Explorez tous les épisodes du podcast Absurdly Beautiful
| Titre | Date | Durée | |
|---|---|---|---|
| Neal Thomas and Katie Lydon on Absurdly Beautiful | 26 juin 2026 | 00:54:36 | |
Katie Lydon’s first language may be color, but her second seems to be intuition.After beginning her career in fashion at American Vogue, Katie built an interior design practice rooted in empathy, refinement, and self-discovery. For her, design is not simply about creating beautiful rooms, but helping clients better understand themselves and reflect that understanding back into the spaces they inhabit.In this episode of Absurdly Beautiful, Katie and I discuss the relationship between curiosity and creativity, the role empathy plays in the design process, and why the pursuit of better work often begins with a willingness to keep learning. | |||
| Neal Thomas and Cristián Mohaded on Absurdly Beautiful | 22 mai 2026 | 00:57:06 | |
Cristián Mohaded has built an internationally recognized design practice from a deeply process-driven visual language shaped by Argentine culture, craft, and instinct.
Rather than focusing on finished objects alone, the conversation explores what it takes to build a creative life — and whether the pursuit itself ever fully resolves. | |||
| Neal Thomas and Steven Haulenbeek on Absurdly Beautiful | 22 mai 2026 | 00:57:06 | |
Steven Haulenbeek plays a long, sometimes freezing, game. Undeterred, he has constructed a life that places him physically and psychologically where he needs to be to realize his often otherworldly creations.
| |||
| Neal Thomas and Emily Thompson on Absurdly Beautiful | 06 mai 2026 | 00:38:52 | |
Emily Thompson seems to operate on the same frequency as plants. Through flowers, branches, and all types of organic matter, she constructs arrangements, structures, and entire environments that transcend conventional floral design and instead give form to the emotional relationship between people and the natural world around them.
In this episode of Absurdly Beautiful, we discuss Emily’s participation in the Flower Festival as a way into a broader conversation about instinct, impermanence, and the evolving nature of her creative work. | |||