Busy Kids Love Music is a podcast for the whole family, brought to you by Carly Seifert, the creator of Busy Kids Do Piano. Join Carly as she explores musical styles, composers and terms. You'll listen to loads of great music on the way!
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You've heard it on music boxes, phone ringtones, and probably a few dozen times from the piano bench at your own house. Here's what most people don't know about Für Elise, though: one of the most famous piano pieces in the world was never published while Beethoven was alive, and to this day, nobody can say for certain who Elise was.
In this episode of Busy Kids Love Music, we're picking up right where we left off in our Beethoven series (if you missed the biography episode, start with Episode 187). We'll dig into the surprising story behind Für Elise, take a peek at how Beethoven built it, and get the whole family moving with an interactive listening game.
I'll admit that as much as I love a tidy answer, I kind of love that this mystery is still unsolved after two hundred years.
In this episode
Why Beethoven wrote Für Elise around 1810, but the world didn't hear it until 1867 (forty years after his death)
The missing manuscript, and why we can't go back and check Beethoven's handwriting
The leading theories about Elise's identity, including a piano student Beethoven may have proposed to and a singer friend who went by "Elise"
What rondo form is, and how to hear the A–B–A–C–A pattern in Für Elise
The stormy, dramatic middle section that shows a completely different side of Beethoven
A movement-based listening activity kids can do while the music plays
Try this listening activity with your kids
Play a full performance of Für Elise and ask your kids to raise a hand, clap once, or do a silly wiggle every time that famous opening melody comes back. Keep count together and see how many times you catch it. (Fair warning: the stormy section may inspire some dramatic wiggling.)
Want to take it a step further? Download the free Für Elise listening map below so your kids can follow each section and spot the returning theme on their own.
We're wrapping up our Beethoven series with the Moonlight Sonata, a piece with a nickname inspired by moonlight on a lake and a backstory involving a student Beethoven was head over heels for.
If your kids are dreaming of playing Für Elise someday, that's exactly the kind of goal we love working toward together in Busy Kids Do Piano. And if this episode was a hit at your house, I'd be so grateful if you'd subscribe and share it with another music-loving family.
Thanks for being here. Keep listening, keep learning, and keep making music.
The Life of Ludwig Van Beethoven
Épisode 187
mardi 20 octobre 2026 • Durée 07:57
Here's a confession: we have talked about Beethoven on this podcast more times than Carly can count. He got a whole episode on his nine symphonies back in Episode 12. He's been mentioned in passing more times than she can count. And somehow, in all that time, he's never gotten a full episode dedicated to his actual life story.
This week, that gets fixed. This episode tells the story of Ludwig van Beethoven — not just the music, but the man behind it, from a strict childhood in Germany to a hearing loss that would have ended most musicians' careers, to a symphony finale he never once heard performed.
What You'll Hear
Beethoven's childhood in Bonn, Germany, and a father who pushed him hard hoping to create the next Mozart
His move to Vienna in his early twenties to study with Joseph Haydn, and the reputation he built there as a wildly passionate pianist and composer
The onset of his hearing loss in his late twenties, and the raw, honest letter he wrote to his brothers about how close he came to giving up
How he kept composing after losing his hearing almost completely, including the "Ode to Joy" finale of his Ninth Symphony, and the moment at its premiere when a singer had to turn him around so he could see the audience cheering, because he couldn't hear a note of it
Why he's remembered as the composer who bridged the Classical and Romantic eras
Play a few seconds of Beethoven's Ninth Symphony finale for your child, then ask them to imagine composing it without being able to hear it played back. What would that feel like? It's a simple conversation, but it opens up a real appreciation for what determination and persistence can look like, in music and in anything else your child is working hard at.
Related Episodes
For more on Beethoven, go back to , where we covered all nine of his symphonies. And you can hear more about his teacher, Joseph Haydn, in .
What's Next
What Was That Sound: Halloween Edition
Épisode 186
mardi 6 octobre 2026 • Durée 07:26
There's something about October that makes even the most ordinary orchestra sound a little haunted. A rumbling drum becomes distant thunder. A xylophone becomes rattling bones. And composers have been leaning into that for a couple hundred years now, whether they were writing about skeletons at midnight or a mountain full of restless spirits.
