Explorez tous les épisodes du podcast 2 Guys And A Chainsaw - A Horror Movie Review Podcast

We talk about Bannister’s unique career and background and how Reggie evolves here into a more action-hero figure. We break down how Universal’s higher budget and studio demands changed the sequel’s tone—more linear, more action-driven, recasting Mike, and adding love interests—while losing some of the original’s dreamlike surreal horror. We discuss the road-trip structure, psychic subplot, mixed lore elements, standout practical effects, memorable set pieces, and the ending’s reset, plus where the series goes next and why we might revisit later entries like Ravager.

With that out of the way, we dig into 2025’s Good Boy, a low-budget haunted-house horror told largely from a dog’s perspective, and talk about why it’s basically 75 minutes of being up close with Indie (and why that’s either a feature or a bug). We cover the film’s SXSW buzz, long shoot with an untrained dog, and surprising box office success, then unpack what worked for us: the eerie atmosphere, subtle shadowy scares, dream/vision sequences, and the ambiguity around whether the cabin is haunted, the family is cursed, or we’re just watching death creep in as the owner grows sicker and more unstable. We also discuss pacing, the fox trap subplot, the muddy “reaper” finale, and why the dog-centered viewpoint makes the story uniquely unsettling—plus, yes, the dog doesn’t die.

We walk through the central tragedy of 16-year-old Alice’s drowning, the family’s grief, and the subtle escalation of eerie evidence—dreams, noises, strange photos, and hallway camera footage—before unpacking the film’s major twists. We talk about how the movie plays more as a drama about mourning and uncertainty than a straight ghost story, why some turns feel contrived, and why the final montage retroactively makes the whole experience linger. We also touch on the ongoing appeal of true-crime and mock-doc horror and what makes this one worth watching.

We reflect on how much he meant to us across roles like Rocky Horror, Clue, Pennywise, and extensive voice work, including how his stroke affected his career and why his memoir is worth reading (even if it’s brief and private). In celebrating his legacy, we discuss Ridley Scott’s Legend (1985), including its troubled production, stunning practical sets, and Curry’s iconic, physically demanding Darkness makeup. We compare the director’s cut and theatrical cut, focusing on how Jerry Goldsmith’s score versus Tangerine Dream radically changes tone, pacing, and character complexity, and we break down key scenes like Meg Mucklebones, Lily’s seduction/dance sequence, and the differing endings. Check out both cuts, as well as more of Curry's work over his many decades in the business!

We talk about the film’s charm, likable buddy dynamic, romantic-comedy “meet cute,” and its role-reversal premise where men are the ones being hunted by a vengeful spirit during a village festival. We break down the lore, the standout musical number and credits sequence, and the cast—Rajkummar Rao’s committed tailor performance, Shraddha Kapoor’s perfectly mysterious presence, and Pankaj Tripathi’s scene-stealing exposition. We also unpack the ending twist, sequel setup, and why this feels more spooky campfire tale than graphic horror.

For this tribute to Sam Neill, we dive into John Carpenter’s In the Mouth of Madness (1994), the final entry in Carpenter’s “Apocalypse Trilogy,” and a Lovecraft-inspired, reality-bending horror film built around books, belief, and cosmic dread. We break down Sam Neill’s performance as skeptic insurance investigator John Trent, the film’s surreal structure, meta ending, and plot-heavy descent into Hobbs End, where fiction bleeds into real life. We also highlight Carpenter’s signature direction and score, the stacked supporting cast (including Charlton Heston and David Warner), and the standout practical creature effects that make this one a must-watch.

We break down the movie’s hyper-stylized, Tarantino/Raimi/Rodriguez vibe, martial-arts-heavy set pieces, and throwback gore—plus how much we admired the practical effects and cinematography. We discuss Zazie Beetz carrying the film, the thin sister-family drama setup, and the central premise: a satanic, ultra-wealthy cult in The Virgil building whose members can regenerate after being “killed.” From the samurai-sword bloodbath to the sentient eyeball gag, the fire-axe cafeteria fight, and the pig-headed devil ritual, we debate whether it’s fun homage or too derivative, and who we’d recommend it to for a movie night.

We talk Renny Harlin, writer’s-strike, collaborative production, how the film cemented Freddy’s mainstream, quippier icon status, and why it became a massive independent hit despite critics like Roger Ebert. We break down the thin-but-fun vignette structure, the recasting of Kristen (and our near-miss getting Harlin on the show), Alice’s “power” progression, and standout sequences like Joey’s waterbed “wet dream,” Sheila’s classroom death, Rick’s dojo showdown, the surreal movie-theater nightmare, and Debbie’s unforgettable roach-motel kill. We also reflect on franchise highs/lows, Freddy’s future. Thanks for sticking with us all these years!.

