In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by "The Brain Genius" Josh Custodio (@j0shc) to discuss Panic! At the Disco's debut album A Fever You Can't Sweat Out. Well, imagine, Jake pacing a podcast and he can't help but to hear an exchanging of words between Blake and Josh about wrestling. And also Brendon Urie. Find out more about Panic's contested roots as a blink-182 cover band, how the band eventually became a Urie solo project but not before releasing two underrated follow-up albums, and where Fever stands up in the pop-punk pantheon on this week's podcast.

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See you next week for another episode of CHP.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Drew Fairservice (@DrewGROF) to discuss Saves the Day’s 1999 bridge album for the pop-punk scene, Through Being Cool. Drew might cringe at that term pop-punk given his – and Chris Conley’s – hardcore roots, but tracing from Lifetime to Fall Out Boy through Saves the Day is tidy work. Find out more about Drew’s experience seeing Saves the Day in the hardcore scene, how the band’s slow transition to pop-punk made waves for the bands that followed them, and why Red Jeans 3:16 says “my spleen is dropping from my pants” on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by NBA writer James Herbert (@outsidethenba) to discuss Billy Talent’s 2003 self-titled debut. James made sense as the guest since he was also on for Billy Talent influence At The Drive-In and because he and Blake were at the same Billy Talent concert during frosh week at Queen’s. Find out more about Blake’s overdue realization that punk is political, Try Honesty’s continent-crossing success, and why Billy Talent’s first two albums hold up so well on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy make Conor Oberst the third member of the CHP two-time subject club, exploring Bright Eyes’ 2002 album Lifted or The Story Is in the Soil, Keep Your Ear to the Ground. Find out more about Saddle Creek’s epic early-2000s run as a label, why the hosts think Bright Eyes was so influential as a thread between folk eras despite often being classified as emo on this week’s podcast.

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Ladies and gentlemen, the monthly mailbag has arrived.

In this edition of the mailbag Blake & Jake discuss the best and worst album art, best concert performances and some truly bad lyrics.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy discuss the self-titled 2002 album from Box Car Racer. Find out more about what led Tom DeLonge to embark on a solo project after Take Off Your Pants and Jacket, how Travis Barker got involved but Mark Hoppus was excluded, and how Box Car Racer paved the way for the best of blink-182 on this week's podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy change their MSN statuses in biting fashion, firing up lyrics from Taking Back Sunday’s 2002 genre classic Tell All Your Friends. It is, with some likelihood, the album one host has listened to more than any other in his life. Find out more about Taking Back Sunday’s clunky and dramatic origins, the benefits and limitations of the band as one of the avatars of the emo movement, and whether mics are for singing or swinging on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Conor Oberst’s punk-rock side-project, Desaparecidos. Not unlike a wrestler’s excursion, Oberst took a brief aside from his ascension as a part of Bright Eyes and as the face (and bangs) of a genre to do something a little different before ultimately returning. Read Music/Speak Spanish is more political and far angrier than you may be used to with Oberst’s other projects, and while it wasn’t heralded at the time, it really works. Find out more about Oberst’s relationship with his hometown of Omaha, why he cared “way more” about Bright Eyes, and where this project ranks in the vast Oberst library on this week’s podcast.

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Are you listening? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Jimmy Eat World’s fourth album, the crossover success Bleed American. A follow up to Clarity, which is often debated as their best album, Bleed American shifted from an emo-oriented sound toward alt-rock, producing eminently recognizable singles thanks to accessibly simple lyrics and excellent power-pop guitar work. That Jimmy Eat World continued producing good albums – a lot of them – is almost lost in just how influential their earlier work was. Find out more about reception to The Middle, why Sweetness almost didn’t make the album, and how 9/11 comes up once again in this week’s podcast.

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Ladies and gentlemen, the monthly mailbag has arrived.

In this edition of the mailbag Blake & Jake discuss Bruce Springsteen, defunct bands that should never reunite and favourite opening lines of an album.