This week's episode is a spooky spin on our favorite guessing game, What Was That Sound? I play a mystery clip, you guess the instrument, and then we talk about why that instrument was the perfect choice for the eerie moment the composer was trying to create. Four composers, four instruments, one very punny host who could not resist a "spook-tacular" joke (I regret nothing).
What You'll Hear
Camille Saint-Saëns, Danse Macabre
J.S. Bach, Toccata and Fugue in D Minor
Modest Mussorgsky, Night on Bald Mountain
A mystery instrument played without ever being touched
Grab the free printable here to follow along. There's a spot for your child to guess each instrument before the reveal, plus a few fun facts to jot down along the way. It's a great one to print for a car ride or a cozy October afternoon on the couch.
Try This at Home
After you finish the episode, put on one more mystery clip (anything works — a video game soundtrack, a movie score, even a commercial jingle) and have your child close their eyes and guess the instruments they hear before you tell them. It's such a simple game, but it builds real listening skills, and kids love being the one who "got it right."
If your child plays piano, ask them which instrument from today's episode they think would be the most fun to imitate on the keys. The pipe organ's big, sustained sound and the xylophone's short, bouncy notes are both great starting points for a little creative improvising.
Related Episodes What's Next
Meet the Conductor
Épisode 185
mardi 22 septembre 2026 • Durée 09:26
We're closing out our orchestra series with the one person who doesn't play a single instrument, and yet somehow holds the whole thing together.
Last episode I left you with a riddle — one more part of the orchestra we hadn't covered yet, something that isn't an instrument family at all. If you guessed the conductor, you were right.
Here's what trips almost everyone up: out of every person on that stage, sometimes eighty or ninety or a hundred musicians, the conductor is the only one who makes zero sound. No instrument, no notes, nothing. So what exactly are they doing up there with that little stick?
Turns out, quite a lot. The conductor's first job is keeping everyone together, like a heartbeat the whole orchestra follows so they start together, stay at the same speed, and finish together. Their second job is shaping how the music feels, deciding when it whispers and when it swells, often keeping the beat with one hand while shaping the sound with the other. And long before anyone hears a single note in concert, the conductor has already spent hours alone with the score, studying every single instrument's part until they know the whole piece inside and out.
By the end of the episode, we tie it all back to Peter and the Wolf, and I think it's my favorite way yet to describe what a conductor really does.
What You'll Hear in This Episode
Mozart's Eine Kleine Nachtmusik
Grieg's In the Hall of the Mountain King — a masterclass in how a conductor builds tension, speeding up and growing louder until it practically explodes
A clip of Leonard Bernstein, one of the most beloved conductors in history and someone who spent years teaching kids exactly what we're exploring today
Free Printable: Be the Conductor
This one shows the simple patterns real conductors trace in the air to lead a piece of music. Print it out, grab a pencil or a chopstick to use as a baton, and conduct right along with the episode.
We're wrapping up our orchestra series with the loudest, most colorful family of all — percussion.
Over the last few episodes, we've built an orchestra together one family at a time. We met the strings, then the woodwinds, then the brass. This week we're adding the fourth and final family, and I saved a fun one for last.
Here's the thing about percussion — it's not one special way of making sound, like bowing or breathing or buzzing. It's any instrument you play by hitting it, shaking it, scraping it, or tapping it. Which means this family is enormous. Drums, cymbals, triangles, tambourines, xylophones, gongs, cowbells, even a slide whistle — if you can imagine striking it, some composer somewhere has written music for it.
To keep it simple, we sort the whole family into two groups: unpitched percussion (the instruments that keep the beat but don't play a melody, like a snare drum or crashing cymbals) and pitched percussion (the instruments that can actually play a tune, like a xylophone or timpani).
And then there's a twist I saved for the very end of the episode — an instrument almost every one of you has sitting in your living room right now, and it's part of the percussion family too. (If you've been following along with us at home, I bet you can guess what it is before you even hit play.)
A little reveal about the instrument so many of your kids are learning at home right now
Free Printable: Percussion Family Spotter Try This at Home What's Next
Meet the Brass Family
Épisode 183
mardi 25 août 2026 • Durée 09:11
Today we're getting to know the brass family — the loud, bright, fun-loving cousins of the orchestra. (And yes, I'm a little biased here, since my daughter plays trumpet. There's just something about the sound of a room full of brass players warming up.)
We talk about what actually makes an instrument "brass" (hint: it's not the metal), why the trombone is the odd one out with its slide instead of valves, and how each member of the family got its personality — from the bold, attention-grabbing trumpet to the tuba, the gentle giant holding everything up from underneath.
You'll also hear a callback to Peter and the Wolf, where the French horn plays the wolf, and a little detour into our family's long love affair with Trombone Shorty (we've driven hours more than once just to hear him play).
In this episode, we cover:
The one thing every brass instrument has in common (try it yourself — buzz your lips!)
How valves and slides work to change notes
The trumpet's history as the instrument of fanfares and announcements
The French horn's surprising range, from the sound of the wolf to grand, noble melodies
The trombone's glissando and why it sounds unlike anything else in the orchestra
Why the tuba is the roots of the tree the rest of the brass family grows from
Today it's the woodwinds' turn. I think this family has some of the most colorful, personality-packed voices in the whole orchestra.
In this episode, your kids will learn:
What actually makes an instrument a "woodwind" (hint: it's not about being made of wood)
The two ways woodwinds turn breath into sound — blowing across an opening vs. using a reed
Why the saxophone is technically a woodwind, even though it's shiny metal
How to tell the flute, piccolo, oboe, clarinet, and bassoon apart by ear
We use Prokofiev's Peter and the Wolf as our guide, since he gave some of the best character roles to woodwind instruments — the bird (flute), the duck (oboe), the cat (clarinet), and the grandfather (bassoon). If your family has listened to our episode on Peter and the Wolf before (Episode 122), this one will feel like meeting old friends again.
Free Printable: The Woodwind Family Spotter
Download it below and use it while you listen — there's a spot to check off each instrument as you hear it. It's a simple way to keep kids actively engaged instead of just having the podcast on in the background (though honestly, that's fine too — no judgment here).
We made it to the final stop on this summer's Around the World with Busy Kids Love Music tour — and what a destination to end on.
The Philippines is an archipelago of more than 7,000 islands in Southeast Asia, home to over 110 million people speaking more than 180 languages and dialects. Its folk music is not one tradition — it is many, layered on top of each other over thousands of years: ancient bronze gong ensembles from the highlands and the southern islands, rice harvest chants recognized by UNESCO, Spanish-influenced string ensemble music that became entirely its own thing, and love songs that carried a secret message of resistance hidden in plain sight.
In this finale episode, we explore both sides of Philippine folk music — the indigenous traditions that survived centuries of Spanish colonization, and the hybrid traditions that grew from the meeting of Filipino and Spanish culture. And woven through it all is a theme that has appeared at every stop on this summer's tour: music as the keeper of identity, the carrier of what people are not always free to say out loud.
What We Cover in This Episode
The Philippines' geography, history, and extraordinary cultural diversity — 7,000+ islands, 180+ languages, indigenous peoples alongside centuries of colonial influence
Spanish colonial rule (1565–1898) and how it reshaped lowland Filipino culture while leaving highland and southern communities largely intact
The kulintang — a row of bronze gongs played in ensemble by the Maranao and Maguindanao peoples of Mindanao and the Sulu Archipelago
The gangsa tradition of the Kalinga people of the Cordillera highlands — flat bronze gongs played communally, one gong per player
The hudhud — a form of epic chanted poetry sung by Ifugao women during rice harvests and funerals, recognized by UNESCO as an Intangible Cultural Heritage
The rondalla — a Spanish-derived plucked string ensemble that became the sound of Filipino fiestas and community celebrations
The harana — a traditional serenade tradition with Spanish roots that developed its own Filipino character, now a disappearing tradition being actively preserved
The kundiman — Filipino love songs from the late 19th and early 20th centuries that carried hidden messages of patriotism and longing for independence under colonial rule
Free Downloads for This Episode Instruments We Learned About Traditions Featured in This Episode The Kundiman and the Summer's Biggest Theme The Complete Summer Tour Stop Episode Destination 1 Puerto Rico 2 Norway 3 Nigeria 4 Czech Republic 5 Philippines Keep Exploring Enjoying the Podcast? Coming Up Next on Busy Kids Love Music
Folk Music of Czech Republic
Épisode 180
mardi 14 juillet 2026 • Durée 12:30
Stop 4 on our summer world tour takes us to the heart of central Europe — the Czech Republic, a country about the size of South Carolina with a fiercely proud cultural identity and joyful, irresistibly danceable folk music.