We talk about its odd production history (including star Christopher Stryker’s tragic death before release), the bizarrely charming opening trauma, and how the film mashes together slasher tropes with “teens cause a death” and light Last House/I Spit On Your Grave vibes. From Dickens and his outcast crew to the incoherent football-game detours, swamp “slime” gathering, and a prank that turns into an unsettling assault, we break down the movie’s tonal whiplash and why the inciting incident arrives way too late. We also cover the rushed revenge ending, the goofy cover-up plan, and the final twist, plus call out Christopher Cousins (Breaking Bad) and Daniel Beer (Creepshow 2).

This week, we discuss Craig’s pick, A24’s 2024 horror film Heretic, noting its strong reviews, the writers’ long theology research, and how it rewards rewatching. We praise the film’s claustrophobic, dimly lit first half as Hugh Grant’s Reed lures Mormon missionaries Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) into a polite but escalating philosophical trap, using arguments against religion while the women prove smart and resourceful. We debate plot contrivances, Reed’s improvised psychopathy, and the intentionally ambiguous ending that raises existential questions without taking a firm stance.

Despite an “insane” cast packed with recognizable comedians and performers, we talk about why the movie tanked, why it feels plotless, and how its nonstop juvenile gags, dated stereotypes, and heavy improvisation don’t land for us. We dig into behind-the-scenes factors—director Alfred Sole admitting he didn’t know how to direct comedy, mismatched performance styles, and the title change from Thursday the 12th to Pandemonium—and we walk through key bits like the opening javelin kill, the cheer-camp setup, and the final reveal.

We talk about the film’s odd tone, slow pacing, and the Texas Chain Saw Massacre-style setup of Farmer Vincent’s famous smoked meats, plus the bizarre “garden” reveal where victims are buried up to their necks.

We discuss how the sequel goes meta by treating the first movie as a film-within-the-film, allowing recasts and retcons, and how the movie leans into extreme, Terrifier-style gore with a huge rave massacre and creative kills. We break down the updated creature designs—especially Owl as a mastermind and Tigger’s Freddy-inspired vibe—plus Christopher Robin’s added backstory involving a mad scientist, kidnapped children, and Pooh revealed as his brother Billy. We also cover the ending, mid-credits tease of Pooh and Piglet returning, and the franchise’s planned crossover “cinematic universe.”

We talk about why Cage is unfairly maligned, how this film captures Lovecraft’s bleak, unknowable cosmic horror, and why the movie’s cinematography and surreal color effects are such a standout. From the meteor hitting the family farm to the contaminated well water, warped time, and terrifying body-horror transformations, we break down what worked, what felt unnecessary (including some exposition), and why the film still lands as a gorgeous, disturbing ride. We also compare story vs. movie elements, discuss the ending’s lingering dread, and touch on director Richard Stanley’s comeback and hoped-for Lovecraft trilogy.

Shot on location in Boston, it leans on familiar tropes—black gloves, an obscured killer, and a whodunit investigation—but stands out with stylish, restrained beheading set pieces, clever editing, and memorable sound design. We walk through standout sequences like the aquarium kill and the restaurant “stew” fake-out, debate the soapier relationship drama around Professor Millet and Eleanor, and react to the reveal of the killer and a lengthy motorcycle chase. By the end, we agree it’s well-made and visually strong, even if watching so many early ’80s slashers back-to-back dulled the impact.

This week we tackle 1987’s The Curse, an Italian-made, sequels-in-name-only entry starring Wil Wheaton and loosely adapting H.P. Lovecraft’s “The Color Out of Space” with a Reagan-era farming backdrop.

We talk about how the film’s Jakarta-to-remote-village setup builds atmosphere, the boldness of its dialogue and staging, and the gorgeous candlelit cinematography inspired by shadow puppetry. Along the way we unpack the twisty mystery, the curse at the heart of the village, and the film’s disturbing violence, including the skinning and the chilling connection between human skin and puppet-making. We also debate the movie’s big exposition dumps, its cultural specificity, and why—subtitles and all—it’s still a compelling, well-made horror story worth seeking out.

We talk about how hard it is to find, why it feels more like late-’70s TV horror than an ’80s theatrical release, and how its “so bad it’s funny” charm makes it perfect for a group watch. Along the way we highlight the recognizable cast, the goofy demon-possession plot, the constant green-glowing mausoleum, and the over-the-top practical effects that go from silly to outrageous. Between awkward editing, absurd kill scenes, and tonal whiplash comedy moments, we end up with mixed feelings—but plenty to laugh about.

After breaking into the Emax lab for a story, reporter Lori inadvertently rescues Max, a genetically engineered dog spliced with traits like speed, strength, climbing, camouflage, and even acid urine—then chaos follows as the mad scientist Dr. Jarrett and the police close in. We talk standout cast and effects, the surprisingly sitcom-like tone and Spielberg-ish score, and set pieces ranging from a swallowed cat to an escalating chase back to the lab. Max ultimately dies stopping Jarrett, but a final reveal hints his legacy lives on in a litter of puppies—including one that looks a lot like Max.

We dig into its standout Tybee Island, Georgia locations (including the fort ruins and the abandoned theater), the surprisingly gorgeous orchestral score, and how the film tries to blend standard slasher beats with surreal, dreamlike, potentially supernatural elements. Along the way we break down the small adult-couple cast dynamic, the slow soap-opera pacing, the shadowy killer presentation, and several kills (including a memorable pitchfork moment) while noting the heavy A Nightmare on Elm Street parallels. We also unpack the confusing, ambiguity-driven ending and why the movie feels ambitious even when it doesn’t fully land.

We talk about Raimi’s signature style, the small-cast setup, and the power-dynamics story between office underdog Linda Little (Rachel McAdams) and her arrogant boss Bradley Preston (Dylan O’Brien) after a plane crash strands them on an island. From the chaotic crash sequence to the boar hunt, shifting sympathies, and escalating psychological violence, we dig into the film’s twists, the mansion reveal, and that sharp final-year-later payoff. Along the way we hit the box office/streaming success, standout performances, and why the ending feels so satisfyingly wicked.

We talk about why we finally picked it, its Sundance buzz and critical praise, and how its quiet pacing and gorgeous cinematography build tension. From the disturbing mommy-blogger facade and relentless pressure on young gymnast Tinja to the eerie egg she incubates and the practical-effects creature that emerges, we unpack the film’s doppelgänger angle, psychic connection, and escalating attacks. Along the way we explore the movie’s layers of metaphor—maternity, repression, puberty, body image, and parents vicariously living through kids—leading to an ending we found bleak, satisfying, and thematically sharp

We talk through Fulci’s stylized approach, the gritty early ’80s New York locations, and how the film’s sleaze and eroticized violence make it a challenging watch, especially with its mean-spirited tone toward women. Along the way we unpack the duck-voiced killer calls, the procedural investigation, the disjointed plotting, and the extreme gore effects—particularly the razor-blade murder and eye trauma. We also cover the film’s reveal involving Peter, his hospitalized daughter, a dead-end suspect, and the bleak final moments that leave the story on a dark note.

We talk about the movie’s iconic shish kebab kill, its giallo-inspired mystery setup, and the nonstop barrage of over-the-top red herrings that make the nearly two-hour runtime feel even longer. Along the way we dig into the prep school “Top 10,” the creative (and sometimes cut-down) kill scenes, Virginia’s traumatic flashbacks and experimental brain procedure, and the surprisingly stacked talent behind the production, including Glenn Ford. We break down the movie’s wildly convoluted twist ending, why it feels like a last-minute rewrite, and why—despite its flaws—we ultimately had a fun time with it.

We discuss its clever use of mixed camera sources, the fourth-wall breaks that pull the audience into the curse, and how the film’s non-chronological structure parcels out its story. Along the way we unpack the ghost-hunter backstory, the taboo tunnel shrine and folk rituals, the escalating body horror centered on a young child, and the bleak implications of the film’s “chant with me” setup. We also compare its cursed-footage vibe to The Ring and talk about how its atmosphere and emotional stakes keep it intense, even when parts are hard to follow.

We break down its basic-but-effective “game” setup in a hotel where masked killers, surveillance, and scoring drive extremely brutal practical-effect kills, while the real fun comes from a steady sugar-high of horror cameos—Dee Wallace, Danielle Harris, Jeffrey Combs, Tim Reid, Daniel Roebuck, Phyllisa Rose, Tony Todd, and more—plus David Howard Thornton essentially channeling Art the Clown. We talk about the TV-like cinematography, the two-hour runtime, uneven plotting and character overload, and the bleak ending and mid-credits sequel tease featuring Tim Curry’s voice, while agreeing it’s fan-service done right for horror fans, not the general public.

