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Did Skid Row make a mistake introducing its new singer? Was Aerosmith’s farewell really the end? And should some of classic rock’s biggest names finally call it quits?

On this Halloween edition of **THE CLASSIC METAL SHOW**, Neeley and Chris Akin deliver another uncensored, opinionated look at the world of hard rock, heavy metal, and the ridiculousness surrounding it.

**IN THIS EPISODE:**

🔥 **SKID ROW:** Justin Sargent steps into the spotlight as the band’s new singer, but was The Who’s “Won’t Get Fooled Again” the right song to introduce him?

🔥 **AEROSMITH:** Steven Tyler and company celebrate their legacy at the Hollywood Bowl alongside major rock guests. Was it a fitting farewell, or is there still more money to be made from the Aerosmith name?

🔥 **TRIUMPH, DEEP PURPLE & CHEAP TRICK:** With canceled tours, aging musicians, and changing stage performances, when should legendary rock bands finally retire?

🔥 **CMS AFTER DARK:** Neeley and Chris revisit their own history, past relationships, drunken arguments, on-air confrontations, Halloween memories, and stories that probably should have stayed private.

Plus discussion of Quiet Riot, W.A.S.P., Anthrax, John Bush, Joey Belladonna, and more.

🎸 Aerosmith albums, vinyl and classic releases: https://link.amazon/B05Qy9gwU

🤘 Guns N’ Roses, Sammy Hagar and classic rock collectibles: https://link.amazon/B0fzqsfuQ

**GET THE COMPLETE CMS EXPERIENCE**

The public version contains Episodes 1, 2, 4, and 5. The exclusive third segment, **THE CUT**, is not included.

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**THE CLASSIC METAL SHOW — 30 YEARS OF SAYING WHAT EVERYONE ELSE WON’T.**

Everything expressed on this program represents the opinions of the hosts and guests.

Phil Soussan has played with some of rock’s biggest names. But working with William Shatner might be one of the most unusual experiences of his entire career.

GET PHIL SOUSSAN’S VIBRATE HERE: https://amzn.to/3TV5QYE

The former Ozzy Osbourne bassist joins Chris Akin on CHRIS AKIN PRESENTS to discuss how he ended up performing with the legendary Star Trek actor, what happened when Shatner faced a Riot Fest audience, and why the music they’re creating together is far heavier than some people might expect.

And yes, Tony Iommi is involved.

Beyond the Shatner connection, Phil has something else demanding his attention: COSMO FIGHTER, an ambitious solo project that puts him in complete creative control.

Phil explains why he decided to handle nearly every aspect of the recording process himself, from songwriting and instrumentation to vocals, mixing and mastering. Chris pushes back on whether doing everything yourself can actually hurt a record by eliminating the outside perspectives that make great bands work.

The conversation also takes on an increasingly important question for veteran musicians: Is releasing a full album all at once still the smartest way to reach fans?

Phil believes the music business has changed enough that the old release model no longer makes the same sense. His answer is to divide COSMO FIGHTER into three four-song EPs, giving listeners a continuing stream of new material instead of one release that might quickly disappear.

They also tackle the pressure musicians face when expressing opinions, the unintended consequences of technology, the realities of streaming revenue, and why fans who love an artist’s music should consider actually buying something.

Plus, Phil discusses his live band, the heavier material coming on future COSMO FIGHTER releases, and his plans to keep making music that refuses to stay inside one musical box.

From Ozzy Osbourne to William Shatner to his own creative future, Phil Soussan has plenty to say.

Watch the complete conversation with Chris Akin.

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.

What happens when a metal band decides that musical boundaries are completely meaningless?

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SCARDUST vocalist **Noa Gruman** joins Chris Akin on **CHRIS AKIN PRESENTS** to explain why progressive metal doesn’t have to follow anyone’s rules. From crushing riffs and soaring vocals to pop melodies, symphony orchestras, and full metal choirs, Scardust is building a sound that refuses to fit neatly into any category.

Noa discusses the band’s *Souls* album, their ambitious cover of Clean Bandit’s “Symphony” featuring violinist Mia Asano, and the surprising evolution of HELLSCORE, her metal choir that’s gone on to collaborate with Sabaton, Amorphis, Epica, and other major metal acts.

She also reveals what’s happening with Scardust’s next album, discusses plans to return to touring in 2027, and explains why working with Sabaton has been such an inspiring experience.

But there’s another side to the conversation. When Chris brings up the financial realities of being an independent metal musician, Noa offers a sobering perspective on what it actually takes to keep a band alive.

**Is Scardust pushing progressive metal forward, or has the entire concept of musical genres become outdated?**

Watch the interview and decide for yourself.

🤘 **SUPPORT SCARDUST:**

Official Website: https://scardust.co

🔥 **SUPPORT CHRIS AKIN PRESENTS:**

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.

You couldn’t make these stories up! Chris and Neeley wrap up the night with two bizarre real-world stories, outrageous commentary, and the kind of uncensored conversation that makes THE CLASSIC METAL SHOW what it is.

TONY IOMMI’S FROM THE DARK IS AMAZING. VINYL VERSION RIGHT HERE! https://link.amazon/B05VDcMc8

First up: **Did a football fan really restrain his wife so he could watch a game in peace?** A Virginia man named Terry Ward was reportedly arrested after allegedly taping his wife to a chair in the basement while he watched football. Charged with felony abduction and misdemeanor assault on a family member, Ward had a court appearance scheduled for November 10. Chris and Neeley dig into the bizarre allegations, debate the situation, and turn the story into an extended, no-holds-barred discussion about football obsession, relationships, and domestic drama.

