Conversations with Ballet & Dance Icons – Détails, épisodes et analyse
Détails du podcast
Informations techniques et générales issues du flux RSS du podcast.

Conversations with Ballet & Dance Icons
The Wonderful World of Dance
Fréquence : 1 épisode/32j. Total Éps: 97

Classements récents
Dernières positions dans les classements Apple Podcasts et Spotify.
Apple Podcasts
🇫🇷 France - performingArts
03/07/2026#82🇫🇷 France - performingArts
02/07/2026#72🇫🇷 France - performingArts
01/07/2026#65🇫🇷 France - performingArts
30/06/2026#54🇫🇷 France - performingArts
29/06/2026#14🇫🇷 France - performingArts
28/06/2026#23🇩🇪 Allemagne - performingArts
16/05/2026#79🇩🇪 Allemagne - performingArts
15/05/2026#27🇩🇪 Allemagne - performingArts
14/05/2026#26🇬🇧 Grande Bretagne - performingArts
10/05/2026#68
Spotify
Aucun classement récent disponible
Liens partagés entre épisodes et podcasts
Liens présents dans les descriptions d'épisodes et autres podcasts les utilisant également.
See all- https://www.edfringe.com/
68 partages
- https://www.alvinailey.org/
16 partages
Qualité et score du flux RSS
Évaluation technique de la qualité et de la structure du flux RSS.
See allScore global : 53%
Historique des publications
Répartition mensuelle des publications d'épisodes au fil des années.
Ukrainian ballerina Anna Muromtseva on fleeing Kyiv for her new life with the Hungarian National Ballet
lundi 29 juillet 2024 • Durée
In this inspiring podcast, we share the remarkable story of strength and resilience of Ukrainian principal dancer Anna Muromtseva, who faced the most devastating and unimaginable experience of fleeing her home following the Russian invasion and restarting her life and dance career with the Hungarian National Ballet.
Listen to Anna’s heartfelt interview as she looks back to growing up in Ukraine and rising through the ranks from corps de ballet to soloist and principal dancer. She gives an insight into the demanding yet fulfilling dance life with the National Ballet of Ukraine, their repertoire and the rigorous performance and rehearsal schedules.
Anna’s deeply personal story takes a dramatic turn with the Russian invasion of Ukraine, which forced her to flee her homeland along with her family. Leaving behind all her dancewear and pointe shoes, Anna faced the daunting task of finding a new company which led to auditioning for the Hungarian National Ballet alongside other displaced Ukrainian dancers. And although Anna successfully secured a contract, the only available position available was in the corps de ballet.
Anna talks intimately about the physical and emotional challenges of transitioning from a principal dancer in Kyiv to the corps in Budapest. Fortunately, the company’s artistic director, Tamas Solymosi, provides opportunities for dancers of all ranks to perform a variety of roles. This has seen Anna return to dancing principal roles, such as Odette/Odile in Swan Lake and helped her rediscover the love of dance in the midst of so much devastation.
PRESS PLAY!
Follow Anna Muromtseva on Instagram: @g.anna.muromtseva
Listen to the podcast interview on all major streaming platforms including Apple, Spotify and more. You can watch our interview on our YouTube.
Anna MuromtsevaAmerican Ballet Theatre, Soloist, Gabe Stone Shayer on dancing with Misty Copeland & launching Creative Genesis to give dancers work during lockdown
mercredi 7 octobre 2020 • Durée 50:46
American Ballet Theatre Soloist, Gabe Stone Shayer talks in this podcast about his journey from Philadelphia to becoming the first African-American male graduate of the Bolshoi Ballet Academy, the first in the 250 year history of this prestigious school.
Gabe shares his experience of dancing and living in Moscow, touring with the Bolshoi Ballet and returning to the US to join the American Ballet Theatre.
Having performed many soloist and principal roles over the years, and creating roles with the acclaimed choreographer Alexei Ratmansky, Gabe was promoted to Soloist during the lockdown and awaits to return to perform on stage.
During the lockdown, Gabe has drawn on his love of choreography and launched the Creative Genesis project and has raised more than $30,000 to go towards creating and presenting new choreographic work. This project importantly helps support other dancers during these covid times, giving them work and an opportunity to perform as they wait for the theatres to reopen.
You can DONATE HERE to the Creative Genesis project!
PRESS PLAY!
https://www.gofundme.com/f/CreativeGenesis
Akram Khan, critically acclaimed choreographer celebrates 20 Year Anniversary of Akram Khan Company
mercredi 30 septembre 2020 • Durée 57:54
Akram Khan MBE is without doubt one of the most innovative and important choreographers of our time. He has created some of the most profound and moving works over the last 20 years of Akram Khan Company, a company he founded with Farooq Chaudry.
In this podcast, Akram talks about his experience of lockdown that led to feelings of depression, caused by the impacts of the coronavirus pandemic. He gives us an insight into how he began creating again and collaborating on their 20th celebration programme The Silent Burn Project.
Akram looks back over his dance career; from his dance training in Kathak South Asian classical dance and contemporary dance, to the influences and inspirations that led to him choreographing works that tell stories which critically address subjects ranging from power, oppression and racism.
Listen to Akram talk about his approach to creating new works, his process of working with his visual, musical and design collaborators and dancers when he goes in the studio.
In this intimate discussion, Akram reflects on his career highlights, on working with Sidi Larbi Cherkaoui, Antony Gormley, prima ballerina Sylvie Guillem CBE, creating Giselle with English National Ballet, and his hotly anticipated premiere of ENB’s Creature which has been delayed due to coronavirus. We also talk about his creations; Dust, Until the Lions, Xenos, DESH and more.
As we delve into Akram Khan Company, Akram gives a glimpse of what to expect from The Silent Burn Project, which features world famous prima ballerina Misty Copeland, plus dance short films, debates and more exciting content to celebrate the last two decades of this astounding company.
The Silent Burn Project premieres worldwide for FREE via livestream on the company’s website, YouTube channel and Facebook Live on 4 October 2020 at midday UK time.
PRESS PLAY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Akram+khan.mp3
Also available to listen on Apple Podcasts, Spotify, Google Podcasts and other podcast providers!
Principal dancer Carlo di Lanno on joining Semperoper Ballett during the pandemic and preparing to perform to a socially distanced audience
mercredi 23 septembre 2020 • Durée 38:21
Principal dancer Carlo di Lanno moved from San Francisco Ballet to Semperoper Ballett in Germany just as the coronavirus pandemic started to hit Europe.
After arriving in the company’s home in the city of Dresden, Carlo immediately quarantined for two weeks before going into the studio to take company class and start rehearsals for the season that has already seen cancellations.
Listen to Carlo talk about his lockdown dance experience and what it’s like joining a new ballet company when required to socially distance from your colleagues, while taking class metres apart from another, on rotating schedules.
Semperoper Ballett is stepping back on stage with a series of gala events called »Semper Essenz: We Will Dance!«, being performed at the wonderful opera house accompanied by their world-famous orchestra.
With so many dance companies around the world cancelling their entire seasons, furloughing dancers and making staff redundant, it is uplifting to see ballet dancers set to perform to live audiences with a live orchestra – it’s almost semi-normal!
Carlo also shares his journey from growing up in south Italy to dancing with La Scala in Milan, Staatsballett Berlin and moving to San Francisco Ballet and working with world renowned choreographers William Forsythe, David Dawson, Benjamin B. Millepied, Christopher Wheeldon and more.
»Semper Essenz: We Will Dance!« is on 25 September and 1, 4, 16, 18 & 25 October 2020 – get your tickets.
Photo: Sofiane Sylve and Carlo Di Lanno in On the Nature of Daylight by Ian Whalen
PRESS PLAY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Carlo.mp3
Podcast also available on Apple Podcasts, Spotify, Google Podcasts and other podcast providers!English National Ballet’s Isabelle Brouwers on her lockdown dance life, going back to the studio & dancing in a mask
dimanche 23 août 2020 • Durée 54:16
In this podcast, English National Ballet‘s Isabelle Brouwers gives us an insight into her lockdown experience that coincided with recovering from an injury; she also talks about how she prepared to return to the studio and what it’s like dancing with a mask.
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Isabelle+Brouwers.mp3It is an understatement to say that Covid has presented enormous challenges for the dance industry. Dancers have been especially hit, as they have strived to maintain their physical and mental wellbeing within the confines of their homes, often isolated and separated from their families as well as their dance colleagues. And this is before the industry-wide redundancies, covid infections and shifting government policies restricting and delaying live performances around the world.
Isabelle Brouwers, English National Ballet (c) Nath MartinHowever, throughout this period Isabelle has remained positive. She shares how she used the time at home with her sister to rehabilitate her injured foot, while taking courses to further her academic career, and writing about dance and reviewing online shows. These goals helped to keep her focused and ensure she was ready to return to ENB’s new multi-million pound home in East London.
Listen to Isabelle describe the feeling of finally being back in the studio, and how the company has managed the dancers’ return to keep them safe, with staggered start times, one-way systems and dance social ‘bubbles’.
Isabelle is absolutely relishing being back at the barre, even though this means taking company class in a mask – something dancers around the world are having to get used to. It’s intriguing to hear a dancer describe how a small piece of cloth has an impact on how a dancer experiences their space, their body and their artform.
Isabelle Brouwers, English National Ballet (c) Alex FineIsabelle also looks back at her journey from Germany to the Royal Ballet School and English National Ballet School; her experience of joining ENB where she’s risen through the ranks from the corps de ballet to First Artist.
Isabelle talks about picking up awards including Youth America Grand Prix (2007), Genée International Ballet Competition (Silver Medal 2013), Young British Dancer of the Year in 2013 with nominations in 2015 & 2016, and ENB’s Emerging Dancer Finalist in 2017.
As Isabelle looks to the future, she discusses how Covid is affecting the upcoming season that would normally see her touring the UK and the world. And after six years with the company, she’s drawing on her experiences of working with acclaimed choreographers like Akram Khan and the hope of performing his new work ‘Creature’ later this year, to keep her inspired as the dance world and devoted audiences wait for live performances to recommence and for the show to go on.
PRESS PLAY or LISTEN ON ITUNES, GOOGLE PODCASTS, SPOTIFY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Isabelle+Brouwers.mp3 Isabelle Brouwers, English National Ballet (c) Nathan Carlson Isabelle Brouwers, English National Ballet (c) Alexander YipGuillaume Côté – National Ballet of Canada Principal, Choreographer & Artistic Director of Festival des Arts de Saint-Sauveur
vendredi 19 juin 2020 • Durée 48:46
In this podcast, National Ballet of Canada acclaimed Principal dancer and award winning Associate Choreographer Guillaume Côté talks about his 22 year career with the company that has fostered his drive to create roles and new ballets and perform across the world with companies including La Scala Theatre Ballet, English National Ballet, The Royal Ballet, American Ballet Theatre, The Hamburg Ballet and Stuttgart Ballet.
Guillaume is also the Artistic Director of Festival des Arts de Saint-Sauveur – one of the largest summer dance festivals in Canada. This year’s 29th festival is forging ahead and responding to the challenges of covid by launching a new project called ‘A Shared Solitude‘, with 20 artists, 20 creations, forming 1 voice. Each week from 5 July works will be released online from artists including:
- Daina Ashbee on a score by Alejandra Odgers performed by flautist Caroline Séguin
- Marie Chouinard on a score by Louis Dufort performed by percussionist Alexandre Lavoie
- Guillaume Côté with Yannick Nézet-Séguin at the piano on a score by Éric Champagne
- Anne Plamondon on a score by Cléo Palacio-Quintin performed by trombonist Patrick Richer
- Crazy Smooth on a score by Marc Hyland performed by clarinetist Simon Aldrich
Listen to Guillaume talk about the how the 20 artists have created works during lockdown, life as a principal dancer, his love of music, his passion for ballet, being a dad and his partnership with his wife, fellow principal dancer Heather Ogden.
PRESS PLAY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/2Guillaume+Cote.mp3 Also available to listen on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers! Guillaume Côté. Photo by Aleksandar Antonijevic (courtesy of The National Ballet of Canada) Guillaume Côté. Photo by Karolina KurasRoyal Ballet First Soloist Mayara Magri & Choreographer Ruth Mair Howard-Jones on creating lockdown dance film ‘SONO CON TE’
vendredi 12 juin 2020 • Durée 44:11
In this podcast, Royal Ballet First Soloist Mayara Magri and Choreographer Ruth Mair Howard-Jones talk about creating the lockdown dance film ‘Sono Con Te’, which translates in English to ‘I Am With You’.
Sono Con Te features 29 dancers from 18 countries and companies including Royal Ballet, Royal Swedish Ballet, Cape Town City Ballet, New Adventures and more. These artists have come together to share the message of love and unity during these challenges times.
Listen to Ruth and Mayara talk about the inspiration behind the film, the creative process, filming with social distancing on the quiet streets of London.
Sono Con Te is out now – watch on YouTube.
PRESS PLAY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Mayara+Magri.mp3
Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers!Royal Ballet’s Leticia Dias shares her journey from Rio to London, lockdown dance life and new film ‘SONO CON TE’
vendredi 12 juin 2020 • Durée 30:53
In this podcast, Royal Ballet Artist Leticia Dias joins us from Rio where she has been staying with her family during lockdown.
Listen to Leticia talk about growing up and studying ballet in Rio, winning a Prix de Lausanne scholarship that took her to the Royal Ballet Upper School at the age of 16. She describes her experience of adjusting to life in the city, the amazing performance opportunities she received while at the school and joining the Birmingham Royal Ballet before finding her home with The Royal Ballet.
Leticia shares her life as an artist of the company, how she’s dealing with life in lockdown, staying in shape and taking care of her health and wellbeing, plus dancing in lockdown dance film ‘SONO CON TE’, (which means I Am With You in English). Created by Ruth Mair Howard-Jones, and choreographed via Zoom to share the message of love and unity during these challenging times.
PRESS PLAY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/leticia.mp3
Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers!BalletBoyz Artistic Directors Michael Nunn & William Trevitt celebrate 20 years with ‘Deluxe’
mardi 24 mars 2020 • Durée 29:47
Good news feels a little hard to come by these days. So it’s exciting to see the critically acclaimed, award winning BalletBoyz 20th anniversary celebrations continuing with an online presentation of Deluxe by Sadler’s Wells Theatre in London.
Sadler’s Wells will showcase Deluxe as part of new Digital Stage – a free online performance platform, created in response to the cancellation of shows across its theatres as part of efforts to curb the spread of Covid-19.
Deluxe will form part of the launch on Friday 27 March 2020, World Theatre Day, which can be accessed via Sadler’s Wells Facebook page at 7.30 pm and will be available for seven days – so mark this in your diaries!
Just as Covid-19 was starting to hit London, we interviewed BalletBoyz Artistic Directors, former Royal Ballet Dancers Michael Nunn and William Trevitt. Michael and William talk in this podcast about leaving The Royal Ballet after 12 years to create their own company and moving from classical to modern dance. They also look back at the pieces that are special to the company, talk about their studio process and share what makes a BalletBoyz dancer.
With a long history of dance filmmaking, Michael and William talk about making the stunning Romeo and Juliet, winning the Palm d’Or, and their next dance film project (you’ll have to listen to find out which classical ballet they’re taking to the screen next!).
Listen to the Artistic Directors talk about the choreographers of the two pieces in Deluxe – Shanghai-based dancer and choreographer Xie Xin and Punchdrunk choreographer Maxine Doyle.
We’re so excited that Deluxe is coming to Sadler’s Wells Digital Stage on 27 March 2020 at 7.30pm.
PRESS PLAY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/BalletBoyz2.mp3
Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcast providers! BalletBoyz presents Deluxe. Photo by George PiperMichael Nunn and William Trevitt. Photo by Rick Guest.
Christine Shevchenko, American Ballet Theatre Principal on her favourite roles, injury prevention, inspirations & advice
samedi 14 mars 2020 • Durée 37:14
Christine Shevchenko, Principal, American Ballet Theatre shares her journey from Ukraine to the States, becoming the youngest recipient of the Princess Grace Award, rising through the ranks of ABT from corps de ballet to soloist and being promoted to principal.
Listen to Christine talk about her love of ABT inspired by ballet greats Dame Alicia Markova and Mikhail Baryshnikov. She also gives an insight into life as a principal dancer, her approach to preparing for new roles, how to maintain her body and prevent injuries; plus how she relaxes outside of the studio (ps it includes cakes and cookies!).
Christine talks about preparing for a busy season with Giselle, Swan Lake and Theme and Variations (check dates and programme) and shares her advice for aspiring dancers.
Following Christine on IG.
PRESS PLAY!
https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Christine2.mp3 Also available on Apple Podcasts, Spotify, Google Podcasts and with other podcasts providers! Christine Shevchenko. Photo by NYCDanceProject Ken Browar and Deborah Ory Christine Shevchenko. Photo by Rod Brayman