Even though we’d somehow missed it for years, we were genuinely impressed by how competent it is—strong cinematography, effective editing, solid performances, and practical effects that often land, plus a captivating campfire-story opening that sets the tone and lore of “Madman Marz.” The plot is basically a classic paint-by-numbers chain of counselors wandering into the woods and getting picked off, but the kills are creative and the filmmaking elevates the whole experience. We also shout out the sound work, the memorable songs, and Galyn Ross as Betsy, then wrap up by playing a listener call.

We talk about how impressive the filmmaking is, Malkovich’s unexpectedly convincing pop-star performance (including a full in-movie album), and the movie’s strong, tense, twisty atmosphere that sometimes evokes The Menu. We walk through the plot’s creepy compound setting, escalating cult behavior, and the violent reveal, then debate the ending’s explanation that everything was orchestrated so Ariel could escape and publish an exposé. One of us loved the ride and performances, while the other found the message and payoffs frustratingly vague, though we still recommend checking it out.

While the story feels convoluted and the setup is thin, the movie is slickly shot and packed with memorable, creative kill sequences—dead lights, superheated cells, sentient barbed wire, and an outrageous finale. We talk through Viggo Mortensen’s early role as brooding inmate Burke (and how much of the movie he spends nearly naked), the prison’s chaotic reopening, the warden’s melodrama, and the bizarre supernatural “rules” that make little sense but still deliver some great effects. It’s messy, weird, and surprisingly fun—worth a watch on YouTube while it’s there!

We talk about its infamous cover art and how it helped spark the UK “video nasties” panic, then dig into the movie’s grimy New York atmosphere, disjointed character-study structure, and aggressive sound design—including the repeated band-rehearsal sequences and heavy use of music. We break down Reno’s unraveling as financial pressure, an unexplained church encounter, and surreal flashes build toward a sudden, graphic drill-fueled rampage, along with moments of dark humor and ambiguity. We also discuss the added footage in the longer cut and the unsettling, open-ended finale.

We talk through the creepy catfishing premise, the overbearing mom luring women to her house, and Henry’s memorable monster design, along with the movie’s mix of gross-out shocks, dark humor, and some frustrating “why would you do that?” character choices. Despite the cliches and suspension-of-disbelief moments, there’s plenty to discuss—from the Buffy-like mid-movie team-up and standout kills to the bizarre music-soothing motif and an especially brutal finale. If you’re in the mood for something dumb, goofy, and competently made, this one might be worth the watch on free, ad-supported Tubi.

We talk about the oddball cast—especially a very young Brad Pitt—plus Jill Schoelen, Martin Mull, and Roddy McDowell, and why so many scenes feel bizarrely staged or played too straight for the gags. From killer POV moments and death-by-kiln to the Xerox kill and that trampoline flag impalement, the movie delivers creative set pieces even when the plot and character motivations don’t track. It’s not a good movie, but we still had fun with it and think it plays best with friends.

We talk about why the movie has been so well received, how the effects and cinematography elevate it, and how the central relationship feels unusually intimate and honest. From moving to a rural house and the couple’s growing tension to the disturbing cave, the mysterious “water,” and the escalating physical and psychic bonding, we walk through the major plot turns.

We talk about how derivative it feels of films like Bad Dreams, Halloween-style stalking, and other late-’80s horror beats, while still appreciating the moody lighting, strong visuals, and some fun practical effects.

This movie has a lot going for it: ’80s time-capsule vibe, TV-heavy cast (including Jamie Farr, Sidney Lassick, and Brion James), and practical body-horror effects by Screaming Mad George. The plot follows a young couple on a road trip after Clark is bitten by a mutant snake, leading to an escalating transformation into a snake-armed—and eventually snake-spewing—monster, while Farr’s character pursues them after giving the wrong antidote.

We're finally covering William Lustig’s 1980 cult horror film Maniac - a gritty, guerrilla-shot New York character study starring Joe Spinell as Frank Zito,

From the humor and horror to the film's low-budget charm and its dialogue style, there was lots to discuss. Issa Rose from the 'Sleepaway Camp' series prominently features as a memorable character with a standout performance. Help us kick off the new year with this intriguing horror flick.

We reunite in Chicago for our Christmas review of the 2023 horror film 'The Sacrifice Game.' We reminisce about the last time we were able to meet in person back in 2022, and share our excitement for being able to watch and discuss the movie together. We delve into the plot of 'The Sacrifice Game,' its 1970s cult slasher vibes, and the surprising twist ending. From reconnecting characters, unsettling moments, to the coziness of the holiday setting, we discuss it all. Join us for a heartfelt and festive discussion on this latest horror flick, and don't forget to share your thoughts and comments!

This week, Craig and I dive into the 2006 remake of 'Black Christmas,' a holiday horror pick that our patrons voted for. We discuss the backstory, special kills, nods to the original, and some of its goofier elements. With a star-studded cast including Michelle Trachtenberg, Lacey Chabert, and Mary Elizabeth Winstead, there's a lot to unpack. We had some mixed feelings but ultimately found some enjoyment in its over-the-top gore and Christmas vibes. Perfect for fans of early 2000s horror. Don’t forget to share your thoughts and comments!

After years of resistance, we're finally giving this fan-requested movie the attention it deserves. Join us as we dissect the recycled footage from the first movie, Ricky’s over-the-top performance, and the film’s unexpected (and often ridiculous) comedic elements. We debate whether this film is so bad it's good and consider the legacy of this infamous holiday slasher. Tune in for laughs, critical takes, and some surprising revelations about our feelings towards this cult classic. Don’t forget to share your thoughts and recommendations for other holiday horrors!

We delve into the plot of this flick set on Christmas Eve, discussing its lack of compelling twists and predictable storyline. We'll compare it to other similar films like 'Very Bad Things' and 'I Know What You Did Last Summer' and share our honest thoughts on the characters and overall execution. Is 'Body' a thrilling holiday film or just 'mid'? Join us to find out. And hey, we’ve got a heartwarming message from a listener in Alabama that you won't want to miss. Tune in and let us know your thoughts!

From bizarre animated sequences to hilarious one-liners, 'Thankskilling' offers a unique blend of low-budget charm and absurdity. We discuss the film's most memorable moments, its cult status, and why it might just be the perfect movie for a goofy Thanksgiving gathering with friends. Don't forget to share your thoughts in the comments; we love hearing from you all!

It's request time again, and this week we're diving into the 2017 Argentinian horror film 'Terrified' (Aterrados)! We discuss the unique structure of the film, its atmospheric and haunting visuals, and the complex narrative that keeps you on the edge of your seat. From the shocking opening scene to the film’s unsettling climax, we break down what makes 'Terrified' a compelling watch for horror fans, despite its sometimes confusing plot elements. Be sure to watch the video and share your thoughts in the comments!

We discuss Eggar's extensive career, from television appearances to film roles, and delve into the unique aspects of the 1979 horror movie, exploring its themes of trauma, divorce, and the sinister practice of 'psychoplasmics.' There's plenty of dramatic tension in this melodramatic piece, while staying true to Cronenberg's unsettling body horror dynamics. Don't forget to share your thoughts in the comments!

Re-released by Vinegar Syndrome and recently made available on Tubi, this obscure gem is an amateurish yet charming horror flick. We discuss the film's production, plot, and key moments, from its quirky characters to its surprisingly good cinematography and makeup effects. Perfect for a chilly Halloween night!

We continue our Halloween Horror series with 'Cursed Friends' (2022). In this episode, we discuss the film's production by Comedy Central, its nostalgic feel, and blend of horror and comedy elements. We breeze through the plot, noteworthy performances, and the many cameos from popular comedians, including Kathy Griffin and teen heartthrob, Joey Fatone.

We discuss the film's references to other horror classics, its nineties nostalgia, and memorable performances by Devon Sawa, Seth Green, and Jessica Alba. While rewatching this cult favorite, we found our initial excitement was tempered by some hard-to-define disappointment, as we debated its comedic value and overall execution. Join the discussion on whether 'Idle Hands' holds up to its reputation or falls flat as a 'mid' film. Don't miss this spirited Halloween edition!

Craig shares his long-time love for the film, while Todd discusses his first impressions after watching. Listen as we explore the memorable performances by Robin Tunney, Fairuza Balk, and Neve Campbell, discuss the film’s strong feminist themes, and highlight the unforgettable 90s soundtrack. Tune in for an in-depth discussion of the movie's impacts and legacy. Don’t miss it! And Happy Spooky Season, everyone!

We delve into its three stories—two adapted from King's 'Night Shift' collection and one original story featuring Drew Barrymore. We'll tackle our memories of the film from childhood, the impressive acting, and the memorable third segment. We also touch on the film’s music by Alan Silvestri and the direction of Louis Teague.

We discuss Spiegel's integral role in the horror genre, his close associations with influential directors like Sam Raimi and Quentin Tarantino, and his contributions to iconic horror films. We also delve into the film's stellar practical effects, Bruce Campbell's physical comedy, and the film's mix of horror and humor. If you're a fan of 'Evil Dead II', Scott Spiegel, or fascinating behind-the-scenes tidbits, you won't want to miss this episode. Join the discussion and share your thoughts!