Explorez tous les épisodes du podcast 60 Songs That Explain the '90s

For a brief moment in 2000, At the Drive-In were the best live band in the world—then they broke up. This week, Rob tracks how the El Paso post-hardcore outfit burned so bright so quickly with their complex, politically-charged tunes that made for some of the wildest shows in rock. The band then suddenly flamed out after it became clear that their intensity wasn’t sustainable when they struggled to contain an unruly, “sheep”-like crowd at Big Day Out. Later, Rob is joined by journalist Suzy Exposito to discuss the herculean task of covering “One-Armed Scissor” and the politics of the pit. Host: Rob Harvilla Guest: Suzy Exposito Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie CONNECT Instagram: https://www.instagram.com/60songsthatexplainthe90s TikTok: https://www.tiktok.com/@60songsthatexplainthe90s (00:00) Intro: “Ice cream-eating motherf–kers,” Big Day Out 2001, and how to wrangle a mosh pit (31:09) This week’s song: “One-Armed Scissor” by At the Drive-In (32:17) ATDI’s formation amid tragedy (38:11) The band’s ferocious, dense lyricism (57:45) “One-Armed Scissor,” as performed on various late-night shows (66:42) Interview with Suzy Exposito (94:58) Outro Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pack up your winter gear—we’re headed to the Wisconsin woods. This week, Rob retreats into Justin Vernon’s cabin to remember the buzzy indie album ‘For Emma, Forever Ago,’ which launched the career of the eventual Grammy-winning band Bon Iver. He looks back on how critics and audiences were enamored with the narrative that Vernon wrote the album while heartbroken and alone in the woods, and the way his voice conveyed those feelings. Later, Rob’s joined by The New York Times’ Jon Caramanica to discuss if “Skinny Love” possibly led to “stomp-clap” music and what collaborators like Kanye West and Taylor Swift heard in Bon Iver. (00:00) Intro: Neko Case’s voice as a force of nature (30:19) This week’s song: “Skinny Love” by Bon Iver (32:36) Justin Vernon’s (many) early bands (48:29) Bon Iver’s abstract lyrics (55:05) “Skinny Love” and the narrative of ‘For Emma, Forever Ago’ (01:04:57) Interview with Jon Caramanica (01:33:25) Outro Host: Rob Harvilla Guest: Jon Caramanica Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie CONNECT Instagram: https://www.instagram.com/60songsthatexplainthe90s TikTok: https://www.tiktok.com/@60songsthatexplainthe90s Learn more about your ad choices. Visit podcastchoices.com/adchoices

Are bad lyrics good lyrics? That’s the question Rob posits as he tackles the Black Eyed Peas, who may have mastered the art of good-bad songwriting. He looks back on how the Peas jumped from hip-hop to pop after they added Fergie to their crew, until they ultimately hit dance music in 2009—but they maintained their goofy sensibility the whole way. Later, Rob’s joined by columnist Leslie Gray Streeter to discuss the merits of “My Humps” and why “I Gotta Feeling” has come to represent the Obamacore era. (00:00) Intro: Lyrics so bad that ... maybe they're good? (21:12) This week’s song: “I Gotta Feeling” by Black Eyed Peas (24:57) BEP’s early hip-hop days (39:05) Shifting to pop and recruiting Fergie (51:54) The wonderfully dumb ‘The E.N.D.’ and “I Gotta Feeling” (01:00:24) Interview with Leslie Gray Streeter (01:32:58) Outro Host: Rob Harvilla Guest: Leslie Gray Streeter Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie CONNECT Instagram: https://www.instagram.com/60songsthatexplainthe90s TikTok: https://www.tiktok.com/@60songsthatexplainthe90s Learn more about your ad choices. Visit podcastchoices.com/adchoices

She sings both kinds of music—country and Western—and you better be grateful for it. Lee Ann Womack followed in the footsteps of icons like Dolly Parton, Loretta Lynn, and Tammy Wynette, but she took even greater inspiration from male country stars like George Jones. After making a name for herself with her captivating tunes, Womack reckoned with love and faith on the beautiful—and melancholy?—"I Hope You Dance," which became a crossover hit and Womack's signature song. Rob is joined by music journalist Marissa R. Moss, who discusses what Womack faced as a woman in country music during the late '90s and 2000s and the selflessness it takes to write a love song to someone who is leaving your life. (00:00) Intro: The Blues Brothers go to Bob's Country Bunker (24:19) Remembering Dolly Parton (38:11) This week's song: "I Hope You Dance" by Lee Ann Womack (41:02) Womack's early tracks and the state of country in the late '90s (57:28) Is "I Hope You Dance" a sad or happy song? (01:05:27) Interview with Marissa R. Moss (01:33:12) Outro Host: Rob Harvilla Guest: Marissa R. Moss Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie Power up your play with Nintendo Switch 2. Instagram: https://www.instagram.com/60songsthatexplainthe90s/?utm_source=ig_web_button_share_sheet TikTok: https://www.tiktok.com/@60songsthatexplainthe90s?is_from_webapp=1&sender_device=pc Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s been [redacted] years since our last mailbag episode, and Rob is finally back to answer all your burning questions about the ’90s, 2000s, and more. He’s joined by Bandsplain’s Yasi Salek to discuss everything from Jason Mraz to Weird Al to chain restaurants. Tune in to hear their responses to your queries (as well as Yasi’s plea for a Fuel episode). (00:00) Intro with Yasi Salek(07:57) Opening the mailbag: What is a “goth”?(17:25) Which songs explain the 2020s so far?(28:36) Which episode would you do over?(35:26) Thoughts on Weird Al and regrettable hot takes(57:48) Favorite eras of music and ’90s artists Rob’s grown to love(01:11:08) Questions about chain restaurants, surprises from the podcast, and living in Ohio(01:30:48) Final question: Are you scared of Swifties? Power up your play with Nintendo Switch 2. CONNECTInstagram: https://www.instagram.com/60songsthatexplainthe90sTikTok: https://www.tiktok.com/@60songsthatexplainthe90s Host: Rob HarvillaGuest: Yasi SalekProducers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Twee aesthetics, songs about fleeting youth (sung by people who are objectively young), and lots and lots of blogs—that’s right, we’re talking about indie rock in the aughts. Today, Rob recounts how Swedish trio Peter Bjorn and John came from humble beginnings before their single “Young Folks” whistled its way to many best-of lists and became one of the era’s defining indie anthems. Later, he’s joined by ‘Such Great Heights’ author Chris DeVille to discuss the legacy of Peter Bjorn and John’s album ‘Writer’s Block’ and how it signals a shift in the commercialization of indie rock. (00:00) Intro: Is the Beach Fossils Bass Toss indie rock’s peak?(26:43) This week’s song: “Young Folks” by Peter Bjorn and John(31:50) The band’s early days in Sweden(36:43) ‘Falling Out’ and PB&J’s songs of fading youth(45:31) Indie twee and Rob’s whistling perils(52:38) “Young Folks” and highlights from ‘Writer’s Block’(01:02:55) Interview with Chris DeVille(01:27:55) Outro Host: Rob HarvillaProducers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia CrerieGuest: Chris DeVille Power up your play with Nintendo Switch 2.CONNECTInstagram: https://www.instagram.com/60songsthatexplainthe90sTikTok: https://www.tiktok.com/@60songsthatexplainthe90s Email us at 60songspod@spotify.com Learn more about your ad choices. Visit podcastchoices.com/adchoices  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Although this podcast has continuously shown that we cheer for the underdog, every now and then we must tip our cap to the suits and head honchos. When Evanescence’s record label insisted that Amy Lee sing alongside a rapper on their song, “Bring Me To Life,” their seemingly cringey idea only accentuated Lee’s angsty vocals and became a multigenerational anthem. Later, Rob is joined by Brittany Spanos to discuss what it meant to have such a feminine singer enter the male dominated emo rock scene. Host: Rob Harvilla Producers: Julianna Ress, Chris Sutton, Justin Sayles, and Olivia Crerie Guest: Brittany Spanos Power up your play with Nintendo Switch 2. Instagram: https://www.instagram.com/60songsthatexplainthe90s/?utm_source=ig_web_button_share_sheet TikTok: https://www.tiktok.com/@60songsthatexplainthe90s?is_from_webapp=1&sender_device=pc Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week’s episode is all about comfort. It’s about being remembered and what better person to commemorate that feeling with than the person whose music doesn’t seem to age- Sade. Sade came out with “By Your Side” after disappearing with no explanation for 8 years because she felt that was best for her. That quiet confidence lends itself to making some of the, in Rob’s words, horniest music imaginable, and the world is better for it. Finally, he is joined by Danyel Smith who explains how Sade laid the groundwork for artists like Rihanna to be the ultimate cool girl and how younger generations are still discovering Sade. (00:00) Intro: Let’s remember some guys (28:19) This week’s song: “By Your Side” by Sade (31:46) Pride, “Smooth Operator,” and ‘Diamond Life’ (42:50) The legacy of Quiet Storm (49:25) Sade’s public silences and ever-growing myth (58:01) “By Your Side” and Sade’s comforting presence (01:07:19) Interview with Danyel Smith (01:42:50) Outro Host: Rob Harvilla Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles Guest: Danyel Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Rob explains how even after five