Explorez tous les épisodes du podcast Bad Dads Film Review

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we're ticking all the right boxes with our Top 5 Watches in film and TV. From time-stopping devices to classic wrist candy, we’re delving into the chronometers that do more than just tell time.

🕰 Top 5 Watches in Film and TV

1. The Rolex Submariner – James Bond Series
The ultimate symbol of spy sophistication. First worn by Sean Connery in Dr. No (1962), Bond’s Rolex is more than just a stylish accessory — it’s a tool of the trade, packed with gadgets and danger-defying charm.

2. The Casio Calculator Watch – Back to the Future (1985)
Marty McFly's nerdy yet functional Casio is the perfect complement to his time-travelling DeLorean.

3. The Gold Watch – Pulp Fiction (1994)
Bruce Willis’ character Butch goes to extreme lengths to recover his father’s gold watch. A symbol of legacy, trauma, and absurd storytelling.

4. The Omega Seamaster – GoldenEye (1995) onwards
Pierce Brosnan ushered in the Omega era of Bond, with laser beams and remote detonators turning the Seamaster into a Swiss army knife for espionage. Sleek, deadly, and cool under pressure.

5. Bernard’s Watch – Bernard’s Watch (1997–2005)
This magical time-stopping device was the envy of every schoolchild. Bernard could pause time to fix mistakes, avoid embarrassment, or — let’s be honest — cheat a little. A low-key British TV legend.

⌚ Main Feature: Nonnas

Then a trip to the kitchen to talk about Nonnas, the heartfelt 2025 comedy-drama that's been charming audiences. Directed by Stephen Chbosky and starring Vince Vaughn, the film is inspired by the true story of Joe Scaravella, who opened a unique Italian restaurant in Staten Island. The catch? All the chefs are actual grandmothers, or "nonnas," each bringing their authentic regional recipes and, perhaps more importantly, their distinct personalities to the kitchen.

The film sees Vince Vaughn's character, Joe, grappling with the grief of losing his beloved mother. Seeking to honour her memory and reconnect with the warmth of his childhood through food, he embarks on this ambitious and often chaotic venture. The core of the movie, and arguably its greatest strength, lies in the ensemble of nonnas themselves, played by an incredible cast including Lorraine Bracco, Talia Shire, Brenda Vaccaro, and Susan Sarandon. These seasoned actresses infuse their characters with humour, wisdom, and a palpable sense of family, even as their diverse backgrounds lead to initial clashes.

🧒 Kids Feature: Bernard’s Watch

Ah, Bernard’s Watch. A children's TV staple from the late '90s, it follows a boy gifted a watch that can stop time — with the strict rule that it mustn’t be used selfishly. Of course, Bernard frequently breaks that rule, leading to gentle moral lessons.

It’s a charming, low-stakes show with a brilliant premise and a surprisingly emotional core. For kids, it was a fantasy of wish-fulfilment. For parents, a lesson in co

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Groovy, baby! Welcome back to Bad Dads Film Review, where this week we’re throwing on our crushed velvet, dialling up the mojo, and time-traveling back to the swinging '60s with Austin Powers: International Man of Mystery (1997). Directed by Jay Roach and written by (and starring) Mike Myers, this outrageous spy spoof remains one of the most quotable and culturally impactful comedies of the ‘90s.

🕶 Setting the Scene: Shagadelic Spy Games

Our story begins in 1967, where British super-spy Austin Powers, a cocktail of James Bond, Peter Sellers, and pure ‘60s kitsch, thwarts the evil Dr. Evil (also Mike Myers). But when Dr. Evil freezes himself and escapes into the future, Austin volunteers to be cryogenically frozen too — just in case he’s ever needed again. Fast forward to 1997, and Austin is thawed out to stop his nemesis, only to find himself hopelessly out of step with the modern world.

With help from his new partner Vanessa Kensington (Elizabeth Hurley), Austin must battle Dr. Evil’s latest scheme — involving a stolen nuclear warhead, a ridiculous ransom demand, and plenty of international intrigue.

Why It Still Works

1. Pitch-Perfect Parody
From Bond tropes to swinging ‘60s clichés, the film is a love letter and a middle finger to the spy genre. It's full of clever references, absurd one-liners, and hilariously on-the-nose innuendo.

2. Mike Myers’ Dual Performance
As both Austin and Dr. Evil, Myers brings a manic, multi-character energy reminiscent of Peter Sellers or Eddie Murphy. Each persona is distinct, and both quickly became pop culture icons.

3. Endless Quotability
"Yeah, baby!" "Do I make you horny?" "One million dollars!" The movie is a meme machine — before memes were even a thing.

4. Surprisingly Sweet
Beneath the layers of absurdity, there's a beating heart. Austin's awkward journey to adapt to the '90s and his evolving relationship with Vanessa add an unexpected emotional undercurrent.

Austin Powers is not one for the little ones — the innuendo flies fast and thick — but for adults (especially those who grew up on Roger Moore and Sean Connery), it’s a joy. The humour is knowingly daft, the tone playfully irreverent, and the nostalgia genuinely charming.

So throw on your ruffled shirt, grab a cocktail, and get ready to feel the mojo. This week’s review is full of bad teeth, good vibes, and top-tier British silliness. Yeah, baby, yeah! 🎬🕺👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week we’re embracing all things angular, round, and abstract with our Top 5 Shapes in Movies & TV, diving into Ruben Östlund’s Triangle of Sadness, and finishing up with a charming kids' pick: Shape Island. It’s geometry, but make it cinematic.

🟦 Top 5 Shapes in Movies & TV

1. The Monolith – 2001: A Space Odyssey
A perfect black rectangle that sparked humanity’s evolution and a thousand late-night debates. Kubrick gave us a shape that’s as mysterious as it is iconic.

2. The Triangle – Triangle of Sadness
Not just the title but the theme itself—a social and structural hierarchy explored through literal and metaphorical triangles.

3. The Cube – Cube (1997)
A sterile, deadly maze of identical cubes. A shape that’s both trap and metaphor for bureaucracy and existential dread.

4. The Circle – Arrival (2016)
Language as a shape. The alien "Heptapod" written language is a looping, circular system representing nonlinear time and communication.

5. The Star – Steven Universe
Used as both a motif and a symbol of identity, love, and cosmic destiny. Stars (and gems) have never been this emotionally complex.

🔺 Main Feature: Triangle of Sadness (2022)

Ruben Östlund’s Palme d'Or-winning satire takes aim at wealth, beauty, and power with savage precision. The story begins in the world of high fashion before shifting to a luxury yacht and ultimately to a deserted island, revealing how quickly social structures can collapse when survival becomes the priority.

The "triangle" here refers not only to the frown lines of male model Carl but also to the class pyramid, upended as the story progresses. Woody Harrelson shines as a Marxist captain, and Dolly De Leon’s Abigail becomes the surprise hero of the film’s biting third act. Expect vomit, revolution, and some of the best social commentary of the decade.

Östlund’s direction skewers privilege with style and discomfort, making Triangle of Sadness both a sharp-edged black comedy and a sobering reflection on the roles we play when no one’s watching.

🟠 Kids Feature: Shape Island

Based on the book Shape Trilogy by Mac Barnett and Jon Klassen, Shape Island is a wholesome, gentle series featuring Square, Circle, and Triangle as they navigate friendship, logic, and adventure on their geometrically delightful island.

With soft animation, smart writing, and a peaceful tone, this is perfect for younger viewers who like their storytelling sweet and their geometry friendly. It’s calm, kind, and surprisingly profound.

This week’s episode celebrates the humble shape—from high-concept sci-fi and brutal social satire to gentle kids’ tales. Whether it’s the sharp point of a triangle or the endless loop of a circle, there’s beauty, meaning, and even horror to be found in every edge and curve. 🎬🔷👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we’re descending into the mind-bending, minimalist sci-fi thriller that is Cube (1997). A cult favourite from Canadian director Vincenzo Natali, this low-budget psychological puzzle box is as disorienting and claustrophobic as it is thought-provoking.

Cube begins in medias res: a group of strangers wakes up in a strange, sterile room with hatches on all six sides. Each door leads to another nearly identical room—some are safe, others are lethal traps. No one knows how or why they’re there. The group includes a cop, a doctor, an escape artist, a math whiz, a paranoid conspiracy theorist, and an autistic man with extraordinary numerical abilities.

What unfolds is part escape room, part social experiment, as they try to survive—and escape—the Cube.

Cube is rich in metaphor and minimal in exposition. It avoids explaining who built the structure or why, focusing instead on how ordinary people behave under extreme pressure. As the group’s dynamic shifts, alliances form and collapse, revealing how quickly fear and distrust take hold.

The traps are inventive (acid spray, wire slicing, sound-activated death rooms), but the real tension comes from the breakdown of civility and the slow unravelling of each character’s psyche. The cube itself becomes a symbol of bureaucracy, control, and the meaningless complexity of modern systems.

And the maths—there’s a lot of maths. Prime numbers, Cartesian coordinates, permutations. It’s as if Saw, Waiting for Godot, and a high school algebra textbook all collided.

🎭 Why It Works

• Tight Concept: With one main set (re-lit in different colours), the film turns its limitation into a strength, heightening the claustrophobia and disorientation.
• Atmosphere: The sterile design, synth score, and total lack of context contribute to a deeply unsettling tone.
• Character Study: The real danger isn’t always the Cube—it’s the people inside it. Watching the moral descent is part of the thrill.

🧒 A Dad’s Take

This one’s definitely not for the younger kids—Cube is violent, bleak, and existentially harrowing. But for older teens and grown-ups, it’s a great entry into lo-fi sci-fi that provokes more thought than jump scares. Ideal for fans of The Twilight Zone, The Platform, or Escape Room, it asks the big question: what would you do if no one was watching—and you might not make it out?

Cube remains a sharp, unsettling mystery box of a film. It’s not about finding answers—it’s about watching how far people will go to survive when the rules no longer make sense. If you’re in the mood for a tight, cerebral thriller that’s as much philosophy as it is suspense, this one’s worth stepping into… just be careful which door you open. 🎬🧠👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week we’re spinning in circles—in the best possible way—with our Top 5 Loops in film and television. Whether they’re time loops, narrative loops, or just delightfully circular plot structures, these stories keep us guessing and coming back for more. We’re also checking out Armando Iannucci’s razor-sharp satire In The Loop and revisiting the chronologically chaotic world of Power Rangers Time Force.

🔁 Top 5 Loops in Film & TV

1. Groundhog Day (1993)
The time loop gold standard. Bill Murray’s cynical weatherman is stuck reliving the same day in Punxsutawney, Pennsylvania, in a film that balances existential dread with comedic charm and surprising emotional depth.

2. Edge of Tomorrow (2014)
Tom Cruise dies over and over in this sci-fi war thriller where each death resets the day. Smart, sleek, and full of great action, it turns repetition into a high-stakes training montage.

3. Palm Springs (2020)
A modern rom-com twist on the time loop trope. Andy Samberg and Cristin Milioti bring warmth, wit, and unexpected darkness to a desert wedding that never ends.

4. Star Trek: The Next Generation – "Cause and Effect" (1992)
A textbook example of how TV can do loops right. The Enterprise explodes before the opening credits, and the crew must solve the mystery of their own deaths—over and over again.

5. Russian Doll (2019–)
A nihilistic, metaphysical spin on the loop narrative, where Natasha Lyonne’s Nadia keeps dying and resetting during her birthday. Funny, dark, and weirdly profound.

🗣 Main Feature: In The Loop (2009)

Armando Iannucci’s In The Loop is a profanely brilliant satire that acts as both a spiritual cousin to The Thick of It and a standalone skewering of Anglo-American war bureaucracy. As Britain and the US lurch toward conflict in the Middle East, government officials, spin doctors, and assistants scramble to justify it with illogical soundbites and barely disguised incompetence.

Peter Capaldi’s Malcolm Tucker is the foul-mouthed puppet master, hurling insults and manipulating spin with terrifying speed. The dialogue is rapid-fire, the stakes are real, and the absurdity cuts frighteningly close to reality. It's a loop of political missteps, media manipulation, and ego-driven diplomacy where nothing ever really changes.

A must-watch if you enjoy your comedy scathing and your truth barely exaggerated.

⏳ Kids Feature: Power Rangers Time Force (2001)

Time travel, mutant villains, colour-coded heroes—it’s all here. In Time Force, the Power Rangers chase a criminal back to the year 2001 to stop a timeline-warping disaster. With a focus on fate vs. free will and even a romantic subplot, it’s one of the more emotionally ambitious entries in the Power Rangers canon.

The kids get action. The dads get time paradoxes. Everybody wins.

Whether you’re dodging aliens, reliving Groundhog Day, or spinning your wheels in government committees, loops keep things weirdly satisfying. Just don’t forget to take the exit eventually. 🎬⏱️👨

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we’re bending time, smashing starships, and looping through one of the most mind-bending episodes of Star Trek: The Next Generation: Season 5, Episode 18 – "Cause and Effect". It’s a perfect example of how sci-fi can take a deceptively simple concept—what if you’re stuck in a time loop?—and turn it into a suspenseful, clever, and surprisingly rewatchable piece of television.

🌀 The Premise: Déjà Vu in Deep Space

The episode opens with an explosive bang—literally—as the USS Enterprise-D is destroyed. Cue the opening credits. Then, everything resets.

