Cinema Shock – Détails, épisodes et analyse

For this special BONUS episode, we sat down for a chat with Max Evry, author of A Masterpiece in Disarray: David Lynch's Dune - An Oral History, one of the most comprehensive behind-the-scenes books that we've come across, and one that was a major resource for our episode covering the making of DUNE.

In this interview, we chat with Max about all things DUNE, David Lynch, Hollywood book-to-film adapatations, and somehow, the 1993 movie SUPER MARIO BROS.

Max interviewed a lot of the folks involved in the making of DUNE (including Lynch himself!), making his insights into the film's creation wholly unique. We can't thank him enough for taking the time to sit down with us!

Follow Max Evry on X at @maxevry and Instagram at @maxevry1 and visit his website at maxevry.com.

Purchase your copy of Masterpiece in Disarray on Amazon, your local independent bookstore, or wherever else books are sold.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis.

For episode archives, merch, show notes, and more, visit cinemashock.net

After back-to-back successes with SE7EN and THE GAME, David Fincher found himself at the top of Hollywood's A-list, proving that he could produce hit films without abandoning his dark sensibilites. 

His next project, however, would put his reputation to the test. Although it's now considered a classic — and may very well be Fincher's most widely-seen film — when FIGHT CLUB was released in 1999, it was met with controversy, a negative critical reception, and disappointing box office returns.

In this episode, we'll trace the entire history of FIGHT CLUB, from its inception as a novel to Fincher's development of the film and subsequent battles with the studio over the story's content, all the way through its divisive release in the fall of 1999, as well as how its legacy stands today, a quarter century after its initial release.

Up Next: David Fincher — Rules of the Game, Part 6: PANIC ROOM.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis.

For episode archives, merch, show notes, and more, visit cinemashock.net

Throughout this series, we've explored the films of Lana and Lilly Wachowski—but we couldn't ignore the one project that might be the purest expression of their creative voice: the Netflix original series SENSE8.

Originally intended as a quick sidebar in our upcoming MATRIX RESURRECTIONS episode, our conversation about SENSE8 quickly outgrew those confines. It’s more than just a side note in their career—it’s the culmination of their ideas about identity, interconnectedness, gender, and love. And frankly, it deserves its own damn episode.

In this bonus installment, we dig into the creation of SENSE8, from its unprecedented global production to the ways it reflects and expands on the Wachowskis’ core themes. We also talk about its cancellation, the fan-led push for closure, and why the series resonates so deeply with audiences around the world.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

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In the penultimate episode of our Wachowski retrospective, we take on the wildest and most maligned film in their catalog: JUPITER ASCENDING.

Released in 2015, the film was intended to launch a new sci-fi franchise for Warner Bros.—a space opera that might do for the 2010s what THE MATRIX did for the turn of the millennium. Instead, it became the Wachowskis’ biggest critical and commercial failure, bewildering audiences with its dense mythology, eccentric performances, and over-the-top worldbuilding.

But does it deserve its reputation as a punchline?

In this episode, we trace the film’s creation and marketing struggles, explore its ambitious ideas (and baffling execution), and debate whether JUPITER ASCENDING is a misunderstood gem or simply a misfire. Either way, it marked the end of an era—their last theatrical feature before shifting to television and, eventually, one last return to the world of THE MATRIX.

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Coming Up:

• THE MATRIX RESURRECTIONS (2021)

Up next: Long Live the New Flesh: The Body Horror of David Cronenberg

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

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If there's one constant in the careers of Lana and Lilly Wachowski, it's that their work tends to split audiences down the middle. And few of their films illustrate that better than CLOUD ATLAS.

Released in 2012 and co-directed with Tom Tykwer, CLOUD ATLAS was called everything from a transcendent masterpiece to an overindulgent mess. But one thing’s certain—it was a passion project, powered into existence almost entirely by the determination of its filmmakers.

In this episode, we track CLOUD ATLAS from its origins as a novel by David Mitchell through the Wachowskis’ years-long struggle to get the film made. We explore how they balanced six storylines across centuries, collaborated with Tykwer’s directing team, and created one of the most expensive independent films of all time. And we dig into how it fits thematically into the Wachowskis' body of work—touching on identity, transformation, and the interconnectedness of all things.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

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After the completion of the MATRIX trilogy, the Wachowskis took a short break from directing to write and produce V FOR VENDETTA for James McTeigue, but it wouldn't be long before they were back directing again, for their much-anticipated follow-up to their groundbreaking franchise.

Their choice for a follow-up was a surprising one. In 2008, the Lana and Lilly Wachowskis released SPEED RACER, a kid-friendly live action adaptation of a 1960s Japanese cartoon.

The results were divisive and the film received poor reviews and was a financial failure at the box office. But in the years since its release, SPEED RACER has garnered a significant cult following and is often called the Wachowskis most underrated and misunderstood film.

In this episode, we'll track the long journey that the property took to the big screen, how the Wachowskis got involved, and how they created the film's unique visual look. 

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Coming Up:

• CLOUD ATLAS (2012)

• JUPITER ASCENDING (2015)

• THE MATRIX RESURRECTIONS (2021)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives and more: http://cinemashock.net

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This week, our journey through the career of Lana and Lilly Wachowski takes a detour behind the camera—but not out of creative control.

In 2006’s V FOR VENDETTA, the Wachowskis took on writing and producing duties, handing the directorial reins to their long-time assistant director James McTeigue. The result? A politically charged, visually striking adaptation of Alan Moore and David Lloyd’s cult-favorite graphic novel that became an unlikely box office hit—and a lasting symbol of resistance in popular culture.

In this episode, we explore the origins of V FOR VENDETTA, from its publication in Thatcher-era Britain to its long path through Hollywood development hell. We discuss the Wachowskis’ changes to the material, the tension between Moore’s anarchism and the film’s populism, and how this movie went from polarizing release to iconic imagery for 21st-century protest movements.

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Coming Up:

• V FOR VENDETTA (2006)

• SPEED RACER (2008)

• CLOUD ATLAS (2012)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

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We've been promising it for months and Halloween finally seemed like a good time to let Todd "Horror Guy" Davis tell us his favorite horror movies of all time!

In this special bonus episode, Todd and Justin sit down to discuss the picks, just in time for spooky season!

After the groundbreaking success of THE MATRIX, all eyes were on the Wachowskis to deliver the next chapter. What they delivered was not one but two sequels—released just six months apart in 2003—that attempted to expand the universe, deepen the lore, and blow audiences’ minds all over again.

In this episode, we explore the creation of THE MATRIX RELOADED and THE MATRIX REVOLUTIONS—from the Wachowskis’ ambitious storytelling goals and high-concept worldbuilding to the jaw-dropping action sequences that pushed CGI to its limits. We also break down the backlash: why fans and critics were left scratching their heads, how expectations clashed with execution, and how the films have since been reappraised.

Love them, hate them, or still figuring them out—these sequels were nothing if not bold.

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Coming Up:

• V FOR VENDETTA (2006)

• SPEED RACER (2008)

• CLOUD ATLAS (2012)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

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In the lead-up to the release of THE MATRIX RELOADED and THE MATRIX REVOLUTIONS, the Wachowskis made a bold and unprecedented move: they collaborated with some of the most acclaimed Japanese animation studios and directors to expand the MATRIX universe beyond live action.

The result was THE ANIMATRIX, a groundbreaking anthology of short films that deepened the mythology, explored side stories and backstories, and brought anime aesthetics into the franchise in a big way.

In this bonus episode, we discuss how THE ANIMATRIX came to be, the Wachowskis' deep love for anime, and how the project helped push the boundaries of franchise storytelling—blurring the lines between mediums, markets, and narrative formats. We also explore how these shorts connect to the larger MATRIX saga and what they reveal about the Wachowskis’ approach to worldbuilding.

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Coming Up:

• THE MATRIX RELOADED (2003)

• THE MATRIX REVOLUTIONS (2003)

• V FOR VENDETTA (2006)

• SPEED RACER (2008)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

facebook.com/cinemashocknet

instagram.com/cinema_shock