Then things get even stranger.

**A man sells his belongings, travels more than 1,200 miles, and discovers his dream girlfriend isn’t real!** Brazilian bricklayer Edamar Martins reportedly believed he had found the woman he wanted to marry. Instead, the woman he pursued, Jessica Oliveira, turned out to be an AI-generated character. After arriving in another city and running out of money, Martins reportedly needed assistance getting home. Even more unbelievably, he hasn’t given up on finding love.

Chris and Neeley tear into the absurdity of the situation, discuss the increasingly convincing world of AI-generated personalities, and question how anyone could sacrifice everything for a relationship without meeting the person first.

Plus, the guys thank comedian Jim Florentine for stopping by, recognize the fans who support CMS, and close out the show with Candlebox’s “Don’t You,” requested by Fuego.

It’s football, artificial intelligence, online romance, questionable decisions, and unfiltered comedy—all delivered the Classic Metal Show way.

**WARNING:** This episode contains frequent strong language, crude sexual humor, adult subject matter, and jokes involving domestic violence. Viewer discretion is advised.

Support THE CLASSIC METAL SHOW on Locals for just $5 per month and get bonus features, music, and exclusive content: https://classicmetalshow.locals.com

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.

The Classic Metal Show is talking new music, old-school rock-star mythology, and the larger-than-life personalities that made the ‘80s and ‘90s metal scene unforgettable.

GET DOWN’S VOLUME V ON VINYL HERE: https://link.amazon/B01gRR6Ke

Chris and Neeley check out “The Myth,” the new song from Down, discussing its heavy groove, changes in musical direction, Phil Anselmo’s vocal effects, and why the track has them looking forward to hearing the band live. The conversation also revisits Down’s history and the lasting impact of NOLA.

Then the focus turns to Lita Ford and her upcoming album, Dracula. The guys listen to a preview and debate the song, her musical legacy, her career beyond the MTV era, and the role that image, hit singles, and rock-star celebrity played in keeping artists relevant.

The discussion expands into memories and opinions about the personalities, appearances, relationships, and excesses associated with classic hard rock. It’s an unfiltered conversation about the music, the people behind it, and how the legends of the era look through the eyes of longtime metal fans.

Topics include:

* Down’s new song, “The Myth”

* Phil Anselmo’s vocal production and the song’s shifting grooves

* Down’s history and the enduring appeal of NOLA

* Lita Ford’s Dracula preview

* Lita Ford’s legacy, signature songs, and MTV-era image

* Chris Holmes, Tommy Lee, Robin Crosby, and the rock-star image of the 1980s

The personalities and stories that continue to fuel classic-metal conversations

The Classic Metal Show is where hard rock and heavy metal get discussed without the corporate filter. Expect strong opinions, irreverent humor, musical memories, and plenty of disagreement.

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.

Chris Akin and Neeley are back for another uncensored, no-holds-barred edition of THE CLASSIC METAL SHOW, where nothing is off limits and nobody is safe from their opinions!

GET DEEP PURPLE’S SPLAT HERE: https://link.amazon/B095HynaS

Chris barely makes it back in time for the show after spending the evening seeing comedian Jim Florentine with Seth Williams. What follows is a brutally honest conversation about comedy, obnoxious audience members, internet trolls, the music business, and the ridiculous things people do that make everyone else want to lose their minds.

It’s another episode full of blunt opinions, personal stories, comedy, music talk, and the kind of unpredictable conversation that has kept THE CLASSIC METAL SHOW going for decades.

If you agree, disagree, or think the guys are completely out of their minds, join the conversation and let them know what you think.

Subscribe for more Classic Metal Show discussions, interviews, music opinions, and uncensored entertainment.

Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premium

NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.

Neeley and Chris Akin are back with another unpredictable night of classic metal, outrageous opinions, and unfiltered comedy! This week, comedian Jim Florentine joins the show for a hilarious conversation about hecklers, comedy-club etiquette, awkward audiences, and what happens when people think they’re part of the act. Jim also shares stories from his career, rock-star encounters, and the unpredictable world of live entertainment.

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The guys tackle a bizarre story about a Virginia man accused of taping his wife to a chair so he could watch football in peace. Is this the most ridiculous football-fan story ever? The guys have plenty to say about it! Plus, they discuss online reviews, annoying fans, controversial rock stars, AI-generated imagery, and why some people take their opinions way too seriously.

Of course, there’s plenty of music talk, too! Hear the guys discuss Down’s new song “The Myth,” revisit classic hard-rock favorites, and deliver the kind of irreverent commentary that keeps The Classic Metal Show different from every other music show.

Support The Classic Metal Show!

Become a Locals VIP member for just $5 per month to help support the show and get special bonus features, exclusive content, and early access!

https://classicmetalshow.locals.com

WARNING: This show contains explicit language, adult humor, and potentially offensive opinions intended for a mature audience.

DISCLAIMER: Everything said here, and on every episode of all of our shows, represents the opinions of the hosts. Nothing is stated as fact. Do your own research to determine whether their opinions are true or not.

On this episode of The Classic Metal Show, Neeley and Chris Akin examine Roger Waters calling Metallica’s James Hetfield a “nobody” after Hetfield declared Metallica keeps politics off their stage. The hosts also react to horrifying concert clips of Beach Boys legend Mike Love looking like a living corpse being propped up on stage.