We soon realise that the crew is caught in a temporal causality loop, repeating the same few hours over and over again. They have no memory of previous loops, but subtle feelings of déjà vu begin to unsettle them. Dr. Crusher hears the same voices during poker, Data keeps shuffling the cards the same way, and Worf starts getting twitchy about how often the ship’s sensor data is “inconclusive.”

🧠 The Genius of It

Written by Brannon Braga and directed with tight suspense by Jonathan Frakes (a.k.a. Commander Riker), "Cause and Effect" is a masterclass in science fiction structure. Each loop slightly shifts, providing just enough new detail to keep the audience—and the characters—on edge. The growing sense of unease is perfectly balanced with sci-fi problem-solving, leading to Data using the number “3” as a subtle message to his future self in order to break the loop.

And it works! Data realises that Riker’s plan, involving adjusting the ship's yaw, is the correct move—saving the Enterprise and escaping the loop… after 17 days of unknowingly repeating their deaths.

Bonus Trek fact: The ship they collide with? The USS Bozeman, captained by Kelsey Grammer, stuck in the loop for 90 years.

🚀 Why It Stands Out

• Narrative Precision: Few shows handle repetition this well without becoming dull. Here, it’s razor-sharp.
• Creeping Tension: The unsettling deja vu builds atmosphere rather than jumping straight to technobabble.
• Science with Stakes: The loop isn’t just a concept—it’s a matter of life and death. Again and again.
• That Cold Open: Blowing up the Enterprise before the title sequence? Bold.

👨‍👧‍👦 A Dad’s Take

It’s smart, eerie, and surprisingly accessible even for those new to Trek. You don’t need deep lore knowledge to enjoy the logic puzzle, the suspense, and the satisfaction of the crew finally cracking the loop. It’s a great episode for older kids or teens curious about sci-fi storytelling.

"Cause and Effect" is one of TNG's most beloved episodes for good reason—it’s an elegant puzzle-box of an episode that proves Star Trek can do high-concept sci-fi with both brains and heart. A loop you won’t mind watching again and again. 🖖🎬💫

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week’s episode is all about singularity, identity, and what it means to be “the one.” We kick things off with our Top 5 'Ones' in film and TV, followed by a look at the emotionally complex Murderbot Diaries adaptation, and we round things out with the plucky preschool heroine Ridley Jones.

🎯 Top 5 'Ones' in Movies and TV

1. Neo – The Matrix
   The definitive “One.” Chosen by prophecy, forged by code. Neo’s journey from hacker to messiah redefined sci-fi cool and gave us bullet time and existential dread.
2. Number One – Star Trek
   From Majel Barrett in The Original Series to Rebecca Romijn in Strange New Worlds, Starfleet’s Number One remains a beacon of calm leadership and intellect.
3. The One Ring – The Lord of the Rings
   A different kind of "One"—a corrupting, all-powerful artifact. Its presence drives the entire trilogy, and its destruction is the only way to save Middle-earth.
4. One – Dr. Who (The First Doctor)
   The original incarnation of the Doctor, setting the tone for decades of timey-wimey brilliance. Played by William Hartnell, he kicked off a legend.
5. The Chosen One Trope (a.k.a. Every YA Hero Ever)
   From Harry Potter to Katniss Everdeen, this archetype is so omnipresent it deserves its own shoutout. Not always literal, but always dramatic.

🤖 Main Feature: Murderbot 

We were excited to dive into the screen adaptation of Martha Wells' Murderbot Diaries—and thankfully, it delivers. The story centers on a part-organic, part-cybernetic security unit that’s hacked its own governor module. Free from commands but still technically on the job, it spends most of its time watching soap operas and reluctantly saving humans.

What makes Murderbot compelling is its complex interior life: it doesn't want to be human, but it does want autonomy. It hates social interaction, fears emotional closeness, and struggles with purpose—a surprisingly relatable arc wrapped in sci-fi action. The adaptation nails the tone: dry wit, corporate dystopia, and unexpected tenderness.

🏺 Kids Feature: Ridley Jones

Aimed at the younger crowd, Ridley Jones follows a brave little girl living in a museum where exhibits come alive. Think Night at the Museum with more musical numbers and stronger messages of inclusion and curiosity.

Ridley is a great role model: courageous, empathetic, and ready to ask big questions. Whether she’s helping a dino find his roar or standing up for a mummy’s identity, Ridley teaches kids about leadership and kindness without preaching. (ED - we hated this beyond belief).

This week’s picks remind us that sometimes being “the one” doesn’t mean being the strongest—it means making the hardest choices, asking the biggest questions, or just caring the most. Whether it’s bending reality, refusing control, or standing up for a friend in a museum, these "Ones" are all unforgettable. 🎬👨‍👧‍👦🤖💍

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we're jumping into the gritty, morally murky corner of the galaxy far, far away with Rogue One: A Star Wars Story (2016), the first of Disney’s standalone Star Wars films and one that dares to tell a story where the Force doesn’t offer easy answers—and not everyone gets out alive.

Directed by Gareth Edwards, Rogue One is set just before the events of A New Hope and follows Jyn Erso (Felicity Jones), the daughter of Imperial scientist Galen Erso (Mads Mikkelsen), who’s coerced into building the Death Star. Recruited by the Rebel Alliance, Jyn finds herself at the heart of a desperate mission to steal the plans for the Empire’s terrifying superweapon.

What sets Rogue One apart is its tone—it’s a war film through and through. There’s mud, sacrifice, and a real sense of stakes. The ensemble cast includes Diego Luna as the morally grey rebel Cassian Andor, Donnie Yen as the Force-believing monk Chirrut Îmwe, Alan Tudyk voicing the reprogrammed Imperial droid K-2SO (a scene-stealer), and Ben Mendelsohn as the deeply petty but brilliantly acted villain Director Krennic.

This isn’t about Jedi or chosen ones. It’s about regular people—fighters, spies, defectors, believers—laying down their lives for a cause they believe in, even if they won’t live to see the outcome. That emotional weight gives the film a grounded, bittersweet tone that feels distinct within the Star Wars universe.

Visually, Edwards brings a tactile realism to the film. The final battle on Scarif is one of the franchise’s most spectacular sequences—land, sea, and space warfare colliding in chaos. And of course, there’s that final hallway scene with Darth Vader, a terrifying, unforgettable burst of fan service done right.

For those who’ve ever wondered what it really took to get the Death Star plans into Leia’s hands, Rogue One answers with a powerful, self-contained story that expands the mythology while standing firmly on its own. It’s bold, emotional, and a little darker than you might expect from a Star Wars film—which is exactly why we love it.

This one’s for the rebels. 🛰️⚔️🌌

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we’re sinking into the beautifully awkward and emotionally layered world of The Graduate (1967), a landmark in American cinema that captured the confusion and alienation of a generation—and still resonates today.

Directed by Mike Nichols and based on Charles Webb’s novel, The Graduate stars a breakout Dustin Hoffman as Benjamin Braddock, a recent college graduate adrift in a sea of expectations, ennui, and passive-aggressive dinner parties. Returning home to California, Ben finds himself stuck in a well-off suburban limbo, unsure of what to do with his future and utterly disconnected from the adults around him.

Enter Mrs. Robinson (Anne Bancroft), the wife of his father’s business partner and one of the most iconic seductresses in film history. Their affair is sultry, weirdly funny, and shot through with a tragic edge that gives the film its unique tone—equal parts satire, drama, and coming-of-age fable. Complications multiply when Ben falls for Mrs. Robinson’s daughter Elaine (Katharine Ross), throwing everyone’s lives into romantic chaos and sparking a messy, impulsive pursuit that culminates in one of the most famous closing shots in cinema history.

Visually, The Graduate is striking—Nichols’ inventive use of framing, reflections, and slow dissolves elevates the emotional subtext, and Simon & Garfunkel’s folk-heavy soundtrack ("The Sound of Silence", "Mrs. Robinson") lingers in your head long after the credits roll. The music doesn’t just underscore the scenes—it becomes a character in itself, echoing Benjamin’s alienation and longing.

But what really makes The Graduate endure is its tonal complexity. It's satirical, yes, but also melancholic. Benjamin isn’t a traditional hero; he's self-absorbed, indecisive, and often unlikeable. Yet in that uncertainty lies the film’s power—it taps into that restless moment between adolescence and adulthood where everything feels hollow, and rebellion can look like love, lust, or simply running away.

Is the ending romantic or despairing? Is Benjamin a rebel or just another aimless rich kid? The Graduate leaves space for interpretation, and that ambiguity is what keeps it feeling alive, even decades later.

So whether you’re watching for the sharp dialogue, the iconic performances, or just to see Dustin Hoffman awkwardly floating in a pool of existential dread—this one’s a classic for a reason. 🎓🍸💔🎬

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we're diving headfirst into the chaotic, outrageous, and undeniably quotable world of Wedding Crashers (2005), a film that helped define mid-2000s comedy with its mix of raunch, romance, and relentless party energy.

Directed by David Dobkin, the film stars Owen Wilson and Vince Vaughn as John and Jeremy—divorce mediators by day and professional wedding crashers by night. Their philosophy? Weddings are the perfect place to score free food, drinks, and flings, all while soaking up the joyful atmosphere and dancing with old ladies.

Everything changes when the pair infiltrates a high-profile political wedding hosted by the powerful Cleary family. What begins as another con turns unexpectedly sincere when John falls for Claire Cleary (played by Rachel McAdams), throwing a wrench into the duo’s longstanding bro-code. Meanwhile, Jeremy finds himself entangled in a wildly unhinged relationship with Claire's aggressively forward sister Gloria (Isla Fisher), leading to one of the film’s most memorable comedic arcs.

The movie thrives on the chemistry between Vaughn and Wilson, with Vaughn delivering mile-a-minute riffs and Wilson grounding the story with unexpected romantic sincerity. It’s a perfect example of the era’s “man-child comedy” formula: crude jokes balanced by a sentimental core and a redemptive character arc.

But let’s be honest—Wedding Crashers hasn’t aged entirely gracefully. Some of its attitudes toward dating, gender roles, and consent feel uncomfortable through a modern lens, and the film’s relentless pursuit of laughs sometimes comes at the expense of taste. That said, it still delivers big on energy, memorable one-liners, and the sheer absurdity of the crash-and-burn lifestyle.

Also: shoutout to Bradley Cooper as the smarmy villainous boyfriend and Christopher Walken doing his usual weird brilliance as the Cleary patriarch. Plus, the film’s surprise cameo in the third act is still one of the all-time great rom-com twists.

Ultimately, Wedding Crashers remains a significant entry in the bro-comedy canon—problematic in parts, yes, but undeniably influential and still packed with crowd-pleasing laughs. Whether you're in it for the romance or the ridiculousness, there’s plenty to talk about. 🎉💒🥂🕺💬

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week we’re dusting off our ruffled shirts and setting our time machines to the 1980s as we revisit The Wedding Singer (1998), a rom-com that’s equal parts sweet, silly, and synth-soaked.

Directed by Frank Coraci and starring Adam Sandler and Drew Barrymore, this nostalgic crowd-pleaser finds Sandler in perhaps his most charming role as Robbie Hart, a down-on-his-luck wedding singer trying to recover from heartbreak. After being jilted at the altar, Robbie befriends Julia (Barrymore), a waitress engaged to a Grade-A sleazeball, and the two strike up a will-they-won’t-they friendship filled with awkward moments, big hair, and a killer retro soundtrack.

The Wedding Singer balances slapstick with sincerity and is elevated by the natural chemistry between its leads. Barrymore’s sweetness softens Sandler’s usual chaos, making for a genuinely endearing romantic pairing. And let’s not forget Christine Taylor, Steve Buscemi’s brilliant drunken best man speech, and Billy Idol playing himself in one of the most gloriously absurd plane-based finales ever filmed.

The movie also serves as a love letter to the 1980s, cramming in everything from breakdancing to New Wave fashion to Wall Street-era villainy. It’s unashamedly sentimental, but also knowingly daft—like a mixtape of cheesy love songs and punchy jokes that somehow hits all the right notes.

Whether you grew up in the ‘80s or just wish you had, The Wedding Singer delivers that warm, fuzzy vibe that makes it ideal for rewatching with mates—or maybe even at a wedding. 🎤💍🕺🍾🎬

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we’re going full rom-com with a film that brings swagger, charm, and a surprisingly heartfelt message to the genre: Hitch (2005).

Directed by Andy Tennant and starring Will Smith in peak smooth-talking form, Hitch follows Alex “Hitch” Hitchens, a professional dating consultant known as the “Date Doctor.” His job? Helping awkward men win over the women of their dreams. His golden rule? No tricks, just helping guys be the best version of themselves. But when Hitch meets his match in cynical gossip columnist Sara Melas (played by Eva Mendes), he quickly discovers that love isn’t something you can plan—or dodge.

Alongside the central romance, the film pairs Kevin James and Amber Valletta in a charmingly awkward subplot where Hitch tries to coach James’ character, Albert, into wooing a high-powered heiress. The physical comedy here is excellent, and James’ earnestness offers a perfect counterpoint to Smith’s practiced cool.

What sets Hitch apart from other rom-coms of its era is its big-hearted message: behind every confident exterior, there’s vulnerability, and real connection comes from authenticity. It’s stylish, funny, and doesn’t take itself too seriously—but still manages to land some surprisingly sincere moments.

Will Smith brings effortless charisma, but it's the ensemble that makes the film tick, and its breezy pacing keeps the whole thing light and engaging. Hitch might be formulaic in structure, but it sticks the landing thanks to strong performances and a script that knows when to wink and when to swoon.