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Breathing deeply, walking backwards. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive back into one of the seminal works of not only the pop-punk explosion but of all of early-2000s pop culture, Blink-182’s Take Off Your Pants and Jacket. It was time for a blink episode, as a key moment in the podcast’s origin story involved our hosts quite lubricated on the first tour with Matt Skiba. Find out more about how the making of Take Off Your Pants and Jacket was the first fissure for Tom DeLonge and Mark Hoppus, whether it holds up better than Enema of the State or Dude Ranch, and what the best two-song pair on any blink album is on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy crown Sum 41’s 2001 album All Killer No Filler a Canadian musical landmark. That’s like a Canadian Heritage Minute, but it just plays every commercial break on Much Loud for eternity. Maybe a statue in Ajax, too. Find out more about how Sum 41 broke through outside of just the Canadian pop-punk scene to become emblematic of early-2000s culture, why their early work stands out even better in retrospect, and their unlikely turn to political nu-metal on this week’s podcast.

Please open your sad teen textbooks to Page 1. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are screaming infidelities and sharing all their best deceptions as they break down the 2001 album from Dashboard Confessional, The Places You Have Come to Fear the most. Find out more about Chris Carrabba’s transition from Further Seems Forever to Dashboard Confessional, what we know – and don’t know – about what went into his painful songwriting, and why one host thinks Dashboard holds up better than a lot of the early-2000s scene on this week’s podcast.

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See you next week for an all new episode of CHP.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian John Cullen (@cullenthecomic, @blockedpartypod, @thePOD_Kast) to discuss Broken Social Scene’s sophomore album You Forgot It In People. But not before they get derailed talking about Disturbed, Korn, labret piercings, and John’s love of nu-metal. The guys eventually talk BSS, we promise. Find out more about the ways Broken Social Scene are tied to myriad Toronto artists and bands, how they transitioned from an ambient instrumental band to a prominent indie rock one, and where Scott Pilgrim fits in all of this on this week’s podcast.

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See you next week for another episode of CHP.

Ladies and gentlemen, the monthly mailbag has arrived.

In this edition of the mailbag Blake & Jake discuss the Insane Clown Posse, weird band names and which song best represents our pandemic experience.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined Elamin Abdelmahmoud (@elamin88), host of Pop Chat (@popchatcbc) to discuss Linkin Park’s 2000 debut Hybrid Theory. A re-exploration of this album for its 20th anniversary in 2020, and after the death of Chester Bennington in 2017, reveal a long-lasting impact for fans of the band and their relationship with vulnerability and emotional space. Find out more about Linkin Park’s influence, Bennington’s reaction when the label wanted him to ditch Mike Shinoda and go solo, and the immense success of Hybrid Theory on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by NBA writer James Herbert (@outsidethenba) to discuss At The Drive-In’s 2000 album Relationship of Command. This is a fun revisiting of a very influential album. Find out more about James and Blake’s unlikely non-friendship in university, how At The Drive-In became the Mars Volta and Sparta separately, and how Relationship of Command holds up against In/Casino/Out in the present on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by the self-proclaimed world's foremost analyst of nu metal, John Cullen (@cullenthecomic), to discuss the first album Jake ever purchased with his own money: Limp Bizkit's Significant Other. Consider this a Limp Bizkit podcast in general, though, as you know Blake wasn't going to try to discuss the connection of Fred Durst, My Way, and Rollin' to professional wrestling. Find out more about Durst's vision for Limp Bizkit at the outset, just how huge they got as the face of the turn-of-the-century nu metal movement, and what song from Significant Other our guest thinks is among the best of all time on this week's podcast.

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In the May edition of the mailbag Blake & Jake discuss pro wrestling, a Columbia House Party movie, which band's most popular song is their best song and much much more!

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Drew Fairservice (@DrewGROF) to discuss Saves the Day’s 1999 bridge album for the pop-punk scene, Through Being Cool. Drew might cringe at that term pop-punk given his – and Chris Conley’s – hardcore roots, but tracing from Lifetime to Fall Out Boy through Saves the Day is tidy work. Find out more about Drew’s experience seeing Saves the Day in the hardcore scene, how the band’s slow transition to pop-punk made waves for the bands that followed them, and why Red Jeans 3:16 says “my spleen is dropping from my pants” on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy discuss Emergency & I, the 1999 album from The Dismemberment Plan. More than two decades later, it remains held in the highest of indie esteem. Find out more about the best rhythm section in indie rock, what Jake feels is maybe THE best song (period!), which band member moved on to work for NASA, and more on this week's podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by their first four-time guest, Sarah MacDonald (@sarahsmacdonald, sarahsmacdonald.com), to discuss Britney Spears' debut album ...Baby One More Time. That's probably enough appearances to just call Sarah a co-host, right? Cassie Leigh Clancy (@cassleigh, co-host of the @restingonpod podcast) also joins for a segment to talk jean suits and other fashion. Find out more about why Sarah's Britney interest is strong enough for her to be back dealing with Jake and Blake, what big Britney single one host has a curious blank spot for, and how Y2K fashion is a part of the Britney cultural imprint on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Chris Cresswell (@crustcrustwell) of The Flatliners (@theflatliners) and more to discuss one of his major influences, Gob’s 1998 album How Far Shallow Takes You. Find out more about the path Gob paved for a generation of Canadian punks, what changed in their sound with each successive album, and whether any of the guys followed in their footsteps from a hair – or bug-eating – perspective on this week’s podcast.

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April has almost left us, but in these final moments we present you the April Mailbag!
In this months mailbag Blake and Jake went through all of your questions (thank's for sending them in!) and compiled a show that you are sure to enjoy.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Erin to discuss Lorde’s 2017 sophomore album Melodrama. Melodrama being considered a pop album is accurate, but it paints Lorde in a way that sometimes seems to undersell her excellent as a songwriter. Find out more about her growth as a person and writer over the four year gap between albums, which Lorde song Jakes thinks is perfect, and why her eventual third album may be analyzed through a more appropriate lens on this week’s podcast.

It’s the season premiere! Kind of. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy celebrate the podcast’s birthday by resetting the connection tree and starting anew for Year Two. To do so, they fire up Green Day’s 1997 album Nimrod, maybe not the best Green Day album but possibly the most important. Find out more about the hosts sneaking Green Day tunes around parents, how Nimrod tipped a hand at where Green Day would eventually go, and how this album plays into the show’s origin story on this week’s podcast.

How many hits can you have and still be misremembered as a one-hit wonder?
In the latest episode of Columbia House Party hosts Jake Goldsbie and Blake
Murphy try to find out by diving into Third Eye Blind's self-titled album. The
successful debut produced five singles over the course of two years,
landing them on era-defining compilation albums and every late-90s and
early-00s coming-of-age soundtrack. Semi-Charmed Life may be the tune
people remember them for the most - and it's a great snapshot of what
remains a pretty definitive sound - but this album is deeper than you
remember. Find out more about the non-singles that had an influence outside
the genre, the alleged difficulties of working with Stephan Jenkins, and a
tough ride on the MuchMusic Countdown in this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy finally get around to an album Jake has been wanting to discuss since the podcast's inception, Harvey Danger's Where Have All The Merrymakers Gone? It is, the hosts hope, worth the wait, as both find Harvey Danger to be criminally under appreciated and miscast as a one-hit wonder. Find out more about the curse of Flagpole Sitta's success as a lead single, the band's openness about their process and reception, and whether Merrymakers holds up as well as the guys envisioned on this week’s podcast.

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I hope you enjoy this month's mailbag. It's a little all over the place, we talk walk-up songs, tunes to cook to, cellphone ringtones and songs we never-ever want to hear again.

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In this episode of Columbia House Party hosts Jake Goldsbie and Blake Murphy dive into Weezer’s sophomore album, the cult classic and infamously divisive Pinkerton. A follow up to their wildly successful Blue album, Pinkerton came after a short hiatus that saw headman Rivers Cuomo undergo extensive surgery and commence studies at Harvard University. Disillusioned with his once-dream of being a rockstar, Cuomo had originally planned for Pinkerton to be a rock opera. Although that idea was abandoned, the album’s namesake was a character described as being not dissimilar to a touring rock star. Find out more about Cuomo’s struggles with the album, letters received by a particular Japanese fan and which big-name director the band turned down in this week’s podcast.

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Isn’t it ironic? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy go deep on a Canadian classic, Alanis Morissette’s incredible 1995 album Jagged Little Pill. Not only is the album excellent, it’s credited with facilitating important change in the rock scene for the late-90s and beyond. Find out more about Alanis’ roots as a child star in Ottawa, why and how she changed her approach for Jagged Little Pill, and who we think You Oughta Know might be about on this week’s podcast.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Nick Dika (@NickDika) of Arkells (@arkellsmusic) to discuss Silverchair's debut album Frogstomp. It was Blake's first album purchased with his own money, at $1 from Columbia House. How fitting. Find out more about Silverchair's unlikely and meteoric rise as 15-year-olds, where they fit in the grunge scene with the benefit of hindsight, and why Nick has a deep appreciation for the artistic ambition of Daniel Johns on this week's podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy trace the so-called emo tree back up almost all the way to the top, exploring the definitive parent of the Midwest emo branch, Sunny Day Real Estate’s 1994 album Diary. It stands to reason that if you listen to this podcast, a lot of the bands you enjoy (and episodes we’ve done to date) were influenced by Diary, as SDRE genuinely helped move the genre forward. Find out more about why SDRE couldn’t sustain their success through some fault of their own, which of our hosts’ favourite bands today draw influence from Diary, and where the Foo Fighters come in on this week’s podcast.

It’s about time. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy finally open up the grunge side of the podcast, diving deep on Nirvana’s industry-changing 1993 album In Utero. If you preferred Nevermind, well, blame the Patreon supporters who voted for this, and maybe give that take a second thought upon re-listening. Find out more about what Kurt Cobain set out to do with the impossible task of following up on Nevermind, the difficult process of trying to perfect the album with Steve Albini, and the monumental musical influence of In Utero on this week’s podcast.

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Wake me up, when February ends...

It's the monthly mailbag, friends! Blake and Jake create yet another spreadsheet filled with your queries and set out on a magical journey to try to answer them. This one is stacked with all sorts of things; band names and soundtracks, spreadsheets and sad songs. The guys cheat a little bit with the mixtape (but we won't tell anyone).

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Sarah MacDonald (@sarahsmacdonald, sarahsmacdonald.com), to discuss Phoebe Bridgers’ 2020 sophomore album Punisher. This is the show’s first crack at covering a new album without the benefit of at least some nostalgia, so it’s good the hosts had Sarah to guide them. Find out more about Bridgers’ songwriting process, the influence of gender and power dynamics in the industry and how her work connects, and why Bridgers has quickly become considered one of the elite modern songwriters on this week’s podcast. 

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy circle back to another influential album, The Cure’s 1989 masterpiece, Disintegration. Part two, as Robert Smith tells it, of a three-part trilogy that spans 18 years and eight of their 13 records, Disintegration is The Cure at their best, with Smith’s songwriting and vocals at their peak and the ambition of the overall musical environment pushing the album to a new height for the group. Find out more about which of Smith’s anxieties pushed him toward this sound for the album, the carousel of band members over their 40-plus years together, and whether The Wedding Singer holds up on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into an album that is inextricable from every episode that’s come before or will come after, the 1989 classic Doolittle from Pixies. It’s just Pixies, by the way. The impact Pixies had on all of alt-rock, pop-punk, and the subgenres between is well established but becomes obvious through a deep re-examining of their most prominent work. Find out more about which modern bands the guys hear Pixies in most, how the relationship between Black Francis and Kim Deal began fracturing, and what the hell Un Chien Andalou is on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by poet, essayist, and cultural critic Hanif Abdurraqib (@NifMuhammad, abdurraqib.com) to discuss the seminal 1982 Descendents album Milo Goes to College. It’s a wider-ranging chat than usual, thanks to Hanif’s incredible insight and thoughtfulness about how and why we connect with music at different stages. Find out more about the album’s iconic artwork, how we deal with problematic lyrics nearly 40 years later, and whether Milo actually went to college on this week’s podcast.

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It's January which means... we're one day closer to summer! It also means that the monthly mailbag is up. Blake and Jake combed through all of your awesome questions (Blake created a document) and answered as many as they could on tonight's pod. Let's just say we gotta little bit of karaoke talk and a whole bucket of nostalgia when it came to video game soundtracks.

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Steve Sladkowski (@sladkow) of PUP (@puptheband) to discuss one of the most important albums of all time, The Clash's London Calling. Find out more about The Clash's slower path to a monstrous third-album success, how London Calling pulled from dozens of sounds to influence dozens more, and why it's so necessary to consume art with an appreciation of the context it was created within on this week's podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into one of a handful of blink side-projects, +44’s lone album, When Your Heart Stops Beating. The unofficial follow-up to blink’s untitled album, +44 sees Mark Hoppus and Travis Barker continue down that same road, with Hoppus trying to extend himself creatively but ultimately reining himself back in. Find out more about where +44 fits in the blink fracture, why they don’t utilize Carol Heller more, and how Barker’s newborn affected the duo’s new found on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive in on the band's untitled 2003 album. It also happens to be both hosts' favorite blink-182 offering. Find out more about what led to the dramatic shift in sound, how the rift between Mark Hoppus and Tom DeLonge continued and led to their eventual separation, and what made this era of blink the best live-show era of blink on this week's podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy discuss the self-titled 2002 album from Box Car Racer. Find out more about what led Tom DeLonge to embark on a solo project after Take Off Your Pants and Jacket, how Travis Barker got involved but Mark Hoppus was excluded, and how Box Car Racer paved the way for the best of blink-182 on this week's podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Jeff Rosenstock (@jeffrosenstock) to discuss Rilo Kiley’s excellent 2004 album More Adventurous. Is there a cooler band than Rilo Kiley, and a cooler singer than Jenny Lewis? It’s hard to figure.. Find out more about which Rilo Kiley song Jeff had his first dance too, which Rilo Kiley song Jeff has covered, and why the guys think Rilo Kiley weren’t a bigger breakthrough success on this week’s podcast. And check out Jeff’s terrific album, NO DREAM, anywhere you get your music.

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We are three Canadian aquarium drinkers. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Steve Sladkowski, the guitarist from PUP, to discuss Wilco’s 2004 album, A Ghost is Born. The album that necessitated the addition of Nels Cline – first as a touring guitarist and later as a full-time member – A Ghost is Born sees Jeff Tweedy take a necessary leap as a guitarist while his songwriting is as on-point as always. Find out more about how Wilco influenced one of the best guitarists in the world today (Steve), just how rough things got for Tweedy in the 2000s, and which of Tweedy’s opening lines the guys love most on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy make Conor Oberst the third member of the CHP two-time subject club, exploring Bright Eyes’ 2002 album Lifted or The Story Is in the Soil, Keep Your Ear to the Ground. Find out more about Saddle Creek’s epic early-2000s run as a label, why the hosts think Bright Eyes was so influential as a thread between folk eras despite often being classified as emo on this week’s podcast. 

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Densil McFarlane of The OBGMs (@theobgms) to discuss N.E.R.D.’s 2004 album Fly or Die. Obscured to some degree by the immense success of the group as producers (The Neptunes) and Pharrell Williams’ eventual solo work, N.E.R.D. is more than deserving of their own oxygen as a bridge between hip hop and rock. Find out more about the influence N.E.R.D. had on Denz, the irritating, if predictable, critical response to Fly or Die, and why the first two N.E.R.D. albums sound like they could have come out last year on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Chris Cresswell (@crustcrustwell) of The Flatliners (@theflatliners) and more to discuss one of his major influences, Gob’s 1998 album How Far Shallow Takes You. Find out more about the path Gob paved for a generation of Canadian punks, what changed in their sound with each successive album, and whether any of the guys followed in their footsteps from a hair – or bug-eating – perspective on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by Nick Dika (@NickDika) of Arkells (@arkellsmusic) to discuss Silverchair's debut album Frogstomp. It was Blake's first album purchased with his own money, at $1 from Columbia House. How fitting. Find out more about Silverchair's unlikely and meteoric rise as 15-year-olds, where they fit in the grunge scene with the benefit of hindsight, and why Nick has a deep appreciation for the artistic ambition of Daniel Johns on this week's podcast.

Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty

Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie.

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See you next week for an all new episode of CHP.