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| Titre | Date | Durée | |
|---|---|---|---|
| Tanika Gupta on Voice | 10 Nov 2008 | 00:06:05 | |
Prolific author Tanika Gupta talks about stagecraft, highlighting the importance of voice and comic idiom in her writing. | |||
| Helen Blakeman and Setting | 10 Nov 2008 | 00:04:54 | |
Playwright Helen Blakeman sees setting as integral to a play’s success and highlights the supporting importance of factors such as structure and voice. | |||
| The Mass Observation Archive | 10 Nov 2008 | 00:08:11 | |
Dorothy Sheridan, director of the Mass Observation Archive at the University of Sussex, talks about the archive in terms of a research tool and a repository of unique material. | |||
| Liz Jensen, Development and Decisions | 10 Nov 2008 | 00:08:11 | |
Author Liz Jensen talks about her novels and how they develop in terms of storyline, plot, character and voice, How she often rejects planning in favour of a more organic approach to her work. | |||
| Structure, Revision and Theme | 10 Nov 2008 | 00:10:41 | |
Novelist Liz Jensen talks about narrative viewpoints, and their benefits and shortcomings in terms of storytelling. | |||
| Ian McMillan and Repetition | 10 Nov 2008 | 00:05:04 | |
Poet and presenter Ian McMillan takes a light-hearted look at the use of repetition in his poems. | |||
| Poetry and Surrealism | 10 Nov 2008 | 00:11:22 | |
Ian McMillan talks about the importance and use of surrealism in his poetry. | |||
| Hilary Mantel on Film and Drama | 10 Nov 2008 | 00:07:29 | |
Hilary Mantel talks about the importance and influence television and film have had on her development as a writer. The paragraph as the basic building block of fiction, and how this can generate a successful narrative. | |||
| Rhetoric and Rhythm | 10 Nov 2008 | 00:11:41 | |
Hilary Mantel uses examples and a reading from her own novel Vacant Possession, to examine the use of rhetoric and rhythm, and how they can seed ideas in a reader and build up the relationship between reader and text. | |||
| Developing the Idea | 10 Nov 2008 | 00:10:08 | |
Playwriting master Alan Ayckbourn reveals how he develops and connects ideas for his plays, and the meticulous process of structuring and ‘building’ a script. | |||
| Alan Ayckbourn on Redrafting | 10 Nov 2008 | 00:06:24 | |
Ayckbourn's approach to redrafting and rewriting scripts, and how dramatic ideas and twists emerge. | |||
| Alan Ayckbourn as Director | 10 Nov 2008 | 00:08:31 | |
Alan Ayckbourn's work as a director, and how this informs his writing. The economy of playwriting, and the writer’s awareness of the limitations of the stage. | |||
| Alan Ayckbourn and Staging | 10 Nov 2008 | 00:03:22 | |
Drawing on his intimate knowledge of the theatre, Alan Ayckbourn offers an insight into the varius methods of staging, drawing a link between his own work and theatre in the round. | |||
| Adaptation and Breakdowns | 10 Nov 2008 | 00:09:37 | |
Renowned writer David Edgar discusses his ideas on Aristotle’s unities, linking this to ways of adapting existing works. | |||
| Jane Rogers on Adapting for Television | 10 Nov 2008 | 00:14:04 | |
Novelist and playwright Jane Rogers talks about the transition of one of her novels, Mr. Wroe’s Virgins, into a four part television series. | |||
| Jane Rogers as Novelist | 10 Nov 2008 | 00:15:32 | |
Jane Rogers talks about her work as a novelist, and the methods of storytelling and voice she employs. She brings together various forms and approaches, such as the use of cinematic editing techniques, in her novels | |||
| Approaches to Contemporary Fiction | 10 Nov 2008 | 00:06:16 | |
Jane Rogers talks about her work in terms of viewing herself as a contemporary novelist. She draws links to literary greats, and techniques like 'the unreliable narrator'. | |||
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