Taylor Swift is the Shakespeare of our time. And we can prove it.
AP Taylor Swift is a weekly literary analysis podcast for Swifties who crave smart, funny, and approachable conversations about Taylor's lyrics. Hosts Maansi Dommeti, Jenn Holcomb, and Jodi Innerfield are three longtime Swifties whose different lives mean they never hear a song the same way. Our Show & Tell episodes connect a theme or rhetorical device to songs across her catalog (think Ecocriticism to Hilary Duff); and our Deep Dive episodes go line-by-line through one song to discover what it's really about. Whether you've got the Eras Tour setlist memorized, or you just know 'Shake It Off,’ class is in session.
New episodes weekly. Subscribe for updates: aptaylorswift.substack.com/subscribe
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Données mises à jour le 29/10/2026
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The Horror! Three Taylor Swift Songs turned spooky, like you’ve never heard | AP Taylor Swift 146
Saison 4 · Épisode 146
mercredi 28 octobre 2026 • Durée 40:34
“You’ll be alright, no one can hurt you now.” It’s spooky season! So this week, we’re exploring how horror shows up in Taylor Swift's songwriting, even when the songs are not explicitly horror songs. Jodi, Maansi, and Jenn break down the genre's core ingredients, then each bring in a Taylor Swift song to test that lens and show how fear, suspense, foreshadowing, and eerie atmosphere can reshape the way the lyrics feel. If you enjoy hearing literary concepts applied to pop music, this one maps horror, thriller, mystery, and gothic tension onto Taylor Swift in a fun and engaging way.
Two ways to get more of AP Taylor Swift:
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
[00:00] The five elements of horror: fear, setting, suspense, foreshadowing, mystery
[13:01] Don’t you dare look out your window “Safe and Sound”
[22:41] I think I’ve seen this film before and I didn’t like the ending “Exile”
[34:19] I attend Christmas parties from the outside “I Look in People’s Windows”
Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!
Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
Taylor Swift's "The Man" Meaning & Lyrics Explained: The Double Standard | AP Taylor Swift 145
Saison 4 · Épisode 168
mercredi 21 octobre 2026 • Durée 01:09:04
"I’d be a fearless leader, I’d be an alpha type." This week we're going line-by-line through Taylor Swift's "The Man" (Lover, 2019), written by Taylor Swift and Joel Little, in a literary analysis deep dive on masculinity and the gender double standard. We pick apart the conditional mood, the alpha wolf myth, the "they" who write the narrative, and how a woman's personal life gets tangled up with her professional reputation. Then we compare the music video with the Eras Tour staging and share our purposes for the song.
Two ways to get more of AP Taylor Swift:
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
Masculinity in Taylor Swift’s Music | Better Man, The Man, Father Figure | AP Taylor Swift E144
Saison 4 · Épisode 144
mercredi 14 octobre 2026 • Durée 53:03
I’ll be your father figure. In this Show and Tell episode, Jenn, Jodi, and Maansi unpack masculinity as a cultural construct, from powdered wigs and heels in 18th century France to Travis Kelce happily playing the less famous partner on New Heights.
Jenn kicks things off with Better Man, flipping every one of the ex's flaws to sketch the man Taylor actually wants (grateful, consistent, kind, and secure enough not to talk down to anyone). Jodi brings The Man and gets real about the double standards that turn a woman's "edge" into a man's ambition, plus why leaning in never quite worked. Maansi closes with Father Figure, tracing every Jaguar, chateau, and glass of brown liquor back to the patriarch. (And yes, she researched the history of dick measuring contests. For science.)
Along the way, the hosts map R.W. Connell's hegemonic masculinity, Aragorn versus Commodus, the Byronic hero, Hemingway's code hero, and the colonial baggage packed into a single word like "conquest." Pour yourself a whiskey (or don't, it tastes like fire) and press play.
Episode Highlights
00:59 Intro to the topic
11:36 Jenn's pick, Better Man, plus its Little Big Town backstory
22:35 Jodi's pick, The Man, and the rebranding of female ambition
37:48 Maansi's pick, Father Figure, and the patriarch in the title
“Dear John” by Taylor Swift, Lyrics Explained | AP Taylor Swift E143
Saison 4 · Épisode 143
mercredi 7 octobre 2026 • Durée 53:41
"I took your matches before fire could catch me" This week we're going line-by-line through Taylor Swift's "Dear John" (Speak Now, 2010). We go through the WWII-era history behind the title, the epistolary letter form, and how a breakup letter becomes an act of reclaiming her own story. And surprisingly, we walk away realizing (spoiler alert) maybe this song isn’t as sad as we thought!
Two ways to get more of AP Taylor Swift:
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
Taylor Swift and the Game Metaphor | Dear John, Foolish One, End Game
Épisode 144
mercredi 30 septembre 2026 • Durée 49:35
I wanna be your end game. Roll the dice, pick your teams, and pull up a chair, because this week is all about games (decidedly not sports). Taylor reaches for game metaphors constantly, and once you start looking, you find chess boards, poker hands, and team rosters all over her catalog.
Jenn kicks things off with the big thinkers of play, from Johan Huizinga’s magic circle to Roger Caillois’s four types of play to game theory, the field that treats every board game as a tiny model of human decision making. Then Jodi takes us inside the chess game of “Dear John,” where somebody else keeps changing the rules. Jenn lays her cards on the table with “Foolish One” and explains why showing your hand first is a classic game theory mistake (hello, sucker’s payoff). Maansi closes with “End Game,” tracing “end game,” “first string,” and “A-Team” back to chess, medieval archery, and the US Army, and landing on a very different kind of game where both players finally sit on the same side of the board.
