Series Finale. Running Time: 1 hours 32 minutes 33 seconds For the past three and a half years, Mike, John and Max have examined the work of Star Trek creators outside of Star Trek. From the series creator Gene Roddenberry to the director of Star Trek Beyond, Justin Lin, we have covered television shows, films, novels, and more from writers, directors and actors who have worked throughout the franchise. But all good things... In the final episode of Commentary: Trek Stars, Mike and John reflect on 182 episodes of podcasting. We discuss how the show came about, what our favorite works by Trek creators are, and what we regret not covering. We also reveal our plans for the future. Chapters Secret Origins (00:01:45) Favorite Works (00:29:48) Favorite Creators (00:50:42) What We Missed (01:01:26) Final Thoughts (01:10:13) Stage Nine (01:14:27) Thanks (01:25:58) Hosts Mike Schindler and John Mills ProductionMike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Lin, Part 8: Recap. Running Time: 1 hour 3 minutes 21 seconds Throughout the course of Commentary: Trek Stars, we have covered thirty eight different people who have helped to create Star Trek. We began with the very first Star Trek creator, Gene Roddenberry, and we end with the current leader of the franchise, Justin Lin. In our penultimate episode, Mike and John recap their series on Lin's career as a film director. We look at all seven of his movies, including Better Luck Tomorrow, Annapolis, The Fast and the Furious: Tokyo Drift, Finishing the Game, Fast & Furious, Fast Five, and Furious 6. We also discuss the news of J.J. Abrams' latest production, Kolma, and what the rumors of the new Trek series' format could mean for future creators. Chapters Lin's Early Films (00:01:11) Fast & Furious (00:18:35) News (00:41:55) Hosts Mike Schindler and John Mills ProductionMike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Abrams II, Part 7: Mission: Impossible - Rogue Nation.

 

Running Time: 1 hour 19 minutes 54 seconds

 

After the unexpected success of Brad Bird's Mission: Impossible - Ghost Protocol, Bad Robot and J.J. Abrams were asked to return to produce a third installment of the Tom Cruise franchise. This time, Oscar-winning filmmaker Christopher McQuarrie was hired to write and direct Mission: Impossible - Rogue Nation.

 

In this episode of Commentary: Trek Stars, John and Mike are joined by Krissy of Educating Geeks to look at the most recent film that Abrams has produced for another filmmaker. We discuss how it compares to the other films in the franchise, what McQuarrie brings to the film, and how Rogue Nation is intrinsically linked to Star Trek Beyond. We also discuss the news that Bryan Fuller has been hired as the showrunner of Star Trek 17.

 

Chapters

Rogue Nation (00:08:47)

Christoper McQuarrie (00:27:24)

The Star Trek Beyond Connection (00:46:36)

Bryan Fuller (00:53:06)

 

Hosts

John Mills and Mike Schindler

 

Guests

Krissy Lenz

 

Production

Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Nemecek, Part 4: TNG Companion Recap.

For over a decade, Larry Nemecek chronicled the making of Star Trek in the Next Generation era. But what about the making of the making of?

In this episode of Commentary: Trek Stars, Max and Mike are joined Larry himself to discuss his career as an author. In the first part of a two-part interview, he discusses his work on The Next Generation Companion, as well as his Voyager episode, "Prophecy," and other episode pitches which he wrote for Voyager. He also blows Max and Mike's minds with the history of Voyager's development.

Nemecek, Part 3: Stellar Cartography.

Last year, Larry Nemecek returned to the world of Star Trek book publishing with Star Trek: Stellar Cartography, a collection of maps which chronicle the geography of the Trek universe. While the maps, created by Ian Fullwood, Ali Ries and Geoffrey Mandel, are the centerpiece of the collection, Nemecek's accompanying text is the hidden gem. It becomes a sort of history of the future, giving us a large-scale look at the events which have played out on a more personal level on the TV screen.

In this episode of Commentary: Trek Stars, Mike and Max are joined by Steve Roberts of Tribbles in Ecstasy to look at Nemecek's book. We discuss the artistry of the maps, the dense knowledge contained in the text, and how Steve is using the collection to teach his six-year old about Star Trek. 

Nemecek, Part 2: The Next Generation Companion

As we've said before, Larry Nemecek wrote the book on Star Trek: The Next Generation... literally. Star Trek: The Next Generation Companion is comprehensive episode guide which offers a behind-the-scenes look at the making of the show.

This week, Max and Mike are joined by Phillip Gilfus of Earl Grey to talk about Nemecek's first Star Trek reference book. We discuss how we came to discover it, what makes it stand out from other books like it, and how it has impacted our lives on a personal level. We also discuss the hiring of Roberto Orci as the director of STAR TR3K.

Nemecek, Part 1: Trek.

One of the greatest documentarian's of Star Trek's history is Larry Nemecek. The Star Trek: The Next Generation Companion is one of best books of its kind. Each and every issue of The Star Trek Communicator was must-read for fans of the franchise. And his new book, Stellar Cartography, is work of art unto itself. But Nemecek is not just a fan and historian of Star Trek. He's also a creator. Along with his wife, Janet, Nemecek wrote the story which was the basis of the seventh season Voyager episode, "Prophecy." 

This week, Mike is joined by Charlynn of To the Journey! to take a look at Nemecek's episode. We discuss the fan-friendly nature of Klingons in the Delta Quadrant, how the plot device of the Klingon illness could have been handled more effectively, and how the storyline was continued in the novels. We also wonder what the difference is between a D7 and a K'Tinga.

The Mount Rushmore of Trek.

Thousands of artists have helped to make Star Trek the thing it is today. But what if you had to pick just four of them to represent the franchise as a whole?

For our third season finale, the Trek.fm crew tries determine which four faces belong on the Mount Rushmore of Trek. Max and Mike are joined by five guests from around the network, including Drew Stewart of Standard Orbit, Jason Genser of Star Trek: Equinox, Daniel Proulx and Phillip Gilfus of Earl Grey, and Christopher Jones of everything else, to give their unique perspectives on who deserves to be immortalized in stone.

Braga, Part 4: Salem.

Brannon Braga is one of only five individuals in history who can claim to have created a Star Trek series. In the past, we have discussed that creation, Enterprise, as well as his other television series, Flashforward. Last Sunday saw the debut of Braga's third series, Salem, which he co-created with Adam Simon.

In this episode of Commentary: Trek Stars, Mike and Max return to their Brannon Braga series to discuss his work on Salem. We look at the political message of the film, the similar style of Game of Thrones, and how it compares to the other show that Braga runs, Cosmos: A Spacetime Odyssey. We also look back fondly on Adam Simon's portrayal of himself in The Player.

Rick Berman.

It could be argued that, with the exception of Gene Roddenberry, no one has played a bigger role in shaping the Star Trek franchise than Rick Berman. In this episode of Commentary: Trek Stars, Max and Mike take a look at the choices Berman made on a conceptual level, and how they influenced the direction of the franchise. We discuss how he balanced Roddenberry's vision with Michael Piller's creativity on The Next Generation, the choice to set Deep Space Nine on a station, whether or not Voyager was designed to replicate TNG, and the reason why Enterprise was always destined to take place on a starship. We also look at how the fans' view of Berman's contribution has changed with distance.

Bole, Part 6: Recap.

The Next Generation era of Star Trek is not exactly known for its breakthrough directorial choices. Rick Berman operated a very well-oiled machine which was manned by expert craftsmen who knew exactly what was expected of them, and delivered high-quality product week after week. Such is the nature of episodic television. Very few shows allow the director to stretch their legs creatively in such a way as to demonstrate their own personal style. One such show was The X-Files.

Cliff Bole is one of a very few directors to have worked on both franchises, and he is credited with creating some of the very best episodes of each.

In this episode of Commentary: Trek Stars, Mike and Max recap our look at Bole's work on The X-Files. We discuss all four of his episodes, including "Small Potatoes," "Bad Blood," "Chimera," and "Jump the Shark." We also discuss the talents of Vince Gilligan, and ponder how the producers knew that Bole would be the perfect choice to handle such iconic episodes.

Bole, Part 5: Jump the Shark.

From the beginning, The Lone Gunmen were fan favorites on The X-Files. The trio of characters, Byers, Langley, and Frohike, were conspiracy theorists who published a newspaper aimed at revealing the truth. In 2001, they received their own spinoff series. Also in 2001, that spinoff was cancelled.

Left on a cliffhanger, the story remained unresolved until midway through the following season, when the creators of the series gave it a proper resolution in an episode of The X-Files entitled "Jump the Shark". This was also the final X-File for Cliff Bole. 

This week, Max and Mike discuss The Lone Gunmen's role on The X-Files, how that roll changed on their own show, and how "Jump the Shark" acts as an episode of two series simultaneously.

Bole, Part 4: Chimera.

Not every episode of your favorite television show can be a winner. After two outstanding efforts, Cliff Bole returned to The X-Files during its seventh season to direct "Chimera," a story about a mysterious creature that is killing people in a small community.

In this episode of Commentary: Trek Stars, Mike and Max take a look at Bole's third X-File. We discuss its "monster of the week" nature, Scully's promising B-story, and why Bole's contribution is not readily apparent. We also explain The Muppet Babies Syndrome.

Abrams II, Part 6: Mission: Impossible - Ghost Protocol.

 

Running Time: 1 hour 10 minutes 10 seconds

 

Happy with the results of Mission: Impossible III, Tom Cruise and Paramount chose to continue their collaboration with J.J. Abrams and Bad Robot for the fourth film in the franchise, Mission: Impossible - Ghost Protocol. While Abrams would not direct the film himself, he would oversee it as producer. This production should be especially to fans of Star Trek, as it closely mirrors the relationship which Abrams has with the 50th anniversary movie, Star Trek Beyond.

 

In this episode of Commentary: Trek Stars, Mike and John are joined by Adam of The Red Shirt Diaries to look at Brad Bird's Ghost Protocol. We discuss how our thoughts have changed since its initial release, what Bird brought to the project as a director, and what this film tells us about Star Trek Beyond. We also profess our love for Robert Elswit.

 

Chapters

Ghost Protocol (00:08:22)

Abrams as Producer (00:36:41)

Wrap-up (00:58:30)

 

Hosts

Mike Schindler and John Mills

 

Guest

Adam Drosin

 

Production

Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Bole, Part 3: Bad Blood.

After the success of his first X-Files episode, Cliff Bole returned to the series the following year to direct another comedic script by Vince Gilligan, "Bad Blood." This episode pushed the boundaries of the show even further than "Small Potatoes," and the end result may be the most critically-acclaimed hour in the show's history.  

In this episode of Commentary: Trek Stars, Max and Mike take a look at Bole's second X-File. We discuss how the episode gets better with each viewing, how it departs from the tone of the series while still staying inside the basic formula, and how Bole's sense of comic timing is the key to the episode's success. We also take a look at the new Brannon Braga series, Cosmos: A Spacetime Odyssey.

Bole, Part 2: Small Potatoes.

Cliff Bole will always be known first and foremost for his contribution to Star Trek, but he also had a huge impact on another sci-fi series, The X-Files. Four episodes of the '90s cult classic were directed by Bole, including some of the very best. 

In this episode of Commentary: Trek Stars, Mike and Max take a look at Bole's first X-Files episode, "Small Potatoes." We discuss the series as a whole, the difficulty of balancing grotesque crimes with humor, and the apparent freedom Bole was given in this series which may have been absent on Trek. We also examine the merits of The X-Files as an educational tool.

Bole, Part 1: Trek.

Last month, the world lost legendary Star Trek director Cliff Bole, who helmed 42 hours of Trek—including 25 episodes of The Next Generation—more than anyone else in the show's history. Among those 25 was "The Best of Both Worlds," commonly considered to be the best TNG episode, and one of the best television episodes, of all time.

In this episode of Commentary: Trek Stars, Mike and Max kick off a new series looking at the work that Bole did in another beloved franchise, The X-Files. But first, we are joined by TNG expert Larry Nemecek to discuss Bole's work in Trek, his industry origins, his hits and misses, and his blue-collar approach to filmmaking. Larry also gives us a taste of what Bole was like as a person.

Wolfe, Part 6: Recap.

Robert Hewitt Wolfe was a key component of Star Trek: Deep Space Nine's writing team. He has since gone on to develop or write for a number of genre properties, including Futuresport, Andromeda, The Dresden Files, and Riverworld.

In this episode of Commentary: Trek Stars, Mike and Max recap their series on Wolfe, and also touch on his other works, including his two current shows, Star-Crossed and Elementary.

Wolfe, Part 5: Riverworld.

In 2010, Syfy took their second shot at adapting Philip Jose Farmer's Riverworld novels for the small screen. This time around, Robert Hewitt Wolfe was brought in to write multiple drafts of the troubled miniseries.

In this episode of Commentary: Trek Stars, Max and Mike examine the miniseries on the whole. We discuss the challenges of building an expansive mythology, the use of historical figures in a fantasy setting, and the unusual path the project took from script to screen.