In this episode, we explore the patchwork of Czech folk traditions across its three historical regions — Bohemia, Moravia, and Silesia. We trace how ordinary Czech people held tightly to their music and language through centuries of Habsburg rule, how a small Bohemian dance became a global craze in the 1840s (and never really stopped), and how the warm, layered sound of the Moravian cimbalom gives this region's folk music a character entirely its own. We also visit a composer who grew up the son of a village butcher-turned-folk-musician and went on to become one of the most celebrated names in classical music history — Antonín Dvořák.
Czech folk music didn't just survive foreign rule. It traveled the world.
What We Cover in This Episode
The Czech Republic's geography and its three distinct folk music regions: Bohemia, Moravia, and Silesia
How centuries of Habsburg rule suppressed Czech language and culture — and how folk music became an act of cultural resistance
The Czech national revival of the 1800s and what it produced
The polka — its Bohemian origins, how it swept across Europe and America, and why it's still alive in Czech-American communities across the Midwest and Texas today
The cimbalom — the hammered dulcimer at the heart of Moravian folk ensembles
The verbunk — an athletic Moravian solo dance with roots in military recruitment
Antonín Dvořák and how his folk-rooted upbringing shaped some of the most beloved music in the classical repertoire, including the Slavonic Dances
How Czech folk music is being celebrated and reinvented by younger musicians today
Instruments We Learned About Music & Traditions Featured in This Episode A Note on the Polka's Reach The Thread Running Through This Summer's Tour Episodes Mentioned Keep Exploring Enjoying the Podcast? Next Time on Busy Kids Love Music
Folk Music of Nigeria
Épisode 179
mardi 30 juin 2026 • Durée 12:52
Stop 3 on our summer world tour takes us to the continent of Africa — specifically to Nigeria, the most populous country on the continent, home to more than 500 distinct ethnic groups, hundreds of languages, and one of the richest and most diverse musical traditions in the world.
In this episode, we explore the deep roots of Nigerian folk music — from the ancient kingdoms of the Yoruba, Igbo, and Hausa peoples to the extraordinary talking drum that literally speaks a language, to the interlocking rhythms of the ogene bells that influenced jazz, blues, and gospel music in America. We also talk honestly about how the transatlantic slave trade carried Nigerian musical DNA across the ocean, and how those rhythms survived, took root, and grew into something new without ever losing their essential character. And we connect it all to the contemporary Nigerian music that is shaping global sound right now.
Nigeria's music is not a museum piece. It is alive, evolving, and more influential than most people realize.
What We Cover in This Episode
Nigeria's geography, history, and extraordinary cultural diversity
Ancient Nigerian civilizations: the Nok, the Yoruba kingdoms, the Benin Kingdom, the Hausa city-states, and the Igbo communities
How the transatlantic slave trade carried Nigerian musical traditions to Puerto Rico, Brazil, Cuba, Trinidad, and the American South — and how those traditions survived
The dundun (talking drum) — how an hourglass-shaped drum can reproduce the tones of a spoken language
The Yoruba musical tradition, the Ifá spiritual tradition, and the role of specific drum rhythms in ceremony and community life
Jùjú music — how the Yoruba folk tradition evolved into a modern genre, with King Sunny Ade as a key figure
Igbo folk music — the ọjà flute and the ogene iron bells, with their interlocking rhythmic patterns
How West African interlocking rhythms became the foundation of jazz, blues, and gospel music in America
Afrobeats and how contemporary Nigerian artists are carrying folk traditions into global popular music today
Free Downloads for This Episode
Instruments We Learned About Music & Traditions Featured in This Episode The Connection to Puerto Rico (Episode 177) Episodes Mentioned Keep Exploring Enjoying the Podcast? Next Time on Busy Kids Love Music
Next time, we're listening closely to one of Beethoven's most famous piano pieces, one you've almost certainly heard before even if you didn't know its name. We'll dig into a mystery that's puzzled music historians for over two hundred years: who exactly was Elise?
New episodes of Busy Kids Love Music drop every two weeks, wherever you listen to podcasts.
Want the full story behind the skeletons? Head back to Episode 158, where we covered Danse Macabre from start to finish, including a fun cameo from a certain famous skeleton.
Beethoven is on the calendar for late October — a three-part look at his life and two of his most famous works. Thanks for partnering with me this month, and I hope this one gave you a fun, only-slightly-spooky reason to gather around some music together.
Hold one hand out in front of you and move it down, up, down, up, nice and steady, like you're gently bouncing a ball. That's it. You're conducting.
This episode wraps up our journey through the whole orchestra. We started with the strings, that we bow and pluck (Episode 176). We added the woodwinds, that start with our breath (Episode 182). We brought in the brass, that start with a buzz (Episode 183). We filled things out with the percussion, that we strike and shake and tap (Episode 184). And now, with the conductor, you know every single piece of the puzzle.
New episodes of Busy Kids Love Music drop every two weeks, wherever you listen to podcasts.
This one finishes out our full set of Family Spotters. Print it out, listen along, and check off each percussion instrument as you hear it — then color in the badge when you're done. If you've collected all four Spotters through this series, you now have a complete set, one for every family in the orchestra.
For the woodwinds, we took a deep breath. For the brass, we buzzed our lips like a motorboat. For percussion, all you need is your own two hands — clap once, and you've just played a percussion instrument.
We've met all four families right now. But there's one more piece of the orchestra we haven't talked about yet — it's not an instrument family, but it's still essential. Tune in next episode to find out what it is.
Next episode, we're moving on to the Brass Family — trumpets, trombones, horns, and tuba. (My own daughter plays trumpet, so fair warning, I'm a little biased.)
Subscribe to Busy Kids Love Music so you don't miss an episode of this series, and if you're enjoying it, a quick review helps other music-loving families find the show.
How Filipino-American communities across the United States are keeping these traditions alive today
Kulintang — a row of small, knobbed bronze gongs arranged horizontally on a wooden rack, graduated in size from largest to smallest. The player strikes the gongs with two padded mallets, playing melodies across the row while the rest of the ensemble — larger suspended gongs, an agung (large flat gong), and drums — plays interlocking rhythmic patterns around them. Most highly developed among the Maranao and Maguindanao peoples of Mindanao.
Gangsa — flat bronze gongs used in the Kalinga and other Cordillera peoples' folk music. Unlike the kulintang, each gangsa player holds a single gong and contributes just one part to the collective sound — a communal instrument in the most literal sense.
Bandurria, laud, octavina, guitarra, bajo de uñas — the family of plucked string instruments that make up the Philippine rondalla ensemble, all descended from Spanish and Moorish string traditions brought to the islands in the 16th century.
Kulintang ensemble music — Maranao and Maguindanao peoples of Mindanao and the Sulu Archipelago
Gangsa — Kalinga people, Cordillera mountains of northern Luzon
Hudhud — Ifugao epic chanted poetry (UNESCO Intangible Cultural Heritage); can last for days, sung by women during rice harvests and funerals
Rondalla — plucked string ensemble music of Filipino lowland community celebrations
Harana — traditional courtship serenade music, currently being actively documented and preserved
Kundiman — Filipino love songs with hidden patriotic meaning, developed under Spanish and American colonial rule
The kundiman is one of the most moving examples of something we encountered at every stop this summer. Colonial authorities could censor overtly patriotic music — but they couldn't suppress a love song. So Filipino composers wrote love songs that were really about longing for their country and for freedom. We heard the same pattern in Norway (folk music as cultural identity under Habsburg and Danish rule), in Nigeria (rhythms and traditions that survived the slave trade), and in the Czech Republic (village folk songs outlasting centuries of Habsburg suppression). Folk music keeps finding ways to carry what people are not always free to say out loud. That is one of the most fundamental things music does for human beings.
The curated playlist covers the full range of what we heard today — from kulintang ensemble recordings to rondalla fiestas to kundiman ballads. If you want one place to start, find a kundiman recording and listen knowing what you now know about what those songs were really saying. It changes how the music feels entirely.
If you've traveled along with us this summer, the very best thing you can do to help us reach more families is to leave a rating and review wherever you listen to podcasts. It truly makes a difference — every review helps new families find the show, and I'm so grateful for each one!
The summer tour may be over, but there's plenty more music ahead. New episodes every two weeks — subscribe so you don't miss what's coming.
Busy Kids Love Music is a podcast for music-loving families, created by Carly Seifert of Busy Kids Do Piano. New episodes every two weeks.
(polka, cimbalom music, Moravian folk ensembles, and Dvořák's Slavonic Dances)
Cimbalom — a large hammered dulcimer that sits on legs and is played by striking its many strings with small mallets. The cimbalom produces a bright, percussive, almost bell-like tone, and a skilled player can carry a melody, fill in harmonies, and provide rhythmic drive simultaneously. It's the defining instrument of Moravian folk ensembles (cimbálová muzika).
Button accordion / concertina — common in Bohemian polka ensembles alongside the clarinet, fiddle, and bass, giving traditional polka music its bright, full sound.
Bohemian polka — fast, two-beat dance music with a bright, bouncy character that became a global phenomenon in the 1840s
Moravian cimbalom ensemble music (cimbálová muzika)
The verbunk — a Moravian solo dance known for dramatic footwork, improvised flourishes, and building intensity
Antonín Dvořák's Slavonic Dances — directly inspired by Czech and Slavic folk dance forms including the polka, furiant, and dumka
Czech immigrants brought the polka to the United States in the 19th century, and it took deep root in communities across the Midwest and Texas — where thriving polka traditions still exist today. If your family has Czech, German, or Polish heritage, there's a good chance polka music is somewhere in your family's musical background.
At every stop on this tour — Puerto Rico, Norway, Nigeria, and now the Czech Republic — we've found the same story: folk music as a form of cultural survival. When outside powers suppressed a people's language and identity, ordinary people held onto their music. It's one of the most consistent and moving patterns in all of music history, and the Czech story is a particularly vivid example of it.
The curated playlist includes traditional Bohemian polka, Moravian cimbalom ensemble music, verbunk dance performances, and Dvořák's Slavonic Dances. Try listening to a traditional polka track first, then the Slavonic Dances — and see if your kids can hear the same rhythmic DNA in both.
If you've been traveling along with us this summer, would you take just two minutes to leave a rating and review wherever you listen? It truly helps other families find the show, and every review makes a difference. Thank you so much!
One more passport stamp to go — and it's a good one. Join us in two weeks for the final stop on this summer's world tour. Subscribe so you don't miss it.
Busy Kids Love Music is a podcast for music-loving families, created by Carly Seifert of Busy Kids Do Piano. New episodes every two weeks.
Dundun (talking drum) — an hourglass-shaped Yoruba drum with two drum heads connected by leather cords along the sides. The player holds it under one arm and squeezes the cords while striking it with a curved stick, raising or lowering the pitch with each squeeze. Because Yoruba is a tonal language (where pitch changes meaning), a skilled dundun player can reproduce spoken words and sentences through rhythm and pitch alone. The drum doesn't just accompany music — in many contexts, it is the communication.
Ọjà — a small wooden flute used in Igbo folk music, with a breathy, soulful tone often played in ensemble alongside percussion.
Ogene — large iron bells used in Igbo music, struck with wooden mallets and played in interlocking rhythmic patterns. Multiple bells play different rhythms that weave together into something greater than any single part — a defining feature of West African music more broadly.
Yoruba dundun (talking drum) music
Ifá ceremonial drumming tradition (UNESCO Intangible Cultural Heritage)
Jùjú music — King Sunny Ade
Igbo ọjà flute ensemble music
Igbo ogene bell music
Afrobeats — Burna Boy
One of the threads running through this summer's tour: when we listened to Puerto Rican bomba two weeks ago, we were hearing a tradition with deep roots in exactly this part of the world. The rhythms, the call and response, the deep connection between music and community — all of it traveled across the ocean during the slave trade and took root in new soil. This episode helps explain where those roots came from.
The curated playlist in the show notes includes talking drum performances, jùjú music, ogene bell ensembles, and contemporary Afrobeats — so you can hear the full arc from ancient folk tradition to modern global sound. Try listening to a King Sunny Ade track and then a Burna Boy track back-to-back and see if your ears can pick up the rhythmic thread connecting them.
If Busy Kids Love Music has been part of your family's summer this year, would you take just two minutes to leave a rating and review wherever you listen? Every review helps other families find the show, and that means more kids getting to hear music like this. I'm so grateful for each one!
Two more passport stamps to go. Join us in two weeks for Stop 4 on the summer world tour — subscribe so you don't miss it.
Busy Kids Love Music is a podcast for music-loving families, created by Carly Seifert of Busy Kids Do Piano. New episodes every two weeks.
