Art & Crafts from The Ankler – Détails, épisodes et analyse

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Art & Crafts from The Ankler

TheAnkler.com

Cinéma & Séries

Business & Entrepreneuriat

Fréquence : 1 épisode/26j. Total Éps: 32

Art & Crafts from The Ankler is dedicated to bringing audiences behind the scenes to examine the careers and contributions of the talented artisans who create and craft the movies and TV series that we love.

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🇺🇸 États-Unis - filmInterviews
15/08/2026
#94
🇫🇷 France - filmInterviews
10/07/2026
#98
🇫🇷 France - filmInterviews
09/07/2026
#75
🇫🇷 France - filmInterviews
08/07/2026
#88
🇫🇷 France - filmInterviews
07/07/2026
#86
🇫🇷 France - filmInterviews
06/07/2026
#83
🇫🇷 France - filmInterviews
05/07/2026
#90
🇫🇷 France - filmInterviews
04/07/2026
#88
🇫🇷 France - filmInterviews
03/07/2026
#89
🇫🇷 France - filmInterviews
02/07/2026
#82

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Art & Crafts LIVE: The Nominees – Outstanding Sound Editing

jeudi 15 août 2024 • Durée 28:26

In the last of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Joel D. Catalan, CAS — a sound re-recording mixer who was Emmy-nominated for the NatGeo series Cosmos: A SpaceTime Odyssey — sits down with two of 2024’s Emmy contenders in the category of outstanding sound editing for a comedy or drama series (one hour): Brian J. Armstrong, MPSE, is nominated for FX’s period drama Shogun, and Tim Kimmel, MPSE, got nods for two Netflix shows: sci fi epic 3 Body Problem and animated adventure Avatar: The Last Airbender. The two sound supervisors reveal how they collaborate with showrunners to balance music, dialogue, action and strategic silence, frequently deploying what Armstrong calls “addition by subtraction.”

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Art & Crafts LIVE: The Nominees – Outstanding Costume Design

mardi 13 août 2024 • Durée 25:01

In the third of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Mona May — the costume designer behind iconic films including Clueless and The Wedding Singer — sits down with two of this year’s Emmy contenders in the category of outstanding period costumes for a limited or anthology series or movie: Lou Eyrich is nominated for her work on FX’s Feud: Capote vs. the Swans, and Safowa Bright Bitzelberger got the nod for Netflix’s Griselda. Eyrich shares how she recreated New York high-society looks from the 1950s to the ’80s, while Bitzelberger recalls conjuring the fashion aesthetic for a much grittier milieu during some of those same years: the Miami drug underworld.

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A Scientist, One Hat, 100+ Locations

Épisode 1

samedi 9 décembre 2023 • Durée 49:20

While Oppenheimer production designer Ruth De Jong and director Christopher Nolan were location scouting in New Mexico, site of the world’s first nuclear test, they heard that Russia had invaded Ukraine. “It was at the beginning when everyone was like, well, is this going to be World War III?” recalls De Jong, who “felt a responsibility” given the gravity of the film’s subject matter and Russia’s real-time threats to use nuclear weapons. That commitment to portraying the physical reality of physicist J. Robert Oppenheimer was also put into practice by costume designer Ellen Mirojnick, who joins De Jong in a conversation with host Jeannine Oppewall, an Oscar-nominated production designer. The trio discuss everything from the film’s absence of “visual noise” to the challenge of straddling worlds in both black-and-white and color to the one hat on the entire set, worn by a single character. Transcript here.

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Art & Crafts LIVE: The Nominees – Outstanding Production Design

jeudi 8 août 2024 • Durée 25:09

In the second of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Jeannine Oppewall — a four-time Oscar nominee for art direction on films including L.A. Confidential and The Good Shepherd — sits down with two of this year’s Emmy contenders in production design: Glenda Rovello is nominated for her work on Frasier, from Paramount+ and CBS Studios, and Gianna Costa got the nod for the MTV reality series RuPaul’s Drag Race. Costa describes the “seat-of-your-pants thinking” that powers a fast-moving competition show, and Rovello recalls how the innovative set design of the original Frasier informed her decisions on the reboot. They also share how playing with color and making room for movement help set the stage for great TV storytelling.

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Art & Crafts LIVE: The Nominees – Outstanding Cinematography

mardi 6 août 2024 • Durée 41:05

In the first of four special episodes recorded live on August 1 at the American Society of Cinematographers Clubhouse in Los Angeles, Nicole Hirsch Whitaker (Netflix’s One Piece) sits down with three of this year’s Emmy-nominated directors of photography. Dana Gonzales got the nod for FX’s Fargo; Richard Rutkowski for Apple TV+’s Sugar; and Gary Baum for Frasier from Paramount+ and CBS Studios. These three veterans share their career paths, creative inspirations, aesthetic hacks and the bond they share with directors. “You want to meet people that you could stay and make films with for the rest of your life,” says Gonzales. “Whatever you can do to create that kind of energy and synergy and shorthand, you're going to excel, and that's the dream.”

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How to Make a Holocaust Love Story

mardi 11 juin 2024 • Durée 01:10:34

The Tattooist of Auschwitz, based on a book by Heather Morris, follows the true story of Lali and Gita Sokolov, who fell in love as prisoners at the notorious concentration camp. The action moves between the chilling world of Auschwitz and Melbourne, Australia circa 2006, when Morris meets Lali (Harvey Keitel) and learns his history. “It’s an inspiring story of love and survival in the darkest place on earth,” says Claire Mundell, who produced the Peacock limited series. Mundell, interviewed by cinematographer Nicole Hirsch Whitaker (Netflix’s One Piece), reveals how the project came together, from securing the IP rights to convincing Barbra Streisand to make her first-ever original song for TV, “Love Will Survive.”

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‘Shogun’s’ VFX Pro Knows Exactly How a Cannonball Would Kill a Man

mercredi 5 juin 2024 • Durée 01:06:32

Shogun always meant a lot to Michael Cliett, who has fond memories of watching the 1980 miniseries with his dad as a kid in Japan. So the Emmy-nominated visual effects supervisor leapt at the opportunity to work on FX’s lavish adaptation of the James Clavell novel. Cliett speaks with host Rob Legato, the Oscar-winning VFX legend behind Titanic, about creating an authentic representation of Japan in the year 1600. “Everything had to be grounded in reality,” Cliett says, including the show’s brutal violence, from a chain shot cannonball massacre to multiple beheadings. The goal is for his painstaking work to be “invisible,” Cliett says. “The last thing I want is for the audience to be thinking about the fact that they're watching a visual effect.” Transcript here.

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How to Unleash Your Inner Gangster, Guy Ritchie Style

mardi 4 juin 2024 • Durée 01:01:20

Guy Ritchie’s stylish crime series The Gentlemen brings together British entitled aristocrats to Thai underworld killers in a power struggle over drugs, land and money. To build the world where these characters collide, Ritchie turned to production designer Martyn John and costume designer Loulou Bontemps. The duo spoke with Jeannine Oppewall, the Oscar-nominated production designer behind Seabiscuit and L.A. Confidential, about the “amazing creative rhythm” and occasional aesthetic skirmishes with their “maverick” auteur. Says Bontemps. “He always wants to be surprised and he loves to be challenged.”

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All-Access Pass: 40 Years of Bon Jovi

jeudi 30 mai 2024 • Durée 57:47

“Jon's very opinionated and combative, but not in a bad way,” says Gotham Chopra, who likens the Bon Jovi frontman to an elite athlete. “Really smart, strongly opinionated — but at the end of the day, respects talent and allows people to do their job.” And Chopra’s job, as EP and director of Hulu’s Thank You, Good Night: The Bon Jovi Story, was to pack the iconic glam-rock band’s four decades of monster hits and personal challenges into one docuseries. Moderated by award-winning editor Michael Ruscio, Chopra and editor-producer Alex Trudeau Viriato discuss their interviews with Bon Jovi, his current bandmates, former guitarist Richie Sambora and musical mentor Bruce Springsteen. Of Bon Jovi himself, Chopra says, “He would kick me out of his dressing room occasionally and be like, ‘Get the fuck out of here’. . . Over time, he also realized, ‘In order for us to get where we want to get . . . I'm going to have to let you in.’”

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How They Made the Oscars Fun Again

jeudi 16 mai 2024 • Durée 47:56

”It was a celebration of us being back together,” says first-time Oscars showrunner and Executive Producer Raj Kapoor. He’s talking about the instant classic showstopper “I’m Just Ken” that electrified audiences during the 96th Academy Awards, but as he notes, he’s also talking about the joy of returning to the movies. During this intimate conversation also with choreographer Mandy Moore and led by the inimitable Debbie Allen (who choreographed the Oscars a record 10 times), Kapoor and Moore share innumerable backstage tidbits that bring to life how they pulled off the “glamorous Hollywood take” on the Oscar-nominated song with the help of Ryan Gosling. (Just how many Kens can you fit on stage? 64!) Plus how Kapoor kept the show moving, brought energy to the production and just how John Cena ended up in that modesty pouch.

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Art & Crafts from The Ankler – Détails, épisodes et analyse

Détails du podcast

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Spotify

Liens partagés entre épisodes et podcasts

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Podcasts Similaires Basées sur le Contenu

Podcasts Similaires Basées sur le Contenu

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