Perfect for a date night, guilty pleasure viewing, or just remembering when rom-coms had swagger and sincerity in equal measure. 💘🕶️🕺📓🎬

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where things get a little surreal this week as we juggle fire-eaters, human oddities, and digital freakshows in our Top 5 Circuses in Film and TV. We also run away to the big top with Guillermo del Toro’s noir thriller Nightmare Alley, and finish with the technicolour brain-melt that is The Amazing Digital Circus.

🎪 Top 5 Circuses in Film and TV:

1. The Circus (1928) – Charlie Chaplin’s silent-era classic features The Tramp joining a circus by accident and—naturally—becoming its star. Melancholy and magic in perfect balance.

2. Dumbo (1941) – Disney’s iconic tale of the big-eared elephant is equal parts heart-breaking and heart-warming. A cautionary tale about cruelty under the big top.

3. The Greatest Showman (2017) – Hugh Jackman’s razzle-dazzle musical take on P.T. Barnum’s life is light on facts but heavy on spectacle (and earworms).

4. Nightmare Alley (2021) – Guillermo del Toro paints the circus in grotesque hues in this moody noir where carny life is a gateway to darker temptations.

5. The Amazing Digital Circus (2023– ) – This animated YouTube sensation turns the circus concept inside out, trapping characters in a surreal digital hellscape ruled by a chaotic AI ringmaster. It's wild, weird, and surprisingly poignant.

🎥 Main Feature: Nightmare Alley (2021)

Del Toro’s remake of the 1947 noir is a haunting, slow-burn descent into manipulation, identity, and the rot lurking under showbiz sheen. Bradley Cooper stars as Stanton Carlisle, a drifter who learns the tricks of mentalism at a travelling carnival, only to push the illusion too far in the high-society circuits of New York.

The early circus scenes are packed with atmosphere—muddy tents, geek shows, and broken dreams—and del Toro leans hard into classic noir aesthetics, all velvet shadows and moral ambiguity. Toni Collette, Willem Dafoe, and Rooney Mara round out a strong cast, but it’s Cate Blanchett who steals the second act as a coolly manipulative psychiatrist.

It’s a stylish, cynical fable about ambition, deception, and the masks we wear—under the tent and in the world.

📺 Kids Feature: The Amazing Digital Circus

This one might not be for everyone, but it’s become a phenomenon. Set in a liminal VR prison run by the hyperactive and unhinged Caine, this wildly stylised show follows digital avatars trying to retain their sanity in a world where logic and limbs can bend at any moment.

It’s bright, bizarre, existential, and occasionally terrifying—like ReBoot meets Five Nights at Freddy’s, with a dash of Beetlejuice energy. For older kids and teens into edgy internet humour, it’s compelling, creepy, and oddly emotional.

🎭 Discussion Points:

• Why is the circus such a fertile space for stories about identity, illusion, and reinvention?
• Nightmare Alley as a mirror to both carny life and high society: are they really so different?
• Can a digital circus be more unsettling than a real one?

Whether it's big to

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we travel back to the shadowy underworld of post-revolutionary France with The Emperor of Paris (2018), a gritty historical crime drama that combines lavish period detail with pulpy intrigue and one of France’s most infamous figures—Eugène-François Vidocq.

Directed by Jean-François Richet (Mesrine), The Emperor of Paris stars Vincent Cassel as Vidocq, a real-life criminal turned detective who forged a remarkable path from the depths of prison to become the head of France’s first modern detective agency. This cinematic retelling dramatizes his journey as he battles both the criminal underworld he once ruled and the powerful institutions that mistrust his redemption.

The film excels in its production design, immersing viewers in the dank alleys, foggy courtyards, and grand salons of Napoleonic Paris. The costumes, sets, and atmosphere evoke an oppressive, corrupt society where everyone’s wearing a mask—metaphorically, if not literally.

Cassel brings gravitas and grit to the role of Vidocq, portraying him not as a clean-cut hero but a deeply flawed, resourceful survivor—a man at constant war with his past and those who’d rather see him dead than reformed.

Why It Stands Out

• Vincent Cassel is magnetic as ever, anchoring the film with intensity and quiet menace.
• The action sequences—knife fights in narrow passageways, rooftop chases, and prison breaks—are shot with stylish energy.
• It explores themes of identity, reputation, and redemption, questioning whether a man can ever truly escape his past.

A Dad’s Take

If you like your period dramas with more grime than gloss, The Emperor of Paris delivers. It’s a fascinating look at a real historical figure who straddled both sides of the law. Think Les Misérables with less singing and more stabbing. Not quite a family watch—but definitely one for fans of moody, slow-burn crime epics.

🎩⚔️🇫🇷📜

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we slither into our Top 5 Snakes in movies and TV, and shed our skins with two slinky features: the gritty 2023 Hong Kong action flick The Pig, the Snake and the Pigeon, and a far more family-friendly offering in Patchwork Pals.

Top 5 Snakes in Film & TV

1. Kaa – The Jungle Book (1967/2016)
   Hypnotic eyes, silky voice, and a penchant for wrapping himself around unsuspecting jungle creatures—Kaa is the ultimate slithering villain. Whether voiced by Sterling Holloway or Scarlett Johansson, he leaves a lasting impression.
2. Nagini – Harry Potter series
   Voldemort’s devoted reptilian sidekick and eventual Horcrux, Nagini is both a terrifying presence and a tragic figure with a deeper backstory revealed in Fantastic Beasts.
3. Snake Plissken – Escape from New York (1981)
   OK, not a literal snake—but Kurt Russell’s eye-patched anti-hero is too iconic to leave off. He’s venomous in attitude if not species.
4. The Basilisk – Harry Potter and the Chamber of Secrets (2002)
   A giant snake living in Hogwarts’ plumbing system? Sure. Just don’t look it in the eyes.
5. Sir Hiss – Disney’s Robin Hood (1973)
   This snooty, sycophantic serpent floats around in a basket and gets on everyone’s nerves—just the sort of snake you love to hiss at.

Main Feature: The Pig, the Snake and the Pigeon (2023)

Directed by Wong Ching-po, this brutal neo-noir action thriller tells the story of Mok, a terminally ill gangster who finds out he has only days to live. With nothing left to lose, he sets out on a violent spree to go out in a blaze of infamy. But as his legend grows, so does the bounty on his head—and he becomes prey for a series of contract killers with styles as flamboyant as they are deadly.

With its hyper-stylized violence, morally bankrupt characters, and pitch-black humour, this one is not for the faint of heart. It’s a fever dream of bloodshed, masculinity, and fatalism, with moments that almost border on the surreal. The action choreography is tight, the visuals are stylish, and the tone walks a fine line between grindhouse and art film. There are snakes here—not just the metaphorical kind—and they’re not easy to charm.

Kids TV: Patchwork Pals

In need of something to balance out the darkness? Enter Patchwork Pals, the gentle animated show aimed at preschoolers. Each short episode centres on a different soft toy animal who has a problem—and must find a creative, cooperative solution. The snake in Patchwork Pals is a colourful, friendly creature who isn't scary at all—just a bit stuck and in need of help from their pals.

Wholesome, sweet, and ideal for very young viewers, it’s the kind of thing that soothes minds and teaches emotional intelligence, problem-solving, and kindness.

Whether you’re charmed or chilled, this week’s show is full of bite. 🐍💥👶🎬

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we tackle one of the more provocative and unexpected Southern dramas of the 2000s: Black Snake Moan. Directed by Craig Brewer (coming off the back of Hustle & Flow), this 2006 film is a steamy, blues-soaked morality tale that’s equal parts sweaty melodrama, redemption story, and twisted fairy tale.

Set in the heat-hazed Deep South, the film centres around Lazarus (Samuel L. Jackson), a recently heartbroken, God-fearing bluesman trying to make sense of his life after his wife leaves him. One morning he discovers Rae (Christina Ricci), a beaten, half-naked young woman, lying unconscious on the roadside outside his home.

Rae, it turns out, is in the grip of a destructive form of hypersexuality, fuelled by childhood trauma and exacerbated by the departure of her boyfriend Ronnie (Justin Timberlake), who's been sent off to the military. Convinced that he’s been given a sign from God, Lazarus decides to "cure" Rae of her demons—by chaining her to his radiator and keeping her indoors until she’s healed.

Yes, you read that right.

 Samuel L. Jackson gives one of his more underrated performances here, dialling down the swagger and leaning into quiet intensity. Christina Ricci is absolutely fearless—vulnerable, unhinged, and magnetic. Together, their dynamic is unpredictable and uncomfortable, but strangely compelling.

Black Snake Moan is not one for a casual Friday night with the kids. It’s adult in every sense—narratively, thematically, and visually. But for those looking for a film that gets under the skin, challenges moral assumptions, and leans into some serious swampy weirdness, it’s worth the plunge.

It’s also a rare thing: a redemption story that’s not afraid to be messy, ambiguous, and morally murky. You might not love it, but you probably won’t forget it.

Like the blues songs it honours, Black Snake Moan is raw, aching, and full of contradictions. It’s about broken people trying to find healing in a world that doesn’t offer easy answers. Misunderstood by some, championed by others, it’s a film that howls with pain but hums with strange hope.

🎸⛓️🔥🌾👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

🎬 Miracle Mile (1988)

Welcome back to Bad Dads Film Review! This week we’re taking a trip back to the late ’80s for a cult favourite that defies expectations and genre conventions: Miracle Mile. Written and directed by Steve De Jarnatt, this 1988 thriller starts like a quirky romantic comedy before turning into a full-blown apocalyptic nightmare. It’s a film that asks a terrifying question: what would you do if you knew the world was ending—in 70 minutes?

Harry (Anthony Edwards), a sweet, slightly awkward musician, meets Julie (Mare Winningham) in Los Angeles and sparks fly. They arrange to meet later that night, but fate intervenes when Harry accidentally sleeps through his alarm. Arriving at the diner hours late, he’s met with confusion—until a random call on a payphone changes everything.

The caller, believing he’s reached his father, is panicked: nuclear war is imminent. The U.S. has already launched its missiles and retaliation is on the way. Harry suddenly has the burden of knowing the world may end in just over an hour—and worse still, nobody believes him.

The film unfolds in real-time as Harry tries to find Julie and escape the city, all while chaos slowly blooms around them. The once-quirky atmosphere turns dark, frantic, and despairing, as Los Angeles begins to tear itself apart in anticipation of annihilation.

 Underrated in its time, Miracle Mile has grown a strong cult following thanks to its uncompromising narrative and haunting synth-heavy Tangerine Dream score. It’s one of those films you watch once and can’t quite shake.

Miracle Mile isn’t one for the kids. The growing sense of dread, sudden violence, and bleak ending make it better suited to older teens and adults who can appreciate its boldness and craft. It’s a film about the end of the world—on a very human scale.

It also feels eerily prescient in the age of social media, misinformation, and global anxiety. The panic is contagious, and the idea that everything could fall apart in a matter of minutes hits harder than ever.

A strange, sad, and singular film, Miracle Mile is one of the great what-would-you-do thrillers. It doesn’t offer easy answers or comforting closure, but what it does provide is a uniquely gripping vision of love, fear, and impending doom. A true '80s oddity that’s well worth rediscovering.

💥🕒📞🌆👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we’re dusting off the golf clubs and heading to the green for one of Adam Sandler’s most beloved and chaotic comedies: Happy Gilmore. Directed by Dennis Dugan and released in 1996, this sports-comedy cult classic swings hard with juvenile gags, unexpected heart, and more fistfights than you’d ever expect in a golf movie.

Happy Gilmore (Sandler) is a failed hockey player with a temper problem and a surprisingly powerful slapshot. After discovering that his unique (and deeply unorthodox) swing can drive a golf ball the length of a football field, he stumbles into the PGA tour—not out of love for the sport, but to raise money to save his beloved grandmother’s house from foreclosure.

But golf, as it turns out, is full of smug pros, snooty country clubs, and unspoken rules. Happy’s arrival—complete with loud trousers, foul language, and literal wrestling moves—ruffles feathers, especially with tour golden boy Shooter McGavin (a scene-stealing Christopher McDonald), who quickly becomes Happy’s nemesis.

With the help of former pro Chubbs Peterson (Carl Weathers, complete with a wooden hand) and love interest/publicist Virginia Venit (Julie Bowen), Happy sets out to conquer golf in his own anarchic way. There’s also an unforgettable appearance from Bob Barker—yes, that Bob Barker—in one of the most unexpected and hilarious cameos in movie history.

Happy Gilmore is probably best suited to older kids and teens thanks to the language and violence (including a man being hit by a Volkswagen and another being mauled by an alligator). But for grown-up kids of the ’90s, it’s a nostalgic gem that still delivers laughs—often in spite of itself.

It’s not highbrow, it’s not subtle, and it’s certainly not refined, but it knows exactly what it is: a hilarious, scrappy underdog sports comedy with a foul mouth and a huge heart.

Happy Gilmore is loud, juvenile, and a little bit stupid—and that’s exactly why it works. It’s a goofy celebration of doing things your own way, sticking it to pompous gatekeepers, and punching your way to success… even on the golf course. Fore! ⛳️👊👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

🎬 Missouri Breaks: The Ballad of Missouri Bill (2024)

Welcome back to Bad Dads Film Review! This week we’re heading west—way west—with a striking little indie feature that punches well above its weight: Missouri Breaks: The Ballad of Missouri Bill. Directed by Jarrod Christman and Weston Grillo, this 2024 low-budget Western was filmed entirely in the Idaho wilderness and tells a stripped-back, gritty story of one man’s battle with his past and the unforgiving land around him.

Set in the Idaho Territory in 1880, we follow the quiet, haunted figure of Missouri Bill—played with quiet intensity by Jon Grillo—a veteran of the Civil War who’s fled the violence of the East for a new life out West. But peace proves elusive. When a ghost from Bill’s bloody past emerges in the form of a mysterious pursuer, he’s forced to confront both physical and psychological demons in a brutal showdown that’s as much about memory as it is survival.

Shot on location with a local cast and crew, this film leans into its limitations. There’s no grandiose shootouts or sweeping vistas here—just dusty trails, tense silences, and character-driven storytelling. The production design is minimalist but authentic, and the cinematography makes excellent use of the rugged Idaho landscape. The music—written and performed by director Jarrod Christman—underscores the mournful tone, adding a real sense of place and mood.

Though made on a shoestring budget, Missouri Breaks: The Ballad of Missouri Bill is all about doing more with less. It's a quiet film, meditative in places, but with sharp edges. Think The Assassination of Jesse James on a micro-budget. The story isn’t breaking new ground, but its sincerity and focus on internal conflict give it emotional weight. And while the dialogue is sparse, the performances—particularly Grillo’s—carry the emotional load with surprising depth.

This one may fly under the radar for most, but for fans of the genre—or anyone who appreciates a slow-burn indie drama with a dusty heart—this is well worth your time. It’s rough, it’s raw, and it’s got a heart as heavy as a saddlebag full of regrets.

Final Verdict:
A rugged, introspective indie Western that favours mood and character over action and spectacle. One for the lonesome cowboy in all of us. 🤠🌄👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we take the red pill and tumble down the rabbit hole into the genre-defining cyberpunk classic that is The Matrix (1999). Prepare for slow-mo shootouts, existential dread, and the most influential sunglasses in cinema history.

Written and directed by the Wachowskis, The Matrix dropped like a black-leather-clad bomb on the sci-fi landscape in 1999 and changed the game forever. Keanu Reeves stars as Neo, a disillusioned computer hacker who learns that his reality is a simulated construct designed by sentient machines to subjugate humanity. Waking up to the "real world" — a dystopian nightmare where humans are harvested for energy — Neo is recruited by the mysterious Morpheus (Laurence Fishburne) and the fiercely cool Trinity (Carrie-Anne Moss) to help fight back.

The plot may be straight out of a philosophy seminar, but it’s delivered with style, intensity, and more bullet-time than you can dodge.

It turns out the dads still know kung fu. Revisiting The Matrix was a treat — we all had memories of our minds being blown by it the first time around, and it's still astonishing how well it holds up. While the sequels sparked debate, this original entry is tight, clever, and endlessly entertaining. A particular highlight was rediscovering how well the film balances its heady concepts with genuine emotion and momentum.

We couldn’t help but chuckle at the turn-of-the-millennium cool factor, but there’s no denying that The Matrix still feels cool — and crucially, smart. It walks the line between popcorn blockbuster and brainy thriller with serious finesse.

The Matrix remains one of the most influential films of the last 30 years. It changed action cinema, reshaped science fiction, and made philosophy sexy — all while kicking ass in slow motion. Whether you’re here for the kung fu, the coding metaphors, or just to watch Agent Smith get punched in the face, there’s always a reason to plug back in.

💊🖥️⛓️👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we lock, stock, and double-tap our way into the gloriously over-the-top world of Hot Fuzz (2007), the second film in Edgar Wright’s beloved Cornetto Trilogy. With an outrageous body count and a razor-sharp script, it’s a love letter to action movies — by way of twee English village life.

Directed by Edgar Wright and written by Wright and Simon Pegg, Hot Fuzz stars Simon Pegg as Nicholas Angel, a no-nonsense London supercop who’s so good at his job that he’s making everyone else look bad. As a result, he’s reassigned to the sleepy village of Sandford, where crime seems suspiciously low — and the residents suspiciously Stepford.

Teamed up with the bumbling but big-hearted PC Danny Butterman (Nick Frost), Angel initially struggles with Sandford’s slower pace — until a series of grisly “accidents” reveals something darker lurking beneath the surface. Cue a rampage of pensioners, hidden agendas, and a spectacular finale with more gunfire than the M25 at rush hour.

This is one we could all agree on: Hot Fuzz is a near-perfect comedy that rewards repeat viewings. It’s cleverly constructed, endlessly quotable (“The greater good!”), and absolutely packed with details that make it a joy to dissect. Whether you’re a fan of action movies, British humour, or seeing Timothy Dalton with a smug smile and a hedge trimmer, there’s something here for you.

Hot Fuzz takes the quiet menace of rural England and sets it ablaze with blockbuster spectacle and sharp comedy. It’s both homage and original, firing on all cylinders from start to finish. If you like your action with a side of Bakewell tart and local shop for local people energy, this one’s a must-watch.

🚔🧨🌳👮‍♂️👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we take a look at the explosive and controversial biopic Machine Gun Preacher (2011), directed by Marc Forster and starring Gerard Butler. It’s the story of one man’s radical transformation from violent criminal to war-zone humanitarian — and yes, it’s exactly as subtle as it sounds.

🎬 Main Feature: Machine Gun Preacher (2011)

Gerard Butler stars as Sam Childers, a former drug-dealing biker who finds religion, cleans up his act, and then takes on a much bigger mission: fighting warlords in Sudan to protect orphaned children. It’s an incredible true story — emphasis on incredible — based on Childers' memoir Another Man’s War.

Childers, after a spiritual awakening, travels to East Africa and builds an orphanage on the frontlines of a brutal civil war. As he witnesses the atrocities committed by the Lord’s Resistance Army (LRA), he becomes increasingly militant, armed with both a Bible and a machine gun. The film asks: Can violent action be justified in the name of good?

This one left us mixed. There’s no denying the story’s power — a man tries to make good by fighting evil in its rawest form. But the film’s lack of subtlety, uneven pacing, and one-note characters made it tough to connect emotionally. It wants to be gritty and spiritual at the same time, but often ends up caught between a sermon and a shootout.

Still, there’s something undeniably compelling about the real-life Sam Childers, and the movie does manage to provoke thought, even if it doesn’t always land gracefully.

Machine Gun Preacher is part faith-based redemption arc, part action-revenge flick, and it doesn’t always reconcile the two. It’s bold, loud, and full of conviction — much like its protagonist — but whether it inspires or exhausts may depend on your taste for moral ambiguity served with automatic weapons.

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review, where this week we’re taking a neon-lit, blood-soaked trip through the moody underworld of Bangkok with Nicolas Winding Refn’s Only God Forgives (2013). If you thought Drive was a stylish slow burn, this one cranks up the stillness, strips back the dialogue, and drops you into a hallucinatory revenge opera that’s equal parts mesmerizing and maddening.

Ryan Gosling stars as Julian, a quiet, emotionally blank drug smuggler running a Muay Thai gym as a front in Bangkok. When his volatile brother Billy is murdered for committing an unspeakable crime, their monstrous mother Crystal (Kristin Scott Thomas) arrives in town demanding vengeance. Julian is reluctantly pulled into a spiral of violence and surreal symbolism, facing off against Chang (Vithaya Pansringarm), a sword-wielding police lieutenant who dispenses his own brutal, godlike justice.

 Refn drenches the screen in glowing reds and deep shadows, pairing every scene with an eerie, droning score from Cliff Martinez. The film is light on plot and even lighter on dialogue—Gosling speaks fewer than 20 lines—but the atmosphere is thick enough to cut with a katana.

Only God Forgives is a fever dream of a film—icy cold yet visually scorching. It’s like a revenge thriller that’s been put through a Lynchian blender, leaving behind a hushed, haunted meditation on masculinity, vengeance, and judgement. If you want action, go elsewhere. If you want mood and madness, step right in.

💥⚔️🇹🇭👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we're diving whiskers-first into the utterly bonkers, wildly inventive indie oddity that is Hundreds of Beavers — a film that may be about trapping furry woodland critters but ends up capturing something much rarer: pure, anarchic cinematic joy.

Directed by Mike Cheslik and starring frequent collaborator Ryland Brickson Cole Tews, Hundreds of Beavers is a near-silent, black-and-white slapstick adventure set in a surreal 19th-century frontier. It follows a hapless, hard-drinking applejack salesman (Tews) who finds himself stranded in a snowy wilderness and must learn the ways of the wild—specifically how to trap beavers—in order to survive, thrive, and maybe even win the heart of a fur trader’s daughter.

What makes this film stand out isn’t just its lo-fi commitment to absurdity—it’s the hand-crafted world of practical effects, person-in-costume beavers, and cartoon physics that turn it into a live-action Looney Tunes episode by way of Buster Keaton.

🧊 Why We Loved It

• Slapstick Supremacy: Tews delivers a physical performance that channels Chaplin, Keaton, and even a little Mr. Bean. It’s a film where a single man getting smacked in the face by an anthropomorphic beaver trap is not just funny—it’s art.
• Pure Visual Comedy: There’s barely a word of dialogue, but it doesn't matter. The storytelling is crystal clear through a perfect blend of timing, performance, and imaginative visuals. It’s modern silent cinema done right.
• DIY Wonder: This is microbudget filmmaking at its most inspired. The inventiveness and sheer commitment of the cast and crew to an utterly ridiculous premise makes this a cult classic in the making.
• A Celebration of the Absurd: From farting outhouses to exploding traps to a cast of fully costumed beavers engaging in battle, this is a film that leans all the way into its nonsense, but never loses sight of structure or charm.

Hundreds of Beavers is a joyous, gonzo achievement—a slapstick snowstorm of ingenuity, beaver costumes, and frontier lunacy. It doesn’t take itself seriously, but it seriously delivers on laughs, creativity, and heart. Whether you're a connoisseur of physical comedy or just want to see a man wage war against the local fauna in increasingly unhinged ways, this is a film that rewards the curious.

It’s not just one of the most original comedies we’ve seen recently—it’s one of the most original films full stop. 🦫❄️🎬

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This episode swings open some metaphorical and literal portals as we explore our Top 5 Gates in film and TV, take aim with the tense WWII drama Enemy at the Gates, and finish off with an animated sci-fi detour through Stargate Infinity.

🎯 Top 5 Gates

1. The Gate (1987) – A cult horror favourite where kids accidentally open a portal to a hellish dimension in their backyard. Lesson learned: don’t play records backwards.
2. Stargate (1994) – The OG interstellar gateway. A ring-shaped relic that opens up a wormhole to another world and kicked off a massive franchise. A literal game-changer.
3. Heaven’s Gate (1980) – Famously one of the biggest flops in cinema history (but with a critical reappraisal in recent years), Michael Cimino’s ambitious Western tackled big themes and cost even bigger bucks.
4. Hell’s Gate (Constantine, 2005) – Whether in comics or Keanu Reeves’ stylish supernatural noir, the concept of opening the gate to hell has never looked cooler (or more dangerous).
5. Jurassic Park’s Gate – “Welcome… to Jurassic Park.” Those massive doors swing open, John Williams' music swells, and cinematic history is made.

🎥 Main Feature: Enemy at the Gates (2001)

Directed by Jean-Jacques Annaud, this WWII epic sets its sights on the Battle of Stalingrad through the scope of famed Soviet sniper Vasily Zaitsev (Jude Law). In the ruins of the war-torn city, Vasily becomes a national hero, his legend weaponised as Soviet propaganda. But his true test comes in a deadly cat-and-mouse game against Major König (Ed Harris), an elite German marksman sent to eliminate him.

The film excels in creating an oppressive, rubble-filled atmosphere where every movement could be your last. Law plays Zaitsev with quiet resolve, while Harris brings ice-cold precision to his Nazi counterpoint. Though not entirely historically accurate, the film blends tension, romance, and war spectacle into a compelling drama.

👽 Kids/TV Feature: Stargate Infinity (2002–2003)

The Stargate franchise’s lone animated outing aimed at younger audiences, Infinity takes place 30 years after the original film. A new team of cadets and their alien allies must travel through the Stargate to find the truth about a mysterious alien artifact, while being pursued by evil forces trying to stop them.

Though short-lived (just one season), Infinity expands the Stargate universe into new territories, focusing on teamwork, intergalactic ethics, and colourful, kid-friendly action. It didn’t achieve the cult status of SG-1 or Atlantis, but it remains an interesting chapter for completists.

Whether it's opening up ancient wormholes, sneaking through war-torn ruins, or accidentally unleashing demonic forces in your back garden, gates in storytelling are rarely just about what’s on the other side—they’re about what gets let in. Step through with us, if you dare. 🔫🚪🌌🎬

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This week, we’re paging through the murky corridors of mystery, rare books, and Satanic secrets with Roman Polanski’s atmospheric thriller The Ninth Gate (1999). Adapted from Arturo Pérez-Reverte’s novel The Club Dumas, the film stars Johnny Depp as Dean Corso, a rare book dealer whose latest assignment drags him deep into a web of occult intrigue.

Setting the Scene: Leather Bindings and Hidden Symbols

Dean Corso is a sleazy but skilled rare book expert hired by the wealthy and enigmatic Boris Balkan (Frank Langella) to authenticate one of the few remaining copies of The Nine Gates of the Kingdom of Shadows, a 17th-century tome said to summon the Devil himself. Balkan believes only one of the copies is genuine, and he tasks Corso with traveling across Europe to examine all three. As Corso delves deeper, people connected to the books start turning up dead, and he finds himself pursued by cultists, a mysterious woman with supernatural abilities (Emmanuelle Seigner), and his own growing paranoia.

Part noir detective story, part supernatural thriller, The Ninth Gate moves at a deliberately slow pace, building dread and unease through long shadows, whispered dialogue, and a creeping sense of danger. The mystery surrounding the book’s origin and the authenticity of its illustrations becomes Corso’s obsession. Each encounter along his journey offers new clues—or misdirections—about the book’s true purpose, and whether the devil himself is guiding Corso’s path.

The film culminates in a quiet but unsettling resolution that subverts expectations. It’s less about explosive revelations and more about slow, unnerving transformation, with Corso’s character gradually shifting from skeptic to something far more… initiated.

At its core, The Ninth Gate explores the timeless Faustian dilemma—how far one will go in pursuit of forbidden knowledge. Corso is less driven by belief than by greed and curiosity, but his journey reveals how seductive and consuming power can be. The book becomes a mirror reflecting the soul of each seeker, with deadly results for those who aren't worthy—or perhaps not wicked enough.

Not one for younger viewers, this is a slow-burn adult thriller with a strong sense of place and purpose. The Ninth Gate rewards patience and attention, especially for fans of mysteries, the occult, or anyone who’s ever gotten lost in a bookshop and wondered what might be lurking in the rarest of volumes.

So light a candle, pour a brandy, and dust off your first edition—because The Ninth Gate invites you into a world where stories hold secrets and books just might bite back. 📚🔥🕯️

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! In this episode, we’re diving into a trio of "the"-titled features, starting with our Top 5 Definite Articles in film and TV, followed by a look at Steven Spielberg’s semi-autobiographical drama The Fabelmans, and rounding off with the delightful antics of The Smurfs.

Top 5 Definite Articles in Film and TV:

1. The Godfather (1972) - A cinematic masterpiece that redefined the crime genre and gave us one of the most iconic characters in film history, Don Vito Corleone.
2. The Dark Knight (2008) - Christopher Nolan’s gritty take on Gotham’s hero brought depth, realism, and a legendary performance from Heath Ledger as the Joker.
3. The Office (2005-2013) - A sitcom that revolutionized mockumentary-style comedy and introduced the world to Michael Scott’s awkward brilliance.
4. The Thing (1982) - John Carpenter’s chilling horror-thriller remains a benchmark for practical effects and paranoia-driven storytelling.
5. The Matrix (1999) - A sci-fi classic that questioned reality and revolutionized action choreography with its "bullet time" visuals.

Main Feature: The Fabelmans (2022)
Directed by Steven Spielberg, The Fabelmans is a semi-autobiographical film that reflects on the legendary filmmaker’s own life, capturing the wonder, complexity, and challenges of growing up in a family where art and reality often intersect. Gabriel LaBelle stars as Sammy Fabelman, a young boy enchanted by the power of cinema, with Michelle Williams and Paul Dano portraying his loving but imperfect parents.

Set in the 1950s and 60s, the film chronicles Sammy’s discovery of filmmaking and his growing passion amidst family tensions and personal dilemmas. Spielberg crafts a deeply personal story that explores how art can be an escape, a confrontation, and a way of understanding the world. With a blend of nostalgia and emotional depth, The Fabelmans showcases the director’s love for the medium while delving into the challenges of family life. It’s a celebration of creativity, dreamers, and the power of storytelling.

The Smurfs
For the little ones (and the young at heart), The Smurfs bring a mix of charm, humour, and life lessons. Originally created by Belgian cartoonist Peyo, the tiny blue characters have enchanted audiences for generations. The 1980s animated series and subsequent films follow Papa Smurf, Smurfette, Brainy, and their fellow Smurfs as they navigate the magical forest, often thwarting the evil plans of the bumbling wizard Gargamel and his cat Azrael.

These pint-sized adventurers deliver plenty of laughs, but the stories often come with underlying messages about cooperation, kindness, and problem-solving. Whether through the classic cartoon or recent movies, The Smurfs remain a colorful and fun escape.

This episode dives deep into the importance of the small things—whether it’s a single word that gives a title its iconic flair, a passion for filmmaking that shapes a life, or little blue creatures teaching big lessons. Stay tuned for a blend of reflection, nostalgia, and

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode, we’re stepping into the eerie and unsettling world of The Mist (2007), a harrowing adaptation of Stephen King’s novella directed by Frank Darabont. Known for adapting King’s works with finesse (The Shawshank Redemption, The Green Mile), Darabont delivers a tense, claustrophobic horror film that dives deep into human nature when fear and desperation take hold.

Setting the Scene: Monsters in the Mist

The story begins in the small town of Bridgton, Maine, where a violent storm causes a power outage. Artist David Drayton (Thomas Jane) and his young son Billy (Nathan Gamble) venture into town for supplies, along with their neighbour Brent Norton (Andre Braugher). As a mysterious mist rolls in, trapping them and other townspeople in a supermarket, it becomes clear that terrifying, deadly creatures lurk in the fog.

But the true horror emerges not from the creatures outside but from the growing paranoia, fear, and fanaticism inside the store. The group splinters as Mrs. Carmody (Marcia Gay Harden), a religious zealot, gains followers by declaring the mist an act of divine retribution. Tensions rise, and survival becomes as much about navigating human threats as it is about avoiding the nightmarish creatures.

Why It Stands Out

1. Psychological Horror Over Monsters:
   The Mist isn’t just about creepy creatures—it's a study of how fear can turn people against each other. The tension is unrelenting, and the real danger becomes the people succumbing to fear and fanaticism.
2. That Ending:
   The gut-wrenching, bleak finale remains one of the most divisive and shocking in horror film history. Deviating from King’s original ending, Darabont delivers a twist so nihilistic it haunts viewers long after the credits roll.
3. Powerful Performances:
   Thomas Jane shines as a desperate father trying to protect his son, while Marcia Gay Harden’s Mrs. Carmody is an unsettling portrayal of religious extremism. The supporting cast, including Toby Jones and William Sadler, bring depth and authenticity to their roles.
4. Atmosphere and Tension:
   The supermarket setting is a perfect microcosm of societal collapse. Claustrophobic, tense, and rife with dread, the film captures the mounting hysteria and desperation.

A Dad’s Take

The Mist is a great watch for horror fans, but it’s not just about monsters. It’s a disturbing exploration of human nature, moral dilemmas, and the choices we make when all hope seems lost. It’s a reminder that sometimes, the scariest monsters are the ones inside us.

Final Thoughts

Frank Darabont’s The Mist is a horror film that lingers long after viewing. It’s terrifying, tragic, and thought-provoking, delivering a uniquely unsettling experience. For dads who appreciate psychological horror and impactful storytelling, it’s a must-watch—just don’t expect a happy ending.

So, join us as we venture into the mist, dissecting the film’s themes, unforgettable moments, and that notorious ending. It’s Bad Dads Film Review at its darkest! 🌫️👹🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode, we’re diving into the Top 5 Tarantino Moments, revisiting the high-stakes drama of ER, and wrapping up with some animated sci-fi fun with Duck Dodgers.

Top 5 Tarantino Moments

Quentin Tarantino has given us some of the most unforgettable moments in modern cinema. His signature mix of sharp dialogue, brutal violence, and unexpected humor makes his films stand out. Here are five of his most iconic moments:

1. The “Royale with Cheese” Conversation – Pulp Fiction (1994)
   Before anything even happens, Vincent (John Travolta) and Jules (Samuel L. Jackson) discuss European fast food with absurd detail, setting the tone for Tarantino’s unique blend of casual conversation and impending violence.
2. The Tavern Standoff – Inglourious Basterds (2009)
   What starts as a simple undercover mission turns into a slow-burn, tension-filled masterpiece. The suspense, the performances, and that final explosion of violence make this one of Tarantino’s greatest scenes.
3. Mr. Blonde’s Dance – Reservoir Dogs (1992)
   Michael Madsen’s sadistic yet strangely charming dance to Stuck in the Middle with You before torturing a cop is pure Tarantino—cool, unsettling, and unforgettable.
4. The Bride vs. The Crazy 88 – Kill Bill: Volume 1 (2003)
   Uma Thurman’s battle against a seemingly endless wave of sword-wielding assassins is one of the greatest action sequences in modern cinema, complete with Tarantino’s love for stylized violence.
5. Candyland Dinner – Django Unchained (2012)
   Leonardo DiCaprio’s chilling performance as Calvin Candie reaches its peak during this tense dinner scene. The reveal of Django’s plan and the real-life glass-smashing moment make this unforgettable.

Main Feature: ER

Before Tarantino became a household name, he directed an episode of ER in 1995 titled Motherhood. While he didn’t get to add any of his trademark bloodbaths, his influence is evident in the episode’s fast-paced, chaotic energy, whip-smart dialogue, and stylish camera work.

Beyond Tarantino’s contribution, ER was one of the defining medical dramas of the ‘90s and early 2000s. It delivered intense, emotionally charged episodes with a cast led by George Clooney, Julianna Margulies, and Noah Wyle. The series set the gold standard for hospital dramas, balancing medical realism with compelling character arcs.

Kids Feature: Duck Dodgers

Shifting gears completely, we end this episode on a lighter note with Duck Dodgers, the hilarious sci-fi spin on Daffy Duck’s adventures. Originally appearing in the 1953 short Duck Dodgers in the 24½th Century, the series expanded in the early 2000s, bringing us more of Daffy’s over-the-top antics as an incompetent space hero battling the evil Martian Commander.

Final Thoughts

From Tarantino’s most iconic moments to high-stakes hospital drama and Looney Tunes in space, this episode has something for everyone. So grab a

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode, we’re diving into one of Quentin Tarantino’s most underrated films—Jackie Brown (1997). Adapted from Elmore Leonard’s novel Rum Punch, this crime thriller showcases Tarantino’s signature style but with a more mature and restrained approach compared to Pulp Fiction or Reservoir Dogs.

Setting the Scene: A Game of Survival

Pam Grier stars as Jackie Brown, a flight attendant caught smuggling money for arms dealer Ordell Robbie (Samuel L. Jackson). When she’s busted by the ATF, she finds herself caught between law enforcement and Ordell, who won’t hesitate to eliminate loose ends. With the help of bail bondsman Max Cherry (Robert Forster), Jackie hatches a plan to outmanoeuvre both sides and secure her own future.

Why It Stands Out

• Pam Grier’s Iconic Performance – A true 70s blaxploitation star, Grier delivers a powerhouse performance that cements Jackie Brown as one of Tarantino’s best-written characters.
• Samuel L. Jackson as Ordell Robbie – Charismatic, chilling, and endlessly quotable, Jackson’s villain is both funny and terrifying.
• Robert Forster’s Career Revival – As the world-weary Max Cherry, Forster brings a grounded, heartfelt presence that earned him an Oscar nomination.
• A Different Tarantino – While still packed with sharp dialogue and memorable characters, Jackie Brown leans more into slow-burn tension and character depth rather than hyper-stylized violence.
• Elmore Leonard’s Influence – The film stays true to the novel’s sharp plotting and richly drawn characters, making for a crime thriller with real emotional weight.

Themes: Trust, Betrayal, and Second Chances

Unlike Tarantino’s usual revenge-driven stories, Jackie Brown is about survival and reinvention. Jackie isn’t looking for payback—she’s trying to carve out a better life for herself in a world stacked against her. The film explores aging, regret, and loyalty, particularly in Jackie’s dynamic with Max Cherry, whose quiet admiration adds an unexpected layer of romance.

A Dad’s Take

Jackie Brown is a must-watch for fans of Tarantino, crime thrillers, and smartly written characters. While it may not have the explosive action of his other films, it offers something even better—a masterfully crafted, character-driven story with a killer soundtrack and one of the coolest leading ladies in cinema.

So, grab a beer, settle in, and join us as we unpack one of Tarantino’s finest films on Bad Dads Film Review! 🎬🍹💼

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This episode is all about impact—whether it’s an explosive moment, a game-changing victory, or the sitcom that kept audiences laughing for over a decade. We kick things off with our Top 5 Bangs, followed by a review of Champions (2023), and wrap up with a nostalgic dive into The Big Bang Theory.

Top 5 Bangs

This week, we count down the most memorable bangs in pop culture. Whether it’s an earth-shattering explosion, a legendary sports moment, or even an iconic hairstyle (yes, we’re looking at you, Zooey Deschanel), we’ve got a line-up of impactful moments that left a lasting impression. Expect some heated debate as we narrow down our favourites!

Champions (2023) – Underdogs with Heart

Directed by Bobby Farrelly, Champions stars Woody Harrelson as Marcus, a disgraced minor league basketball coach who, after a run-in with the law, is sentenced to community service coaching a team of players with intellectual disabilities. What starts as an obligation turns into a heartfelt journey as Marcus learns more from his team than he ever imagined.

Why It Stands Out:

• Heartfelt Performances – Harrelson brings his usual charm, but it’s the cast of players who truly steal the show, delivering authentic and inspiring performances.
• Balancing Comedy and Emotion – The film avoids stereotypes and instead focuses on genuine relationships and growth, making for a feel-good yet meaningful experience.
• A Classic Underdog Story – If you love sports movies that blend humour with heartfelt moments, Champions delivers in spades.

The Big Bang Theory – A Sitcom Phenomenon

Running for 12 seasons (2007–2019), The Big Bang Theory followed the lives of socially awkward physicists Leonard and Sheldon, their equally quirky group of friends, and their interactions with Penny, the aspiring actress next door.

