Explorez tous les épisodes du podcast category : other

00:01 machine for a landscape   

02:54 machine for ellis island (mencken & stein 2)   

07:09 machine for days   

12:06 machine for get me not   

16:20 machine for holding hands   

21:46 machine for making marks   

27:36 machine for branding   

27:53 machine for sea glass   

30:38 machine for seeing ghosts   

34:49 machine for the country entirely (mencken & stein 3)   

40:11 machine for chimeras   

41:48 machine for making spare parts   

50:24 machine for again   

00:01 machine for following fuses   

02:30 machine for making a lot   

06:19 machine for naming  

09:47 machine for spectral analysis   

12:09 machine for finding the soul   

17:27 machine for making cells   

21:25 machine of fortune  

23:15 machine for telling life from death   

25:42 machine for mysteries   

28:10 machine for spelling-bee and fire-fly   

33:19 machine à traduire (grippée)   

36:49 machine for finding a straight line   

1:08 machine for making a scene 

3:58 machine for identifying individuals   

7:40 machine for naming names   

12:06 machine for predicting machines   

13:44 machine for being alone   

17:29 machine for what counts   

21:40 machine for spreading rumors   

23:56 machine for dueling 

25:37 machine for food 

28:00 machine for compounding chimeras   

30:48 machine for ellis island (mencken & stein 1)   

37:49 machine for making eggs   

44:41 machine for strumming   

49:27 machine for finally   

53:21 machine for sentences   

56:20 machine for sentences too   

written by Thalia Field

this episode is performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

written by Thalia Field

this episode is performed by Anna Foss Wilson, with Tei Blow, James Hannaham, Scott Shepherd, and Ben Williams

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

written by Thalia Field

this episode is performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

written by Thalia Field

this episode is performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

written by Thalia Field

this episode is performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

written by Thalia Field

this episode is performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

written by Thalia Field

this episode is performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

recorded at the Collapsable Hole in NYC

A ∴ I

Chapter 2

written by Thalia Field

this episode is performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

Outline, In Mind

Chapter 1

written by Thalia Field

performed by Anna Foss Wilson

original music by Alex Waterman

in collaboration with Eternities Katie Porter (clarinet and bass clarinet) and Bob Bellerue (electronics and feedback)

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2000 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 9

On the Increase of the Habitable Earth

written by Thalia Field

this episode is performed by Shannon Tyo

original music by Catherine McRae

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 8

Discussion Group

written by Thalia Field

this episode is performed by Maggie Hoffman

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 7

A Weedy Sonata - Recapitulation: Youthful Folly

written by Thalia Field

this episode is performed by Shannon Tyo

designed and produced by Ben Williams

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 6

A Weedy Sonata - Development: Another Case for Television

written by Thalia Field

this episode is performed by Maggie Hoffman

original music by Catherine McRae

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 5

A Weedy Sonata - Exposition: He Told Animal Stories

written by Thalia Field

this episode is performed by Shannon Tyo and T. Ryder Smith

original music by Catherine McRae

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 4

Parting

written by Thalia Field

this episode is performed by Maggie Hoffman

original music by Catherine McRae

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 3

This Crime Has a Name

written by Thalia Field

this episode is performed by T. Ryder Smith

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Bird Lovers, Backyard

Chapter 2

Crossroads

in which a doctor attempts to explain the nature of radioactivity and ghosts

written by Thalia Field

this episode is performed by Maggie Hoffman

original music by Catherine McRae

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Apparatus for the Inscription of a Falling Body

in which a group of indigent philosophers attempt to solve the "pigeon problem"

written by Thalia Field

this episode is performed by Shannon Tyo

designed and produced by Ben Williams

recorded at the Collapsable Hole in NYC

Copyright © 2001, 2007, 2008, 2009, 2010 by Thalia Field

Used by permission of New Directions Publishing Corp.

Leave to Remain

Chapter 6

Sunspots

written by Thalia Field & Abigail Lang

this episode is performed by Shannon Tyo and Stephanie Weeks

designed and produced by Ben Williams

original music by Billy Martin aka illy B

Carol Emanuel (harp), Dana Lyn (violin), Jane Scarpantoni (cello), Kenny Wollesen (vibraphone), Billy Martin (additional percussion)

Chapter 6: which reveals our current nexus of inter- and intra-planetary enemies and fantasies.

Leave to Remain is a faux spy-novel in 6 parts, possessed by the spirit of Janus: doubleness, duplicity, two-facedness – written by two authors (one French, one American) and performed by two narrators (with special guests).

published by Dalkey Archive Press

recorded at The Collapsable Hole, NYC in 2022

Copyright © 2020 Thalia Field and Abigail Lang

Used by permission of Dalkey Archive Press

Leave to Remain

Chapter 5

̶M̶o̶n̶s̶t̶e̶r̶ Between the Coldest Us

written by Thalia Field & Abigail Lang

this episode is performed by Stephanie Weeks and Shannon Tyo with Sedric Choukroun.

designed and produced by Ben Williams

original music by Billy Martin aka illy B

Carol Emanuel (harp), Dana Lyn (violin), Jane Scarpantoni (cello), Kenny Wollesen (vibraphone), Billy Martin (additional percussion)

Chapter 5: the Cold War obsession with capturing two-faced monsters

Leave to Remain is a faux spy-novel in 6 parts, possessed by the spirit of Janus: doubleness, duplicity, two-facedness – written by two authors (one French, one American) and performed by two narrators (with special guests).

published by Dalkey Archive Press

recorded at The Collapsable Hole, NYC in 2022

Copyright © 2020 Thalia Field and Abigail Lang

Used by permission of Dalkey Archive Press

Leave to Remain

Chapter 4

A Trifle or Entremet, for My Better Half, Pending – Being an exchange on the relative benefits of real, spiritual, and logical bridges

written by Thalia Field & Abigail Lang

this episode is performed by Stephanie Weeks and Shannon Tyo with Sedric Choukroun, T. Ryder Smith, and Ben Williams

designed and produced by Ben Williams

original music by Billy Martin aka illy B

Carol Emanuel (harp), Dana Lyn (violin), Jane Scarpantoni (cello), Kenny Wollesen (vibraphone), Billy Martin (additional percussion)

Chapter 4: in which Janus takes on medieval Avignon and the false Popes.

Leave to Remain is a faux spy-novel in 6 parts, possessed by the spirit of Janus: doubleness, duplicity, two-facedness – written by two authors (one French, one American) and performed by two narrators (with special guests).

published by Dalkey Archive Press

recorded at The Collapsable Hole, NYC in 2022

Copyright © 2020 Thalia Field and Abigail Lang

Used by permission of Dalkey Archive Press

Leave to Remain

Chapter 3

Case the Case: 11, rue Larrey

written by Thalia Field & Abigail Lang

this episode is performed by Stephanie Weeks with Shannon Tyo and Sedric Choukroun

designed and produced by Ben Williams

original music by Billy Martin aka illy B

Carol Emanuel (harp), Dana Lyn (violin), Jane Scarpantoni (cello), Kenny Wollesen (vibraphone), Billy Martin (additional percussion)

Leave to Remain is a faux spy-novel in 6 parts, possessed by the spirit of Janus: doubleness, duplicity, two-facedness – written by two authors (one French, one American) and performed by two narrators (with special guests).

published by Dalkey Archive Press

recorded at The Collapsable Hole, NYC in 2022

Copyright © 2020 Thalia Field and Abigail Lang

Used by permission of Dalkey Archive Press

Leave to Remain

Chapter 1

Janus at a Chinese Restaurant in Paris

written by Thalia Field & Abigail Lang

this episode is performed by Shannon Tyo and Stephanie Weeks

designed and produced by Ben Williams

original music by Billy Martin aka illy B

Carol Emanuel (harp), Dana Lyn (violin), Jane Scarpantoni (cello), Kenny Wollesen (vibraphone), Billy Martin (additional percussion)

Leave to Remain is a faux spy-novel in 6 parts, possessed by the spirit of Janus: doubleness, duplicity, two-facedness – written by two authors (one French, one American) and performed by two narrators (with special guests).

published by Dalkey Archive Press

recorded at The Collapsable Hole, NYC in 2022

Copyright © 2020 Thalia Field and Abigail Lang

Used by permission of Dalkey Archive Press

Leave to Remain

Chapter 1

Janus at a Chinese Restaurant in Paris

written by Thalia Field & Abigail Lang

this episode is performed by Shannon Tyo and Stephanie Weeks

designed and produced by Ben Williams

original music by Billy Martin aka illy B

Carol Emanuel (harp), Dana Lyn (violin), Jane Scarpantoni (cello), Kenny Wollesen (vibraphone), Billy Martin (additional percussion)

Leave to Remain is a faux spy-novel in 6 parts possessed by the spirit of Janus: doubleness, duplicity, two-facedness – written by two authors (one French, one American) and performed by two narrators (with special guests).

published by Dalkey Archive Press

recorded at The Collapsable Hole, NYC in 2022

Copyright © 2020 Thalia Field and Abigail Lang

Used by permission of Dalkey Archive Press

written by Christina Masciotti

performed by Joel Perez, Paul Boocock, James Himelsbach, Maggie Hoffman, Linda Mancini, and Ben Williams

designed and produced by Ben Williams

dramaturgy by Jody McAuliffe

recorded at The Collapsable Hole, NYC. 2021

Personhood

Chapter 10

Glancing Backward

written by Thalia Field

this episode is performed by Shannon Tyo

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

recorded at The Collapsable Hole, NYC in 2021

Copyright © 2008, 2015, 2018, 2019, 2020, 2021 by Thalia Field

Used by permission of New Directions Publishing Corp.

(image by Joan Wong)

Personhood

Chapter 9

Irrational / Situation

written by Thalia Field

this episode is performed by Ben Williams and Shannon Tyo

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

recorded at The Collapsable Hole, NYC in 2021

Copyright © 2008, 2015, 2018, 2019, 2020, 2021 by Thalia Field

Used by permission of New Directions Publishing Corp.

(image by Joan Wong)

Personhood

Chapter 8

Patients

written by Thalia Field

this episode is performed by April Matthis

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

recorded at The Collapsable Hole, NYC in 2021

Copyright © 2008, 2015, 2018, 2019, 2020, 2021 by Thalia Field

Used by permission of New Directions Publishing Corp.

(image by Joan Wong)

Chapter 7

The Health of My Stream or The (Most) Pathetic Fallacy

written by Thalia Field

this episode is performed by Shannon Tyo

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

Used by permission of New Directions Publishing Corp.

recorded at The Collapsable Hole, NYC in 2021

(image by Joan Wong)

Personhood

Chapter 6

Liberty / Trees

written by Thalia Field

this episode is performed by April Matthis

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

Used by permission of New Directions Publishing Corp.

recorded at The Collapsable Hole, NYC in 2021

Unseen

written by Thalia Field

this episode is performed by Ben Williams

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

Used by permission of New Directions Publishing Corp.

recorded at The Collapsable Hole, NYC in 2021

Personhood

Chapter 4

True Crime / Nature Fakers

written by Thalia Field

this episode is performed by Shannon Tyo and Ben Williams, with April Matthis

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

Used by permission of New Directions Publishing Corp.

recorded at The Collapsable Hole, NYC in 2021

sampled audio includes themes from Scene of the Crime, The Racket, Conspiracy, Eyes in the Night, Jigsaw, Murder at Glen Athol, Philo Vance: The Benson Murder Case, Shadow of the Law, The Mystery Man, Force of Evil, The Killers, World for Ransom, and a few others….

Turns Before the Curtain

written by Thalia Field

this episode is performed by Shannon Tyo, with April Matthis and Ben Williams

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

Used by permission of New Directions Publishing Corp.

recorded at The Collapsable Hole, NYC in 2021

sampled audio includes:

Runenae Papa (I Want a Lot of Love) by Zutty and his Band

Personhood

Chapter 2

Happy / That You Have the Body (The Mirror Test)

written by Thalia Field

this episode is performed by April Matthis, with Shannon Tyo and Ben Williams

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

Used by permission of New Directions Publishing Corp.

recorded at The Collapsable Hole, NYC in 2021

Hi Adam!

written by Thalia Field

this episode is performed by Shannon Tyo, with April Matthis and Ben Williams

designed and produced by Ben Williams

Personhood moves radically through genres and conventions, taking the listener on a design-driven experience into the psychic spaces and logical conundrums that we have created around our non-human relatives.

published by New Directions

Used by permission of New Directions Publishing Corp.

recorded at The Collapsable Hole, NYC in 2021

Written and performed by Michael Wiener

Produced and designed by Ben Williams

special appearance by the ghost of Tom Murrin*

recorded at The Collapsable Hole NYC 2020

*recorded by Ben Williams at Alias on October 14, 2010.

a preview of new work by Rafael Sánchez and Ben Williams

based on the sound texts of Kathleen White

designed and produced by Ben Williams

featuring “Preachin Blues” by Mendi + Keith Obadike from the UNITY-GAIN project

featuring “Preachin Blues” by Mendi + Keith Obadike from the UNITY-GAIN project

written by John Jesurun

performed by Anna Kohler

designed and produced by Ben Williams

Created during a previous epidemic, this text returns to us in a new medium to shine a light simultaneously backwards and forwards on a moment of rage, humor, and loss, with a sound design that keeps everything floating just on the edge of madness.

recorded at The Collapsable Hole, NYC. 2020

designed and performed by Tei Blow

Essays in Idleness is a collection of short writings by Yoshida Kenko, a poet and Buddhist priest living in the 14th century. Living in monastic isolation within the confines of Kyoto, he set himself to writing 243 short observations, which he pasted to the walls of his house. The writings were later compiled into a book after his death. Much credit is given to this book for its contribution to the Japanese aesthetic, as it focuses on the beauty of nature, social rules, Zen Buddhism, and the concept of impermanence.

Strap on your binos and lace up your boots, ‘cause you’re about to set out On The Trail with Dwayne & Courtney. Take a walk through time and encounter the sounds of the McKee Beshers Wildlife Management Area, refracted and magnified through multiple layers of consciousness. A friendly day of birdwatching entwines with a journey (or two?) of reflection. In this audio time capsule, natural and artificial worlds overlap and memories unfold in the space between your ears.

This episode was recorded live in Poolesville, MD on May 1, 2020, and in Kingston, NY on Aug 23, 2020, by Sarah Blush and John Gasper. Both are unscripted.

Created and produced by Sarah Blush and John Gasper

Engineered and edited by John Gasper, with additional music by John *Dwayne*.

Composition/Sound Design
Justin Hicks

Additional Music
Meshell Ndegeocello

Performance
Okwui Okpokwasili + Paul Pryce + Justin Hicks

Direction/Script/Co-producer
Charlotte Brathwaite

Inspired by and including texts by
Eric Roach, Frank B. Wilderson III + Martin Luther King Jr.

ONLY WHEN IT’S DARK ENOUGH CAN YOU SEE THE STARS was originally presented as part of the performance installation Empire State Works in Progress at the Whitney Museum of American Art as part of Calder: Hypermobility (2017) with sculptures by Abigail DeVille and Conceived and Directed by Charlotte Brathwaite.

other collaborators on the installation:

Director of Photography
Herman Jean-Noel

Artistic Facilitation
Mo Geiger

Video Editing
Inspiraacoes/Clara Soria and Hugo Resende

Assistant Camera/Field Audio Recorder
Alvin Dollow

Video Creative Collaborator
Felipe Morozini

designed and performed by Tei Blow

Essays in Idleness is a collection of short writings by Yoshida Kenko, a poet and Buddhist priest living in the 14th century. Living in monastic isolation within the confines of Kyoto, he set himself to writing 243 short observations, which he pasted to the walls of his house. The writings were later compiled into a book after his death. Much credit is given to this book for its contribution to the Japanese aesthetic, as it focuses on the beauty of nature, social rules, Zen Buddhism, and the concept of impermanence.

designed and performed by Tei Blow

Essays in Idleness is a collection of short writings by Yoshida Kenko, a poet and Buddhist priest living in the 14th century. Living in monastic isolation within the confines of Kyoto, he set himself to writing 243 short observations, which he pasted to the walls of his house. The writings were later compiled into a book after his death. Much credit is given to this book for its contribution to the Japanese aesthetic, as it focuses on the beauty of nature, social rules, Zen Buddhism, and the concept of impermanence.

Lightbulb - from Decoder Duo

G Lucas Crane and Jim Findlay

If you break a man open what spills out? blood, muck and viscera, or words?

G Lucas Crane and Jim Findlay high-jack each others bodies with DECODER DUO, reveling in the soup of mind and sound that exists when you stumble through the dense and viscous media jungle and find a looming cut-up machine, gleaming in a clearing, moonlight glinting off electrodes and stirrups. Strapping in, they escape inward through the hiss and spit of no-wave New York noise punk, curling out short explosion tracks whose lyrics arrive in a seance of junk media. Jim spits the ghost words and Lucas hacks the broken tapes.*

We're now singing the bladerunner omen year 2020 blues. Each year we pass is a patchwork mask of all the years that came before. How many animated gifs does it take to crush a lightbulb or explode a toilet? Strap in and find out.

excerpt from a live recording at The Collapsable Hole, NYC, Jan 11, 2020.

performed by G Lucas Crane and Jim Findlay

directed by Mallory Catlett

engineering and sound design by G Lucas Crane

video and systems programming: Keith Skretch

recorded and directed by Mallory Catlett

sound design by Ben Williams

performed by Black-Eyed Susan

This adaptation of the Joan of Arc story was written for Black-Eyed Susan by the legendary Ethyl Eichelberger in 1987. Some 30 years later, Black-Eyed Susan revisits this text in a hallucinatory new medium.

Music/Sound/Voice: Christina Campanella

Mixing/Dramaturgy: Jim Dawson

Song Lyrics: Stephanie Fleischmann

Lighthouse was funded by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature via NYSCA’s Independent Artist Commission in Film, Media, and New Technologies.

2015 New York Electronic Art Festival – Produced by Harvestworks, Curated by Carol Parkinson

2015 HERE Arts Center, Culturemart – Curated by Kim Whitener and Kristin Marting

photo credit: Benjamin Heller

Revolve For is a sonic meditation on spinning.

Spinning is a key feature of the cosmic movement. It is very present in global weather and water movements, but it is largely absent from the plant and animals kingdom. Humans have tapped into spinning to harness and redirect power.

This is the first part of a study - where it will lead I don't yet know. But this version mixes a range of revolving sounds that I find evocative of moving around an axis.

- JD

created and designed by Jim Dawson