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Plongez dans la liste complète des épisodes de CinePhils. Chaque épisode est catalogué accompagné de descriptions détaillées, ce qui facilite la recherche et l'exploration de sujets spécifiques. Suivez tous les épisodes de votre podcast préféré et ne manquez aucun contenu pertinent.
| Titre | Date | Durée | |
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| CinePhils Episode 30- The Aliens Franchise - XenoPhils | 24 Sep 2024 | 00:47:51 | |
Existential themes in the Aliens films, questions of humanity, isolation, the Other, AIs and their natures, playing God, and meeting our gods. Special guest segment with Dr. Kim Baltzer-Jaray on gender in the Alien films | |||
| CinePhils, Take 29: Kubrick’s Clockwork Orange, “goodness is something to be chosen” | 20 May 2024 | 00:55:45 | |
Viddying ultraviolence, free will, and behaviorism in the dystopian neoliberal state. And Beethoven, of course.
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| Cinephile, Take 28: Kubrick’s The Shining, or “Danny’s not here, Mrs. Torrance” | 22 Feb 2024 | 01:13:42 | |
Madness, obsession, terrible cases of writer’s block, and other things philosophers go through.
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| CinePhils, Take 27: Wes Anderson’s Grand Budapest Hotel and The Life Aquatic, or “Viewmaster” | 13 Feb 2024 | 01:09:02 | |
Actually it is take 27, we’ve been away for too long. Nostalgia, simplicity, yearning, and a bit of humanity is the cure for cynicism. Also, well constructed cinematic, symmetrical camera work and such.
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| CinePhils, Take 26: Paul T. Anderson’s Punch Drunk Love, or “that’s that, mattress man!” | 23 Nov 2023 | 01:11:37 | |
Rob and David hold forth on lyrical images, Sandler seriously acting, virtues of love in the spectrum, non-musical musicals, pudding and air miles, and having a love in your life that makes one stronger than anything you can imagine.
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| CinePhils, Take 25: Scorsese’s After Hours, or “I’m just a word processor, for Christ’s sake!” | 30 Oct 2023 | 01:14:34 | |
David and Rob discuss Scorsese’s hangups on women, fire, and dangerous things. Griffin Dunne’s problems selling his freak outs, alternate worlds when the bars close, Henry Miller and the problem with men in the 80s.
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| CinePhils, Take 24: Ford’s “The Searchers” and Scorsese’s “Taxi Driver,” epic films of hideous men | 06 Oct 2023 | 01:16:01 | |
John Wayne vs. Robert DeNiro, on being awful and not knowing it, beautiful vistas, claustrophobic spaces, New York, incels, and the desaturated color of blood.
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| CinePhils, Take 23: Alex Cox’s Walker and Highway Patrolman, or “¿por qué hablamos tanto tiempo?” | 22 Sep 2023 | 01:26:11 | |
Rob and I forget the time and have a long, wide-ranging discussion of two Alex Cox films, one of which ended his Hollywood career, and the other of which is a great Mexican film albeit filmed by a Brit. Politics, ethics, cops, colonialism, and of course some philosophy too.
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| CinePhils, Take 22: Pontecorvo’s Battle of Algiers and Burn! Or, “Brando’s got what plants crave!” | 13 Sep 2023 | 01:07:38 | |
David and Rob discuss Colonialism, propaganda, Italian realism, and cinema verité. A bit of philosophy too.
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| CinePhils, Take 21: Lumet’s 12 Angry Men and Serpico, or (the “Cursed Episode”) | 11 Aug 2023 | 01:04:05 | |
Rob and David discuss legal epistemology, post-truth, Justice, and the unbearable whining of whistleblowers, all while surviving internet outages, failures to record, etc.
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| CinePhils, Take 20: Kurosawa’s High and Low, or “Kingo Gondo mondo loco.” | 06 Jul 2023 | 00:57:35 | |
The social geography of class, police procedurals, and the cinematography of bottle episodes, inter alia.
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| CinePhils, Take 19: Yojimbo and Fistful of Dollars, or “plagiarism is the sincerest form of flattery | 13 Jun 2023 | 01:03:11 | |
Wherein Rob and David consider lone wolves, moral ambiguity, intellectual property, and Japanese westerns.
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| CinePhils, Take 18: le Samourai, by Jean-Pierre Melville or “essentiellement le modèle de Ghost Dog” | 26 May 2023 | 01:01:08 | |
Rob and David consider fedoras, trench coats, and various cinematic tropes.
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| CinePhils, Take 17: Jim Jarmusch’s Ghost Dog and Coffee and Cigarettes, or “acoustic resonance” | 15 May 2023 | 01:04:26 | |
Samurais, bushido, caffeine, nicotine, Roshomon, Mahler, and a what we have here is a failure to communicate. Pretty much all of it here in one episode.
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| CinePhils, Take 16: Wong Kar-wai’s Fallen Angels and Chungking Express, or “pineapple, anyone?” | 03 May 2023 | 01:04:05 | |
David and Rob ruminate about Hong Kong pre-turnover, love, grunge, cops, assassins, expired pineapples, and nostalgia for things one never had.
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| CinePhils, Take 15: Terry Gilliam’s Brazil, or “Listen, kid. We’re all in this together.” | 18 Apr 2023 | 01:10:02 | |
David and Rob consider ducts, dream states, corporate fascism, and the liberating power of imagination. Did we mention ducts?
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| CinePhils, Take 14: Tarkovsky’s Stalker, or “Rob and David get in the Zone” | 11 Apr 2023 | 01:04:35 | |
Starkly different views on Stalker from our two hosts who muse about the metaphysics of The Zone, the Soviet state and its moodiness, and visceral responses to movies.
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| CinePhils, Take 13: John Carpenter’s In The Mouth of Madness, or “Reality isn’t what it used to be” | 04 Apr 2023 | 01:03:40 | |
Lovecraftian horror, elder gods, ancient ones, and the metaphysics of fiction are among our topics. We also surmise that the Einstein-Rosenberg bridge is covered and wooden, and Stephen King is rightfully lambasted.
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| CinePhils, Take 12: Wim Wenders’ Until the End of The World, or “I still love you, broken ladder” | 25 Mar 2023 | 01:08:47 | |
Rob and David riff on road movies, cosmopolitanism, the dangers of video and cheap images, and U2.
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| CinePhils, Take 11: Ken Russell's Altered States, or "Monsieur, don't try to be funny with me. He is your monkey, therefore it is your money." | 14 Mar 2023 | 01:05:56 | |
David and Rob take a trip into hyperspace, agree on William Hurt's carrying the film, explore the nature of reality, evolution, good and bad special effects, and Paddy Chayefsky's dialogue which is not exactly a Platonic ideal. | |||
| CinePhils, Take 10: Ridley Scott’s Blade Runner, the Final Cut, or “That’s the Spirit!” | 07 Mar 2023 | 01:06:25 | |
Rob and David ponder identity, selves, replicants, and the Ubermensch while geeking out to their favorite sci-if masterpiece.
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| CinePhils, Take 9: Coppola’s The Conversation & Penn’s Night Moves, or “All the Gene U can Hack,man” | 28 Feb 2023 | 01:12:10 | |
David and Rob discuss nihilism and gratuitous ingenue nudity in the neo-noir Night Moves, and the layered. brilliance and a God’s eye view in The Conversation.
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| CinePhils, Take 8: Hitchcock’s Marnie, or “Edgar, Marnie Edgar.” | 21 Feb 2023 | 01:03:14 | |
David and Rob consider two interpretations of the film, Nietzschean vs. Sartrean. Is Mark Ruttland a hero or villain?
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| CinePhils, Take 7: Clouzot’s The Devils and Wages of Fear, or “mensonges et camions” | 14 Feb 2023 | 01:07:34 | |
Rob and David talk about French existentialism and two works of brilliant but unfortunately and tragically not prolific director Henri-George Clouzot who defined the thriller genre for directors to come.
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| CinePhils, Take 6: William Friedkin’s Sorcerer, or “We’re gonna need a bigger truck!” | 07 Feb 2023 | 01:01:19 | |
Rob and I finally manage to sound like we’re in the same room that isn’t being broadcast from Mars, audio-wise, more or less, and take on this fascinating end-of-an-era 70’s hidden gem.
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| CinePhils, Take 5: Truffaut's Day for Night and Fosse's All That Jazz, or "c'est l'heure du spectacle!" | 31 Jan 2023 | 00:58:12 | |
Rob and David discuss the influence of 8 1/2 on these two works, their merits and weaknesses, and riff a bit on the Oscar nominees. | |||
| CinePhils, Take 4: Fellini's 8 1/2, or "Hyper-realism, Italian Style" | 24 Jan 2023 | 01:04:31 | |
Some day soon we will get the audio right. Meanwhile, we had far too much fun with this to try again. Bear with it, and we will too! | |||
| CinePhils Take 3: Contempt, or “And Godard created Cinema” | 17 Jan 2023 | 01:00:01 | |
David and Rob discuss Jean-Luc Godard’s most commercial movie: Contempt (1963)
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| CinePhils, Take 2: Fritz Lang’s ‘M,’ or “you despise me, don’t you, Lohmann?” | 10 Jan 2023 | 01:10:48 | |
David and Rob discuss Fritz Lang’s classic first talkie, staring Peter Lorre as a serial killer in Weimar Germany.
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| CinePhils Take 1, Touch of Evil, or Get your paws off me you damned dirty Quinlan! | 04 Jan 2023 | 01:01:24 | |
Rob and David discuss Orson Welles’s classic noir film A Touch of Evil from a philosophical perspective.
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| CinePhils (Trailer) | 04 Jan 2023 | 00:00:53 | |
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