successful studio albums, Spoon still felt vengeful enough to write the most triumphant song about being the underdog. He reflects on how Spoon's major label dropped the Austin rockers and became the opposite of a muse for the band, shaping their swaggery image. Finally, he is joined by music critic Ryan Dombal who greatly appreciates the snobbery of Spoon and the rockstar frontman energy of Britt Daniels. (00:00) Intro: The three phases of major-label rock stardom (21:23) This week’s song: “The Underdog” by Spoon (25:39) Britt Daniel’s origins and ‘Telefono’ (34:56) How Spoon got dropped from Elektra Records (40:48) Spoon’s evolution as the 21st century's most consistent band (56:44) “The Underdog,” the ultimate mouth-horn song (01:02:28) Interview with Ryan Dombal (01:33:02) Outro Host: Rob Harvilla Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles Guest: Ryan Dombal Instagram: https://www.instagram.com/60songsthatexplainthe90s/?utm_source=ig_web_button_share_sheet TikTok: https://www.tiktok.com/@60songsthatexplainthe90s?is_from_webapp=1&sender_device=pc Learn more about your ad choices. Visit podcastchoices.com/adchoices

We should have known that, despite the irony, the kid from New Jersey who defended the purchasing of serial killer comics would grow up to become the defender of the broken, beaten, and damned. Today, Rob recollects the discovery of his emo phase with the enduring anthem “Welcome to the Black Parade,” by My Chemical Romance. He recounts the rise of the young band in a post-9/11 New Jersey and the pinnacle of their success with the grandiose showmanship of the 'Black Parade' album. At the end, he is joined by former My Chemical Romance producer and mentor Geoff Rickly, lead singer of the band Thursday, who knew early on that the band would be a global phenomenon. Host: Rob Harvilla Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles Guest: Geoff Rickly Instagram: https://www.instagram.com/60songsthatexplainthe90s/?utm_source=ig_web_button_share_sheet TikTok: https://www.tiktok.com/@60songsthatexplainthe90s?is_from_webapp=1&sender_device=pc Learn more about your ad choices. Visit podcastchoices.com/adchoices

We’re going back to our roots this week—back to our Toyota Corollas and Chrysler LeBarons or whatever other shitty cars we drove back in the ’90s—to blast some Bush. Rob ponders whether frontman Gavin Rossdale is a good lyricist and extends some empathy in the age of Nirvana, when no alt-rock band could compare, especially those singing about their “willies.” Finally, Rob is joined by national treasure and Rob’s daughter Yasi Salek, who comes to defend the lyricism of cheekbone himbo Gavin Rossdale. Host: Rob Harvilla Producers: Julianna Ress, Olivia Crerie, Chris Sutton, and Justin Sayles Additional Video Editing: Kevin Pooler Guest: Yasi Salek Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode is for the ladies up in here tonight! Before her hips became internationally renowned, Shakira was making Spanish rock music from the age of 14. Today, Rob looks back at her crossover album 'Laundry Service,' which was released as other Latin American artists were also starting to make music in English. Later, he is joined by music journalist Suzy Exposito, who talks about why Shakira deserves to be in the Rock and Roll Hall of Fame, her initial disappointment when Shakira dyed her hair blonde and started singing in English, and what it was like getting to interview her. Host: Rob Harvilla Producers: Julianna Ress, Olivia Crerie, Chris Sutton, and Justin Sayles Additional Video Editing: Kevin Pooler Guest: Suzy Exposito Learn more about your ad choices. Visit podcastchoices.com/adchoices

Imagine, you’re on the road with an indie sleaze band making sock puppets sing obscenities when Sesame Street gives you a call. Leslie Feist’s career can most similarly be compared to the life of Benjamin Button with her most successful and youthful song, “1234,” coming later in her colorful and previously raucous music career. Rob breaks down Feist’s magical ability to bring new perspectives to covers and sing emotion into numbers before he is joined by Canadian filmmaker Chandler Levack. They discuss the role Feist’s music played in soundtracking Chandler’s college years and how this affected her most recent film, Mile End Kicks, which follows a young music journalist becoming increasingly more involved in the music scene she’s documenting. Listen to the songs from the episode: '00s #44 Feist "1234" Host: Rob Harvilla Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles Additional Video Editing: Kevin Pooler Guest: Chandler Levack Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode is for all of the people who don’t know the difference between a meteor, meteoroid, and meteorite. Rob finally