Wolfe, Part 4: The Dresden Files.

In 2007, after a rather long road from page to screen, Robert Hewitt Wolfe's second series, The Dresden Files, debuted on Syfy. The show, which Wolfe developed with his Star Trek: Deep Space Nine collaborator Hans Beimler, tells the story of a wizard detective named Harry Dresden, who specializes in investigations of a supernatural nature.

This week, Mike and Max are joined by their Commentary Track Stars: Off Topic co-host Branden Myers to look at The Dresden Files. We discuss the magical noir sub genre, the curious case of the show's pilot, and the many Trek alumni who worked on the series. We also ponder the existence of Chicago accents.

Wolfe, Part 3: Andromeda.

In 2000, Robert Hewitt Wolfe made his debut as a television showrunner with Andromeda. The series, which was based on concepts by Gene Roddenberry, followed the crew of a starship in distant future after the fall of civilization as they try to restore the Commonwealth to its former glory. 

This week, Mike and Max are joined by Colin Higgins of Melodic Treks to look at Wolfe's first full series. We discuss how the project came to be, what caused Wolfe to leave the show, and how one of the best episodes was originally intended for Star Trek: Deep Space Nine.

Wolfe, Part 2: Futuresport.

After five seasons, Robert Hewitt Wolfe left Star Trek: Deep Space Nine to work on other projects. The first of those was Futuresport, a television movie directed by Ernest Dickerson and starring Dean Cain. The film looks at a world on the brink of war which tries to settle a global dispute through a game in an effort to avoid a military conflict. 

This week, Mike and Max are joined by their Commentary Track Stars: Off Topic co-host Branden Myers to look at Wolfe's first post-Trek effort. We discuss the film's Roddenberry-like optimism, the way it reflects today's society, and why it ultimately doesn't work. We also try to figure out what the theoretical series would have been like. 

Wolfe, Part 1: Trek.

There were many talented people who contributed to the genius of Star Trek: Deep Space Nine. But one of the most under appreciated is writer/producer Robert Hewitt Wolfe. 

This week, Max and Mike start a new series looking at Wolfe's work as a driving force behind television projects, including Futuresport, Andromeda, Riverworld, and The Dresden Files. 

In Part 1, we are joined by Matt Hansen of The Delta Quadrant to look at Wolfe's work on Star Trek. We discuss his Next Generation debut with “A Fistful of Datas,” his script for “Q-Less,” which led to a staff position on DS9, and his huge contribution to the series on the whole, including the co-creation of the Defiant. We also debate what metaphor best describes his place in the DS9 writing staff.

Behr, Part 6: Recap.

Taking the dark horse of the Star Trek franchise and turning it into one the best TV shows ever made is a tough act to follow. Such is the life of Ira Steven Behr. This week, Mike and Max recap Behr's career as a showrunner, looking at each of his shows, including Star Trek: Deep Space Nine, Bob Patterson, The Twilight Zone, The 4400, Crash, and Alphas. We also discuss some of his other work, including his upcoming series, Outlander. 

Abrams II, Part 5: Morning Glory.

 

Running Time: 47 minutes 35 seconds

 

After a successful reboot of the Star Trek franchise in 2009, J.J. Abrams put his producer hat back on the following year for Roger Michell's Morning Glory. The film stars Rachel McAdams as the producer of a daily morning news/talk show. In an effort to boost ratings, she hires a legendary reporter played by Harrison Ford to anchor the show, against his better judgment.

 

In this episode of Commentary: Trek Stars, John and Mike take a look at Morning Glory. We discuss how the movie differs from other Bad Robot productions, the filmmakers involved behind the scenes, and long-time collaboration between Abrams and Ford.

 

Chapters

Morning Glory (01:09)

A Bad Robot Production (22:28)

Wrap-up (38:06)

 

Hosts

John Mills and Mike Schindler

 

Production

Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Behr, Part 5: Alphas.

In 2011, Ira Steven Behr returned to the science fiction genre with Alphas. The series followed a group of super-powered mutants who helped the government solve crimes while coping with their unique abilities. 

This week, Max and Mike are joined by their Commentary Track Stars: Off Topic co-host Branden Myers to take a look at Behr's sixth show. We discuss the similarities to The X-Men, how the tone differs from other SyFy Channel shows, and the Behr-less second season. We also touch on Ronald D. Moore's recent Twitter activity, and the passing of Trek producer Marty Hornstein.

Behr, Part 4: Crash.

After a less than successful first season, the Starz Network decided to give their television show Crash a second chance. It was decided that the series needed to be reinvented, and that the man for the job was Ira Steven Behr. 

This week, Mike and Max take a look at the second season of Crash. We discuss the changes that were made to the show, how the issue of racism is dealt with, and why we'll always give Behr the benefit of the doubt.

Behr, Part 3: The 4400.

In 2004, Rene Echevarria and Scott Peters created The 4400. In the show, 4,400 missing persons from the past century spontaneously return with superpowers. Echevarria quickly handed over the writing staff to his Trek boss, Ira Steven Behr, who ran the series until its cancellation in 2007.

This Week, Max and Mike are joined by Trek.fm's very own Christopher Jones to talk about Behr's fourth show. We discuss the religious parallels of the story, the character development over time, and the moral ambiguity of the situations presented in the series.

Behr, Part 2: The Twilight Zone. 

Perhaps the only science fiction television franchise which is more critically acclaimed than Star Trek is Rod Serling's The Twilight Zone. And the only person in history who has run shows in both franchises is Ira Steven Behr.

This week, Mike and Max are joined by Tom Elliot of The Twilight Zone Network to look at Behr's third series, the 2002 incarnation of The Twilight Zone. We discuss how Behr's series compares to the original, the idea of a cohesive Twilight Zone multiverse, and what we can expect from future incarnations of the show.  We also debate whether or not the Steve Guttenberg vehicle Tower of Terror takes place in the Twilight Zone.

Behr, Part 1: Trek. 

During the third season of Star Trek: Deep Space Nine, Michael Piller "stepped back" from his daily duties and handed the writing staff to his Number One—Ira Steven Behr. It was at this point that Deep Space Nine went from being a great show to being the best show. Ever. 

This week, we begin a new series looking at Behr's career as a showrunner. In Part 1, Max and Mike are joined by Larry Nemecek to look at Behr's work on Star Trek. We discuss his origins on The Next Generation, how Piller lured him back to work on Deep Space Nine, and how he predicted fans would appreciate the show in later years. We also talk about how baseball was responsible for the best of Trek.

Roddenberry Part 5: The Questor Tapes.

Out of all of Gene Roddenberry’s failed pilots, The Questor Tapes is the one that came closest to getting picked up. It tells the story of an android who has been placed on Earth to oversee humanity’s progress.

This week, Max and Mike examine the pilot, which starred Robert Foxworth as Questor the android, and Mike Farrell as his trusty human sidekick, Jerry. We discuss how the show itself would have differed from the pilot, its similarities to “Assignment: Earth,” the main character’s similarities to Data, the recent attempt at resurrecting the series, how the director may or may not have been responsible for the failure of the Ferengi, and how the writer may or may not have been responsible for the success of Star Trek: The Original Series. We also touch briefly on the last of Roddenberry’s failed pilots, Spectre.

Ellison, Part 4: Recap.

Few writers are as prolific as Harlan Ellison. But perhaps his greatest contribution to the world of sci-fi is his commentary on the genre itself. This week, Mike and Max recap Ellison's work on The Outer Limits. We look at his two episodes, "Soldier" and "Demon with a Glass Hand," as well as his episode of Star Trek, “The City on the Edge of Forever." We also discuss his career outside television, and his impact as a public figure in the sci-fi community.

Ellison, Part 3: Demon with a Glass Hand.

In 1964, Harlan Ellison won the Writer’s Guild of America Award for his second entry into The Outer Limits, “Demon with a Glass Hand.” The episode tells the story of a man with a computer hand who is humanity’s last hope in an intergalactic war. This week, Max and Mike are joined by Tysto of Tysto.com to look at “Demon with a Glass Hand.”  We discuss why it is so acclaimed, how it is part of a much larger story, and how it might have tied into Babylon 5. We also talk about how awesome The Sci-Fi Buzz was.

Ellison, Part 2: Soldier.

In 1964, the cult sci-fi show The Outer Limits was renewed for a second season. The new production team decided to shift the focus away from a "monster of the week" format, and into a "hard sci-fi" direction. As part of this change, Harlan Ellison was brought in to write two episodes of the anthology series.

The first of these was “Soldier,” based on his own short story entitled “Soldier from Tomorrow.” As the title suggests, it tells the story of a soldier from a future war, played by Michael Ansara, who is thrown back in time to the strange land of America in the mid-20th century.

This week, Mike and Max take a look at both “Soldier” and the story upon which it's based. We discuss The Outer Limits in general, the episode in particular, and the allegations of plagiarism which Ellison brought against James Cameron's The Terminator. We also look back at the Shatner-starring, Esperanto-speaking opus which is Incubus.

Ellison, Part 1: Trek.

This week, Max and Mike begin a new series on writer Harlan Ellison, looking at his work on The Outer Limits.

Ellison's “The City On the Edge of Forever” is considered by many to be Star Trek's finest hour. The story of Kirk finally falling in love, only to have that love snatched away by the Universe is both epic in scale and personal in emotion. It is thought of by most to be a masterpiece. But not by Ellison.

The episode's road to the screen was undoubtedly the most troubled of any Trek episode. Ellison's original screenplay was thought to be unfilmable and uncharacteristic of Trek. As such, it was heavily rewritten by Gene Roddenberry and others, until it became something that Ellison despised. Three decades later, Ellison published his original screenplay along with an essay telling his side of the story. The book is almost as epic as the episode itself.

For the first part in our series on Ellison, we are joined by Drew Stewart of Standard Orbit and John Mills of Words with Nerds to look at both the finished episode and the original screenplay. We discuss whether or not it is the best episode of Trek, how the aired version differs from the first draft, whether or not the changes are for the better, and what Ellison's essay says about the creative process.

Abrams II, Part 4: Cloverfield.

 

Running Time: 1 hour 9 minutes 6 seconds

 

After successfully launching his directing career with Mission: Impossible III, J.J. Abrams' name had become a brand. The first movie to be heavily marketed as a "J.J. Abrams Production" was Matt Reeves' Cloverfield.

 

Cloverfield, is a giant monster film in the vein of Godzilla, but with a twist: The entire film is seem through the camcorder of our unexacting protagonists.

 

In this episode of Commentary: Trek Stars, Mike and John take a look at the fourth picture in our series. We discuss the movie's marketing, the found-footage aesthetic, and what Abrams brought to the production. We also preview the upcoming sequel, 10 Cloverfield Lane.

 

Chapters

The Marketing (00:02:15)

Thoughts on the Movie (00:17:07)

Abrams' Contribution (00:35:11)

Wrap-up (00:58:17)

 

Hosts

Mike Schindler and John Mills

 

Production

Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Black & Cushman, Part 2: Star Trek & These are the Voyages.

Only months after publication, Marc Cushman's These are the Voyages is already considered to be the most thorough insight into the making of Star Trek: The Original Series. With 500 pages dedicated to Season One and two more volumes on the way, it is quite clearly the definitive history of Gene Roddenberry's classic show.

In our third season premiere, Mike and Max present the second half of their interview with Marc and Original Series veterans John D.F. & Mary Black. We talk about how television has changed since the sixties, what other movies and shows John has written, and what we can expect to see in the next two volumes of These are the Voyages. We also ponder what it would have been like if Spock had left after Season One.

These are the Voyages, TOS, Season One can be purchased now on Amazon.com, with Seasons Two and Three set for release in the coming months.

Black & Cushman, Part 1: Star Trek & These are the Voyages.

These are the Voyages has quickly become the most critically acclaimed book ever written on the making of Star Trek. It is a comprehensive look at the day-to-day operation of The Original Series, from script to air.

In the second season finale, Max and Mike are joined by the book's author and Next Generation writer Marc Cushman, Original Series writer and producer John D.F. Black, and his wife and Original Series assistant, Mary Black. We discuss what makes this book different from others, what it was like to work on The Original Series, and how the industry has changed over the years. We also try to figure out how you can tell when a writer is lying about missing a deadline.

These are the Voyages, TOS, Season One can be purchased now on Amazon.com, with Seasons Two and Three set for release in the coming months.

Moore, Part 7: Recap.

Ronald D. Moore's work as a writer on Star Trek gained the attention of many producers in Hollywood. Because of this, he has built a very successful career as a television showrunner.

This week, Mike and Max recap their series on Moore's career, looking at all of the shows he ran, including Roswell, Carnivale, Battlestar Galactica, Caprica, and Virtuality. We also take a look at the future of Moore's career—with Helix and Outlander—as well as his unaired pilot, 17th Precinct.

Moore, Part 6: Virtuality.

After five and a half years of running the Sci-Fi Channel's most successful series, Ronald D. Moore began development on not one, but two new pilots. The first was Caprica, as discussed last week. The second was a science fiction show for Fox titled Virtuality.  

Co-created by Trek writer Michael Taylor, Virtuality follows the crew of a spacecraft on a ten-year mission to find an alternative to life on Earth, which only has 100 years left. The crew, which is being filmed for a reality television show, relaxes with the help of a virtual reality program. However, the program has turned dangerous, and it may not be the result of a simple glitch.

This week, Max and Mike take a look at the pilot. We discuss wether or not the answers to the questions asked would have been satisfying, why Moore chose to develop two virtual reality shows simultaneously, and how Moore assembled his crew, made up of past collaborators. We also wonder why Jamiroquai wasn't hired to perform the theme song.

Moore, Part 5: Caprica.

As the saying goes, "All of this has happened before, and all of it will happen again." While Ronald D. Moore's Battlestar Galactica was coming to a close, his new series, Caprica, was just beginning. 

The prequel takes a look at the world of BSG fifty years prior to its destruction. It focuses on two families, the Graystones and the Adamas, at a critical time in the history of the world, when artificial intelligence is on the brink of sentience. 

This week, Mike and Max are joined by their Commentary Track Stars: Off Topic co-host, Branden Myers, to look at the ill-fated spinoff. We discuss the problems with creating a prequel, how to make something different, and why the decision was made to change showrunners mid-season. We also debate whether or not the series should have been more like Desperate Housewives.

Moore, Part 4: Battlestar Galactica. 

In many ways the nine years that Ronald D. Moore spent working on Star Trek prepared him for the show that very well may be his masterpiece, Battlestar Galactica. 

With his 2003 reboot of Glen A. Larson's classic series, Moore pushed boundaries that he wasn't allowed anywhere near on Star Trek. The end result is a heavily continuity-driven show that takes a hard look at politics, religion, and the human condition. 

This week, Max and Mike are joined by their co-host on Commentary Track Stars: Off Topic, Branden Myers, to take a look at one of the most significant science fiction works of the new millennium. We discuss what makes BSG stand out from other shows, how it differs from the original series, and the debt it owes to Star Trek. We also try to figure out whether or not Branden's a Trekkie.

Moore, Part 3: Carnivale.

A year after the cancellation of Roswell, Ronald D. Moore returned to television to run a new HBO series titled Carnivale.

Set against the backdrop of a traveling carnival during the Great Depression, the show follows two people—Ben (played by Nick Stahl) and Justin (played by Clancy Brown)—who are unknowing pawns in a battle between good and evil.

This week, Mike and Max chat about Moore's first solo effort. We discuss how the series came to be, why Moore left after one season, and what the show's existence means for the future of television. We also debate whether or not the terms "good" and "evil" apply to the main characters.

Moore, Part 2: Roswell.

After leaving Voyager, Ronald D. Moore was recruited by Jason Katims to work on the second season of Roswell. The series chronicles the lives of three teenaged aliens who are secretly living in the town where their spacecraft crash landed. 

Under Katims’s leadership, the first season of Roswell was primarily character driven, with the science fiction elements taking a back seat. But going forward, the network wanted the series to build upon its sci-fi mythology. And so, Moore was hired as a co-showrunner for the first time in his career. 

This week, Max and Mike are joined by Trek.fm’s Christopher Jones to take a look at the final two seasons of Moore’s first show. We discuss whether or not Moore’s contribution improved the show, how well the show holds up over time, and the strange connection the show has to Enterprise. We also fondly recall now-defunct ’90s television networks.

Moore, Part 1: Star Trek.

Many of the writers who began their careers on Star Trek have gone on to find great success outside of the franchise. But none have been more critically acclaimed than Ronald D. Moore. At the age of 25, Moore wrote his first teleplay, “The Bonding,” a spec script which was bought by Michael Piller for The Next Generation. He was quickly brought on staff, where he would write 60 more Trek adventures—including episodes for Deep Space Nine and Voyager, as well as the first two Next Generation movies.

This week, Mike and Max are joined by Matthew Rushing of The Orb to look at Moore’s work on Star Trek. We discuss his early work on The Next Generation, how his movies stack up to the others, what his contribution was to Deep Space Nine, and what led to his quick departure from Voyager. We also try to figure out who the Ringo of the DS9 writing staff was.

Matheson, Part 10: Recap.

Richard Matheson’s influence on science fiction cannot be measured. Whether it’s I Am Legend or The Twilight Zone, Matheson’s impact on what has come since is massive.

This week, Max and Mike try to examine Matheson’s career by looking at a tiny cross-section of his work. Specifically, we recap our series on Matheson’s novels that have been adapted into movies. Starting at the beginning, we look at the books, Someone is Bleeding, I Am Legend, The Shrinking Man, A Stir of Echoes, Ride the Nightmare, Hell House, Bid Time Return, and What Dreams May Come, and their motion picture counterparts, Georges Lautner’s Icy Breasts, Sidney Salkow’s The Last Man on Earth, Boris Sagal’s The Omega Man, Francis Lawrence’s I Am Legend, Jack Arnold’s The Incredible Shrinking Man, Joel Schumacher’s The Incredible Shrinking Woman, David Koepp’s Stir of Echoes, Terence Young’s Cold Sweat, John Hough’s The Legend of Hell House, Jeannot Szwarc’s Somewhere in Time, and Vincent Ward’s What Dreams May Come. We also touch on our trip to the Parsec Awards.

Abrams II, Part 3.

 

Running Time: 52 minutes 46 seconds

 

In 2001, the first Bad Robot production was released. Joy Ride tells the story of two brothers on a cross-country road trip who prank the wrong truck driver, with deadly results. The film stars Paul Walker, Steve Zahn and Leelee Sobieski. It was directed by John Dahl and co-written and co-produced by JJ Abrams himself.

 

I this episode of Commentary: Trek Stars, John and Mike look at Abrams' third production. We discuss the film's tried and true horror cliches, Abrams' range as a filmmaker, and why Joy Ride is important to Abrams' history. We also look at this year's Oscar-nominated Star Trek vets, and touch on the trailer for the next Abrams production, 10 Cloverfield Lane. 

 

Chapters

Oscars (00:55)

Joy RIde (16:25)

John Dahl (31:50)

Wrap-up (44:42)

 

Hosts

John Mills and Mike Schindler

 

Production

Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Charlynn Schmiedt (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Matheson, Part 9: What Dreams May Come.

For his tenth novel, Richard Matheson continued to steer away from the horror genre and towards something more romantic in nature. An unofficial companion piece to Bid Time Return, What Dreams May Come tells the story of a dead man who embarks on a journey through hell to find his wife. Of all his novels, Matheson considers it to be his best work.

Twenty years after the release of the book, Vincent Ward adapted What Dreams May Come into a film starring Robin Williams. It was met with mixed reviews, though often applauded for its visual depiction of the afterlife.

This week, Mike and Max are joined by John Mills of Words with Nerds to discuss both Matheson’s novel and Ward’s movie. We discuss the meticulous detail of the book, debate whether or not the changes made in the film were effective, and wonder if Matheson’s motivations for writing the book were domestic in nature.

Matheson, Part 8: Bid Time Return.

In 1975, Richard Matheson published what he considered to be his best novel to date, Bid Time Return. It tells the story of a dying young man who sees a 75-year old picture of an actress, and falls instantly in love with her. He convinces himself that it is his destiny to travel back in time to meet her.

Five years later, Matheson adapted the book into a film entitled Somewhere in Time. It was directed by Jeannot Szwarc, and starred Christopher Reeve and Jane Seymour. While largely ignored upon release, the film has since developed a large cult following which closely resembles Star Trek fandom in many ways.

This week, Max and Mike discuss the time travel device used in the book, whether or not the movie improves on its source material, and where this novel fits into Matheson’s career. We also take a look at INSITE, the International Network of Somewhere In Time Enthusiasts.

Matheson, Part 7: Hell House.

After a decade-long hiatus, Richard Matheson returned to long-form prose with his eighth novel, Hell House. It tells the story of a team of scientists and spiritualists who are sent to an allegedly haunted house to determine what the cause of the supernatural occurrences are.

Two years later, Matheson once again adapted his own book into a feature film, entitled The Legend of Hell House. The movie, directed by John Hough, stars Roddy McDowall (Planet of the Apes), Michael Gough (Batman), and Clive Revill (formerly of Star Wars: Episode V: The Empire Strikes Back). It is a considerably toned-down version, which actually sports a PG rating.

This week, Mike and Max are joined by John Mills of Words with Nerds. We discuss the novel's influence on later haunted house stories, the movie's strange lack of sex and violence, and what Matheson was up to in the sixties. We also wonder whether or not McDowall's climactic line reading is one of the finest moments in the history of cinema.