Why It Left a Mark:

• Geek Culture Goes Mainstream – The show made science, comic books, and nerd culture cool, bringing references to Star Wars, Dungeons & Dragons, and more into the mainstream.
• Sheldon Cooper’s Legacy – Jim Parsons’ portrayal of Sheldon became one of TV’s most iconic characters, leading to the spinoff Young Sheldon.
• A Long-Lasting Impact – With its mix of smart humor and heartfelt friendships, The Big Bang Theory remains one of the most beloved sitcoms of all time.

Final Thoughts

This episode is all about big moments, big emotions, and big laughs. From explosive bangs to underdog victories and geeky sitcom greatness, there’s plenty to discuss. So grab your popcorn and join us as we break it all down on Bad Dads Film Review! 🎬🏀💥📺

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode takes us to the heart of small-town America as we lace up our sneakers and hit the court for a review of Hoosiers (1986)—a beloved sports drama that captures the underdog spirit like few others. Whether you're a basketball fanatic or just love a good redemption story, this classic film is packed with emotion, grit, and unforgettable moments.

Directed by David Anspaugh and starring Gene Hackman, Hoosiers is the ultimate underdog story, inspired by the real-life 1954 Indiana state championship win of Milan High School. The film perfectly captures the essence of small-town basketball, where the sport is more than just a game—it’s a way of life.

Norman Dale (Gene Hackman) arrives in the tiny town of Hickory, Indiana, with a troubled past and a chance at redemption. Tasked with coaching the high school basketball team, he quickly faces resistance from the town’s passionate residents, who are sceptical of his tough, unconventional methods.

As he attempts to mold his players into a disciplined, team-first unit, Dale finds an unlikely ally in Shooter (Dennis Hopper), the town drunk and father of one of the players. Together, they battle personal demons and community pressure, leading the Hickory Huskers on an improbable journey to the state championship.

At its core, Hoosiers is about more than just basketball. It’s about resilience, discipline, and the power of believing in yourself—even when others doubt you. It also explores the way a community rallies behind its team, making it a deeply personal story for many viewers.

From last-second buzzer-beaters to the struggles of redemption, Hoosiers is a film that continues to inspire generations. Whether you’re a die-hard basketball fan or just love a well-told underdog story, it’s a movie that proves heart and determination can take you further than anyone ever expected.

So grab your playbook, rally the team, and join us for another classic review! 🏀🎬👏🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

In this episode, we venture into the deep, mysterious world of Top 5 Forests in Film, before tackling two very different but equally gripping movies—The Stronghold (Bac Nord) (2020), a tense French crime thriller, and Giant Jack, a fresh take on the classic fairy tale. Whether it’s the lawless streets of Marseille or a land above the clouds, this episode has something for everyone.

Top 5 Forests in Film

1. Fangorn Forest – The Lord of the Rings: The Two Towers (2002)
   The home of the Ents, Fangorn Forest plays a key role in the battle against Saruman. With its ancient, sentient trees, this woodland feels alive in every sense.
2. The Forbidden Forest – Harry Potter Series (2001–2011)
   A magical (and dangerous) place filled with centaurs, giant spiders, and hidden secrets, making it one of the most memorable locations in the Harry Potter universe.
3. Sherwood Forest – Robin Hood: Prince of Thieves (1991)
   This legendary forest serves as the hideout for Robin Hood and his band of outlaws as they fight against oppression and tyranny.
4. Aokigahara (The Suicide Forest) – The Forest (2016)
   Based on Japan’s infamous real-life location, this eerie and unsettling forest is the setting for a chilling supernatural horror story.
5. Pandora’s Bioluminescent Forest – Avatar (2009)
   James Cameron’s vision of an otherworldly jungle is breathtaking, filled with glowing flora and deeply connected to the Na’vi way of life.

The Stronghold (Bac Nord) (2020)

This intense French crime thriller, directed by Cédric Jimenez, delivers a raw and unfiltered look at law enforcement in the high-crime districts of Marseille.

Based on true events, The Stronghold follows a trio of police officers—Greg (Gilles Lellouche), Yass (Karim Leklou), and Antoine (François Civil)—who operate in one of Marseille’s most dangerous neighborhoods. Frustrated by the lack of resources and overwhelmed by the escalating violence, they resort to morally questionable methods to get the job done. However, their desperation leads them down a path that threatens to destroy their careers and their lives.

The film explores the blurred line between justice and corruption, showing how the system can sometimes push good people into bad decisions. It’s a thought-provoking look at the ethical dilemmas faced by those tasked with maintaining law and order.

Giant Jack (2024)

 Created by Max Keane and produced by Netflix, Giant Jack is a heart-warming animated series about a boy and his best friend—a big, lovable garbage truck. 

Hank, a six-year-old with a big imagination, spends his days exploring the world with his best friend, Trash Truck. Whether it’s helping out around town or going on fantastical adventures, their friendship fuels endless fun and learning experiences.

The series encourages kids to find joy in the little things—whether it’s playing out

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

In this episode, we dive into the gripping world of espionage with A Most Wanted Man (2014), a tense and thought-provoking thriller based on the novel by John le Carré. Featuring a powerhouse performance by Philip Seymour Hoffman in one of his final roles, the film explores the murky moral territory of counterterrorism and intelligence work in a post-9/11 world.

Directed by Anton Corbijn, A Most Wanted Man takes us into the shadowy world of international espionage, set in the bustling port city of Hamburg, Germany—a crucial location in the intelligence community, especially after the 9/11 attacks.

The film follows Günther Bachmann (Philip Seymour Hoffman), a weary but brilliant German intelligence officer leading a covert team tasked with tracking down potential terrorist threats. His latest target is Issa Karpov (Grigoriy Dobrygin), a Chechen refugee with possible extremist ties, who seeks asylum and access to a significant inheritance.

As various players—including a determined human rights lawyer (Rachel McAdams), a wary banker (Willem Dafoe), and interfering American intelligence operatives—become entangled in the case, Bachmann is forced to navigate a treacherous web of political manoeuvring and ethical dilemmas.

This isn’t your typical spy thriller—it’s a thinking person’s espionage film, perfect for fans of John le Carré’s work or anyone who enjoys intricate, morally ambiguous storytelling. While it may be too slow-paced for younger audiences, it’s a gripping watch for those who appreciate substance over spectacle.

With its intelligent script, stellar performances, and unsettlingly realistic take on modern espionage, A Most Wanted Man is a must-watch for fans of tense, character-driven thrillers. So grab a stiff drink, light a cigarette (if you must), and join us as we unravel the shadowy world of international intelligence. 🎬🔍🕵️‍♂️🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode takes us on a journey through grand castles and mystical kingdoms as we dive into the majestic world of Top 5 Palaces, the breathtaking fantasy epic Princess Mononoke, and the delightful children’s series Sofia the First.

Palaces in film aren’t just settings—they’re symbols of power, magic, and intrigue. Whether steeped in history or conjured from fantasy, these cinematic castles and palaces have left a lasting impression on audiences.

1. The Imperial Palace – The Last Emperor (1987)

The Forbidden City in Beijing serves as the breathtaking backdrop for Bernardo Bertolucci’s historical masterpiece. Its grandeur reflects the isolation and opulence of the young emperor’s life. 

2. Hogwarts – Harry Potter Series (2001-2011)

A magical castle rather than a traditional palace, but let’s be honest—Hogwarts is as grand and majestic as any royal residence.

3. The Grand Budapest Hotel – The Grand Budapest Hotel (2014)

Though fictional, its lavish design and color palette make it one of the most memorable cinematic palaces. (Ed: is it though?)

4. The Castle in the Sky – Castle in the Sky (1986)

Studio Ghibli’s floating fortress, Laputa, is an awe-inspiring mix of magic, history, and mystery. It serves as both a relic of the past and a symbol of lost power, perfectly embodying the themes of the film.

5. The Palace of Agrabah – Aladdin (1992 & 2019)

Disney’s shimmering golden palace, home to the Sultan and Princess Jasmine, captures the magic and adventure of the Arabian Nights. Its lavish domes and sprawling gardens make it one of the most iconic palaces in animation.

Directed by Hayao Miyazaki, Princess Mononoke is an epic that blends mythology, environmental themes, and breathtaking animation into a powerful tale of conflict and coexistence.

The story follows Ashitaka, a young prince cursed by a demon after defending his village. Seeking a cure, he embarks on a journey that leads him to a battle between humans, led by the ambitious Lady Eboshi, and the spirits of the forest, including the fierce warrior Princess Mononoke (San).

While darker and more mature than some of Ghibli’s other films, Princess Mononoke is a masterpiece that older kids and adults can appreciate for its depth and emotional weight.

For younger viewers, Sofia the First offers a charming introduction to the world of princesses and magic, wrapped in fun adventures and valuable life lessons.

Sofia, an ordinary girl, becomes royalty overnight when her mother marries the king. As she navigates palace life, she learns about kindness, responsibility, and courage—often with the help of magical amulets and familiar Disney princesses.

From grand palaces to mystical forests, this episode celebrates the magic and wonder of cinema’s most enchanting worlds. So grab your crown, saddle up your wolf, and join us for a royal adventure! 👑🏰🎬🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This week, we’re taking a journey into one of the most beloved fantasy films of all time—The Princess Bride. A perfect blend of adventure, romance, comedy, and swashbuckling action, this 1987 classic continues to capture the hearts of audiences across generations.

Directed by Rob Reiner and based on William Goldman’s novel, The Princess Bride is a fairy tale that refuses to be ordinary. It delivers heartfelt romance, thrilling action, and razor-sharp wit, making it one of the most enduring films in cinema history.

The story begins with a sick boy (Fred Savage) reluctantly listening to his grandfather (Peter Falk) read a fairy tale. But as the adventure unfolds, the boy—and the audience—quickly becomes engrossed in a tale that defies expectations.

The story follows Westley (Cary Elwes), a farmhand who transforms into the daring Dread Pirate Roberts. His mission? To rescue his true love, Princess Buttercup (Robin Wright), from an unwanted marriage to the scheming Prince Humperdinck (Chris Sarandon). Along the way, he faces countless obstacles, from duels with a vengeful swordsman, Inigo Montoya (Mandy Patinkin), to a battle of wits with the cunning Vizzini (Wallace Shawn), and even a wrestling match with the lovable giant Fezzik (André the Giant).

The Princess Bride is a film that transcends generations. Whether you first saw it as a child, a teenager, or an adult, it offers something new with every viewing. It’s a perfect introduction to adventure films for younger audiences, packed with humor and excitement that the whole family can enjoy.

So grab your swords, prepare for adventure, and join us as we revisit one of the most charming, quotable, and endlessly entertaining films ever made. As you wish! 🎬⚔️💘🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This week, we’re diving into the world of genetic doubles, eerie doppelgängers, and mass-produced warriors as we discuss Infinity Pool, Star Wars: The Clone Wars, and our Top 5 Clones in Film and TV. Cloning has been a staple of science fiction for decades, allowing filmmakers to explore questions of identity, morality, and even power. Let’s get into it!

Top 5 Clones in Film and TV

1. The Replicants – Blade Runner (1982) & Blade Runner 2049 (2017)
   • These artificial humans blur the line between man and machine, raising questions about free will and identity. 
2. Duncan Jones’ Sam Bell – Moon (2009)
   • Sam Rockwell’s lonely lunar worker is one of the most emotionally compelling clone characters ever. 
3. Dolly the Sheep – Jurassic Park (1993)
   • Okay, not actually Dolly, but the cloned dinosaurs in Jurassic Park are the ultimate cautionary tale about playing God. Life, uh, finds a way!
4. Jango Fett & The Clone Troopers – Star Wars: The Clone Wars (2008-2020)
   • The galaxy’s most famous army, these soldiers might share the same DNA, but their individual personalities shine through in the series, making them some of the best-developed clones in fiction.
5. Michael Keaton’s Many Copies – Multiplicity (1996)
   • A comedic take on cloning, this underrated film sees Keaton’s character create clones to help him manage life—only for things to spiral hilariously out of control.

Feature Review: Infinity Pool (2023)

From the mind of Brandon Cronenberg (son of body-horror legend David Cronenberg), Infinity Pool is a disturbing and mind-bending thriller that plays with themes of identity, privilege, and morality.

James (Alexander Skarsgård) is a struggling writer vacationing at an exclusive island resort with his wife. When they meet a mysterious couple (led by Mia Goth’s unsettlingly seductive Gabi), things take a dark turn. A tragic accident leads to James being arrested and presented with a bizarre offer: he can either be executed for his crime or pay to have a clone take his place.

This is not one for the kids—Infinity Pool is a disturbing, trippy film that will appeal to fans of Possessor, The Lighthouse, or Under the Skin. It’s a psychological descent into madness.

Kids Feature: Star Wars: The Clone Wars (2008-2020)

Switching gears, we head to a galaxy far, far away with Star Wars: The Clone Wars, the animated series that not only fleshed out the prequel trilogy but also gave us some of the best storytelling in the franchise.

While some early episodes skew young, The Clone Wars matures into one of the best animated series ever. It’s perfect for Star Wars fans of all ages, providing emotional depth and epic action.

This episode i

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode takes us on a journey to the far side of the Moon as we explore Duncan Jones’ 2009 sci-fi drama Moon. A film that proves you don’t need a massive budget to tell a deeply engaging and thought-provoking story, Moon is an intelligent and emotional experience that lingers long after the credits roll.