Along the way we detour through Jumanji, Lord of the Flies, Alice in Wonderland, The Queen’s Gambit, a Garry Kasparov masterclass, and the ancient Indian roots of chess. Grab your game pieces and play along!
Episode Highlights
[01:27] Jenn sets the stage with games as a core part of being human
"False God" Lyric Analysis | Taylor Swift's Sales Pitch for Blind Faith | AP Taylor Swift E141
Épisode 142
mercredi 23 septembre 2026 • Durée 54:21
"They say the road gets hard, and you get lost when you're led by blind faith." This week we're going line-by-line through "False God" (Lover, 2019). We trace the blind faith, the confession and forgiveness, and the New York City vs. West Village metaphor to figure out who's the deity and who's the devotee in this relationship.
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
[00:15] What is a “false god”?
[02:27] "We were crazy to think, crazy to think that this could work"
[08:29] "Like I'm not your favorite town... I'm New York City"
[15:38] "You get lost when you're led by blind faith"
God in Taylor Swift's Lyrics: A Literary Analysis | AP Taylor Swift 140
Saison 4 · Épisode 140
lundi 14 septembre 2026 • Durée 48:59
And the God's honest truth is that the pain was heaven" This week we're looking at Taylor Swift's lyrics through the lens of God as a literary symbol — the ultimate judge, the absent silent one, and the lover. Maansi brings in "Soon You'll Get Better" (Lover, 2019), Jodi covers "False God" (Lover, 2019), and Jenn digs into "Would've, Could've, Should've" (Midnights, 2022).
Two ways to get more of AP Taylor Swift:
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
"Forever and Always" Song Meaning | AP Taylor Swift Podcast E139
Épisode 139
mercredi 9 septembre 2026 • Durée 47:06
"I was there when you said, forever and always." In this deep dive, we crack open why "Forever and Always" is a bait and switch song, tracing how Taylor takes a romantic idiom and flips it into a play by play of a relationship falling apart in real time. We trace the whole arc: the extraordinary to ordinary swap in that first "I believe it was a Tuesday" line, the low-key violence hiding inside a single word ("caught"), and the moment a few lines in when she stops calling it a relationship and starts calling it "this thing." By the bridge, even the chorus gets rewritten. So what actually happened between them? All three of us landed somewhere different, and that's kind of the whole point of a deep dive.
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
Apple Podcasts: paid subscribers get ad-free episodes, early episode access, and bonus episodes
Episode Highlights:
[02:16] What "forever and always" actually means, and why the title uses it ironically
[08:54] "Caught" versus "hold": the violence and the comfort hiding in her word choice
[25:30] The chorus hits: "I stare at the phone"
[41:14] The universal ache of not knowing what you did wrong
Subscribe to get new episode updates: aptaylorswift.substack.com/subscribe
Reader-Response Theory & Taylor Swift's Music | AP Taylor Swift E138
Saison 4 · Épisode 138
lundi 31 août 2026 • Durée 42:52
"Dear Reader, If it feels like a trap, you're already in one." This week we're kicking off Season 4 by looking at Taylor Swift's lyrics through reader-response theory. The framework, pioneered by Stanley Fish, argues meaning isn't fixed in a text but created in the act of reading—or in our case, listening! Jodi digs into "Forever and Always" (Fearless, 2008), Maansi takes on "Peace" (folklore, 2020), and Jenn closes it out with "Dear Reader" (Midnights, 2022) — a song that's basically begging for this exact analysis. Listen and learn why Swifties are the epitome of an interpretive community.
Learn more at aptaylorswift.com
Two ways to get more of AP Taylor Swift:
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
Greek Mythology & Taylor Swift | "My Tears Ricochet," "Long Story Short"
Saison 3
mercredi 26 août 2026 • Durée 51:27
“Fatefully, I tried to pick my battles 'til the battle picked me” This week, we're diving into the timeless influence of Greek mythology in Taylor Swift's music by exploring connections between Taylor's songs and classic Greek myths. Jodi finds links between Demeter and Persephone’s sorrow in The Hymn to Demeter and the Folklore song "My Tears Ricochet.” Maansi shows us how "Long Story Short” sounds like Odysseus recounting his epic journey as he returns home. And Jenn gets into the ancient story of the Labyrinth and how it reflects themes of self-discovery and transformation in "Labyrinth." Is Taylor Swift a modern-day Homer? Listen and find out!
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
Substack: free subscribers get episode updates. Paid subscribers get After School: bonus episodes, our full written archive, and a vote in what we cover next. Subscribe: http://aptaylorswift.substack.com/subscribe
Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!
Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
Rate, review, and subscribe wherever you listen, and tell us your favorite game reference in the comments!
We barely scratched the surface on games (we didn’t even get to video games). Find more extra credit on our Substack at aptaylorswift.substack.com, and join After School, our paid tier, for bonus content from all three of us.
Intro music by Scott Zadig aka Scotty Z.
AP Taylor Swift is an independent podcast and is not affiliated with or endorsed by Taylor Swift, her team, or her record labels.
[25:46] "Even if it's a false god, we'd still worship this love"
[40:09] "Heaven's a thing... hell is when I fight with you"
Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!
Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
Follow us on social!
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Link Tree →linktr.ee/aptaylorswift
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Libro.fm → tinyurl.com/aptslibro
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!
Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro
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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
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