Nothing Better than Metallica’s MASTER OF PUPPETS on vinyl: https://amzn.to/4zvXeGM

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Beach Boys’ GOOD VIBRATIONS: THIRTY YEARS OF THE BEACH BOYS is all you’ll ever need! https://amzn.to/4BcCDcp

WARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.

Is the live concert industry completely dead? David Reece (Bangalore Choir, ex-Accept) joins Neeley and Chris Akin to dissect $7,000 Metallica tickets, corporate venue takeovers, and why the music industry is systematically screwing both artists and fans.

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DWARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.

A content creator with half a million followers gets wiped out over a tiny video from three years ago! Neeley and Chris Akin break down how YouTube’s bot algorithm nukes entire livelihoods overnight and why you’re an idiot if you don’t back up your content elsewhere. Subscribe now so you never miss an uncensored moment!

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WARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.

Sebastian Bach showed up in our comments again throwing a full-blown temper tantrum! He claims our channel is complete garbage and dares us to call him a liar to his face. Neeley and Chris Akin break down Bach’s online meltdown, why KK’s Priest completely crushed it live, and Chris’s experience at the brand new Killbox comedy club in Akron. Hit subscribe and join the debate!

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KK’s PRIEST’S THE SINNER RIDES AGAIN is an amazing vinyl that you need! https://amzn.to/4yX1v6w

WARNING: The views, thoughts, and opinions expressed in this video belong solely to the speakers and do not necessarily reflect the official policy or position of any other agency, organization, employer, or company. This content is presented strictly for entertainment purposes and represents the subjective opinions of the hosts and guests, not factual assertions.

WHY’S EVERYONE SO SENSITIVE?

Roger Waters is taking shots at Metallica’s James Hetfield, Shane Gillis is catching heat over his comedy, and KK’s Priest is revisiting Judas Priest history. Apparently, everybody has something to be pissed off about!

Tonight on THE CLASSIC METAL SHOW, Neeley and Chris Akin dig into three controversies that have rock and comedy fans talking!

🔥 **ROGER WATERS vs. JAMES HETFIELD:** Waters unloaded on the Metallica frontman over his approach to politics at concerts. Does Waters have a legitimate argument, or did he completely undermine his own message by personally attacking Hetfield?

🔥 **SHANE GILLIS CONTROVERSY:** The comedian is facing backlash over his SNL material. Has comedy become too sensitive, or should comedians expect criticism when they push boundaries? We’ll get into it on THE CUT!

🔥 **KK’S PRIEST / JUDAS PRIEST:** Chris was at the Cleveland Agora to see W.A.S.P. and KK’s Priest! He’s bringing his firsthand concert review, plus a discussion about K.K. Downing and Tim “Ripper” Owens revisiting classic Judas Priest material.

No corporate-approved opinions. No carefully rehearsed talking points. Just Neeley, Chris, the stories, and whatever arguments break out along the way!

**JOIN THE LIVE CHAT!** Agree with us? Think we’re completely full of shit? Get in the conversation while we’re LIVE!

📺 SATURDAY, OCTOBER 17

⏰ 9:00 PM EASTERN

📍 LIVE ON RUMBLE

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.

Imagine spending decades listening to Def Leppard, waiting for another opportunity to see them live, and then discovering that the big arena tour pairs them with the Goo Goo Dolls.

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Would you still buy a ticket?

On THE CLASSIC METAL SHOW, Chris Akin and Neeley ask the question that apparently nobody involved in putting this tour together bothered to answer: WHAT THE HELL DO THESE BANDS HAVE IN COMMON?

Def Leppard built its reputation with massive guitars, arena-rock anthems and albums like Pyromania and Hysteria. The Goo Goo Dolls became known for an entirely different brand of radio-friendly rock. Now they’re sharing an arena-tour bill with The Struts also involved.

Chris isn’t buying it.

After initially considering using his recent interview connection with Def Leppard guitarist Phil Collen to attend the Ohio show, Chris completely changes his mind when he discovers the lineup.

But the bigger question isn’t simply whether these bands belong together.

Could Def Leppard actually change its performance to fit the audience?

Chris wonders whether songs like “Love Bites,” “Two Steps Behind” and “Miss You in a Heartbeat” might become more important to a setlist designed for fans who came to hear “Iris.”

Neeley brings another possibility into the discussion: maybe the teenagers who loved Def Leppard in the 1980s became Goo Goo Dolls fans in the 1990s. Maybe the pairing makes more sense commercially than it does musically.

The hosts also revisit the days when Pyromania was selling so quickly that record stores couldn’t keep it stocked, question whether this unusual lineup can fill major arenas, and take another shot at the modern ticketing business for making concert prices unnecessarily difficult to determine.

And Chris reveals why he’s willing to pass on a potentially valuable concert opportunity rather than waste a favor on a show that doesn’t interest him.

Are Def Leppard and the Goo Goo Dolls a surprisingly smart combination, or has arena-rock touring officially become a game of throwing unrelated bands together and hoping people buy tickets?

Hear the argument, then tell us whether you’d pay to see this tour.

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.

WHEN DID SEEING YOUR FAVORITE ROCK BAND BECOME A LUXURY PURCHASE?

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Aerosmith is preparing for two special Hollywood Bowl performances, and THE CLASSIC METAL SHOW’s Neeley and Chris Akin have a serious question: Who the hell is paying these ticket prices?

What starts as a discussion about Aerosmith’s return quickly becomes a brutal examination of the modern concert business. The guys look up available seats during the show and discover prices ranging from hundreds of dollars in distant sections to nearly $1,000 for better locations.

And that’s before parking, food, drinks, travel, and everything else that turns a night of rock and roll into a major financial commitment.

But the price is only half the problem.

With an enormous guest list featuring Guns N’ Roses, Run-DMC, Sammy Hagar, Billy Idol, Nuno Bettencourt, Tom Morello and others, Chris wonders how much actual Aerosmith music fans will get for their money.

Could Steven Tyler and company deliver only a handful of songs while celebrity guests take over the rest of the evening? Is this another attempt to recreate the success of Ozzy Osbourne’s farewell event? Could the concerts lead to a new Aerosmith tour, or is that wishful thinking?

Neeley digs into the potential economics of the shows, from ticket revenue to the possibility of a paid livestream, while Chris argues that the industry has turned the bands ordinary fans helped build into expensive attractions those same fans can barely justify attending.

They also discuss the increasingly outrageous prices attached to major concerts, including Metallica, and explain why neither host would spend thousands for a couple of hours of live music.

Aerosmith may still be one of rock’s biggest names. But does that make any ticket price acceptable?

Watch and weigh in: Would you spend $1,000 to see Aerosmith, especially without knowing how much of the show would actually feature the band?

#Aerosmith #ConcertPrices #TheClassicMetalShow #StevenTyler #ClassicRock #RockMusic #HollywoodBowl #LiveMusic

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.

Does Judas Priest still deserve to be called Judas Priest when the musicians who built the band are no longer there? And could KK’s Priest actually be delivering a more authentic version of the legendary metal band’s music?

On this episode of THE CLASSIC METAL SHOW, Neeley and Chris Akin tackle the controversial question of whether original band members really matter anymore.

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The discussion starts with the reported retirement of longtime Judas Priest bassist Ian Hill, which raises an uncomfortable question about the band’s future. With Rob Halford still fronting Priest, but the band’s founding lineup no longer intact, is this still the legendary Judas Priest fans grew up with—or has the name become bigger than the musicians?

Neeley brings his firsthand experience from a recent KK’s Priest concert, where KK Downing and Tim “Ripper” Owens delivered a performance that left him seriously questioning which version of the Priest legacy he’d rather see.

But here’s where the argument gets interesting.

**If a replacement musician sounds better, plays better and delivers a stronger concert than an original member, why should fans care who’s actually onstage?**

Chris and Neeley take that question straight into the heart of classic metal, examining bands like Quiet Riot, W.A.S.P., Dokken and Whitesnake. Is the original lineup sacred, or are fans allowing nostalgia to dictate what qualifies as a legitimate band?

The guys also explore whether KK Downing could ever return to Judas Priest, what that would mean for the musicians involved, and whether some legendary bands might actually benefit from younger performers keeping their music alive.

Before all that, Chris reveals an unbelievably named bargain hair trimmer, the guys argue over brand loyalty, and a frustrating Vizio television purchase turns into a rant about smart TV advertising, privacy and the ridiculous things consumers put up with.

Plus, a Dangerous Toys debut album reissue giveaway for THE CLASSIC METAL SHOW’s Locals community!

**The real question isn’t just whether Judas Priest is still Judas Priest. It’s whether the music, the musicians or the name on the ticket matters most.**

So where do YOU stand? Would you rather see Judas Priest with Rob Halford or KK’s Priest with KK Downing and Tim “Ripper” Owens?

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.

Is a $90 night of W.A.S.P. and KK’s Priest actually a better deal than spending thousands to see Metallica in a massive arena spectacle? And did Blackie Lawless finally put the backing-track controversy to rest?

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On this edition of THE CLASSIC METAL SHOW, Neeley returns from seeing W.A.S.P. and KK’s Priest at the Des Plaines Theatre, and his review might surprise some longtime critics. After previously questioning whether Blackie Lawless was relying too heavily on backing tracks, Neeley says this performance was a completely different experience. Was Blackie actually delivering the goods this time?

And KK’s Priest wasn’t exactly screwing around either. With K.K. Downing bringing the classic Judas Priest attitude and Tim “Ripper” Owens delivering powerful vocals, Neeley explains why the show was worth every penny.

That leads Chris and Neeley into a bigger argument about concert prices. When bands are charging astronomical amounts for elaborate arena productions, are fans actually getting a better show, or are they just paying for expensive technology and a famous name? Is the real value in heavy metal found in smaller theaters with musicians who still know how to kick ass?

But the concert discussion is only the beginning.

Chris gets an unexpected surprise when a CMS listener buys him a ticket to see W.A.S.P. and KK’s Priest in Cleveland. The guys also discuss Don Dokken’s interactions with fans after a Pennsylvania concert and what makes the classic metal community different from other music audiences.

Then they revisit the controversy surrounding Quiet Riot’s new young singer, John Torra. Can one replacement vocalist really help revive an entire genre, or is the excitement getting completely out of control?

The conversation eventually goes completely sideways as the guys tear into classic horror movies. Is Hellraiser really the masterpiece some fans claim? Why does Freddy Krueger remain such an entertaining horror character? And are the original Nightmare on Elm Street movies still better than what Hollywood produces today?

Finally, Chris admits he’s having a hard time caring about professional sports anymore. Has the product become boring, or did the real enjoyment always come from hanging out with friends and watching the games together?

It’s classic CMS: hard rock, heavy metal, expensive concerts, horror movies, sports, and two guys who couldn’t follow a corporate radio script if their lives depended on it.

**ON THIS EPISODE:**

- Did Blackie Lawless finally deliver a convincing live vocal performance?

- Are W.A.S.P. and KK’s Priest worth more than expensive arena concerts?

- Is K.K. Downing still one of heavy metal’s most commanding performers?

- Can Tim “Ripper” Owens still deliver the classic Judas Priest material?

- Why did a CMS listener buy Chris a concert ticket?

- What happened when fans met Don Dokken after a show?

- Is Quiet Riot’s new singer getting too much attention?

- Are classic horror movies better than today’s Hollywood productions?

- Has professional sports lost its entertainment value?

**THE CLASSIC METAL SHOW — HAIL AND KILL!**

Join the CMS community: https://classicmetalshow.locals.com

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NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.

Is Judas Priest facing an identity crisis? Is Aerosmith’s expensive Hollywood Bowl comeback worth the money, or are fans paying for a parade of guest stars? And who thought pairing Def Leppard with the Goo Goo Dolls was a good idea?

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Chris Akin and Neeley tackle these questions, challenge the state of classic rock, and deliver the unfiltered opinions and laughs you’ve come to expect from THE CLASSIC METAL SHOW.

Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premium

NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to draw your own conclusions.

Every single week brings a fresh wave of total nonsense, and the internet has outdone itself once again. Celebrities and influencers are desperately pushing ridiculous camera fads, while real-world courtrooms are handing out massive payouts for personal relationships ending badly. We unpack the nonsense behind modern camera poses, blast the endless attention-seeking taking over social feeds, and dig deep into a wild courtroom battle that will leave you completely speechless.

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Get commercial free and uncensored episodes without any delays, bonus posts and episodes, and THE CUT, the weekly CMS episode ONLY available to paid CMS VIP subscribers at https://classicmetalshow.locals.com

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Rock stars used to trash hotel rooms and live on the edge, but today they throw massive temper tantrums over basic interview questions. From Stephen Pearcy dropping new tracks out of nowhere to Blackie Lawless pulling last-minute show cancellations and former metal icons holding 20-year grudges, the rock scene has turned into a total soap opera. Neeley and Chris Akin dive straight into the fragile world of modern rock stars, cheap publicity stunts, and why handling musician egos feels like walking through a minefield.

If you are obsessed with loud guitars, unfiltered commentary, and hard-hitting banter, this is the ultimate destination to get your fix. We bring you the realest rock talk on the planet, so make sure you fill your classic metal need https://amzn.to/3U51wGc.

Get commercial free and uncensored episodes without any delays, bonus posts and episodes, and THE CUT, the weekly CMS episode ONLY available to paid CMS VIP subscribers at https://classicmetalshow.locals.com.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

When live rock concerts turn into glorified movie theater screenings where the band looks like microscopic specks on stage, somebody has to call out the absurdity. Chris Akin and Neeley break down the massive hype surrounding high-tech Vegas venues, evaluate a young 23-year-old singer stepping into the shoes of an iconic 80s frontman, and examine a mind-boggling Netflix true crime saga where a suspect walked free for nine years despite four dead wives. Are fans finally getting sick of the visual gimmicks, or is local-level rock stage presence the new normal?

Here’s a great related book! It’s Chris Akin’s own CAUSE & EFFECT: METALLICA! Get it here: https://amzn.to/3U7sH39

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Why did Thunder walk away from rock and roll, and what did Def Leppard and Whitesnake have to do with bringing them back?

THUNDER’S BANG IS AN AMAZING RELEASE! DON’T MISS THIS VINYL VERSION OF IT: https://amzn.to/4ynn1Af

In this 2008 interview from THE CLASSIC METAL SHOW archives, Thunder guitarist Luke Morley talks about the band’s breakup, unexpected reunion, and the making of *Bang!* in an English countryside castle.

Morley gets into the stories behind songs like “Carol Ann,” “Love Sucks,” and “On the Radio,” explains why Thunder refuses to charge fans for meet-and-greets, and discusses the band’s frustrations with radio exposure and its ambitions to return to America.

Plus, what did Motörhead’s Lemmy teach him about facial warts and Pac-Man? You probably won’t see that one coming.

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A classic CMS interview featuring rock and roll, industry bullshit, and some genuinely funny stories.

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**NOTE:** Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to form your own opinions.

Getting older completely changes how you spend your Saturday nights, and we are diving headfirst into the brutal reality of aging in the rock world. From trying to figure out where older guys even go to meet people without resorting to terrible dating apps, to getting hit with brutal medical news right when you’re trying to get your life together, nothing is off-limits.

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Plus, we talk about the classic Canadian rock scene, tragic losses in music, and why hanging out at local dive bars is a completely different game once you hit a certain age.

Get commercial free and uncensored episodes without any delays, bonus posts and episodes, and THE CUT, the weekly CMS episode ONLY available to paid CMS VIP subscribers at https://classicmetalshow.locals.com

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

The rock world is spiraling out of control, from massive tech spectacles replacing real human performances to aging rockers trying to navigate modern society. Unfiltered chaos ensues as the circus of live music, viral culture, and bizarre legal battles gets torn apart piece by piece. Is live music actually dead, or are fans just getting dumber?

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Jon Bon Jovi is back in the news, and it is absolute comedy gold. From selling four identical album variants just to fleece hardcore collectors into buying the same record multiple times, to getting trapped by a wedding band in Miami and forced to sing his own hit against his will, the guy just cannot catch a break. We break down the cringe-worthy video of Bon Jovi looking completely trapped on stage, discuss his bizarre physical transformation, and ask the real question: why didn’t he just tell them to screw off?

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Big Dad Ritch of Texas Hippie Coalition sits down with Chris Akin for a wide-ranging conversation about the past, present and future of one of America's most distinctive heavy rock bands.Texas Hippie Coalition is celebrating 25 years of Red Dirt Metal with not one but TWO new albums — Stoned Cowboys and Band of Outlaws — released simultaneously through the band's newly launched Big Dad Records.Ritch talks about the evolution of Texas Hippie Coalition, building a career outside the traditional music-industry machine, the band's outlaw-country influence, the heavier side of THC, surviving 25 years in the music business, the current lineup, touring, songwriting, the fans and what it actually takes to keep a band alive when the music industry has changed completely.This is Big Dad Ritch talking about Texas Hippie Coalition in his own words — no corporate press-release bullshit required.CHRIS AKIN PRESENTS brings you conversations with the musicians, personalities and characters who actually lived the stories.Subscribe, hit the notification bell and join the conversation.Want the full episode from this clip? Visit any of our video platforms: Locals: https://classicmetalshow.locals.comRumble: https://rumble.com/c/cmsSubstack: https://cmspn.substack.comOdysee: https://odysee.com/@ClassicMetalShow:aGet a free Rumble Account so you can comment! https://rumble.com/register/classicmetalshow/Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! https://rumble.com/premiumNOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.

When the banter gets turned up to eleven, nobody in hard rock is safe from the crosshairs. The hosts dive headfirst into a scathing critique of KISS frontman Paul Stanley, questioning his stage persona, his vocals, and whether his famous stage banter was ever actually authentic or completely copy-pasted across decades. From hilarious impressions of Stanley’s iconic screeching to discussing Gene Simmons’ brutal honesty regarding who is a real musician and who is just a “star,” this episode unpacks the backstage reality and ridiculousness of classic metal.

If you are searching for the absolute highest quality, unfiltered, and unapologetic hard rock banter, look no further. Welcome to the ultimate sanctuary for true headbangers who demand raw talk and zero corporate compromise - KISS - DESTROYER (SUPER DELUXE) https://amzn.to/4jB5BME.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Quiet Riot just hired a 23-year-old singer. Judas Priest is giving Sad Wings Of Destiny another 50th-anniversary treatment. And Jay Jay French is still asking why Twisted Sister can’t get the Rock Hall’s respect.

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What do these stories have in common?

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Maybe the future of classic metal isn’t what we think it is.

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Tonight on THE CLASSIC METAL SHOW, Neeley and Chris dig into the bands, the business, the nostalgia and the questions nobody wants to ask.

Can you imagine spending your whole life in the music biz just to watch the Grammys treat metal like a joke? Well, some people can’t even handle the thought without a full-blown mental meltdown! Let’s just say there was screaming, swearing, and an almost cardiac event. Seriously, it’s brutal but hilarious, and you are going to want to hear this.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

How much should you mess with a classic? The guys get into Eddie Trunk, what actually makes a great rock interviewer, the bizarre politics of music publicity, and whether Testament’s Souls of Black deserves a modern remix.

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The full episode, exclusive third segment, and early interviews are already on Locals: https://classicmetalshow.locals.com

All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Jim Florentine shows up with a #1 comedy album, 26 years of prank calls, and enough stories to derail an entire afternoon.

GET JIM FLORENTINE & DON JAMIESON’S TERRORIZING TELEMARKETERS VOL. 8 HERE AND LAUGH YOUR ASS OFF! https://amzn.to/4y9J3XQ

This conversation goes from the art of keeping a straight face during completely ridiculous prank calls to AI trying — and failing — to write comedy. Then the guitars get plugged in.

Sebastian Bach and Twisted Sister. Iron Maiden and Nico McBrain. Metallica, 72 Seasons and the evolution of their live shows. Foo Fighters in a tiny club. Marilyn Manson absolutely tearing up a stage. Slayer. Gary Holt. And a whole lot of opinions about what happens when legendary bands get older, lineups change and the music business keeps rolling.

Florentine also digs into some of the wildest concert and interview stories he’s accumulated over the years.

It’s comedy, classic metal, prank calls and backstage insanity all in one conversation.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

A new Galactic Cowboys album, an $88,000 Kickstarter, Pantera memories, Christian metal, aging rock bands and one hell of a debate about who actually counts as the real band. Monty Colvin doesn’t hold much back.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

When classic 80s bands lose the rights to their original master recordings, they usually run straight to the studio to re-record their biggest hits. But what happens when the new versions sound completely unmitigated, flat-out terrible? We listen to Loverboy’s re-recorded tracks side-by-side with the originals, and the drop in quality is mind-blowing. From shot vocal cords to completely lifeless guitar playing, why are bands putting out garbage like this, and does anyone actually buy these things?

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

What happens when the guys who built classic metal are still out there playing decades later?

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Chris Akin and Matt Hartnett get into the uncomfortable questions about aging rock stars, nostalgia, anniversary tours and whether some bands are simply trying to recreate a past that can’t be recreated. They also go behind the scenes on dealing with musicians, publicists and some truly bizarre interviews—including the infamous War Kings experience.

But the bigger question is harder to answer: when this generation is finally gone, who is actually left to take its place?

The full episode, exclusive third segment, and early interviews are already on Locals: https://classicmetalshow.locals.com

All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Neeley is off chasing Dokken, which means Chris Akin gets to do something he rarely gets to do — run a LIVE Classic Metal Show “off” show.

DON’T WAIT! TERRORIZING TELEMARKETERS VOL. 8 IS AVAILABLE NOW: https://amzn.to/4iDjUjk

And this one has the potential to get completely out of hand.

Joining Chris is Hart O The Matter host Matt Hartnett, along with comedian Jim Florentine and Galactic Cowboys bassist Monty Colvin.

Florentine comes in with plenty to talk about, including his new comedy special JERSEY TRASH and TERRORIZING TELEMARKETERS VOL. 8, his comedy album with Don Jamieson that is currently sitting at #1.

Then there’s Monty Colvin, who has the new Galactic Cowboys release WHAT PLANET ARE YOU FROM? coming up, plus his MONTY’S ROCKCAST podcast.

With this collection of personalities in one room, the real question isn’t whether things will get weird.

It’s how weird they’re going to get.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Alex Van Halen has a new book coming — and the price tag becomes the real story.

GET ALEX VAN HALEN’S BOOK BROTHERS IN HARDCOVER HERE: https://amzn.to/4isjkoE

Neeley and Chris Akin dig into the book’s expensive signed edition, the unreleased 1974 demo included with it, the option to make monthly payments, and the surprising numbers being discussed when it comes to Van Halen’s alleged net worth.

Then the conversation takes a turn into the economics of rock stardom, with comparisons involving Eddie Van Halen, David Lee Roth, Don Henley, Darius Rucker, Steven Tyler and Gene Simmons.

And if you thought the $20 meal-ticket story was ridiculous, wait until you hear the towel story.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Motley Crue is back with another reissue, and the reaction here is anything but enthusiastic.

GET MOTLEY CRUE’S TOO FAST FOR LOVE 45TH ANNIVERSARY EDITION ON VINYL HERE: https://amzn.to/4AfzHeI

Neeley and Chris Akin go deep on why they believe Motley Crue has become the king of recycling its own catalog, whether there’s actually anything worthwhile about the latest package, and why the band’s history of anniversary editions has become so frustrating.

They also revisit Too Fast for Love, Shout at the Devil, Dr. Feelgood, the influence of Bob Rock, Metallica’s Black Album, and the absurd prices attached to some of the Motley Crue collectibles being sold to fans.

And yes, the question comes up: are fans simply willing to keep paying for it?

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Slayer is back, but the bigger question is whether a band that supposedly retired can still justify the hype every time it steps onstage.

GET SLAYER’S SOUNDTRACK TO THE APOCALYPSE BOX SET HERE: https://amzn.to/46qWmH9

Neeley and Chris Akin go deep on why Slayer’s limited appearances may actually make the band more valuable, why the live show remains an absolute assault on the senses, whether six shows a year can make more sense than recording and touring, and why Kerry King’s solo project simply doesn’t have the same pull as Slayer itself.

They also revisit the insanity of old-school Slayer shows, the Clash of the Titans era, Seasons in the Abyss, the difference between nostalgia and actually delivering onstage, and the bizarre contrast between Tom Araya’s stage persona and the person they describe away from the microphone.

Then the conversation turns to Megadeth, Dokken, lineup changes, and whether some classic metal bands have become little more than the name attached to whoever happens to be in the current lineup.

And when they actually watch recent Slayer footage, the reaction is pretty much what you’d expect.

Four guys.

A ridiculous amount of noise.

And Slayer still sounding like Slayer.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

70s rock was built on pure degeneracy, but one iconic guitarist allegedly took things to a whole new level of dark, twisted weirdness. From bizarre occult rituals and creepy groupie encounters to accusations of literal black magic, the stories behind Led Zeppelin make regular rock star antics look like Sunday school. Were these guys just completely burnt-out junkies playing mind games, or was there actually something sinister pulling the strings? We dive into the most unhinged allegations from a new tell-all book and break down whether the hype is real or total bullshit.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Was Evel Knievel’s infamous Snake River Canyon jump the real deal—or was it one giant piece of television trickery?

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A CMS fan sent in a theory that takes the conspiracy route: maybe Evel was never actually inside the SkyCycle when it launched, maybe the whole thing was camera manipulation, and maybe the “failed” landing was part of the plan.

Neeley and Chris Akin tear into that theory while watching the original footage, looking at what can actually be seen during the launch, the parachute failure, the crash, Evel’s rescue, and his condition immediately afterward.

And then there’s the bigger question: if this was all fake, why would anybody bother staging a failure?

The discussion also gets into the SkyCycle’s intended landing, the later recreation of the jump, Evel’s other crashes, Wembley Stadium, King’s Island, and why comparing Evel’s motorcycle jumps with Robbie Knievel’s is a lot more complicated than simply comparing the numbers.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Chris Akin opens up about one of the strangest souvenirs from his time in Korea: buying ridiculously cheap knockoff shoes and eventually sending around 200 pairs home. That leads into stories about fake Rolexes, custom-made tuxedos, a blood-covered white tux jacket, broken hands, and the very questionable lengths he went to in the 1980s to impress girls.

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And yes, somehow Corey Hart, Adam Ant, The Romantics and Katrina and the Waves all become part of the story.

It’s nostalgia, bad decisions, questionable fashion and classic CMS stupidity all rolled into one conversation.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

What happens when you’re supposed to interview the guy who wrote a book about Jeff Beck… and you suddenly realize you know almost nothing about Jeff Beck?

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That’s where this conversation goes completely off the rails.

There’s also an update on the upcoming CMS book, plans for the 30th-anniversary commemorative logo and merchandise, a brutally honest argument over Pulp Fiction, and a long detour into celebrity-driven sneaker culture involving Nike, Adidas, Puma, Michael Jordan, Run-DMC and Korn.

In other words, exactly the kind of conversation you’d expect when nobody is trying too hard to behave.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Chris Akin and Neeley open up about a brutal week, from a sudden death in Chris’s circle and his mother’s surgery to the grind of work and the increasingly bizarre world they see around them.

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From there, the conversation goes everywhere: Chris’s ongoing attempt to lose weight, AI-generated thumbnails, the insanity of online comments, kids still wearing masks outdoors, Brandon Herrera’s congressional campaign, the state of American politics, and whether the country has reached the point of no return.

And naturally, the show takes a hard left turn into a completely unofficial ranking of the women Grok considers the most popular celebrity “jerk-off” targets.

It’s a very CMS conversation: serious one minute, completely ridiculous the next.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

Slayer destroys Rocklahoma. Alex Van Halen puts a serious price on nostalgia. And Mötley Crüe finds yet another reason to repackage Too Fast For Love.

Is this giving fans something worth buying—or just another trip to the cash register?

Neeley and Chris Akin break it all down with the usual unfiltered opinions, sarcasm and metal insanity.

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WARNING: THE CLASSIC METAL SHOW IS OPINION AND ENTERTAINMENT. THE VIEWS, COMMENTS, JOKES, SPECULATION AND ASSHOLE-ERY EXPRESSED ON THIS PROGRAM ARE THE OPINIONS OF THE HOSTS AND CONTRIBUTORS AND SHOULD NOT BE CONSTRUED AS FACT, NEWS, OR PROFESSIONAL ADVICE. DO YOUR OWN RESEARCH AND MAKE UP YOUR OWN MIND.

#TheClassicMetalShow #CMS #Slayer #VanHalen #MotleyCrue #Rocklahoma #ClassicMetal

The concert business is a total joke, and the asking prices for these washed-up acts will make your jaw drop. Weezy leaked an actual 2017 booking sheet showing what 80s, 90s, and classic rock bands are demanding per show. Neeley and Chris Akin run through the numbers, guessing what these guys command versus what they actually pull in. You won’t believe what some of these one-hit wonders and ghost lineups think they’re worth. Is the live music market completely broken, or are promoters actually dumb enough to pay these rates?

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

When a massive summer tour suddenly gets pulled out from under the fans, everyone starts pointing fingers. Is it internal band drama, or did a terrifying medical emergency completely derail their comeback? Eric Brittingham steps up to clear the air about what went down in the rehearsal room right before everything imploded, how a sudden throat issue changed everything, and what this means for his own side project, The Naked Beggars. Plus, hear the raw truth about surviving heart attacks, keeping a band together when you’re married to the singer, and why Lemmy Kilmister will always be the ultimate rock god.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

David Lee Roth has a story for everything — and this one somehow turns a stop at Pink’s Hot Dogs into a $30,000 private-jet bill.

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Diamond Dave goes deep into the Van Halen days, talking supermodels, chili dogs, missed flights, limousines, private jets and the kind of rock-and-roll excess that makes you wonder how any of these guys survived the ‘80s.

And the best part? Neeley and Chris Akin are sitting there watching this absolute insanity unfold and loving every second of it.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

An unruly caller thinks they can step into the ring and command the airwaves, but things take a wild turn real fast. Watch how a simple request turns into complete chaos, unfiltering raw reactions, insults, and classic guitar-shredding showdowns. You have to hear how this caller gets absolutely dismantled on live radio.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

How do you know when a rock star has reached the point where it's time to walk away?

SCORPIONS’ BOX OF SCORPIONS AVAILABLE HERE: https://amzn.to/46tCCTrThe Scorpions postponing their Las Vegas residency kicks off a much bigger conversation about aging performers, declining live shows and whether continuing to tour can actually damage the legacy an artist spent decades building.

GET ALL THE BEST CMS MERCH HERE: https://classicmetalshow.creator-spring.com/But the discussion doesn't stop there. Could artists like David Lee Roth find a completely different way to stay in the spotlight — one built around stories, fan questions and stripped-down performances instead of trying to recreate the past?And what happened to the old-school system where seeing one established band could lead you to discovering the next great one?It's a pretty damn good argument about where classic rock is headed — and whether the old guard knows when it's time to make room.Watch commercial free and without delayed publishing by becoming a CMS VIP at https://classicmetalshow.locals.comAll comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

What happens when a veteran rock frontman loses his cool over bad audio monitor mix issues on stage? Don Dokken found out the hard way after unleashing a viral rant on his own venue crowd. Neeley and Chris Akin dive straight into the brutal fallout from a disastrous Michigan concert where bad sound and outrageous remarks sent half the audience heading for the exit.

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Get the unfiltered backstage truth about what the band members actually said, hear live fan caller reactions from people who were in the venue, and find out if Don Dokken went too far this time.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.

John Corabi has finally opened up about what happened with The Dead Daisies — and his explanation has us wondering if walking away was really the only option.

JOHN CORABI’S NEW DAY HERE ON VINYL: https://amzn.to/4yh2Eoy

Corabi says he was told the band was taking a year off, only to see plans change around the Live at Stone Dead release and the timing of his solo album. Did the Dead Daisies move the goalposts, or did Corabi simply decide he’d had enough?

And then there’s Journey. A Steve Perry look-alike and sound-alike named Hugo Valentin suddenly appeared onstage in Japan to sing “Faithfully.” Was it just a guest appearance, or could Journey be giving fans a preview of what’s next?

Two huge rock stories, two very different situations, and plenty for us to argue about.

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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.