Moon is set in the near future, where Earth’s energy crisis has been solved by harvesting helium-3 from the Moon. The story follows Sam Bell (played masterfully by Sam Rockwell), a lone astronaut stationed at a lunar mining facility, nearing the end of his three-year contract. His only companion is an AI assistant, GERTY (voiced by Kevin Spacey), whose soothing, ambiguous presence echoes the likes of 2001: A Space Odyssey’s HAL 9000—only friendlier.

Sam’s routine is disrupted when he makes a startling discovery: another version of himself. What follows is a gripping unraveling of identity, corporate ethics, and the very nature of existence.

Why It Stands Out

• Sam Rockwell’s Outstanding Performance
  • Moon is essentially a one-man show, and Rockwell delivers an astonishing dual performance, playing both versions of Sam with nuance and depth. His emotional range—from loneliness to anger to acceptance—is truly compelling.
• Atmospheric and Thoughtful Storytelling
  • The film doesn’t rely on action sequences or elaborate effects; instead, it builds tension through psychological drama, mystery, and an eerie sense of isolation.
• Minimalist Yet Effective Visuals
  • Duncan Jones masterfully creates a believable lunar setting with a mix of practical models and CGI. The film’s aesthetic feels grounded, reinforcing the loneliness and sterility of space.
• Ethical and Philosophical Depth
  • Moon raises powerful questions: What makes us human? How do we define identity? Are corporations willing to sacrifice individual lives for profit? These themes give the film weight beyond its sci-fi setting.

At its core, Moon is a meditation on selfhood and isolation. Sam’s struggle to understand who he is—and whether his memories and emotions are truly his own—makes for an engaging and poignant narrative. The film also critiques corporate greed, exploring the moral dilemmas of cloning and the expendability of workers in the pursuit of efficiency.

For fans of intelligent sci-fi like Solaris, Blade Runner, and 2001: A Space Odyssey, Moon is an absolute must-watch. It’s a film that encourages discussion, making it perfect for anyone who enjoys movies that challenge conventional storytelling and leave you questioning the nature of existence.

Join us as we discuss Moon, its unique take on isolation and identity, and how Duncan Jones crafted a modern sci-fi classic. It’s a film that proves some of the most powerful stories don’t require grand space battles—sometimes, all you need is a man, a Moon, and a mystery. 🌙🎬👨‍🚀🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode is setting sail for adventure as we discuss legendary sailors in film and animation, take an inspiring look at True Spirit (2023), and revisit an iconic animated classic with Popeye the Sailor Meets Sinbad the Sailor (1936). So, grab your sea legs and join us on this nautical journey!

Top 5 Sailors in Film and Animation

1. Captain Jack Sparrow (Pirates of the Caribbean series, 2003–2017)
   • The ultimate swashbuckler, Johnny Depp’s eccentric pirate is as cunning as he is chaotic, bringing a mix of humor and adventure to the high seas.
2. Captain Haddock (The Adventures of Tintin, 2011)
   • A hard-drinking but loyal seafarer, Captain Haddock provides comic relief and heroics in equal measure in Spielberg’s motion-capture adventure.
3. Captain Bligh (Mutiny on the Bounty, 1935 & 1962)
   • One of cinema’s most infamous naval officers, portrayed memorably by Charles Laughton and Trevor Howard, highlighting themes of tyranny and rebellion.
4. The Old Man (The Old Man and the Sea, 1958)
   • Spencer Tracy’s masterful performance in this adaptation of Hemingway’s classic captures the resilience and solitude of a lifelong fisherman.
5. Moana (Moana, 2016)
   • A bold and determined navigator, Moana defies tradition to restore balance to the ocean, proving that great sailors aren’t just grizzled old men with beards!

Main Feature: True Spirit (2023)

Directed by Sarah Spillane, True Spirit tells the incredible true story of Jessica Watson, played by Teagan Croft, a determined 16-year-old Australian sailor who set out to become the youngest person to sail solo, non-stop, and unassisted around the world.

Jessica Watson faces treacherous weather, isolation, and self-doubt as she embarks on her 210-day journey at sea. Through perseverance, skill, and an unbreakable spirit, she overcomes the odds, proving that age is no barrier to greatness.

At its core, True Spirit is about self-belief, perseverance, and the pursuit of the impossible. It’s a perfect film for families, offering not just adventure but valuable life lessons.

Popeye the Sailor Meets Sinbad the Sailor (1936)

A classic piece of animation history, this Popeye the Sailor short film, directed by Dave Fleischer, showcases Popeye in a legendary battle against Sinbad the Sailor (played by Bluto).

Sinbad boasts about being the greatest sailor, but Popeye isn’t having any of it. With a mix of humor, action, and spinach-fueled strength, Popeye takes on monstrous creatures and Sinbad’s minions in an epic showdown.

Set sail with us as we navigate through legendary sailors in film and animation, the real-life journey of Jessica Watson, and the timeless charm of Popeye. Whether you’re looking for inspiration, adventure, or some good old-fashioned spinach-powered brawls, there’s something in this episode for everyone. 🎬⚓👨

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! In today's episode, we're diving into the charming British coming-of-age comedy, The Bromley Boys (2018), directed by Steve M Kelly. This film offers a nostalgic look at football fandom in late 1960s Britain, capturing the highs and lows of supporting the underdog.

Setting the Scene: A Teenage Obsession

Set in the suburbs of London during the late 1960s, The Bromley Boys follows 15-year-old David "Dave" Roberts, portrayed by Brenock O'Connor. Dave becomes an ardent supporter of Bromley F.C., a team humorously dubbed "the worst football team in Britain." His newfound passion leads him to sneak into matches, befriend the players, and even develop a crush on the chairman's daughter, Ruby McQueen, played by Savannah Baker. 

The Plot: Dreams, Schemes, and Football Themes

Dave's journey is filled with comedic escapades as he tries to navigate his teenage years, his love for football, and his feelings for Ruby. He uncovers a secret that could change the fate of his beloved club and faces the challenge of balancing his devotion to the team with his personal relationships. The film culminates in a nerve-wracking finale where Bromley F.C. needs to win their last game, leading to moments of tension, humour, and heartfelt emotion. 

Why It’s a Must-Watch

For fans of British comedies and sports films, The Bromley Boys is a gem (Ed: Is it though?). Its blend of humour, heart, and nostalgia makes it a standout entry in the coming-of-age genre. Whether you're a football enthusiast or simply enjoy a well-told story about growing up, this film is sure to entertain and resonate.

Join us as we explore the world of The Bromley Boys, discussing its portrayal of youthful zeal, the charm of underdog stories, and the timeless appeal of football culture. Whether you're reminiscing about your own teenage passions or discovering this tale for the first time, there's plenty to enjoy in this endearing film. 🎬⚽👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review!

This episode is packed with legendary warriors, epic battles, and high-stakes drama as we explore the art of precision, the horrors of war, and the supernatural forces of feudal Japan. We begin by taking aim at the Top 5 Archers in Film & TV, followed by an in-depth look at the South Korean war epic Uprising (2024), and finish with a deep dive into Netflix’s much-anticipated anime adaptation of Onimusha.

🔥 Who Could Make the List?

• Legolas (The Lord of the Rings) – The Elven prince who turns archery into an art form.
• Hawkeye (Marvel Cinematic Universe) – The unpowered Avenger whose skills match even gods and super soldiers.
• Robin Hood (Various Films & TV) – The definitive outlaw archer, inspiring generations.
• Katniss Everdeen (The Hunger Games) – The reluctant hero whose bow sparks a revolution.
• Green Arrow (DC Comics) – A vigilante known for his trick shots and unrelenting precision.

South Korea continues to deliver cinematic masterpieces, and Uprising (2024) is no exception. Directed by Kim Sang-man and co-written by Park Chan-wook, this historical war epic blends large-scale battle sequences with an emotional story of friendship and rivalry.

Set during the Japanese invasions of Korea, this film follows two childhood friends who find themselves on opposing sides of history.

At the heart of the story is Cheon Yeong (Gang Dong-won), a former slave who rises to prominence due to his extraordinary swordsmanship. Once the loyal servant of Jong-ryeo (Park Jeong-min), fate forces them into opposite allegiances—one as a military officer, the other as a rebel soldier. As war rages, their deep bond fractures, leading to a heart-breaking confrontation.

 The Onimusha franchise finally gets an anime adaptation! Based on Capcom’s legendary video game series, this Netflix anime brings the demon-infested world of samurai warriors to life with stunning animation and intense battles. 

With its blend of horror, history, and swordplay, Onimusha has huge potential. Can it live up to the beloved video game series? We break down our expectations, hopes, and concerns! 

 This episode dives into legendary warriors, unforgettable battles, and high-stakes drama—whether it’s through bows, swords, or supernatural forces. 

Tune in and let us know: Which archer reigns supreme? Did Uprising live up to the hype? Will Onimusha capture the magic of the games? 🎯⚔️🔥 

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we’re taking a deep dive into Samurai Marathon (2019), a visually stunning period film directed by Bernard Rose. Inspired by historical events, this film blends samurai action, political intrigue, and themes of honor and perseverance into a gripping cinematic experience.

Set in feudal Japan during the 1850s, Samurai Marathon is based on real events that led to the creation of Japan’s first marathon. The film follows Lord Itakura (Hiroki Hasegawa), a daimyo who, fearing the influence of American arrivals, organizes a long-distance race to train his samurai for potential conflict. However, due to a misunderstanding, the shogunate interprets this as an act of rebellion, sending assassins to crush the supposed uprising.

Caught in the middle of this unfolding chaos is Jinnai Karasawa (Takeru Satoh), a shogunate spy embedded within Itakura’s ranks. As the marathon unfolds, Jinnai realizes that his duty may have unintended consequences, forcing him to make a choice between blind loyalty and doing what is right. Meanwhile, other runners, including the daimyo’s strong-willed daughter Yuki (Nana Komatsu), battle their own struggles—both physical and personal—during the race, turning what begins as a test of endurance into a fight for survival.

At its heart, Samurai Marathon is about adaptation and resilience. The Edo period was a time of transition, and the characters in the film must grapple with the shifting tides of history. Whether it’s Jinnai questioning his allegiance, Yuki fighting against societal expectations, or the samurai pushing their limits in the race, the film reminds us that true strength comes from the ability to endure and evolve.

If you love samurai films with a twist, Samurai Marathon is a refreshing addition to the genre. With a strong cast, a compelling story, and a unique historical backdrop, it’s a film that’s both entertaining and thought-provoking.

Join us as we lace up our sandals and run through the details of Samurai Marathon! Whether you're here for the thrilling action or the deeper historical themes, there’s plenty to appreciate in this epic tale of endurance. 🎬⚔️🏃‍♂️🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! This episode takes us on an epic journey as we dive into the grand scale of cinematic giants and feature a review of the thought-provoking Godzilla Minus One, followed by a nostalgic trip through the Godzilla Animation series from 1978.

Top 5 Giants in Film and Animation:

• Godzilla from various films: This iconic behemoth symbolizes both destruction and misunderstood nature, captivating audiences worldwide with its sheer scale and deep narrative resonance.
• King Kong from "King Kong" (1933): A tragic figure that blends horror with poignancy, illustrating complex interactions between humanity and the wild.
• The Iron Giant from "The Iron Giant" (1999): This metal titan touches hearts with themes of identity and sacrifice, showcasing the softer side of what giants can represent.
• The BFG from "The BFG" (2016): Spielberg's adaptation of Dahl's giant brings magic and kindness to the forefront, enchanting viewers with dreams and adventures.
• Stay Puft Marshmallow Man from "Ghostbusters" (1984): Mixing humor and terror, this giant marshmallow man offers a lighter, yet chaotic twist on the giant trope.

Main Feature: Godzilla Minus One The 2023 Japanese epic Godzilla Minus One, directed and visually crafted by Takashi Yamazaki, marks a significant entry in the Godzilla franchise. Set in postwar Japan, it tells the harrowing tale of a former kamikaze pilot, portrayed by Ryunosuke Kamiki, who grapples with PTSD in a country scarred by war and haunted by the monstrous deity Godzilla.

This film, premiering to commemorate the franchise’s 70th anniversary, has not only redefined the kaiju genre but has also been lauded for revitalizing the narrative depth and cinematic quality of Godzilla stories. The film intricately explores themes of trauma, redemption, and the colossal impact of war, both on the environment and the human psyche. It’s a poignant reflection on Japan’s historical context and its cinematic representation of national traumas and resilience.

Switching gears, we revisit the delightful 1978 Godzilla Animation series. This series introduced Godzilla to children as a hero rather than a destroyer. It presents a series of adventures where Godzilla, alongside a crew of human characters, tackles various monsters and villains, imparting lessons of courage and friendship. Its creative approach to making Godzilla a protector rather than a threat has endeared it to generations of viewers, showcasing the adaptability of the Godzilla mythos across different audiences and age groups.

Today’s episode invites us to reflect on the colossal impact of giants in film — not just on the physical landscapes they roam but on the emotional and cultural narratives they inhabit. Whether it's through the lens of a nostalgic animation or a critically acclaimed film, giants continue to fascinate and provoke thought, towering over the world of cinema both literally and metaphorically. Join us as we navigate through these monumental tales that continue to shape and challenge the boundaries of storytelling. 🎬👾👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we're diving into the unique and genre-defying film Colossal (2016), directed by Nacho Vigalondo. This film stars Anne Hathaway and Jason Sudeikis in roles that cleverly blend comedy, drama, and monster movie elements into a narrative that's as thought-provoking as it is original.

Colossal follows Gloria (Anne Hathaway), an out-of-work party girl who's forced to leave her life in New York City and move back to her hometown after her boyfriend Tim (Dan Stevens) breaks up with her due to her excessive drinking and erratic behaviour. Back home, she reconnects with childhood friend Oscar (Jason Sudeikis), who now runs his late father’s bar.

As Gloria struggles to regain control of her life, she discovers a bizarre connection between herself and a giant monster terrorizing Seoul, South Korea. Whenever she walks through a local playground at a specific time, she becomes the monster, mimicking her movements. This surreal discovery leads to a series of events that force Gloria to confront not only her own personal issues but also the darker sides of those around her, particularly Oscar, whose own frustrations and insecurities begin to surface in dangerous ways.

At its core, Colossal tackles the themes of control and the consequences of one's actions. Gloria’s journey is about taking responsibility for her life and the indirect effects of her behaviour on a global scale. The film cleverly uses the monster as an extended metaphor for the idea that battling one's personal demons is both a private battle and one that has public ramifications.

For fans of innovative cinema and those who enjoy films that offer more than just surface-level entertainment, Colossal is a must-watch. Its originality in narrative and depth in character exploration make it a standout film that engages, challenges, and entertains.

So, join us as we explore the intricate layers of Colossal, discussing how personal battles are often larger than life and how facing them can sometimes save more than just oneself. Whether you’re drawn to its psychological depth or the surreal aspects of its storyline, there’s plenty to appreciate in this cinematic gem. 🎬👹👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we’ve got quite the lineup. We’re starting with our Top 5 Speeding Tickets in film—a challenge that took us on a wild ride through some of cinema's fastest moments. After that, we’ll delve into the intense and thought-provoking Civil War, a 2024 dystopian action thriller by Alex Garland, and wrap up with a look at the controversial and competitive reality series Beast Games.

Civil War, directed by Alex Garland and released in 2024, dives into a dystopian future where the United States is torn apart by a civil war between a despotic federal government and secessionist movements. The film follows a team of war journalists, led by the veteran photojournalist Lee Smith, played by Kirsten Dunst, on a perilous journey from New York City to Washington, D.C. to interview the president before the rebels seize the capital. The film captures the essence of modern warfare journalism, the cost of civil conflict, and the moral dilemmas faced by those documenting history. With a backdrop of intense action and deep human drama, Civil War not only thrills but also provokes thought about the realities of war and the role of media in conflict.

Beast Games is a ground-breaking 2024 reality competition series that pushes the boundaries of what's possible on television. Created by the viral sensation Jimmy "MrBeast" Donaldson and his team, the show features 1,000 contestants competing for a staggering $5 million prize. Inspired by the cultural phenomenon Squid Game, Beast Games mirrors the intensity and drama of its fictional counterpart, bringing real-life challenges and high stakes to the forefront on Amazon Prime Video. Despite facing criticism and legal challenges due to alleged mistreatment of contestants, the show has captivated audiences, becoming one of Amazon Prime Video’s most-watched series.

Today’s episode promises a thrilling mix of speed, strategic conflicts, and real-world competition. Whether you’re drawn to the adrenaline of the race, the intensity of dystopian warfare, or the real-life drama of competitive reality TV, there’s plenty to explore and discuss. Join us as we navigate through these dynamic themes, all from the comfort of our podcast. 🎬🏎️🎥👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we're diving into the action-packed and satirically sharp world of Demolition Man. Released in 1993, this film directed by Marco Brambilla stars Sylvester Stallone and Wesley Snipes in roles that perfectly blend intense action with comedic timing.

Demolition Man takes us to a future where violence is nearly obsolete, and the society of San Angeles is governed by a pacifist regime that has sanitized nearly every aspect of life. The film kicks off in 1996, with LAPD Sergeant John Spartan (Stallone), who is wrongly convicted of a crime during his pursuit of the psychopathic crime lord Simon Phoenix (Snipes). Both are cryogenically frozen as part of their sentence, with their release set for a time when their brand of violence is supposed to be outdated.

Fast forward to 2032, Phoenix is accidentally thawed during a parole hearing and finds himself in a future ill-equipped to handle his brand of chaos. With no one able to match his violence, the pacified police force is helpless, leading to the decision to thaw Spartan, hoping his old-school ways can stop Phoenix once more. The film brilliantly juxtaposes Spartan's brute force and archaic methods with the gentle, almost comedic society of the future.

Demolition Man explores the perennial debate of freedom versus safety. The film questions whether a society can become so obsessed with peace and order that it loses essential freedoms, and whether those like Spartan, who are deemed necessary evils, can ever truly fit in or retire in such a world.

Why It’s a Must-Watch For fans of classic action films and dystopian futures, Demolition Man offers a unique take that’s both entertaining and insightful. It’s a film that invites you not just to enjoy the explosive confrontations but also to ponder deeper questions about our future societal choices.

So, buckle up as we revisit the thrilling, icy-cold showdowns of Demolition Man, exploring what happens when a society’s desire for peace faces the ultimate test against unbridled chaos. Whether you’re in it for the action or the social commentary, there’s plenty to uncover in this Stallone-Snipes classic. 🎬👊👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we've got a special episode lined up where we explore the power of words through our Top 5 Speeches in film—a testament to how cinematic monologues can inspire, provoke, and move audiences. After that, we dive into the gritty thriller Rebel Ridge, and switch gears dramatically to discuss the child-friendly antics of Blippi.

Top 5 Speeches in Film:

1. Al Pacino in "Scent of a Woman" - The courtroom speech by Lieutenant Colonel Frank Slade is an unforgettable highlight, full of passion and a raw edge that perfectly captures the themes of honor and integrity.
2. Charlie Chaplin in "The Great Dictator" - Chaplin's final speech is a powerful, timeless call for peace and humanity that stands as one of cinema’s most eloquent pleas against tyranny and oppression.
3. Robin Williams in "Dead Poets Society" - Williams' portrayal of John Keating, giving the "Carpe Diem" speech, encourages his students to seize the day. It’s an inspiring call to live life to the fullest and challenge the status quo.
4. Viola Davis in "Fences" - Davis delivers a profound monologue about loyalty and sacrifice in marriage, capturing the emotional depth and complexity of her character's struggles.
5. Michael Sheen in "The Queen" - As Tony Blair, Sheen’s speech following Princess Diana’s death elegantly balances political acuity with personal sympathy, shaping a moment of national reflection.

Rebel Ridge is a gripping thriller that tests the boundaries of justice and morality. Set against a backdrop of social and racial tensions, the film tells the story of a former soldier’s battle against systemic corruption within a small town’s police force. This thriller not only captivates with its suspense but also challenges viewers to think deeply about the themes of law, order, and justice.

Changing pace, Blippi is a vibrant educational series known for its colourful presentation and energetic host, who engages children with songs, simple lessons, and visits to interesting places like museums and zoos. This show is perfect for pre-schoolers, providing fun learning opportunities that cover basic concepts and curiosity about the world.

Today’s episode promises a rich exploration of cinematic eloquence and thrilling drama, alongside a dose of educational fun. Join us as we delve into the power of speech in film, the intense storytelling of Rebel Ridge, and the playful learning adventures of Blippi. Whether you’re in for the profound dialogues or educational content, there’s plenty to enjoy and discuss. 🎬📚👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we're taking a comedic trip back to the late 90s with the film Dirty Work (1998). Directed by Bob Saget and starring Norm Macdonald, this comedy classic has etched its mark as a cult favourite for its unique blend of humour and revenge.

A Comedy of Revenge Dirty Work follows Mitch Weaver, played by Norm Macdonald, and his friend Sam McKenna, portrayed by Artie Lange. These lifelong friends are down on their luck, perpetually unable to hold down jobs due to their irreverent attitudes and penchant for pranks. When Sam’s father, Pops, needs $50,000 for a heart operation, Mitch and Sam hatch a plan to raise the money by leveraging their skills in revenge and mischief to start a revenge-for-hire business.

The duo’s business, aptly named "Dirty Work," offers services to exact revenge on anyone their clients deem deserving. This venture leads them through a series of hilarious escapades, from embarrassing a dishonest car salesman to disrupting a movie theatre. Their journey isn’t just about pranks; it's also about dealing with their own pasts and relationships, particularly when Mitch develops feelings for Kathy, played by Traylor Howard, whose businessman boyfriend turns out to be the antagonist of the film.

At its heart, Dirty Work explores themes of friendship and redemption. Mitch and Sam’s journey is peppered with absurd humor, but it also delves into how their antics help them deal with personal failures and familial responsibilities. It’s a comedic look at how far one might go for friends and family, even if it means getting a little dirty.

Dirty Work is perfect for a laid-back movie night when you need a good laugh. Its humour might be a bit rough around the edges by today’s standards, but it’s a great example of late 90s comedy. Suitable for older teenagers and adults, it offers a nostalgic return to the era’s comedic style.

So, join us as we revisit the pranks, the laughs, and the heartfelt moments of Dirty Work, exploring what makes this film a beloved comedy classic. Whether you’re a long-time fan or new to the antics of Mitch and Sam, there’s plenty of fun to be had in uncovering the dirty work they get up to. 🎬🤣👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we're diving into a unique double feature: first, we're counting down our Top 5 Vices and Vice Presidents depicted in film and television. This eclectic mix showcases both literal and metaphorical takes on "vice" and "Vice Presidents." Following that, we'll review the spirited Irish-language film Kneecap and the delightful animated series Yakari.

Top 5 Vices/Vice Presidents in Film and Television:

1. Frank Underwood in "House of Cards" - Although briefly serving as Vice President, Frank’s manipulative rise to power is emblematic of political vice, brilliantly played by Kevin Spacey. His strategic cunning and moral corruption make for a gripping watch.
2. Selina Meyer in "Veep" - Julia Louis-Dreyfus’s portrayal of Vice President Selina Meyer blends political satire with the messy realities of vice in Washington, D.C. Her ambition and mishaps paint a hilarious yet poignant picture of a Vice President's life.
3. Dick Cheney in "Vice" (2018) - A deep dive into the controversial life and influence of former U.S. Vice President Dick Cheney, with Christian Bale’s transformative performance bringing out the intensity and complexities of his political and personal vices.
4. John Hoynes in "The West Wing" - A portrayal of ambition and flawed personal decisions, Hoynes is a character who embodies the personal vices that often shadow public figures, offering a nuanced look at the challenges of holding the vice-presidential office.
5. Lyndon B. Johnson in "All the Way" - Before becoming President, LBJ’s tenure as Vice President under Kennedy was marked by political maneuvering and ambition, portrayed masterfully by Bryan Cranston.

Kneecap is not just a film; it's a cultural phenomenon that became the first Irish-language film to premiere at the Sundance Film Festival, where it won the NEXT Audience Award. Directed by Rich Peppiatt, the film follows the formation and rise of the hip-hop trio Kneecap, set against the backdrop of Belfast’s complex socio-political landscape. The members of Kneecap play themselves, adding authenticity and raw energy to this stirring narrative. The film blends music, drama, and a poignant look at Northern Ireland’s "ceasefire generation," making it a compelling portrayal of youth, music, and rebellion.

Yakari is a charming animated series that follows the adventures of a young Native American boy who has the unique ability to communicate with animals. This show not only entertains but also imparts valuable lessons about respect for nature, courage, and the importance of cultural heritage. It’s a delightful exploration of adventure and friendship through the eyes of its kind-hearted protagonist, making it perfect for young viewers.

Today’s episode offers a rich blend of political intrigue, cultural exploration, and animated fun. Join us as we dive into these varied portrayals of vice and leadership in film and television, and explore the impactful narratives of Kneecap and Yakari. Whether you're into gritty real-life dramas or wholesome animated adventures, there’s something in this epi

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!

Welcome back to Bad Dads Film Review! Today, we’re diving into the politically charged and critically acclaimed film, Vice (2018). Directed by Adam McKay, this biographical drama offers a bold and satirical look at the life and career of Dick Cheney, the enigmatic and controversial former Vice President of the United States. With Christian Bale's transformative performance at its core, Vice delves into the complex dynamics of power, politics, and personal ambition.

Vice explores Dick Cheney's ascent from his early days in Washington to becoming the most powerful Vice President in American history. The film is structured around Cheney’s profound influence on global politics, his role in shaping today’s geopolitical landscape, and his complex relationship with power.

The narrative of Vice follows Cheney as he navigates the intricate web of American politics. Starting with his DUI arrests in Wyoming, his mentorship under Donald Rumsfeld, and his rise to CEO of Halliburton, the film captures his return to political power as George W. Bush’s Vice President. Under Bush, portrayed by Sam Rockwell, Cheney reshapes the world, emphasizing his role in the response to 9/11, the subsequent invasions of Afghanistan and Iraq, and his controversial policies on torture and surveillance.

Vice tackles themes of political power and its impact on global events, questioning the personal and ethical compromises involved. The film critically examines how Cheney’s legacy has shaped modern American politics and foreign policy, portraying these ramifications with a blend of satire and drama.

Vice is a great choice for viewers interested in political dramas or character studies. It’s a film that provides not only entertainment but also a platform for discussion about the nature of power and its consequences. Suitable for older teenagers and adults, it offers a mix of education and provocation that can lead to meaningful conversations.

So, let’s delve into the complex world of Dick Cheney in Vice, exploring the intersections of power, politics, and personal ambition that define this provocative film. Whether you’re drawn to its historical insights or the powerhouse performances, there’s plenty to unpack and discuss. 🎬🇺🇸👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads