. When it comes to SK, you won’t know exactly what you’ll get, but you know you’ll get greatness.
I don’t want to label myself as just a hip hop artist. I don’t want to just label myself as
just an R&B artist, or pop. I just want to be an icon. I want to be there and just make
good music. That’s my goal, what I see in my career.” With Way2Real, SK says, he has a great team behind him, as well as a sister organization to the label, House of Kings, a ministry that helps keep him on the straight road.We’re taking this serious. I’m taking this serious. This is something I want to do in my life.”Plans for the near- to medium-term include more songs, more videos (Way2Real has its own YouTube channel), an EP or album, and making music in other genres in addition to hip hop, including reggae, R&B, rock, and more.
“I wouldn’t be where I am if it wasn’t for God, man. That’s a fact, and, you know, that’s
one thing about SKGLIZZI is I’m going speak the truth. I’m gonna speak. I’m ready to
get it going to the next level. I can’t wait ’til ya’ll hear these next projects.”

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Valley Of Grey,” lyric video, YouTube:
https://www.youtube.com/watch?v=pTH8HInSlOQ&list=RDEM2j5zYj0ZckOgskA4lgRsEw&index=1
Music Video: https://www.youtube.com/watch?v=NUg56nAAJfs
Radio EPK: https://www.youtube.com/watch?v=SW9-
2KebO1I&list=PLrqqU5xLSq9Nr8qMPWdVJMEMz_JZ_MW_N&index=42
YouTube: https://www.youtube.com/channel/UCUjIjKvgHzGYRaA0n0WQVGQ
Spotify: https://open.spotify.com/artist/778FSoIJKAfHSZRTcOQ575
Website: https://sensaroundmusic.com
Facebook: https://www.facebook.com/Sensaround
Instagram: https://www.instagram.com/sensaroundband/

With Valley of Grey, their latest poetic pop-rock anthem with driving rhythms, soaring guitar licks, groove-oriented
drums and rocking bass lines, the four-member band Sensaround has announced it is coming out to play. “Literally, all together, with real instruments, in front of the biggest and/or smallest audiences we can find. If they’re breathing... count us in.”We like to think of Valley of Grey as your quintessential pop-rock song,” said Bob Dougherty, co-founder of the band
and co-writer of the band’s music. “It’s a soaring anthem. It’s got riveting solos, infectious hooks but enough heavy
guitars to make you tingle in your nether regions.”
The band has been together for several years and had released 18 songs on their YouTube channel and all streaming platforms before the pandemic put plans to launch their live show on hold. Along with all the world-wide releases and official lyric videos to all the songs, they released an official music video shot at the famous beaches
in Malibu with gorgeous views of the Pacific Ocean. Where Are You Tonight, featuring actress Rai Quartley, includes intriguing studio-shot scenes to go along with an enticing story line. Already reaching over half-million views, the video can be seen on YouTube at https://www.youtube.com/watch?v=NUg56nAAJfs. The song has also been in regular rotation on nine national radio stations.
The band’s catalog, written by Dougherty and Track, was mostly recorded during a period of several years leading up to 2020 at which time Sensaround was gearing up for live performances.
Then the pandemic hit, and the strategy, said Bob, was to “just hole myself up seven days a week and practice my
chops on rhythm guitar. We felt it would be as practical as it would be commercially-viable adding the singer-
songwriter look to the band. A lead singer without an instrument in his hand seemed outdated to us. We saw a
chance to turn a negative into a positive. It felt as though the universe hit pause on life, so I resolved to come out of it
with a new skill and we felt that the band would make a better impression with the lead singer handling electric
rhythm guitar parts.”
Since the pandemic ended, “The priority of the last couple of years has been to get the live show tight,” said Alex Track, co-founder, co-writer and drummer of the band. “It’s a blessing to be in a band with such incredible players. It’s a gift, not only to be in a band with zero egos, but to have the members be such great friends and great people in
general. If this project was any more fun, I wouldn’t be able to stand it.”
Bob got into music and guitar through a youthful infatuation with U2, REM and Oasis, but didn’t become an actual performer until he left a career in video editing and was hired onto the Disney Wonder Cruise ship. After that, he took
the job of entertainer at the Club Med vacation village in Cancun, which involved physical comedy but also solo acoustic guitar sets at the main bar. “It sharpened my skills and flamed my passion for music,” he said. Club Med is where he met Alex, and that introduction was the genesis of Sensaround. With world-renowned symphony and choral conductor Gerhard Track and Beethoven Piano Competition winner
Micaela Maihart-Track as parents, it was no surprise that Alex Track grew up performing in a number of orchestras, choirs and bands. Taking first place at the Tri-State Music Festival piano competition, Track's passion turned to
drums and percussion. Graduating with honors with a Masters of Music Degree from the Academy of Music and Performing Arts in Vienna, Austria, Alex went on to become CEO of Track Entertainment in Los Angeles. After
attending MIT in Hollywood, Track has been involved in all aspects of the music industry in Los Angeles from scoring pictures to composing, arranging, recording, mixing, mastering and producing records. Track’s exceptional skills were
recognized when he won a Grammy Award in 2007. “My grandfather was a very popular entertainer. The Bob Hope
of Europe, if you will and my father was an expert at winning crowds over with intermittent humor during breaks
between classical pieces at concerts he conducted throughout his career. Taking advantage of Bob’s natural sense of
humor and likability, it’s heart-warming for me to see that spirit of entertainment included in our show. For my part, it feels like we’re carrying on a family tradition.”
Nate Gignac, guitar and vocals, won many competitions at piano festivals in Canada, then, according to his bio, as a teenager “picked up guitar and never looked back.” He studied at the Musicians Institute in Hollywood. He has toured
with various rock bands over most of the United States and Mexico.
Max Pierce, bass and vocals, has 20 years’ experience as a professional bass player, playing in live band situations, doing session work at recording studios, and performing in musical theater. He performs for the Los Angeles theater
company For The Record, and music that he wrote has been featured on the NBC show Parenthood. The band sums up all that passion, talent, skill and experience in its official bio. Their music, it says, comes “from a
place of earnest, raw sincerity for people who long for the return of real instruments and hand-carved music that is meant to inspire and take the listener through every possible emotion.”
As far as the name of the band is concerned, Bob and Alex came up with a plan to write down names that would fit the band. Bob had already written down dozens of names while Alex hadn’t come up with one. One day, out of the
blue, Alex excitedly told Bob that he had a name for the band. His first and only name for the list, but explained that he saw the name in a dream, up in lights like on a big venue. Alex immediately researched the name. The name “Sensurround” was the patented name for the surround sound system built to shake seats in a movie theater back in
the day. When articles were written on the subject, people inadvertently spelled it “Sensaround.” The slogan was: Sound so powerful that you not only hear it, you feel it. Being that’s how Alex felt the listener will feel when hearing
their music, the name made “sense”. Randomly seeing it in a dream, that vividly, they didn’t want to challenge fate. Sensaround was born.
The focus now is on live performances. They made their debut in May this year and have two more shows scheduled for September on the L.A. club venue circuit: September 7th at The Universal Bar and Grill on Lankershim Blvd. in Universal City and September 22nd at The Mint on Pico Blvd. in Mid City Los Angeles. They are also working out the details to perform at other famous LA venues, the Whisky A Go Go, The Roxy Theatre, the Troubadour and The Viper Room to start. “We have a strong catalogue,” said Bob. “We’ve got over 20 songs that
are radio ready. The hope is to build a fan base by playing out consistently. First and foremost, it will be interesting to see the response of a crowd at a live venue. I am excited to find out if they will be throwing their underwear on stage
or fire rotten tomatoes at us.”
Connect with Sensaround on all platforms for new music, videos, and social posts.
“Valley Of Grey,” Spotify:
https://open.spotify.com/track/6j7sQM4pO8iYK92TlS0Jw8?si=81c823897f044c45&nd=1
“

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Rapper Crazy8 Drops Fresh Rap “Lost”
By: Nadia Sobehart
New Jersey rapper, Crazy8 shows the world that passion and talent can exist behind bars.
During his incarceration, the rapper has been working on fresh music to share with listeners all
over.
His latest track, “Lost,” is a reflection of losing loved ones and facing the hardship that goes
hand-in-hand with unfathomable loss. “The song came up one day during a time I had just lost
my dad and then a sister,” explains the rapper. “It all came together into something. I was going
through that and then it all built up and I kept saying the word ‘lost’ and turned it into a song.”
When it came to writing the song, Crazy8 struggled at first. “I was trying to come up with the
beat, but it wasn’t clicking.” Through repetition and letting the song develop organically, the
rapper was able to tune into the feeling and complete his rap.
Through word of mouth, Crazy8’s raps started to spread through the community. “I shared it
with my brother and then others wanted to hear what I was writing. They started telling others
about it and it spread.”
“I want lots of people to relate to it—especially those who lost people,” adds Crazy8. Creating
music isn’t just his calling in life—it’s a way to give back and share commonalities with other
people. He also believes in speaking his mind: “I never try to be someone I’m not.”
Music has been a long journey for the rapper. A fan of Lil Wayne and DMX, Crazy8 began
rapping around age 6. He accompanied his uncle to the studio and played around with music
whenever he could. Unfortunately, life took an unexpected turn.
Somewhere along the road, Crazy8 pushed aside his passion for music and caved to the street
life. No stranger to incarceration—many in his circle had ended up there—Crazy8 wasn’t afraid
of the consequences of his chosen path. His passion for rap resurfaced when he found himself
incarcerated, wondering what his talents were at that point in life. It was then that he began
writing again, creating notebook after notebook of raps across various genres. “I like to switch it
up. Because different people relate to different things,” says the rapper.
Passionate about drill/love in particular, the rapper is open-minded to exploring his unique
sound. One of his current projects is called K.F.C., which stands for “Kids Fighting Cancer.” The
idea is inspired by the thought that life may be hard in prison or on the streets, but no one
faces a harder time than a child going through cancer treatment.
With years ahead of him in prison life, Crazy8 looks forward to what he can achieve during and
after his time locked up. “I can rap about anything I put my mind to,” shares Crazy8. In fact, the
rapper is looking forward to sharing more songs this year. Alongside his producer, based in
California, Crazy8 is working on more content to release in the near future. One project is his
mix tape, “23 and 1,” coming out at the end of the month.
“I want people to tune in and understand my music and relate to it. If anyone would like to
know anything, I’m an open book,” adds the artist. “Find me on social.”
Make sure to stay connected to Crazy8 on all platforms for new music, videos, and social posts.

YouTube: http://youtube.com/Crazy8-kp3nx

Tiktok: http://tiktok.com/crazy8_da_demon?_t=8dxrOE0PiAN&_r=1

Instagram: https://instagram.com/crazy8_da_demon?igshid=MmIzYWVlNDQ5Yg==

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An African American male born in Monroe, LA but raised in the Midwest (Chicago/Peoria IL area) began writing music and scary stories at a young age. The son of a gospel singer I have always been around the creative process whether its screenwriting or writing songs. A Western Illinois University Alum who wants to bridge the gap between the horror genre and the reality of African American culture.

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https://www.amazon.com/Silas-Monday PUrchase today

Johnny Newell D.O.B 03/12/1963, Author, Christian Counselor, Master Life Coach,
Minister, Photographer. Dad to Amanda, John, Daniel, Rachel, and two bonus
Children Josh and Delray. Papaw to John Wesley, Noah, Ethan, Jonah, Amelia, and
Addy.
Hi, I’m Johnny Newell, I am a sixty-year-old Spina Bifida survivor, (God delivered
me from it) baby of the family and only son of Johnnie T. and Josie Newell. Papa
was born in 1899 and was 63 when I was born and mama was 40. Mama had a
stroke while delivering me and was never the same afterwards.
I was born with Spina Bifida, but few knew what that was in the early and mid
60’s, I was mis-diagnosed as having Polio at one point and the word spread
through our little town like wildfire! I remember that people feared us because
Polio was contagious (but only through contact with that person’s fecal matter) I
remember that we would be in town on Saturday and people would see us
coming and walk on the side of the street because they thought I was contagious!
They would call us “White trash and curse us too.
When I was 10, I went to Shriner’s hospital for crippled Children in Shreveport
La. Where they too mis-diagnosed me, this time as having Cerebral Palsy, but they
did some corrective surgery that changed my life. I was left with a noticable limp
but that pretty much took care of my mobility issues, most importantly I wasn’t
contagious anymore!
Mama taught me to read when I was 3 and since we lived 27 miles from
nowhere, by the time I was 6 I had read everything we had to read, so I started to
write. Because of how my mama brought those characters in the Bible and the
classics to life, writing came easy for me because I knew each and every Character
in my stories, right down to their shoe size! I knew what they looked like the
sound of their voices, even how their perfume smelled.
I got my call to preach when I was 13 but I ran from it because I was
ashamed of being poor. All the preachers I knew had good clothes, cars and
homes. I had none of this, I was just a poor “White trash”boy that lived in a shack
at the bottom of hill on a dead-end road 27 miles from nowhere. But God, sought
me out and told me to write!
On hot summer day my wife Katrina was sharing an interesting story with me
about how slave owners used to misuse the Bible to keep the slaves in line. As
she commented on how wrong this was, a story was unfolding in my mind about a
Mammoth of a man who hated everyone black and white alike became one of the
greatest preachers of his time and thus “Silas Monday” was born!Cre

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Meosha Bean chats with Australian cinematographer and producer Jaxson McLennan on the #Lionsgate Podcast #SCAMANDA and more.
Experienced Cinematographer with a demonstrated history of working in the motion picture and film industry. Highly skilled in Camera Operation and lighting, with experience on most modern digital cinema camera formats, as well as motion picture film. Further skills in Pro Tools, DaVinci Resolve, Avid and Final Cut Pro. Keen photographer and strong camera professional with a Graduate Certificate: Screen focused in Cinematography from Australian Film Television and Radio School.

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Hawaii-based singer-songwriter, Masque, creates music that not only represents his
experiences as a gay man—it flourishes because of them. His experimental rock-pop album,
Masqued Emotions (Deluxe) is an anthology of sound from hard rock to lighthearted pop that is
sure to speak to listeners across the board.
“Masqued Emotions is a collection of highs and lows dealing with mental health issues and
experiences as a gay man across my life that I’ve compiled,” shares Masque. It’s inspired by
people who shared similar stories (and Lady Gaga, too).”
The 13-song album features the single “Sunhat.” “The single, ‘Sunhat,’ is a more lighthearted
part of the album,” shares the artist. “It focuses on when I do feel joy in life. It’s important to
highlight when things are going well in the face of darkness.”
Overall, the album explores the lightness and darkness of the human experience. “The main
message I want to share with listeners is that there will be tough times and struggles but also
good times to live through,” adds Masque. Other tracks on the album include “Take It Off,”
“Shame,” “No More You,” and “Microtrauma (Every Day),” all very distinct songs with their own
style.
To write the album, Masque focused on his tried-and-true writing process. “I usually start with
the lyrics,” shares the artist. “I’ll write out the topic I want to write about. Then I’ll give it a day
or so and rewrite the lyrics, make sure they rhyme and are more subtle. When I’m satisfied, I’ll
start with the melody, beats, and guitar using sheet music. From there, I’ll refine my lyrics and
practice singing the song, changing words here and there until I have a demo I’m pleased with.
I’ll send that to my producer and we’ll talk about it. He enjoys adding his own touch to what I
send him, so the final cut can really vary.”
From an early age, Masque trained in classical piano performance and writing. He was a Queen
aficionado and gradually expanded his musical palette from rock to pop (and many genres in
between). By the time he was in high school, the young Masque grew in love with the spotlight,
performing in his school musicals.
Over the years, Masque found himself settled into the corporate world, where he never quite
felt at home. “I found a bubbling desire to break out into the music industry and focus on my
art,” tells the artist. When the pandemic began in 2020, he took a leap of faith and focused on
music as a full-time singer.
These days, he continues to perform frequently at live venues. “Live performances versus
studio performances produce different songs,” explains Masque. “It’s the same song and
melody but a different feeling. Live performances are about interaction and including the
audience, having them feel your music in the moment.”
As he focuses on spreading the message of Masqued Emotions, Masque continues to work on
new songs for his next album. “Right now, I am small, but my promise to myself and my
listeners is that I will continue to make music and grow for the rest of my life.”
Make sure to stay connected to Masque on all platforms for new music, videos, and social
posts.

Spotify: https://open.spotify.com/album/1NRG2B1X3hFMdTw9Vg6c6m?si=i44neIM5Rnynkc6e
SiHxkw

Instagram: @masquemusique

Tiktok: @masquemusique

YouTube: https://www.youtube.com/channel/UCc3jkOH6aNFn7mRZ4DAOAkw

YouTube: “Sunhat” Music Video https://youtu.be/8jxKxgKg23w

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London-based hip-hop artist, podcaster, DJ, and loquacious individual, Rebel
ACA is a charismatic force to be reckoned with. His latest collaboration, the
single “Mygraine” with dancehall powerhouse Spragga Benz and UK icon
Rodney P., is not to be missed.
Rebel ACA’s music can be found at the intersection of old school and new.
Versatile yet distinctly personal, his sound is characterized by live
instrumentation and a funk influence. His latest single explores the pain of daily
migraines mixed with the double-entendre by Spragga Benz and Rodney Pl. of
“my grain of weed,” all set to vintage 80s French-influence vibes.
The single comes in two versions: the original “Old Cool Funk” hip-hop version
and the drum and bass mix by DJ Phantasy. “The hip-hop version is funky, in
your face,” tells the artist. “Meanwhile, the drummer base has old-school, funky
hip-hop vibes; it’s eclectic.” A music video, directed by Big Ben Bro, is also part
of the multi-dimensional package.
Rebel ACA’s professional endeavors range from a white-collar day job to
moonlighting as a rapper, producer, and podcaster. His resume boasts
collaborations with artists including Spragga Benz, Rodney P., Harry Shotta, Doc
Brown, Murat and Jose, and Illaman. And did we mention Buttercut Records? He
owns that, too.
The single, “Mygraine,” comes from Buttercuts Records, the company Rebel
ACA began in 2000. Featuring artists across various genres from hip hop to
reggae, funk, and soul, Buttercut Records is home to many memorable hits,
including Spragga Benz’s “Chiliagon,” a #1 reggae billboard hit in 2019.
Four or five years after starting Buttercut Records, Rebel ACA turned to writing
music of his own accord. “I always wrote poetry to cope with bad bullying in
school and an eating disorder. When you’re on your own, all you have is a pad
and a pen. There’s comfort in that. I was having a tough time when I was young
and realized there’s this honesty with a pad and pen—the brutality of you sitting
in front of a pad and pen.”
Rebel ACA realized that carrying around his decks to DJ was understandably
less convenient than sporting a pad of paper and writing utensil. And, so, it
began—he slowly turned to writing rap. “By 2006, I found that the best release I
could find was rapping, writing stuff down, and rapping it out.” He shifted his
focus from working solely with other artists—many of whom were different to
work with due to their elevated narcissism—and began creating for himself.
He connected with Spragga Benz, a friend of his late sister, and put his album
together. “That project got me into the studio with all of my biggest idols in British
hip hop/rap. It was a terrifying experience having to rap with my idols. They did it
in one take while I took 20.”
Speaking of his idols—and collaborators—Rodney P. and Spragga Benz are two
major musical forces of their time. “Rodney P. is an enormous figure in hip hop
and an amazing rapper. Americans invented hip hop. It took decades to sound ok
rapping with a British accent, and Rodney was part of that. It took time for Britain
to find its sound in the shadow of America. And Spragga Benz is one of the great
dancehall MCs. They are huge people in their space—full on legends.”
It was also around this time that Rebel ACA realized he needed to stop being just
“the business guy” and start being the confident artists that he had the potential
to be. “My wife at the time said, ‘a lot of your issue is a confidence thing.’ So
that’s what I’m trying to work on—not doing everyone else’s **** and being the
business guy.”
“I partly wrote the song with friends. Historically, I get migraines, so I thought I’d
do a song about them. I’m generally trying not to rap about sex or violence. It has
become popular in England—everyone rapping about American or Jamaican
concepts—but it’s not very British. Rarely do we do violence outside punching
each other in the face in a pub crawl. And we’re repressed about sex,” teases
Rebel ACA. “It’s interesting that it’s one-dimensional, really. We’re bothered to
listen to what a 19-year-old artist thinks, yet they don’t understand a lot about life
yet. Then I remember that the people listening to them are also 12 or 14. I come
from a place where I want rappers to talk about something more.”
These days, Rebel ACA is collaborating with crew, the ADHGs, tackling
important issues through hip hop. “There are so many things to be discussed,”
adds the artist. “I asked ChatGPT what important issues are not being talked
about in hip hop and it said ‘mental health issues.’ So, I wanted to create a
simple dialogue around these issues. And migraines are a mind issue. They’re
awful and a terrible infliction. All people need to do is work out their triggers.
Anyone who has one has to diary what they did the day before and will find it’s
manageable.”
On the topic of mental health, Rebel ACA is quick to point out that “music is
therapy.” “It’s strange that people give up music. Many see it as they have to
make it big or they have to stop,” adds the artist. “If you’re a runner, you’re still
going to run around the park to keep fit, even if you’re not as fast as Usain Bolt.
Yet people don’t think that way about music. If they’re not the most popular or
reach fame, they give up. You must love music to be involved. And there’s
nothing like it—it’s magic. No one needs to listen to what you create but you.”
Make sure to stay connected to Rebel ACA on all platforms for new music,
videos, and social posts.
Website: www.buttercuts.co.uk
Instagram: https://www.instagram.com/rebel_aca/
https://www.Instagram.com/therealadhgs
Amazon Music: https://music.amazon.com/artists/B01IUCK482/rebel-aca
Apple Music: https://music.apple.com/us/artist/rebel-aca/1086797152
Bandcamp: https://rebelaca.bandcamp.com/
Spotify: https://open.spotify.com/artist/0ze2Yu0NUzfbXo6OqnOW22
YouTube: https://www.youtube.com/@ButtercutsRecords


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To introduce herself in the world of singers and songwriters, Kayleigh Walker has
written, performed and videoed a track that lives up to its name: “Psychedelic.”
Kayleigh, from Essex, England, wrote a fast moving, musical mind trip featuring
powerful vocals, delightful beats, and melodies that play off and build on each other.
“It’s just a real good, fun pop song,” she says.
“Psychedelic” releases today.
She is starting from scratch in her career as a singer-songwriter, but she is no ingenue.
She is 32, and she has talent, experience, style and showmanship. All of that is on full
display in the audio track, and along with that, in plain view on the video, beauty.
“When I was younger, I did a lot of advertisements, and I did quite a lot of modeling, but
I just wanted to sing along to every song. I’d get a bit sidetracked. And I thought, ‘You
know what? This is something I want to do. I want to be a performer.’ Growing up, I
would sing every song on the radio, and then went into a band when I was in my
teenager years.”That experience gave her the desire to write songs, to sing her own music instead of other people’s songs. It also led to the experience with the industry that has her starting
over. She signed with an independent label and found herself “doing music and writing songs
that didn’t really feel comfortable with me.”
“I’ve done everything that needs to be done, from writing a whole album, to being
promised that it’s going to be released, to have good marketing behind it, and to then
see it going down into a black hole. Overnight.”
It was, she said, “devastating,” but, she continued, “I don’t like to talk about the past. It’s
not about the present, right?”
And that is how she comes to be starting over.
“It’s made me stronger,” she said, “and it’s made me think I can do this by myself. I don’t
need other people to tell me what I can and what I can’t do, because this is my music.
It’s finding that inner self, and that inner belief, which made me write ‘Psychedelic.’”
When music is your life,
You’re on a psychedelic high.
It’s the perfect song for starting over, joyful and defiant at the same time.
Turn the lights down low,
Ready for the after show,
…
Never coming down, never coming down
“And I was like, ‘You know what? It doesn’t matter. I’m going to start all over again.’ And
that’s what I did.”
She highlights how fortunate she has been to find people who support her, people who
believe in her and will back her up, get her in the studio and make her video.
The video was directed by Eline Powell with production and post-production by The
Lennox Brothers. Powell, the Belgian actress who played Ryn in the TV series “Siren,”
is also a featured player in the video. Lee and Wayne Lennox have made videos for
Robbie Williams and Ellie Goulding.
Kayleigh has been writing songs, music and lyrics, for several years, developing the
musical style that “feels right for me, and being true to myself as an artist.” She calls
what she does “alternative’’ because it has pop, rock, jazz, “a little bit of everything.”
“So, alternative. Yeah.”
She has three songs ready to go, another in her mind and an album in her plans.
“I’ve always loved music,” she said. “I’ve always enjoyed performing. I love writing, I
love being in the studio. I just couldn’t imagine doing anything else. This is part of me,
and I’m going to show to you, to the world, that I don’t give up. You open one door to
another door. Life is like a trip, you know? You don’t know what’s gonna happen.”
In the middle of the bridge to “Psychedelic,” where Kayleigh is chanting “trip trip trip
trip,” a male voice interjects, beween one “trip” and the next, “Are you there, Kayleigh?”
“Trip trip trip trip,” Kayleigh continues for another couple of bars, then, “I’m here.”
“Psychedelic” is the door opening to her new journey.
Connect with Kayleigh Walker on all platforms for new music, videos, and social posts
and go with her.

Website: https://kayleighwalker.com/

YouTube: https://www.youtube.com/channel/UCxwl8EB8MdM2Ev407Npvm3g

Facebook: https://www.facebook.com/Kayleighwalkermusic/

Instagram: https://www.instagram.com/iamkayleighwalker/
TikTok: https://www.tiktok.com/@kayleighwalkerofficial

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Hip hop and soul-inspired singer, Vonta Lawrence, fuses religion with urban music in her latest single, “In The Need of Prayer.” “I’m inspired by all genres of music—techno, reggae, gospel—I listen to real music. And themmusic I’m creating has each style in it,” shares Vonta Lawrence. “In The Need of Prayer” begins with a gospel choir before introducing Lawrence’s plead to a higher being, “It’s me, Lord,singing in the need of prayer.” The upbeat single is reminiscent of 90s hip hop with a gospel flair and modern production. “In The Need of Prayer” came to Lawrence off the top of her head when she entered the studio.My producer had a beat and I went in to see what to do with it and came out with the single,” tells the artist.For Vonta Lawrence, music, like life, is about having purpose. “My purpose is to spread light in the darkest places to help others who are oppressed. I am also a visionary. I want to help others find their own access to God so they, too, can learn their purpose in helping the kingdom of God on earth. We all have a purpose.” Born and raised in Saginaw, Michigan, the musician turned to religion seven years ago in a life- changing moment. “I was saved by God,” explains Vonta Lawrence. “I love music because it is a way for me to create while telling the truth about the things of God to my generation.” Music runs deep in Lawrence. From her pre-teen years, Lawrence has been singing and performing in choirs, recording studios, and talent shows. Vonta Lawrence holds her spirituality close to her. “’In The Need of Prayer’ is about communicating with God no matter what path you are on. It is also a call for others to pray for me as I walk my spiritual journey,” adds the artist. “I just want to heal my generation from depression, suicide, and anxiety through sound healing,” shares Lawrence. “I want my listeners to focus on things above and not below when listening to my music. It’s a mixture of God and culture. I believe if we can change our thoughts, it will reflect in our reality.” This spring, Lawrence is looking forward to sharing more music with listeners. With seven songs ready to go and another coming out in March, the year is off to a strong start for the singer. She is also open to the next great collaboration. “I want to go further and play more concerts,” she adds. “I’m just dedicated to changing the world. We have so much bad in the world, we need to focus on the positive things we overlook sometimes.” Make sure to stay connected to Vonta Lawrence on all platforms for new music, videos, and social posts.


YouTube: https://youtube.com/@vontalawrence3869
Facebook: https://www.facebook.com/profile.php?id=100076503365946&mibextid=ZbWKwL
Twitter: https://twitter.com/vonta777?t=Y3cNe8hWmMKpxmfKI_IXBw&s=09
TikTok: https://www.tiktok.com/@vonta77777?_t=8a7pOgxdNba&_r=1
Instagram: https://instagram.com/vonta777?igshid=Mzc0YWU1OWY=
“In the Need of Prayer” https://youtu.be/moTc-dmmdcw

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Alyssa Fitchie began her career as a Professional Hairstylist/Makeup Artist and Photo Studio Artist. With many years of on set experience, she's effortlessly transitioned into Producer roles with Goumi Kids helping transform a small start up into a global company.

listen to Freeze The Night --


links
https://www.tiktok.com/@alyssafitchie
https://www.instagram.com/alyssa_fitchie/?hl=en
https://www.linkedin.com/in/alyssa-fitchie-a56041125



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Filmmaker Meosha Bean interviews actress Mercedes Peterson"I live as much as I can in the moment, for the moment, at the moment and always in, in or out of character."
- Mercedes Peterson -

Keep your eyes open for Bloodthirst... starting Tara Reid, comes out Oct. 2023!


Follow her https://www.imdb.com/name/nm6809999/ Bloodthirst trailer - https://www.youtube.com/watch?v=GrQr7cMroTE "I live as much as I can in the moment, for the moment, at the moment and always in, in or out of character." - Mercedes Peterson - Keep your eyes open for Bloodthirst... starting Tara Reid, comes out Oct. 2023


M.V.B Films Productions

https://podcasts.apple.com/us/podcast/creator-to-creators-with-meosha-bean/id1519384944?uo=4 Merch - https://www.meoshabeanapparel.com/ https://www.patreon.com/MeoshaBeanOfficial Join my patreon https://www.patreon.com/MeoshaBeanOfficial https://open.acast.com/public/patreon/fanSubscribe/6372642 It's Evil Season One Real Alabama Cases located only on Goreculuture.com and Youtube membership program. M.V.B Films Productions

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Canadian Rapper Jimmy Yitty has long been perfecting his craft. With insightful lyricism layered
over eye-catching beats, his music is easy to get lost in. Most recently Yitty has been preparing
for the release of his newest album, a project titled It Feels Like Hell and working his way into
the American Market. In doing so, he is sharing two singles to get fans excited. The first single,
“Finesse Demons”, was released earlier this year and “Bleach”, the final teaser before the full
release, has just come out.
“Bleach” delves into Yitty’s introspective journey, with lyrics that explore complexities of personal
growth, struggle, and overcoming adversity. It tells the story of a failed relationship, filled with
lies and deception.
This single expands upon how it feels to go through a relationship with so much mistrust. When
there are so many things fighting against you, all that’s left is to concentrate on what is the most
important to you. “It’s about focusing on your goals and not giving up until you get there,” he
said.
Yittty hopes that his fans take the time to really listen to this track. “I think the contents of this
song can be really relatable,” he said. “We all have relationships in our lives that aren’t as fully
trusting as we want them to be.” The song is meant to be something that many can find solace
or community in. Be sure to keep an eye out for familiar feelings when listening to “Bleach”.
Following the release of “Bleach”, Yitty is excited to share the full release of his new album It
Feels Like Hell. The upcoming album blends the feelings that he expanded upon in his most
recent single with the pain of losing a close friend. “I recently lost a friend to gun violence and
this album is really focusing on that and melding it with my experience in past relationships.”
While parts of this project are heart wrenching, it is still filled with emotion and complexity. There
is sure to be something in it for everyone.
As he finishes up the release of It Feels Like Hell, Yitty is looking forward to connecting more
with his American community. Though he has already found a home in the Atlanta and New York
scene, there is always room for more. He is already gearing up for his next US trip and can’t
wait to continue expanding his network and continue growing his fan base in the states.
Be sure to stay tuned in to Jimmy Yitty on various platforms for new music, visuals and social
posts.
Bleach Youtube Link: https://www.youtube.com/watch?v=Uk6nIiuImk8
Bleach Spotify Link: https://open.spotify.com/track/3cf5nNvLVjZ2gX6LhmnOjE?
si=6bc0ee4102ff4c6e
Facebook - https://www.facebook.com/SodaMoneyYitty
Twitter: https://twitter.com/sodamoney_yitty
Instagram: https://www.instagram.com/sodamoney.yitty/
TikTok: https://www.tiktok.com/@sodamoney.yitty
Website - https://sodamoneyrecords.com/

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“Keef Yards,” says its creator, Lynez, is not a place. It’s a state of mind, “like an answer
or retort” to questions understood around and among people about meaning, history
and change to the culture.“You can smell it a mile away,” he said.
“Keef Yards,” the song, is about life, with Lynez delivering a series of messages with the
bass rap and beat layered onto a blues background. The span of the lyrics is laid out in
the opening lines:You say life’s precious, cherish every breath
Can’t remember your first, don’t want to see your last
I don’t want to see you hurt, but I don’t want to see you laugh
“It’s a good record,” said Lynez, “very classic, a good perceptive theme. Nothing from
the norm. It's a dope record.”
He has, he said, “a lot of space for understanding” about changing times and people
and music “It's about, like, sensing things sometimes when things get foul on the street, especially
when things change and you don't know where to go, when you're trying to move
together and work together and appreciate each other for the kind of values of the
culture and your beliefs.”
Lynez has been making music since he was 15, but got out of it when, at age 28, his
son was born. The son is now 10, and Lynez is getting back into music seriously,
looking to create more, get into performing and making his extensive catalog of music
available online.
He wants not only to make a living at it, but to honor the traditions and practice of rap.
Punchline was about punch lines, comparisons, charisma. Lyrical skill and talent
became less valuable when, in the early 2000s, rap became more serious, with more
prophecy and politics, he said.
“I didn’t do that. I didn’t have prophecy or philosophy. I just had some dope rhymes. I
would just rap round my friends. I’d be out there in the street and talk to the people.”
Which doesn’t mean it was without meaning or was not involved with life and people’s
experiences of life.
“But, you know, the essence of hip hop was always about dope rhymes. So, for
punchline rappers, that was the state of meaning, understanding that not only you have
to have talent, you would automatically include anything serious that might be involved
in hip hop or rhyming in MC. It’s a serious thing for everybody.”
So, some 20 years later, “no one really gets into punchline rap.” Rap in general got
“back to its essence,” but with more emphasis on lyrical skill.
“Rhymes are more complex, and much more sincere nowadays, and it’s much more
appreciated. Punchline rapping will always stay vivid, compared to most, but punchline
rap is definitely destined for destruction.”
As rap has grown more serious and meaningful, so has Lynez the father. He is rapping
now for his family and for his messages. “I know that there’s a message in a bottle for
everyone. That’s one of those sayings that are out there.”
“I’m not just for the entertainment. I have a lot of beliefs, also, so, I’m sharing a lot of
views and showing a lot of things for relativity.”
He is rapping his messages of competence in life, understanding, and relevance,
especially for youth. He is now working on “Messages to Arkane,” getting the visuals
ready to go out.
“It’s a morality thesis about black-on-black crime. This history tends to repeat itself.”
A website is coming soon, but stay connected to Lynez for his music, old and new.

Youtube: www.youtube.com/Lynez202
Twitter: twitter.com/LynezOfficial
Instagram: instagram.com/LynezOfficial

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Filmmaker MEOSHA BEAN interviews the CEO of YaY Stack Trey Roth.

Trey Roth is a lifelong serial entrepreneur, platinum-selling songwriter and music producer, avid learner, hard worker. He is an experienced Chief Executive Officer with a demonstrated history of working in marketing technology. Trey is a skilled leader with a heart for growth of people and businesses. He is the founder of YAYSTACK, a social network for authentic referrals and recommendations only. Married to his middle school sweetheart, Ashley, and father of four, he talks about learning through Tony Robbins’ program, strengthening authentic connections, the events that led to him creating YAYSTACK, and the why behind referrals. Check out this episode and find out how you can be a YAY! in someone's day. HIGHLIGHTS OF THE EPISODE - Introduction – Childihood how Yay stack develop – Guest introduction: Trey Roth – building a brand Iis hard 11:38 –Robbins’ program – What is YAYSTACK? – An unforeseen Oprah Winfrey Aha! moment How to get and use the YAYSTACK app –Any advice to people that want to expand and grow their brand - best advice you ever received in your life ? That sticks with you to this day - social media hanel where can people find yay and join the movement. CONNECTING WITH THE GUEST Website: https://m.yaystack.co/ Instagram: @treyroth Email: trey@yaystack.co Linkedin: https://www.linkedin.com/in/treyroth Follow M.V.B Films Rate comment subscribe hit notification bell for all new videos Check out my podcast - https://podcasts.apple.com/us/podcast/creator-to-creators-with-meosha-bean/id1519384944?uo=4 Merch - https://www.meoshabeanapparel.com/ RATE COMMENT Subscribe Follow my instagram - Meoshabeanofficial Join the patreon Patreon https://www.patreon.com/MeoshaBeanOfficia Podcast -https://podcasts.apple.com/us/podcast/creator-to-creators-with-meosha-bean/id1519384944?uo=4 Meosha Bean Films Merch -- https://www.meoshabeanapparel.com/ Join my patreon https://www.patreon.com/MeoshaBeanOfficial https://open.acast.com/public/patreon/fanSubscribe/6372642 It's Evil Season One Real Alabama Cases located only on Goreculuture.com and Youtube membership program. M.V.B Films Productions

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Lovince Mckenzie is a musician who has been exploring the world of Afro Beat for the better
part of the last ten years, floating back and forth between this passion and his work in the film
and Entertainment world, he has had the opportunity to work with people across the industry.
Most recently Lovince Mckenzie has been making headway with his music, focusing on standing
out as an Afrobeat artist to watch out for with origins from Kenya.
Lovince Mckenzie’s new track “I Know You Know” is a project that blends his East African
Heritage with the style of Nigerian Afrobeat Sounds and the visual aesthetics of the American
West. Reminiscent of the hit track “Calm Down” by Nigerian singer Rema, the song is brilliant
and easy to listen to.
“I Know You Know” is a song about connecting with someone you love. “It’s about when
someone knows you so well that you don’t even have to tell them what's going on,” he
explained. “They just understand you.” The song praises this kind of relationship and the beauty
that comes out of knowing your partner so intimately.
Because Lovince Mckenzie is so heavily focused on cultivating collaboration and connecting his
own work with other cultures, it is easy to see how “I Know You Know” blends his personal
background with the West African culture of Afro Beat. “I actually went to Nigeria to record the
song,” he said. “And then I went to Albuquerque, New Mexico to film the video with Daniel
Zollinger of Sweetascinema, it is really a blend of all of these different amazing and rich
cultures.”
Along with this drive to connect culture, Mckenzie is also hard at work to provide East African
representation to the Afro Beat community. “So many East Africans love this music,” he said.
“But we really don’t have many notable Afrobeat musicians coming from that region. It feels
like a space that I can fill.” Mckenzie is doing just this, in making a name for himself and
creating music that is simply incredible.
Following the release of “I Know You Know”, Mckenzie is excited about a collection of upcoming
projects. Fans can look forward to another new project that is set to release in August of 2023
and can keep an eye out for some of Mckenzie ’s upcoming collaborations and video releases.
“I’ve got a lot of performances coming up this year,” he said. “I am really excited to be working
with some friends to get some things done in the US, UK as well as back in Africa. There are a
lot of shows and festivals in my future.”

Be sure to stay tuned in to Lovince Mckenzie on various platforms for new music, visuals and
social posts.
WEBISTE: https://www.lovincemckenzie.com/
SPOTIFY LINK:
https://open.spotify.com/track/1kASsIBTNQGdMtQQEBmNrg?si=7a5f2b16a03d49b9
YOUTUBE LINK: https://youtu.be/FRgdjjCbuZM
INSTAGRAM: https://www.instagram.com/mckenzielovince/
TIKTOK: https://www.tiktok.com/@lovincemckenzie?is_from_webapp=1&sender_device=pc
TWITTER: https://twitter.com/lovimckenzie

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links 
https://samwelchmusic.com/

https://music.amazon.co.uk/artists/B074N2SXRM/sam-welch/

https://www.boomplay.com/songs/173922636


https://open.spotify.com/artist/67hWb0kt92swFcx61BdgXL

Themes of spiritual transcendence and mental dysfunction aren’t usual subjects for popular music, unless you are Boston’s Sam Welch and you put them into the kind of techno music he is known for, or the pop of his new album, The Republic.
The combination pop/alternative pop instrumentation and playful lyrics full of quirky rhymes makes even a song with a title like “My Darling Human Condition,” or “The Tenuous Affair,” a song about the philosophy of Thomas Hobbes, not only interesting but fun.
“I had a lot of fun creating it this year,” said Sam, who since 2017 has put out an album a year, mostly in a style he calls “transcendental techno vox.”
The vox is still there in The Republic, in his play with harmonizing vocals, but this year he did something different.
“I wanted to take as organic an approach as possible, trying to create some original instrumentation, combining different instruments and creating a different motif than I’ve done in the past.”
“Linear,” for instance, a song about transcendence, a poppy tune with a swinging, rocking kind of beat with organ, brass, keyboards and something like a marimba or xylophone.
I’m gonna take out a policyGonna sail on that shining sea, take out a policyAin’t nothing ever free, take out a policyThe wind is blowing to the lee, don’t worry about realityFour o’clock and it’s time for teaTake out a policy
“‘Linear’ is a metaphorical thing about transcendence, basically saying that, when you think about death and stuff, it doesn’t make any sense. It’s not a linear progression.”
Or, speaking of death, “My Room,” which he almost titled “The Mausoleum,” since the nominal subject is the decay of the grave. Soft, melodic bass and crooning vocalization turn the lyrics into something to think about rather than a horror movie.
My room is filled with colored lightFor this I can’t give up the fightMustiness breathes with an ugly snoreThere’s more of life lying in store
“I was originally going to call that one ‘The Mausoleum.’ It’s basically about physical decomposition. I figured ‘My Room’ would be a more upbeat title.”
Hobbes, the 17th-century English philosopher whose formulation of life as “nasty, brutish and short,” is the subject of “The Tenuous Affair.”
Old Hobbes was speaking his mindBut he might have been unkindPardon me sir, pardon me sirYour words are making me blind
The intro is a kind of high-church vocalization, as might have been heard in the England of his time, with a swinging piano beat, tambourines and bongos and, lightly, the high notes of an organ, Hobbes’ ghost, perhaps, lurking in the background.
“It feeds into the transcendence thing,” he said. “I’m advocating faith in positive things as opposed to sort of the stuff that Hobbes used to write about.”
“That Cat,” on the other hand, is the psychological side.
“It’s about what it means to have a nervous breakdown, and how there’s really no definition of, or way to categorize a nervous breakdown,” he said. He himself had what was called a nervous breakdown when he was 19 and now works as a psych counselor.
Death in the valley, screaming down the alleyThis just ain’t no birth, but it also ain’t no finaleThat cat had a nervous breakdown
Set to keyboards and flute to a bump-bounce beat.
“That song is basically about just using that term to label any type of problem whatsoever.”
“It’s a very untechno album,” he said, but it still has his vocal harmonization and themes rooted in what he calls the “Venn diagram of spirituality and mental dysfunction.” He has relied on the spirituality and experienced the dysfunction. They inform his music.
The Republic is his experiment in pop, and he says that he probably won’t return to it. His next album will be on the rock end of the spectrum.
“I want to get back to more of an organic rock sound. I want to write more songs that I can perform live and get to a good, solid rock beat. That’s the goal for the next album.”
Live performances are another area in which Sam is advancing his music. He has performed live weekly for about 10 months. He is performing at the Club Passim in Cambridge, Massachusetts, on July 23, at the Otter River Pub in Baldwinville on July 31, the Harvard General Store in Harvard on August 9.
His other scheduled appearances are on his website (link below).
Another song on The Republic, the upbeat “Still Singing,” with piano, sax and Latin-vibe brass, expresses the transcendence of hope. 
And my ears are ringingBut I’m still singingTo all of my hopesI’m so desperately clinging
“It’s an important song because it’s about maintaining hope about the future and life and maintaining a positive attitude.”
His philosophy of music includes the idea of growth and positivity, and that includes growing from his audience.
“I’d like more people to listen to my music and give me feedback. I have a website where people can email me, and I’d love to get some criticism, so I can work on my next album and try to create something new down the line.”
Transcend with Sam Welch — Sam Welch from Boston — and connect with him on all platforms for new music, videos, and social posts.

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Jiminy have been weaving their way through the music scene by deconstructing genre tropes
and reassembling them into catchy dance songs. An international collective based in Brooklyn
and led by songwriter Jimmy Harris from his experience writing Electronic, Rock, and Chamber
Pop music, they have cultivated a unique and intriguing sound. This latest incarnation manifests
in the macabre dance magic that is Apocalypse Dance Party, and this time around they invite
their audience to dance like there is no tomorrow.
With natural disasters, the pandemic, humanity at the mercy of technology, and the existential
threats of nuclear war and global warming, it is understandable to feel humanity has passed the
point of no return. With Apocalypse Dance Party, Jiminy has channeled these modern and age-
old anxieties into a set of overlapping dance tracks. The festivities start with a devil-may-care
attitude and grow progressively darker in tone and serious in subject matter.
The Apocalypse Dance Party begins with a killer dance party track that does a brilliant job of
representing the chaotic excitement that came from feeling like the world was coming to an
end. “Conflating paradise and hell, celebration and destruction, is the point,” he said. “The
visual of calamari pouring down from a tsunami is atrocious and absurd, with a hint of social
satire bubbling up.”It was this idea that led Jiminy to his Apocalyptic new album. “People are endlessly fascinated by the idea of the world ending,” Jiminy said. “It’s a reflection of our collective fears, and maybe also a desire for control in an unpredictable world. I find it interesting that generations throughout recorded history have their own versions. The end of all time is a never-ending story, found in ancient mythology and prevalent in Pop Culture.”
Introduced by our paradise-weary narrator, the dance set explores increasingly dark
soundscapes and subjects, all guiding you towards one main idea. “What is the point of life if
it’s all coming to an end? Is that where meaning is found - in the here and now? If the world
were truly ending, what would you do?” The answer may just be this: scream and cheer at the
same time, and dance like there is no tomorrow. In other words, if we’re going down, we’re
getting down.Following the release of Apocalypse Dance Party, Jiminy is excited for two big things. The first isthe sequential release of videos to go along with each song on the album, something his
audience can look forward to soon. The second is being able to take a breather and enjoy the
summer. “I already have an idea on what the next album is going to look like, but I really like to
let things like this simmer,” he explained. While we wait for the next exciting project to come from Jiminy, there is a collection of his earlier works to check out and a full social media to keep up with.
Be sure to stay tuned in to Jiminy on various platforms for new music, visuals and social posts.

Facebook: https://www.facebook.com/profile.php?id=100086478403570
Instagram: https://www.instagram.com/accounts/who_can_see_your_content/
Tik Tok: https://www.tiktok.com/@jiminyband
Spotify: https://open.spotify.com/artist/0dvsk2vrblx4c5ct9wyjaz?si=z4lvathfqgw4lz5uwcxgxq
Distrokid: https://distrokid.com/hyperfollow/jiminy1/apocalypse-dance-party

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Sam Welch, by design, does not do easy-listening music to create moods or feelings.
The lyrics and music go need listening. He wants his audience to put some work into his
songs. Though the lyrics are about thoughts — metaphysics, if you will — and deal with things
like relationships, life, death and the hereafter, his music gives a wry twist that makes
thinking interesting, trending toward fun. And worth the work.
As an example, “Kamikaze Co-Pilot,” the single he is featuring from his new album, Last
Night on Earth. Right there, in the two titles, you can see the metaphysical and the twist
at work. This is Sam talking about the message, or messages, of “Kamikaze”: “I’ve defined my
own philosophical interpretation of this song, and I’m calling it ‘social existentialism.’
Basically, it’s the idea that every relationship will come to an end, this idea that
everybody’s on the same journey to their destiny, but that the journey in and of itself will
divide us and separate us.” Sounds heavy, but the song begins with his voice, a high-register, floating, ethereal vocalization set to a ringing instrumental that rises for three notes, falls back, and drums enter with an upbeat tempo. Ten seconds later, a saxophone leads in the lyrics:
Kamikaze co-pilot the future can’t come soon enough
Kamikaze co-pilot well this world is getting tough Gonna fly away with you it’s the past that I rue
Gonna fly away it ain’t the future that is true“I think if I had done a really, really sort of hard techno, unrelentingly loud or aggressive,it wouldn’t support the themes that I’m exploring,” said Sam.
“Kamikaze co-pilot,” he pointed out, is an oxymoron. Who in their right mind would co-
pilot with someone on a suicide mission? And yet, he says, human relationships and
life, composed of individuals, are like that. But Last Night on Earth does not preach, it explores.
His music, too, is an exploration. His previous output, which he called “transcendental
techno vox,” is giving way to more melody and instrumentation and less harmonization
and vocal distortion. The transcendental remains, but the techno is much reduced.
Sam has begun to play with his voice and his music. One song on the album, “Man in
My Mind,” could pass for a dance track.
His vocals, almost entirely undoubled and undistorted, are much more prominent in
each of the 11 tracks. Fewer mixed harmonies and more of his own voice have been
goals
“In each of these songs, I’ve provided a lead vocal melody line, a solo voice. I think I’m
doing a good job of controlling the urge to just create more harmonization.”
“I think every album that I do is better than the album before,” he said. “I’m always trying
to improve the quality of my music, and I feel like I’ve definitely reached some new
goals in terms of this album. I have worked very hard on trying to create a very organic
sound that supports the very, very rich themes that I’m exploring poetically. The two
things support each other.” Another goal, to produce an album each year, has been reached every year, beginning in 2017. He had several albums before that, including one called Unitarian Hymns, in 2005. He has studied piano since age 8 and received voice training at Columbia University
and the Longy School of Music. He started a barbershop quartet in high school and
participated in classical chorus performances and theater. At Columbia, he toured with
the male a cappella group The Kingsmen. He has written and recorded music since
2001. This year, he has begun live performances.
In his music, he explores “the convergence between themes of spiritual transcendence
and emotional disregulation.” He knows the first through his life as a practicing Unitarian
and the second from his own bouts with depression and psychosis as a young man.
“‘Kamikaze Co-Pilot,’ the headliner for the album, is sort of about humanity and
relationships and destiny and the misfortune of having to die, which we all do,” he said.
“It’s more relationship oriented than I’ve been in the past, but still with the emphasis on
transcendence and moving along.”In Last Night on Earth, consideration of relationships, transcendence, “emotional disregulation,” life, eternity, all come together, poetically, musically, playfully. Connect with Sam Welch on all platforms for new music, videos, and social posts.

Website: https://www.samwelchmusic.com

Amazon Music: https://music.amazon.com/albums/B0BB8RFD1V

Apple Music: https://music.apple.com/us/album/final-orbit-wind-songs-of-
transcendence/1598037122

Spotify: https://open.spotify.com/artist/67hWb0kt92swFcx61BdgXL
YouTube: https://www.youtube.com/channel/UC_7eyo7OFK0dpoY0my0sArQ

Facebook: https://www.facebook.com/sam.welch.1428

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By Kurt Beyers
“She’s a Samurai,” a recently released single off AYR Majesty’s album Xenna, highlights
an incredible body of work the Los Angeles artist has put out so far this year.
It also shows off his trait of creating music that is “new and different.” This “Samurai” is a
new version of the song that is on the album that was released earlier this year.
“It’s a song about the other side of having a relationship with someone — the double-
edged sword of being emotionally attached to someone and how you can feel very
affected by that person,” he said.
He got the idea from Romeo and Juliet, especially the scene from Act 5 where Romeo
drinks poison when he finds his true love dead because her family will never let her be
with Romeo. But AYR’s mind turned to the Japanese samurai tradition of seppuku, a
ritual suicide to avoid dishonor or the shame of defeat.
Dark stuff, but AYR wanted to play with the concept. In his song, the Juliet character is
the poison, and the Romeo’s suicide is figurative and emotional rather than literal:
The bloody queen, she’s cutting me I’m outa feeling
Dishonor me, and leave me beaten bruised no reason
She’s cutting me like a samurai,
Knife I die, seppuku like a samurai
“I always assumed, like everyone else, that Romeo was dumb for killing himself. But as
I got older, I kind of understood him a little bit in terms of why he felt so defeated or lost
without investment in the world. That’s what the song is about. It’s that feeling that your
world is gone, and you’re losing your motivation for life. But I was also thinking that it
seems like it’s just called growing up.”
He took another angle, too.
“I chose a dark wave song, which is a kind of dark, grungy rockish that I’d never heard
before. Honestly when I first heard it, I had no idea how it was going to turn out, but it
ended up my favorite song.”
Part of his musical vision is “switching it up, going to the studio not really knowing how
you’re going to do something, but you have an idea, and you’re really challenging the
norm.”
That was his idea with “She’s a Samurai,” and though it turned out to be his favorite, he
does worry because it is dark wave.
On the other hand, “I think it is very catchy, and it sums up my album because it is very
new and different, and that’s really what my album is. I feel like this grungy dark song
brought out the better side of my musical abilities.”
He says the album has what he describes as more commercially normal songs, but his
aim remains “new and different.” Part of that is experimenting with sounds through
engineering.One example is a cover of Frank Sinatra’s “Fly Me to the Moon” in a heavy, hard
charging beat and up-tempo rock-pop-hip hopish melodies and vibe and featuring
electronic instrumentation.AYR, a San Antonio, Texas, native, has been making music since 2016, when he was at Texas A&M University “rapping in my dorm and annoying my roommate.”
“Back then I was listening to a lot of Tupac and some of that old school rap, a lot of that
’90s yell-type rapping in my room.” That involved a lot of late nights and going to class
wiped out, but “I was just so passionate about music.”
So passionate that the kid who went to A&M to play football, and got a walk-on position
on the team, found that as his passion for music increased his passion for football
suffered a corresponding decline.Now, after years of “hiding” his music, burying it on his computer, keeping it to himself “because I’ve always been a perfectionist.”“I have grown over the years, and this year I decided to take it seriously and go to a studio.” Once started, like in the dorm, he can’t stop. “I keep thinking, ‘Okay, even if that song’s good, maybe my next one’s gonna be the best one.’ So, it’s hard for me to stop.”
His aim remains to make new, different music and sounds. The greats, he says, all found a new way of making music. “I’ve always wanted to do that,” he said. “I’ve always been intrigued by new ideas, and I feel like I have a lot of potential, that I can do certain things that might be unique, and
that I can bring something that people haven’t heard, something new.”
Stay connected to AYR Majesty on all platforms for new music, videos, and social posts.
“She’s a Samurai”:

https://open.spotify.com/track/6VKSWYSUxRETfgrOc8sT63?si=602924c18c1448f3

Amazon Music: https://music.amazon.com/es-co/artists/B0C448KCHC/ayr-majesty

Spotify: https://open.spotify.com/artist/2UbAneUDU1qxSNko0QQ4l5
YouTube: https://www.youtube.com/channel/UCcj4jl0vXLyq1kPZC4SfdXQ

Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Facebook: https://www.facebook.com/people/The-Turner-Brothers/100093128860450/
Facebook (John Turner): https://www.facebook.com/john.turner.96199344),
Instagram: https://www.instagram.com/the_turnerbrothers/

By Kurt Beyers
“I’ll Always,” an R&B love song by The Turner Brothers, is climbing the charts after
being recently released — for a second time.
Kelsey D., a young singer from North Carolina, gives a beautiful performance that goes
back in time to the best of ’90s soul.
John Turner, lead guitarist for The Turner Brothers, said “I’ll Always” is No. 1 on Digital
Radio Tracker, No. 11 on Mediabase “and on its way to Billboard.”
This is actually the second time the band has released the song. It was written in 1986,
John said, when the band called itself Turner and Friends.
He even knows the date.“August 6, 1986,” he said, “thirty-some years ago. I was fumbling around on the guitar,waiting on my brother and the rest of the band to come to rehearsal. I started playing
the song and my brother and the lead singer walked in, and they said, ‘What is that?
That’s good music.’ Next thing you know, we had the hook and a name, ‘I’ll Always.’
Then we sat down and wrote it.”They released the song then, but it didn’t do much. When they recently decided to giveit another shot, they needed a singer, and that’s when they found Kelsey D. on a music site promoting musicians and singers. She does both the lead and background
harmonies on “I’ll Always.”“The song didn’t do anything back then because we couldn’t get it on the radio,” said John, but this time it’s turning out very different.“We’re blowing up now,” said John. “We’re up to almost 70,000 streams on Spotify,we’ve got 20,000 followers and a thousand streams on Apple. It’s also doing well onDitto, and the video just came out.”John and his brother, Kenneth, playing bass guitar, are well known in the R&B universe,where they have been writing and performing since the 1980s.They are making promotional appearances for the song.“We’re trying to get the song out to as many people as we can,” said John. “I’m in the process of putting a band together so we can promote it.”The Turner Brothers collaborate with a wide range of vocalists, depending, they say, onwho they need for their latest track. Singers have included BabyFace, Cameo, the IsleyBrothers, Jimi Hendrick and Stevie Wonder.Make sure to stay connected to The Turner Brothers on all platforms for new music,videos, and social posts.
“I’ll Always” on YouTube:
https://www.youtube.com/watch?v=nqj0yjeE2DE&list=RDnqj0yjeE2DE&start_radio=1&a
b_channel=TheTurnerBrothers-Topic
Spotify: https://open.spotify.com/artist/3LMdf1PG5zUp1KCr5MleH1
YouTube:

Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

By Kurt Beyers
For her debut as a recording artist, the album ready to liv, livinthemomnt sings, in 10 alt pop
tracks, the story of a young woman on the cusp of a new life.
The story is rendered in a voice that, in its lowest register, like on the track “atonement,”
plunges down into the listener’s bones and makes them tingle. In the first half of the very next
song, “so long,” her high register soars into the upper atmosphere.
Liv says she is still exploring how high she can go.
“I’ve learned a lot about my own voice and vocal range through creating this album,” she said,
adding, “but this album actually doesn’t even portray my highest range.”
Still, her voice covers a remarkably wide range in singing the stories in individual tracks. They
include three short, fun and funny vignettes that punctuate the overall narrative frame.
“The album is about a young woman who is in a relationship and dealing with those ups and
downs while also coexisting with the struggles of going to work at a job that she doesn’t
necessarily enjoy,” said Liv.
“And,” she concludes, “wanting more, she makes the decision to go and pursue her dreams.”
The musical conclusion comes in the last track, the title song, “ready to liv”:
I’m ready to live with all this shit that I did
I won’t let nothing stop me from where I’m going
I’m never going back this time.
The album is based on her life but, naturally, she takes some artistic license.
“There are some exaggerations. I didn’t kill anyone in a wreck or anything, like in ‘so long.’ You
can take the meaning of the songs any way you want when you’re listening, you know? Some
people relate differently to them. But overall, it is based on me and my life.”
Olivia Toliver, artist name livinthemomnt, is a singer/songwriter from North Carolina. She has
been involved in music since childhood, performing in school talent shows and at local venues.
As a teenager, she was also in America’s Got Talent and Miss America Teen pageants.
After performing with the Salisbury Symphony in North Carolina, Liv was given an open
invitation to return but decided to launch her own career instead. She worked through the fall
on ready to liv and released the project this spring.
The personal part of ready to liv, the part of the story in which the protagonist decides to take
the road named “Hopes and Dreams,” is not an exaggeration. That’s what she did.
“It’s something I’ve always wanted to do, and I’ve always known that I wanted to do this. The
time is now. It just felt right.”
She grew up listening to blues and soul from artists like Etta James, Nina Simone, Sam Cooke,
but she loves a wide variety of music.
“I’ve never wanted to be boxed into just one genre, because there’s just so many genres that I
love, and I enjoy singing. I want to be able to put aspects of all genres into my music. That’s why
I went with alternative, but I ultimately consider my music as alternative soul.”
“The sound that I have created, I feel like, is a unique sound.”
How she feels about her music and career is how she wants her audience and her fans to feel.
“When they hear the album, I want people to feel empowered, and I want them to be able to
relate to it and to know that no matter where you’re at in life, it’s okay to start over, live with
your mistakes and pursue whatever you want.”
Right now, her focus is ready to liv.
“I want it to reach its full potential. I want it to be successful. This is my first love right here, so I
want to cherish this moment and get it to where it should be.” She is working on visuals for the
album.At the same time, she and her producer are working on the next project, which will be what she calls act two of a three-act sequence.
“This,” she said, meaning ready to liv, “is just the first part, and we’re working on the second
one. We hope to have that released by the end of this year. This is just the start.”
Rise with her and her music by staying connected to livinthemomnt on all platforms for new
music, videos, and social posts.

Linktree: https://linktr.ee/livinthemomnt
nstagram: https://www.instagram.com/livinthemomnts
TikTok: https://www.tiktok.com/@livinthemomnt

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Straight from Chicago, the multi-talented duo known as It’s A Cool Day is set to release their
latest single, “The Butterfly Effect,” on June 16. The single weaves intricate melodies with
relaxing overtones that transport the listener to a musical escape.
It’s A Cool Day is comprised of Craig Lowe, aka The C.o.o.l (Chase Opportunity or Lose), and
Derion Scroggins aka Day Underscore, who together can best be described as “a vibe.” The duo
was developed by industry veteran Greg “Olskool Ice-Gre” Lewis (Abstract Mindstate), the very
first A&R of Good Music and a twenty-three-year creative collaborator to the artist formerly
known as Kanye West. He sensed the collaborative potential between C.o.o.l and Day and
provided an environment in which they could thrive together.
The magic orchestrated by Honest Music enabled “The Butterfly Effect” to take flight. “Olskool
provided the atmosphere for us to just do us and create and have conversations and vibe out,”
explains the duo. “We were holding a mic and passing it to each other. That was the cool thing
about this project—it was such a unique process.”
Lyrically, “The Butterfly Effect” stems from dealing with love and the butterflies that get in your
gut. “It’s about not ruining the moment,” tells the duo. “The narrator’s thinking ‘I hope I’m
doing everything correctly—the best for me in this situation. But I’ve also been hurt in
relationships.’ It’s about hoping the girl is the person he’s been looking for and what was meant
for him and what he needs.”
“We’re not afraid to be vulnerable. If you look at music these days, things are toxic. We have
our share of toxic songs but we’re more than that. This is what we’re feeling and want to
express that to listeners. It’s not about protecting the ego but being real.”
“We want listeners to know it’s okay to take a chance. It’s the most selfish and selfless thing
you can do when it comes to love. Love is tricky and risky, but it’s so necessary to not be closed
off and isolated,” adds It’s A Cool Day. “We have the opportunity to be secluded and
independent, but you have to get outside.”
The butterfly effect also refers to the real-life phenomenon of the monarch butterfly, a
multigenerational species that paves the way for future generations to thrive.
Together, C.o.o.l and Day have created a sound that is a hybrid of the many styles that have
influenced them, along with a touch of their own.
“I started in music really young,” shares C.o.o.l of his upbringing. “I sang in choir and was
classically trained in opera. Yet growing up in a rough environment, hip hop and rap are a part
of me—they’re in my fabric. The combination has created a unique style in me. When I met Day
in California, we went on to merge sounds and create an R&B sound with edge.”
Cool comes from the south side of Chicago, while Derion is from the west side. “We grew up at
a different pace, but it’s all still Chicago,” adds Day. A second-generation artist, Day also had an
early start in music. His father was a musician who would take him to rehearsals and the studio.
“I caught the bug very early on,” Day adds. “I was heavily influenced by R&B and pop—from
Michael Jackson to Usher. I was a late bloomer to hip hop.”
The creation of “Butterfly” is the result of pure collaboration. Day produced the song from top
to bottom, while the lyrics and concept are a result of both working together. “Day came with
the beat and I knew it was special as soon as I heard it,” says C.o.o.l. “When it comes to him,
there wouldn’t be a record without him. He hears a beat no matter where in the production.”
In the same vein, Day has nothing but good words to say about his musical counterpart. “The
cool thing about C.o.o.l is that he has conversations. The way the words come together for
him—I’ve never seen anything like it. The lyrics come together and make sense. I’m a writer and
will write the lyrics but he doesn’t have to because he’s a superhuman.”
After their single—complete with visuals—drops, It’s A Cool Day is looking forward to releasing
their project, You’re Welcome, on June 23. “It’s less of an EP and more of a conversational
piece,” teases the duo. “We’re in the middle of making a bridge between traditional and
modern. We want to inspire the progression of what may come.”
Make sure to stay connected to It’s A Cool Day on all platforms for new music, videos, and
social posts.

YouTube: @itsacoolday 


Facebook: /ItsACoolDay

TikTok: @itsacoolday_

Twitter: @_itsacoolday

Instagram: @_itsacoolday

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‘It’s Benji Casino music, ain’t nothin’ like it’
By John Hacker
Benji Casino was in elementary school when he started making table beats in the lunchroom
when he was bored.
Now he produces music professionally that is like no other in the industry.
Now his latest singles, “Mm Mm Mm” and “Moon Walking” celebrate and demonstrate his
stream-of-consciousness style of writing and cross-genre sound that define “Benji Casino music.”
“When it comes to my song selection, if you listen to all my music, everything sounds different,”
Benji Casino said. “There’s not just one sound. I did promo recently and I told the publicist ‘it’s
Benji Casino music.’ It doesn’t sound like any other music but what it is. Only I can make music
like this, it’s Benji Casino music.”
And Benji Casino music comes from a unique headspace shaped by growing up in the city of
Cleveland, then moving to rural Ohio.
“I used to get into a lot of trouble up there so I moved out here,” Casino said. “It’s really in the
middle of nowhere, I'm not gonna lie to you. I grew up in the city life but then I moved out into
the country life and when I moved out here I found a different type of headspace, a more
peaceful, enlightened headspace. I got to thinking about my life and how I can do better in the
space that I’m in. I had to accept those and it just put me on a whole different plane.”
The single “Mm Mm Mm” is a song with deep personal meaning to Casino.
It’s a song about people who seemed to appear in his live when they wanted or needed something,
but disappeared when he needed someone to lean on.
The song talks about how the singer is looking for authentic people who really care for him.
“At that time I felt like I had nobody,” Casino said. “And ‘Mm Mm Mm’ is the hook, me
vocalizing is really just the hook and that’s how the whole song came together. I heard the beat
and said ok, this is fire, let me really run this through the pro tools. I was singing Mmm Mmm,
Mmm, and that’s where all the other lyrics came from.”
The song ‘Moon Walking’ came from a stream of thought that came to Casino after a night of
heavy partying.
“I got home and I heard the beat and said this is different,” Casino said. “It’s slow but it hits. And
I just started writing lyrics. Usually I don’t write songs but the way I see it, it comes how it
comes. Honestly, I just like going in the studio with no plans, nothing ready because that’s when
you come up with the most authentic songs. You come up with stuff lime ‘Mm Mm Mm,’ you
can’t write shit like that down and deliver it the same way. But I do believe when it comes to
creative inspiration, it comes how it comes, it comes and it goes.”
Casino said he’s working on an EP called “Perfect Timing” that will come out in a few weeks.
In the meantime he encourages his fans to check out his catalogue of music and find the singles
that touch them.
“I believe with the music that I've already released there’s something for somebody,” Casino said.
“You may not like ‘Choker Girls’ but you may like ‘Maria.’ I believe right now there’s so much
versatility across the whole catalogue there’s something for everybody. I know people in my
personal life that don’t like certain songs but they like other songs. Benji Casino Music, what I'm
making is me, it’s the things I go through, things that have happened in my life.
“I want people to know that everything that’s been released on my catalogue I've done myself.
Besides the beats, all the production was me. Everything sounds how it’s supposed to sound, I
wanted people to hear it how I heard it when it just popped into my head. That’s why everything
on my catalogue sounds different.”
Please follow Benji Casino on the following social media and streaming sites:
Spotify: https://open.spotify.com/artist/2YYBrPq9TP9BiixpDdytSa
Apple Music: https://music.apple.com/ms/artist/benji-casino/1552612444
Instagram: https://www.instagram.com/benjicasino/
Youtube: https://www.youtube.com/channel/UCZoKxOsj3Dh_19mRMdTNYwg

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I grew up on the west side of baltimore and was a bit of an inside kid. Always loved watching TV and movies and Playing Video games. One day my mother got me a copy of Hardware #1 written by Dwayne McDuffie. At the time I had no idea how big it was to have a comic book done by an all black company. From here is was hooked. My dad would always take me to stores and I’d pick out what I would want was always drawn to the Black Panther who I consider my favorite hero. Kept reading and watching Tv and Movies through college (I went to NCA&T AGGIE PRIDE) and loved talking all things pop culture with friends. From there I feel in love with short form content and liked giving movie news, but this decided to do something different and educate a little on the history of Black Comics in different media forms. Now I try and share something every day letting people know the plethora of comic characters and stories behind how some of the best black super hero movies get made or what could have been.

links to follow social media

https://www.facebook.com/TheDAXperience/

https://www.youtube.com/channel/UCdO0Nj1OUdW5hTfiQVUxaSA




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Since moving to Los Angeles from Boston, MA back in September 2019, Dan has been very busy working as a Film Composer. His time is filled with composing music for up and coming Directors and assisting some of Hollywood's top Film Composers, including Joseph Trapanese, Craig Deleon, Carlos Jose Alvarez, Jasha Klebe, and Edward Shearmur. In between all of that he is also arranging a song and composing themes for podcasts, art shows, etc! Most recently Dan has been diving into the world of Horror, where he loves to mix classic orchestral scoring techniques with his unique brand of sound design. He has also scored a Documentary about Feminist empowerment in Kenya. Many of these projects are currently being submitted to film festivals/being released soon..so stay tuned on Dan's instagram and his website for all updates and music releases.

Dan enjoys collaborating and deeply appreciates the growth that the music goes through during the enigmatic process of scoring to media. He loves to stay busy, and is always finding ways to seek growth for himself, his music, and his composing process.

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Filmmaker Meosha talks with the one and only Lou Pizarro. We talk all things entertainment life struggles and creating your own opportunities.

Subscribe to Operation Repo Official Youtube Page - @operationrepo
Follow Lou Pizarro on Instagram: https://instagram.com/LouPizarro

Bio Lou Pizarro is TV and Film Director who was born in the Bronx, NY. The family later relocated to California's San Fernando Valley. Following a stint in the United States Marines (USMC), Lou Pizarro became involved in the world of Repossession. He eventually went into business for himself. Through his business, . He was invited by a Local News Channel to Do a segment on Repossessions in Los Angeles and this inspired his own desire to become a Filmmaker. His 13 years of work as a Repo Man, combined with his desire to be a Filmmaker, lead him to create the hit series "Operacion Repo"For Telemundo and then the English version For TruTV "Operation Repo." He is also the Creator, Director and Producer of the Hit TV Show "Fugitivos De La Ley Los Angeles" on NBC Universo.


Listen to us on all digital platforms 🎧
https://podcasts.apple.com/us/podcast/creator-to-creators-with-meosha-bean/id1519384944?uo=4 https://blackpodcastdirectory.com/show/creator-to-creators-with-meosha-beanhttps://open.spotify.com/show/0QcwlNklSFwONk3BlW9vNN https://podcastaddict.com/podcast/creator-to-creators-with-meosha-bean/3020463 https://www.iheart.com/podcast/966-creator-to-creators-with-m-66474232/

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Filmmaker Meosha Bean interviews artist Har'Monique 


inks
https://www.youtube.com/@UCJ9slRIAdssIg4dAPFL4Avw https://music.apple.com/us/artist/harmonique/1485970252 https://open.spotify.com/artist/0gNGFS54VMpwVdYAJjGz6Z https://www.instagram.com/har_monique23/?hl=en

Bio

With a power voice that goes as deep and hot as magma, or high, hard and cold as nails, delivered smooth, soft and dreamy or with a hacksaw edge, Har’Monique is launching her career with “One In a Million.” The song drops July 12, the video a couple weeks after that. Except for the overt but not explicit sexuality, the melody and vocals are classic R&B, set over a bell-like hip-hop beat. “I’m not really an R&B artist, so, I feel like whenever I do dabble in R&B sounds, it has to have some sort of hip-hop flair to it,” she said. When she first heard the music that became this song, what immediately popped into her mind was the Aaliyah song by the same name. “When I heard the sounds, I definitely heard Aaliyah’s ‘One In a Million.’ Her song had a lot of depth to it, soulful but real deep in her voice, and I thought, ‘That’s so cool! I love it!’ So, when I heard these sounds, I was like, ‘Oh, my God! That can have the same kind of undertone and depth to it.’ I wanted to take the title and make it my own.” The sound, she said, was sexy, and she knew right off that she had to write something sexy to the music. Cuz what I want want want want  Is what you want want want  Tonight That’s why I’m saying  Make me your one in a million  That process is in the nature of her creativity. “I don’t ever go in with a subject matter in mind. The song is always what the beat and the sound tell me it needs to be, and it basically writes itself.” The real joy of music, for her, is in the creation. Despite a voice that could have been designed specifically for R&B, and with the control that lets her use it however she wants, which, after this song, will be mainly pop, she says, “If I wasn’t writing my own music, I wouldn’t be singing.” This, and her fierce desire to be independent, tell the story of why six albums worth of her songs are “in the vault under my bed.” She is working on the seventh now. It will drop sometime early next year with 23 tracks. She wrote “One In a Million” in 2017 for the fourth album. It will be the third song she has released, the first this year. The other two were in 2021. Her story goes like this: She had a boyfriend in college who was going to school for audio engineering. Har’Monique has always sung, always had a voice for singing, and had been singing since she was a child, but “My goal in life was never to be a singer. I wanted to be a writer and write novels.” One day the ex said to her, “You can lay down some vocals.” This was when she was 21 or so, a little more than a decade ago. “So, I told him that I wasn’t getting into anybody’s studio to do cover songs. If I had to sing songs, I was going to have to write my own. And that’s when I fell in love with writing music.”

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Bio
As the founder of spiritual media company GodXP and the host of the GodXP Spiritual Fitness Podcast, Anthony explores the intersection of spirituality and self-actualization, interviewing experts and sharing insights to help listeners achieve their goals.Anthony is a seasoned digital marketing consultant with a decade of experience, certified Ananda meditation teacher, RYT-200 yoga teacher, WYF 200-hour Kundalini yoga teacher, CCA spiritual coach and CCA executive coach. He offers in-person yoga and meditation workshops called Meditationwave, to help individuals find inner peace and balance.In his free time, Anthony enjoys composing and performing music, writing online, traveling to new places, and practicing and competing in Brazilian Jiu-Jitsu. His life has been a journey of self-discovery and creative exploration, shaped by his early experience in music performance, world culture, and cataclysmic spiritual events.Anthony is open to new opportunities in all of these areas, and he is eager to connect and collaborate with like-minded professionals and organizations. Let’s collaborate to create meaningful work and make a positive impact on the world. Learn more and connect further: anthonypolanco.com

https://www.youtube.com/@AnthonyPolanco/featured

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Filmmaker Meosha Bean sits down with CEO Of miestro.com | E-Learning & Education Consultant | Best Selling Author & Speaker https://miestro.com/ I help you to educate your staff, grow your community and sell your courses profitably with our online platform Miestro. Check out case studies at miestro.com Every company needs and should have an online course to broadcast to the world. Our platform makes it easy for experts and businesses around the world to deliver a stunning online course. To Book A Call:
https://miestro.com/demo https://www.linkedin.com/in/justinburns1

Justin Burns is the co-founder and CEO Miestro, an online platform for coaches, trainers, and organizations to host and sell their courses.

links to other interviews /press
Ted Talk interview https://www.youtube.com/watch?v=qdkkdOsj6so https://www.youtube.com/watch?v=aAfUiMxvxzI
https://www.youtube.com/watch?v=aAfUiMxvxzI

Follow my podcast - https://podcasts.apple.com/us/podcast/creator-to-creators-with-meosha-bean/id1519384944?uo=4
Merch - https://www.meoshabeanapparel.com/
https://www.patreon.com/MeoshaBeanOfficial
M.V.B Films Productions

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Filmmaker Meosha Bean chats with friend Alan Delabie about films horror etc. The Last Nosferatu is his latest film we talk about films in depth industry and more.

Bio From a very young age, Alan Delabie has always been drawn to the audiovisual field and more particularly to cinema. Seduced by Bruce Lee, he began his career as a martial artist. Alan practices martial arts, more particularly Karate, Kickboxing and artistic Nunchaku, discipline in which he was European champion.


Check out my podcast - https://podcasts.apple.com/us/podcast/creator-to-creators-with-meosha-bean/id1519384944?uo=4 Merch - https://www.meoshabeanapparel.com/ https://www.patreon.com/MeoshaBeanOfficial M.V.B Films Production

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