opens up about his hipster phase of life that nearly got him killed (his words, not ours). He recounts all of the “freak folk” music he discovered in the Bay Area, all of which led him to the harp virtuoso and wordsmith Joanna Newsom. He tries his best not to describe her unique singing voice while dissecting her ability to bend words and seamlessly expand her listener’s vocabulary. Finally, he is joined by music journalist and ex-h*pst*r Garrett Kamps, who recounts what it was like watching one of Joanna Newsom’s first shows and contemplates why fans may have felt protective over her. Host: Rob Harvilla Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles Additional Video Editing: Kevin Pooler Guest: Garrett Kamps Learn more about your ad choices. Visit podcastchoices.com/adchoices

Will you come to my cottage this summer and blast Canadian rock music? Rob is asking … for a friend! This week, we analyze the dramatic comeback of the Wolf Parade song “I’ll Believe in Anything” after its use in the hit gay hockey show ‘Heated Rivalry.’ He explains how his focus on the ferocity of Wolf Parade’s music distracted him from the meaning of the lyrics and how they surprised him years later during the song's resurgence. Later, he is joined by Canadian Elamin Abdelmahmoud to talk about the differences in the Montreal and Toronto rock scenes, remind Rob of forgotten Canadian bands, and explain what a “reheat” is. Listen to the songs from the episode: https://open.spotify.com/playlist/3jGtG2AAHCdpazCzuSlHrP?si=c5055ad6583f45e6&pt=21d76d95c5a8429ca2ed00ab7a01c09a Host: Rob Harvilla Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles Additional Video Editing: Kevin Pooler Guest: Elamin Abdelmahmoud Learn more about your ad choices. Visit podcastchoices.com/adchoices

Keep those negative thoughts to yourself! They are a parasite to those around you, and who knows that better than Thom Yorke? This week, Rob proves that Radiohead has the ability to sully the minds of even the most innocent by discussing “All I Need,” from their 2007 album, 'In Rainbows.' He breaks down the initial reaction to the pay-what-you-can release of 'In Rainbows’ and discusses why the album resonates with a new generation of Radiohead fans. Finally, he is joined by 'In Rainbows' expert Cole Cuchna from Dissect to break down the various lyrical interpretations of “All I Need” and the timeless quality of the album’s sonics. Listen to Rob’s ’90s Radiohead episode: https://open.spotify.com/episode/7EHs9EMkYVbLrhl4KkzzSn?si=c4a63a2fee6e4a94 Listen to Dissect’s 'In Rainbows' breakdown: https://open.spotify.com/episode/3r7UlNtqVjeVEVUsOQoEsu?si=1bb40847b7e1472d Host: Rob Harvilla Producers: Olivia Crerie, Julianna Ress, and Justin Sayles Additional Video Editing: Kevin Pooler and Chris Sutton Guest: Cole Cuchna Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob takes a trip down memory lane, a.k.a. 2000s Williamsburg, Brooklyn. Now that we are in the dark ages of social media and virality, there is a set-in-stone Mount Rushmore of late-night TV band performances, including the high-energy TV On The Radio debut of “Wolf Like Me.” Rob discusses how TV On The Radio was affected by post-9/11 New York, giving us the iconic opening album line, “I was a lover before this war.” Later, he is joined by musician and top-10 TV On The Radio fan Bartees Strange to discuss covering a monolith of a song like “Wolf Like Me” and how TV On The Radio paved the road for artists like Bartees. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler, Julianna Ress, and Chris Sutton Guest: Bartees Strange Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob makes a solid argument that the coolest thing a person can do is watch cartoons and play pretend. He breaks down the many personas of Daniel Dumile, starting with Zev Love X and ending with his villain persona Madvillain. He argues that his best work was done with fellow children’s show lover Madlib before he is joined by rapper and podcaster Open Mike Eagle to talk about getting to collaborate with your favorite rapper and the appeal of concealing one’s identity as an artist.  Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler, Julianna Ress, and Chris Sutton Guest: Open Mike Eagle Learn more about your ad choices. Visit podcastchoices.com/adchoices

You’ve heard the song a million times, and you can sing along with the crowd when it comes on. But come trivia, would you be able to name the artist and song title? Today, Rob is going to drill every jock jam into your head, leading up to the iconic opening eight bars of “Seven Nation Army” by the White Stripes. He breaks down the unusual nature of Meg and Jack White’s relationship and the perfect minimalism of Meg White’s drum style paired with Jack White’s unpredictable maximalist guitar. He tries to make sense of how, of all their songs, “Seven Nation Army” has reached the pinnacle of fame. Later, he is joined by author Chuck Klosterman, who shares his experience interviewing the White Stripes, discusses the small list of songs that are more iconic than their creators, and ruminates on whether Jack White could ever form a two-person band again. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Production Support: Kevin Pooler and Chris Sutton Guest: Chuck Klosterman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Rob talks about the song that left him speechless upon his first listen—“Milkshake”. He retraces his steps back to the beginning of Kelis’s career when she was screaming at a Glastonbury crowd. He analyzes the trend of not being able to place Black women into neat and separate genres, as rock, rap, punk, pop, and R&B start to blur lines. He is blissfully confused, and that is okay. Later, he is joined by music critic Leslie Gray Streeter to discuss the art of balancing humor and anger in a song and the empowerment of “Milkshake” as Kelis makes fun of the men who lust after her. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler and Chris Sutton Guest: Leslie Gray Streeter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Imagine the angstiest, cringiest art you made as a teenager. Now imagine the entire world singing to it in their cars and at karaoke forever. Today, Rob is breaking down the emotionally turbulent emo-bop factory machine that is Paramore. He applauds the incredible and messy lyrics of ‘Riot!,’ which differentiate the album from those of similar bands of the time. Later, he talks to The Ringer’s Rob Mahoney, Paramore’s OG fan, to discuss the exponential improvement between ‘All We Know Is Falling’ and ‘Riot!’ and Hayley Williams’s incredible vocals on “Misery Business.” Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler and Chris Sutton Guest: Rob Mahoney Learn more about your ad choices. Visit podcastchoices.com/adchoices

There is a select handful of people who were never meant to step foot into an office due to their proclivity to screw around. Just like we sent Rob packing to Ohio to bother no one but himself, Lowestoft, England shipped us The Darkness. During the post-grunge era when rock was murkily defined, we were gifted front man and lead singer Justin Hawkins on a silver platter (his manager’s shoulders) to give us crude operatic hair metal ballads. This week, Rob discusses, “I Believe in a Thing Called Love,” a song that proves if you dive head first into cheesiness, it becomes ironic and cool. Later, he is joined by Jill Hopkins who talks about the experience of watching The Darkness live and then comparing that to the people who feel confident enough to sing The Darkness at karaoke. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler Guest: Jill Hopkins Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Rob breaks down one of the many impossible expectations we have for our musical stars—the memorial performance. After years of staying out of the public eye, D’Angelo paid tribute to the artist he grew up imitating, Prince, not because he was expected to but because he had something to share. The bulk of D’Angelo’s career was spent defying our expectations, from taking his time between each of his three studio albums to refusing to become a one-dimensional sex symbol after the release of his “Untitled (How Does It Feel)” music video. Rob speaks to author and poet Hanif Abdurraqib about how we misinterpreted this music video and how we should all be grateful we were born at a time when we could listen to D’Angelo. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler Guest: Hanif Abdurraqib Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the uncertain moments following 9/11, we were searching for comfort and someone to help us make sense of it all. Today, Rob discusses the one musician who was capable of stepping up and capturing the emotions the American people were feeling: Bruce Springsteen. Rob recaps the political statements Springsteen had been making in the decades before, which prepared him for the creation of “The Rising.” Finally, he is joined by music critic and Springsteen expert Steven Hyden to discuss where the album ‘The Rising’ ranks in his discography. Host: Rob Harvilla Producers: Justin Sayles and Olivia Crerie Additional Video Editing: Kevin Pooler Guest: Steven Hyden Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before he vows to leave her alone, Rob breaks down the cataclysmic career of a pop star who did it for the love of the game and the disgust of the fame. Britney Spears had the power to shift culture with a single VMAs performance, yet her music reflected a desperation to control her own personal life. Despite the public’s continuous mistreatment of Britney, she selflessly gifted us one of the most iconic bangers of our time: “Toxic.” Afterwards, Rob speaks with music journalist Jeff Weiss to talk about the unfinished evolution of Britney’s career, the difference in today’s celebrity culture, and creation of his book, ‘Waiting for Britney Spears,’ in the time of the Free Britney movement. Host: Rob Harvilla Guest: Jeff Weiss Producers: Justin Sayle and Olivia Crerie Additional Video Editing: Kevin Pooler Learn more about your ad choices. Visit podcastchoices.com/adchoices

At long last, Rob has returned to your speakers and screens, triumphant in the face of his haters. In this way, he is no different than the subject of today’s episode: T-Pain. Even though he wrote, produced, and performed some of the greatest hits of the 2000s, T-Pain’s use of auto-tune overshadowed his talent. However, after his 2014 Tiny Desk Concert, it is safe to say we all owe T-Pain an apology (and a drank). Finally, Rob talks to The Ringer’s Tyler Parker, who speaks to the shock of hearing “I’m n Luv (wit a Stripper)” for the first time and becoming fascinated with T-Pain’s style and his version of the club. Host: Rob Harvilla Guest: Tyler Parker Producers: Justin Sayle and Olivia Crerie Additional Video Editing: Kevin Pooler Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Rob returns with a gift in time for the holidays, breaking down what many would call the voice of an angel. He takes us back to the ’90s, when one of the most covered songs on the planet was merely a forgotten, horny track from Leonard Cohen’s catalog. While many artists cover songs in an attempt to replicate the original (or just sing it more loudly), Rob explains how Jeff Buckley covered the song and made it new. Later, Rob is joined by documentary filmmaker Amy J. Berg to discuss her new project ‘It’s Never Over, Jeff Buckley.’ She describes the intimate moments of Buckley’s mother she captured, how Buckley’s father affected his relationship with success and music, and the difficulties of what to do with an artist’s unfinished discography posthumously. Host: Rob Harvilla Guest: Amy J. Berg Producers: Justin Sayles, Chris Sutton, and Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

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This week, Rob explores the biblical complexities of brotherhood throughout popular song, and uses those musical examples to highlight this eternal dichotomy: Some days when you aren’t Abel, there is always Cain. This sentiment rings glaringly true as he dissects the career of Virginia brothers The Clipse and their massive 2002 hit ‘Grindin’’, arguably the Neptunes finest production moment. Later, Rob is joined by Ringer alum Shea Serrano to explain why Malice and Pusha T’s elegant street poetry transcends the simple ‘coke rap’ designation critics have hastily assigned to their legacy. Host: Rob HarvillaGuest: Shea SerranoProducers: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week’s episode, Rob uses the blueprint he learned from all of his favorite rock band movies, like 'Dig!' and 'The Great Muppet Caper,' to better understand the self-proclaimed misunderstood band Wilco. He takes us through Jeff Tweedy’s journey, starting with Wilco’s predecessor Uncle Tupelo, which diverged from the marketable grunge movement of its time to make forthright folk music. Unsurprisingly, Tweedy continued not to write music for the masses and the labels, inadvertently making hits like “Heavy Metal Drummer.” Later, Rob is joined by Dylan Tupper Rupert, who explains how she discovered Wilco as a 12-year-old and how a band can make even the most childless of listeners feel like a dad (in the best way). Host: Rob Harvilla Guest: Dylan Tupper Rupert Producers: Olivia Crerie, Chris Sutton, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob shines a light on the many ways singer-songwriters have utilized the concept of the word ‘home’ to convey where the heart and the human spirit truly reside. These musings serve as a springboard for a thorough analysis of country superstar Miranda Lambert’s hit song from 2010 ‘The House That Built Me’, and the defiantly authentic discography that preceded it. He’s then joined by friend and culture writer Elamin Abdelmahmoud from CBC’s ‘The Commotion’ podcast to expound further on Lambert’s infectious Texas charm. Host: Rob HarvillaGuest: Elamin AbdelmahmoudProducer: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob puts his pretensions about country music aside with a closer look at Tim McGraw’s simple but moving song, “Live Like You Were Dying,” that encourages even the most sarcastic of 20-something-year-olds to romanticize their life. He talks about his late father-in-law who shared the same zest for life as the song’s narrator, and he encourages all his listeners to go sky diving, rocky mountain climbing, and to share a song they love with someone they love. Host: Rob Harvilla Producers: Olivia Crerie, Chris Sutton, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Why would the best ever want to stop being the best? Rob tries to figure this out in this week's episode covering Outkast. He proves that Big Boi and André 3000 will always be better together by comparing the tag team effort in their hit song, “Ms. Jackson,” and their split album ‘Speakerboxxx/The Love Below’. Later, he is joined by ‘Last Song Standing’ hosts, Cole Cuchna and Charles Holmes, to discuss how Outkast has aged for newer rap listeners and to share their favorite Outkast album in their self-proclaimed old age. Host: Rob Harvilla Guests: Charles Holmes and Cole Cuchna Producers: Olivia Crerie, Chris Sutton, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob initiates this week’s show by waxing poetic on the mortality of his musical idols and the treasure trove of emotional tribute songs that proliferated after the tragic passing of Nirvana frontman Kurt Cobain. His insightful homage leads perfectly into a loving soliloquy on the chaotic beauty of the Red Hot Chili Peppers' catalog, particularly their gigantic hit from 2002, “Can’t Stop.” Rob is then joined by both members of English pop duo the Ting Tings, who not only share his infatuation with bassist Flea’s instrumental prowess but also cite the RHCP's unbridled artistic vision as a major influence on their music. Host: Rob HarvillaGuests: Katie White and Jules De Martino of The Ting TingsProducers: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob contemplates the art of making an ironic cover song sincere as he enters the dark realm of the 2000s hit TV show, ‘American Idol’. He follows the inevitable success of Season 1 winner Kelly Clarkson, who proves with her impossible-to-sing hit song, “Since U Been Gone,” that she is more than just a pop princess. Later, he is joined by ‘Breakaway’ tour-goer and Clarkson connoisseur Jodi Walker to discuss Clarkson's vocal capabilities and what her discography did for 2000s TV culture. Host: Rob Harvilla Guest: Jodi Walker Producers: Chris Sutton, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Rob examines the hallowed art of employing songs within the soundtrack of a crucial TV scene to emotionally manipulate the viewing audience. Along the way, he evokes classic moments from ‘General Hospital’ , 'ER', and ‘Scrubs’ before ultimately expounding on the highly effective use of the Fray’s “How to Save a Life” in ‘Grey’s Anatomy’ to tug on the proverbial heart strings. He’s then joined by The Ringer’s own Yasi Salek to shine a light on how the Fray’s hit song shaped her experiences while watching the dramatic events unfold at the fictional Seattle Grace Hospital. Host: Rob HarvillaGuest: Yasi SalekProducers: Chris Sutton, Jonathan Kermah, Olivia Crerie, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we’re breaking down the Nas vs. Jay-Z feud, and Rob has to argue, which makes him deeply uncomfortable. After he breaks down the basic contents of a diss track, he is joined by The Ringer’s Joel Anderson to discuss the history of rap beef and his thoughts on Nas’s career after 'Illmatic.' Host: Rob Harvilla Guest: Joel Anderson Producers: Bobby Wagner, Jonathan Kermah, and Justin Sayles Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s Queens of the Stone Age Day here at 60 Songs! Listen as Rob finds a way to juxtapose heavy metal and stand-up comedy like only he can on his journey to celebrate the song “No One Knows.” Later, Rob is joined by The Ringer’s head of content and host of The Big Picture, Sean Fennessey, to further discuss the greatness of Queens of the Stone Age. Host: Rob Harvilla Guest: Sean Fennessey Producers: Bobby Wagner, Jonathan Kermah, and Justin Sayles Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob peruses the limelight love story of Jennifer Lopez and Ben Affleck while celebrating J.Lo’s 2002 smash hit, “Jenny From the Block.” Later, he is joined by writer Julianne Escobedo Shepherd to discuss the music and the drama that came with J.Lo in the 2000s. Host: Rob HarvillaGuest: Julianne Escobedo ShepherdProducers: Bobby Wagner, Jonathan Kermah, and Justin SaylesAdditional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob homes in on the specific and strange political moment in which Toby Keith made "Courtesy of the Red, White and Blue." Then, he’s joined by New Yorker music writer Kelefa Sanneh to discuss the song’s themes, cultural reception, and musical merit and the state of how we talk about Keith’s career. Host: Rob Harvilla Guest: Kelefa Sanneh Producers: Bobby Wagner, Jonathan Kermah, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob heads back to Brooklyn to explore the 2003 indie-rock staple “Maps” and the history of the Yeah Yeah Yeahs. Later, he is joined by Niko Stratis to further explore the indie jam’s success. Host: Rob HarvillaGuest: Niko StratisProducers: Bobby Wagner, Jonathan Kermah, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob is back from hiatus with a loaded episode! Join him as he straddles the line between real life and virtual reality when discussing the virtual band Gorillaz and the career of its creator, Damon Albarn. Later, Rob is joined by Jeremy Gordon, the author of 'See Friendship' and senior editor at The Atlantic, to get to the bottom of how Gorillaz became so popular (1:07:00). Host: Rob Harvilla Guest: Jeremy Gordon Producers: Bobby Wagner, Jonathan Kermah, and Justin Sayles Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

We know, it's been a while. But, Rob and his producer pals are working hard on the show. See you in two weeks! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ahead of Kendrick Lamar’s Super Bowl halftime performance, Ringer senior staff writer Justin Charity explores some of the critical moments of Kendrick’s story: from a legendary come-up in the rap blog era of the late 2000s to his early stardom in the 2010s to his fiery resurgence in the past several months as he takes a never-ending victory lap after winning his war against Drake. Host: Justin Charity Producers: Vikram Patel, Justin Sayles, Chelsea Stark-Jones, and Bobby Wagner Story Editing: Aric Jenkins Sound Design, Mixing, and Mastering: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen to Rob and Yasi, joined by Chris Ryan and Sean Fennessey live from the Lodge Room in Los Angeles! In this song draft, the crew is picking between the best soundtracks of the 2000s. Hosts: Rob Harvilla and Yasi Salek Guests: Chris Ryan and Sean Fennessey Producers: Adrian Bridges, Jonathan Kermah, and Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we’re celebrating the Canadian rock band Nickelback! Along the way, Rob discusses butt rock, anti-Nickelback memes, and his friend stealing his girlfriend in high school. Later, author and columnist Leslie Gray Streeter joins the show to defend Nickelback fans and much more. Pre-Order, Leslie’s new book, ‘Family & Other Calamities: A Novel’ here. Host: Rob Harvilla Guest: Leslie Gray Streeter Producers: Jonathan Kermah and Justin Sayles Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob celebrates pop icon Rihanna while looking back at her smash hit “Umbrella.” While combing through Rihanna’s expansive career, Rob also discusses whether Jay-Z’s guest verse on “Umbrella” is the worst of his career. Later, Brittany Spano joins the show to answer the difficult question of what song is Rihanna’s best, and much more. Host: Rob Harvilla Guest: Brittany Spano Producers: Jonathan Kermah and Justin Sayles Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob explores the genre-fluid positive energy of rap/reggae/rock ‘90s holdovers 311 and their hit ‘Amber.’ Among other things, he also talks about them as a bridge from a previous era, the musicality of their bass in particular, and the way they’re in conversation with bands that petered out in the ‘90s, as well as bands that grew in popularity in the 2000s. Then, Rob is joined by New York magazine music critic Craig Jenkins to discuss why 311 is actually good and situates their legacy as it stands today. Yasi's GoFundMe: https://www.gofundme.com/f/yasis-house-burned-down-to-the-ground Host: Rob Harvilla Guest: Craig Jenkins Producers: Jonathan Kermah, Justin Sayles, and Bobby Wagner Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob examines the crossroads of Usher’s pop star persona and Lil Jon’s unique vocal and musical genius this week when taking a look back at the smash hit “Yeah!” (1:00). Then, he is joined by Clover Hope to talk about the construction of Usher’s career, the imagery and storytelling that went into making him more interesting to audiences, his staying power, and more (59:00). Host: Rob Harvilla Guest: Clover Hope Producers: Jonathan Kermah, Justin Sayles, and Bobby Wagner Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rob looks back at the music career of pop star Avril Lavigne while celebrating her smash hit “Complicated.” Along the way, Rob dives deep into the idea of the anti-Britney Spears and much more! Later, he is joined by Marissa Moss to discuss Avril Lavigne’s potential influences, debating what song is her best, and more. Host: Rob Harvilla Guest: Marissa Moss Producers: Jonathan Kermah and Justin Sayles Additional Production Support: Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices